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  <channel>
    <title>How to Reduce Noise from Noisy Neighbours</title>
    <link>https://www.soundproofingstore.co.uk</link>
    <description>Learn the most effective ways to reduce noise from noisy neighbours in UK homes. Award-winning, high performance soundproofing solutions.</description>
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      <title>How to Reduce Noise from Noisy Neighbours</title>
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      <link>https://www.soundproofingstore.co.uk</link>
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    <item>
      <title>How to Soundproof a Ceiling in a Flat (UK Soundproofing Guide)</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling-in-a-flat-uk-soundproofing-guide</link>
      <description>Struggling with noise from upstairs neighbours? Learn how to soundproof a ceiling in a flat with this clear UK guide covering proven systems, tips, and best materials.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How to Reduce Noise from Upstairs Neighbours (UK Soundproofing Guide)
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ceilings+image+after+soundproofing+.png" alt="Noisy neighbours upstairs whilst someone sleeps below"/&gt;&#xD;
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           Noise from upstairs neighbours is one of the most common frustrations for flat owners and tenants in the UK. Whether it’s footsteps, voices, or TV noise, a properly soundproofed ceiling can make a huge difference. This guide explains how to soundproof a ceiling effectively, which materials work best, and how much it costs to achieve peace and quiet in your home.
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           Why Soundproof a Ceiling in a Flat?
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           If you can hear footsteps, moving furniture or conversations from above, it means your ceiling isn’t blocking airborne or impact noise effectively.
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           There are two main types of noise to tackle:
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            Impact noise:
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             footsteps, moving furniture, dropped items
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            Airborne noise:
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             talking, music, or TV
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            The goal of soundproofing is to add
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           mass, separation, and damping
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            so that sound energy doesn’t pass through your ceiling.
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           Best Ways to Soundproof a Ceiling
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            The most effective way to
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           soundproof a ceiling in a flat
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            is to install a
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           decoupled ceiling system
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            , such as the
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    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
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            ReductoClip Ceiling System
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           .
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           This system separates the ceiling from the floor above, dramatically reducing both airborne and impact noise from neighbours or members of the same household being noisy in the upper floors of the same house.
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           How the ReductoClip Ceiling System Works
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+to+ceiling+flexisound-ad01eeae.jpg" alt="Cutaway view of a suspended ceiling showing layers of materials: ReductoClips, Reducto Furring Channels, acoustic insulation, FlexiSound and acoustic plasterboard"/&gt;&#xD;
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            ReductoClips
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              These specialist sound isolation clips
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            decouple the ceiling structure from the timber joists,
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             acting like a
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            shock-absorbing suspension system
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             . They isolate and dampen high levels of
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            sound energy and vibration
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            , preventing noise from transferring through the ceiling.
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            ReductoClip Furring Channels
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              The
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            extra-wide metal channels
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             slot into the clips and provide a stable fixing point for acoustic plasterboards. Their width makes
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            acoustic plasterboard installation faster and easier
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            .
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            Acoustic Mineral Wool
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              Dense
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      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
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             acoustic insulation
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             is fitted between the joists to absorb sound within the cavity. This prevents sound from
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            amplifying or resonating
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            .
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            Acoustic Plasterboard (2 Layers)
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              Two layers of
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             high-mass
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             acoustic plasterboard
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             are added with FlexiSound sandwiched in between to increase ceiling density. These boards offer greater
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            mass and airborne sound reduction
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             than standard plasterboard but can still be
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            finished and decorated normally.
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            FlexiSound 5 Membrane
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              The
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             FlexiSound 5
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             viscoelastic membrane
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             adds an additional type of mass to target a wider range of sound frequencies. It helps
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            absorb and dampen sound energy and vibration
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            , enhancing the performance of the full ceiling system.
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           Watch: How to Soundproof a Ceiling Using the ReductoClip System
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Mobile+Central-5a87ea63.jpg" alt="ReductoClip Soundproofing Clip"/&gt;&#xD;
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            Learn how to
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           soundproof a ceiling against noisy neighbours
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            and reduce both
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           impact and airborne noise
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            with the
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            ReductoClip Ceiling System,
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            the UK’s leading high-performance solution for timber joist ceilings. This video demonstrates a full
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           DIY installation
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            , showing how the ReductoClip system
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            decouples the soundproofing layers from the original structure
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           to prevent vibration transfer and deliver outstanding results.
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            At just
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           60 mm thick
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            , it’s the
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           slimmest clip-and-bar soundproofing system on the market
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            , making it ideal for
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            flats, homes, and apartments
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            where ceiling height is limited. The ReductoClip System is also widely used in
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           music studios, home cinemas, and high-volume environments
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            needing superior sound control.
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            Watch the step-by-step video below to see how easily you can create a
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           quiet, peaceful living space
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            while maintaining maximum ceiling height.
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  &lt;h2&gt;&#xD;
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           How Much Does Ceiling Soundproofing Cost in the UK?
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      &lt;span&gt;&#xD;
        
            Soundproofing a ceiling in a UK flat using the
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    &lt;a href="/timber-joist-ceiling-soundproofing"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip Ceiling System
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
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            typically costs between
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            £1,400 and £1,600
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            for an average-sized ceiling measuring around
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           3m wide by 4m long
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            .
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             This price includes
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           all soundproofing materials, delivery, and VAT.
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            Costs can vary depending on several factors, including the
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           ceiling structure
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            (timber or concrete), the
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           overall room size
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            , and whether you choose
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           DIY installation
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            or hire a
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           professional tradesperson.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Can You Soundproof an Existing Ceiling?
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      &lt;span&gt;&#xD;
        
            Yes, it’s absolutely possible to
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           soundproof an existing ceiling
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            . The most effective approach is to
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           remove the existing plasterboard,
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            as leaving it in place can create a hollow void that traps and amplifies sound, often called the “drum effect.”
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If your ceiling is made from
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    &lt;span&gt;&#xD;
      
           lathe and plaster
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , it’s best to remove it and expose the joist cavities. Once open, fill the space with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           high-density acoustic mineral wool
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to absorb noise so it doesn't echo and amplify within the cavity.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For maximum sound reduction, install the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip Ceiling System
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      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . This creates an
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           isolated ceiling layer
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            that effectively blocks both
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           impact and airborne noise
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            from above, delivering professional-grade acoustic performance.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How Much Space Does Ceiling Soundproofing Take Up?
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            A common concern when soundproofing ceilings in flats is
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           how much height you lose.
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      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            The
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip Ceiling System
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            offers one of the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           slimmest soundproofing solutions available,
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            adding only
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           60mm
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            from the bottom of the timber joist to the final layer of acoustic plasterboard, while still providing the
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           highest level of sound reduction.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This makes it ideal for flats, basement conversions, and rooms with limited ceiling height where maintaining headroom is essential.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Stop Hearing Noisy Neighbours Above
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you’re constantly hearing footsteps, conversation, or music from upstairs, the best solution is to soundproof the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ceiling system
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            with a high-performing, tried and tested solution like the ReductoClip Ceiling System.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Avoid so called 'quick fixes' like foam panels, they reduce echo but don’t stop noise transfer.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Does Ceiling Soundproofing Work Both Ways?
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Yes,
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ceiling soundproofing works in both directions
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    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ,
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    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            helping to reduce sound
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            coming down from above
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           leaving your room below and entering the room above
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
            &#xD;
        &lt;br/&gt;&#xD;
        
            A properly installed
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            decoupled ceiling system
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            like the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            blocks
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      &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           impact noise
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    &lt;span&gt;&#xD;
      
           , such as footsteps or furniture movement, from upstairs neighbours, while also reducing
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            airborne noise
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      &lt;span&gt;&#xD;
        
            like music, TV, and voices.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This two-way sound isolation is ideal for
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           flats
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    &lt;strong&gt;&#xD;
      
           ,
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
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           apartments, and multi-occupancy homes
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , creating quieter, more private living environments for everyone.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Final Thoughts
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing a ceiling in a flat is one of the most effective ways to regain peace and quiet.
            &#xD;
        &lt;br/&gt;&#xD;
        
             Whether you’re tackling noisy neighbours or soundproofing between floors in your own home. Using
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           high-performance materials
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClips, FlexiSound, Acoustic Mineral Wool and Acoustic Plasterboard
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ensures high preforming results.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you’re unsure where to start, contact our expert team at
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Soundproofing Store
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for free, no-pressure advice on the best ceiling system for your property.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Read what our customers say in our
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
    &lt;/strong&gt;&#xD;
    &lt;a href="https://www.trstd.com/en-gb/reviews/soundproofingstore-co-uk" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            independent customer reviews
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and see why The Soundproofing Store is trusted by homeowners and professionals across the UK.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           About the Author - Phi Lyons
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  &lt;/h3&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Phil Lyons is the Managing Director of The Soundproofing Store, the UK’s leading specialists in practical, high-performance soundproofing solutions. With over a decade of hands-on experience supporting homeowners, builders, and specifiers, Phil has earned a reputation for helping people solve every type of noise issue. From everyday household disturbances caused by noisy neighbours, to the more demanding requirements of home music studios. Over the years, he has guided thousands of customers toward creating quieter homes, music studios, and workspaces across the UK.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Phil is passionate about educating people on how soundproofing really works, cutting through the jargon, and empowering customers to make confident, informed decisions. Under his leadership, The Soundproofing Store has become known for its award-winning, science-backed systems, expert advice and continued product development to achieve the highest possible results for customers.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            An authoritative voice within Soundproofing, Phil also fronts
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Soundproofing Store YouTube
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            channel, sharing his extensive knowledge and expertise with people all over the world.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Ceiling+soundproofing+.jpeg" length="125248" type="image/jpeg" />
      <pubDate>Mon, 24 Nov 2025 12:16:24 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling-in-a-flat-uk-soundproofing-guide</guid>
      <g-custom:tags type="string">UK soundproofing,How to soundproof a ceiling,soundproof a ceiling in a flat UK guide,ReductoClip Ceiling System,Soundproofing,Ceiling soundproofing,,Soundproofing a ceiling in a flatflat</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Noisy+neighbour+ceiling+image+.jpg">
        <media:description>thumbnail</media:description>
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        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to Soundproof a wall against noisy neighbours?</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours</link>
      <description>Useful guide to soundproofing your walls against noisy neighbours. Including several wall sound insulation options and showcasing the UK's best Soundproofing products.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof a brick wall against noisy neighbours?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/solid-party-wall-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/how-to-noisy-neighbors-shanghai.jpg" alt="Noisy Neighbours throug a wall"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof a Brick Wall from Noisy Neighbours in the UK
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    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you're wondering how to soundproof a solid brick wall from noisy neighbours in the UK, you're not alone. With over
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="http://www.dailymail.co.uk/news/article-2004026/Five-million-face-torture-noisy-neighbour.html" target="_blank"&gt;&#xD;
      
           5 million people in the UK affected by neighbour noise
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , the demand for soundproofing walls continues to rise. Whether it's loud conversations, TV noise, or banging doors, unwanted noise through walls can seriously disrupt your comfort at home.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           In this guide, we'll explain how to reduce noise through walls, what types of walls you're likely to have, and the best way to soundproof a wall, with or without construction experience.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing Walls: Start by Identifying Your Wall Type
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Before you can choose the right method and soundproofing solution for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           a wall
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , it's essential to understand what kind of wall you're dealing with. Most UK homes have one of two common internal wall constructions:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Solid Brick Party Walls
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            These are usually
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           brick or block walls
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , typically found between adjoining houses or flats. They’re often finished with plasterboard using the dot and dab method.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Traditionally, most soundproofing is performed on standard brick party walls. However, with rental and house prices increasing and a shortage of property especially in major cities such as London, Bristol, Birmingham, Manchester, Leeds, Edinburgh and Glasgow, we are now seeing more people renting rooms or house sharing with a need to soundproof stud walls between rooms within the same property.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Stud Walls
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            These internal walls are built with a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           timber frame,
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            usually with plasterboard on both sides. They may or may not be insulated, and are often used to divide rooms within the same property.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Knowing your wall type is crucial because it influences which
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , insulation products, or full systems will work best for your space.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Can You Soundproof a Wall Without Major Construction?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Yes, you absolutely can. Many homeowners ask, “Can you soundproof a wall without ripping everything out?” The answer is yes. By using acoustic wall panels or soundproofing systems from
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Soundproofing Store
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , you can make a significant improvement to your unwanted noise issue, without any kind of major disruption to your home.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For more severe noise problems, especially with solid party walls, a layered approach involving the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and Bar System, decoupling, and mass-loaded layers is often the best way to soundproof a wall effectively and is also a DIY solution, or can be fitted by a local tradesperson.
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      &lt;/span&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Stop Noise Through Walls: The Right Way
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-6513be94.jpg" alt="Wall Soundproofing showing the ReductoClip Independent Wall System "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To find the most effective
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           wall soundproofing solution
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , you need to assess two key things:
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
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           1.What type of noise are you hearing?
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  &lt;ul&gt;&#xD;
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            Airborne noise (e.g. talking, TV, music)
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            Impact noise (e.g. banging, footsteps)
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  &lt;/ul&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           2. How loud is the noise?
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  &lt;ul&gt;&#xD;
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            Is it low level conversation or loud music and shouting?
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            This helps us recommend the right level of wall
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , whether that’s direct to wall soundproofing panels like ProSound
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundBoard 4
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for internal stud walls, or the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip System
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for solid brick party walls.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Once the type of wall, the type of noise and the level of noise problem has been identified, the correct soundproofing solution to reduce the noise can be recommended.
           &#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Best Practices for Soundproofing a Wall: Solid or Stud Construction
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When
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      &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           soundproofing a wall
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , whether it's a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           solid brick party wall
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            or an internal wooden
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           stud wall
          &#xD;
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    &lt;span&gt;&#xD;
      
           , there are several essential steps that make all the difference in reducing noise effectively. To create a meaningful barrier against unwanted noise, it's not just about adding materials, it's about using the right combination of materials and in the right way.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Here’s how to get the most out of your
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           acoustic sound insulation
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           when
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            soundproofing walls
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            in your home or flat.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 1: Seal All Gaps and Weak Points
          &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Before adding any
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            soundproofing materials, carefully inspect the wall for gaps, cracks, or weak points. Use a high-quality
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            acoustic sealant.
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           TOP TIP:
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      &lt;span&gt;&#xD;
        
            Think of
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            soundproofing like waterproofing -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           it’s only as good as the weakest point. A great analogy is the car window: if it’s slightly open, noise floods in. Only when it’s fully sealed does the noise truly disappear. Soundproofing walls work the same way. Any cracks or gaps and the sound will find a way through.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 2: Increase the Mass of the Wall
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Adding
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    &lt;span&gt;&#xD;
      
           high-density materials
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is important to effectively
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           soundproof a wall
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . The more mass you add, the harder it is for airborne sound to pass through.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Use products such as:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             Acoustic plasterboard
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Mass-loaded vinyl
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             FlexiSound
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Direct to wall soundproofing panels like
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundboard-4"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             SoundBoard 4
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             (for stud walls) 
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 3: Improve Sound Absorption and Vibration Control
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Simply adding mass isn’t enough. To truly block sound, your wall also needs to absorb
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           vibrational energy and sound waves.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
      
           This can be done with:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The ReductoClip and bar isolation systems which decouple the soundproofing layers and add damping to absorb sound energy
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Multi-layered systems
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             like the
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/reducto-clip-system"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             ReductoClip System
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             combine mass, absorption, and isolation
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 4: Add Acoustic Insulation
          &#xD;
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you're
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            soundproofing a stud wall, make sure to fill the cavity between the timber battens with acoustic insulation. When using the ReductoClip System on a brick wall, acoustic mineral wool is also used.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This helps eliminate sound reverberation within the wall cavit
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            y echoing and reverberating.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Recommended materials include:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             Acoustic Mineral Wool
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 5: Use a Mix of High-Mass Materials
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Using
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           different types of high-mass materials
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is more effective than relying on just one, or using more of the same. Why? Because different materials perform better at blocking different sound frequencies.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Three Levels of Wall Soundproofing to Suit Every Noise Problem
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            At
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Soundproofing Store
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , we offer
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           three levels of wall soundproofing solutions
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to help restore peace and quiet to peoples homes within the UK. Whether you're dealing with mild noise or loud, persistent disturbances from noisy neighbours.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Our award-winning systems are designed to work with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           existing interior brick party walls or stud walls
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , using tried-and-tested materials that deliver excellent results.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Award-Winning Soundproofing Wall Products
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Our expertly engineered range of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           soundproofing wall products
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            includes everything you need to block unwanted noise and improve the acoustic comfort of your home. From direct to
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            wall sound proof panels
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            to full systems, every solution is backed by proven acoustic performance.
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            ﻿
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            Whether you're wondering
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           how to soundproof a wall from noisy neighbours in the UK
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            or simply want to
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            reduce noise through internal walls separating rooms within the same home,
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           we provide high-performance systems tailored to your needs.
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproof Existing Brick Party Walls with Proven Systems
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
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            If you're dealing with noise coming through a
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           brick party wall
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            , our proven
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           wall soundproofing systems
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            are designed to dramatically reduce airborne sound like voices, music, and TV noise.
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           Our systems combine:
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      &lt;span&gt;&#xD;
        
            ﻿
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            High-mass
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            Decoupling technology
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            Isolation from the existing structure
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           This approach delivers maximum noise reduction while maintaining a practical installation process.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Top 3 UK Soundproofing Solutions for Solid Brick Walls: Best Options for Noise Reduction and Space Saving
          &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           I
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           n the below video, we explore the top three soundproofing solutions for solid walls, comparing systems based on budget, available space, and noise reduction performance. When dealing with noisy neighbours, this video will help you choose the best way to soundproof a solid wall.
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           We break down:
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="/reducto-clip-system"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             The ReductoClip Independent Wall Solution
            &#xD;
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      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
             - 
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            our highest performing option
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             The ReductoClip Direct to Wall Solution
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      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
             - 
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            a slimmer, space-saving system
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="/soundboard-4"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             The SoundBoard 4
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             - 
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            a compact direct to wall soundproofing wall panel, for tight spaces and stud walls
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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           You’ll also learn when to use each system and which soundproofing materials work best in different situations. Ideal for homeowners and anyone asking:
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      &lt;br/&gt;&#xD;
      
           'How can I soundproof a solid brick wall without losing too much space?'
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           Featured products include:
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClips
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip Furring Bar
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard 4
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    &lt;li&gt;&#xD;
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            FlexiSound
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    &lt;li&gt;&#xD;
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            Acoustic Mineral Wool
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Acoustic Grade Plasterboard
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  &lt;/ul&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Watch now to discover the best soundproofing for solid brick walls and make an informed choice for your home:
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Option 1: SoundBoard 4: The Slim, High-Performance Soundproofing Panel for Walls
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-3d1e30ff.jpg" alt="SoundBoard 4 "/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you're looking for a
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    &lt;/span&gt;&#xD;
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           slimline soundproofing solution
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            that delivers good results,
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    &lt;span&gt;&#xD;
      
           SoundBoard 4
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      &lt;span&gt;&#xD;
        
            is one of the most effective and easy-to-install products available. Designed for use on stud   
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    &lt;span&gt;&#xD;
      
           walls
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           , or when space constrains mean no other system can be used on solid brick walls. 
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            It’s a space-saving option, ideal for bedrooms, home offices, flats, or anywhere you need to
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           reduce noise through internal stud walls without losing valuable space.
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           The outer facing layer is a 15mm acoustic grade of plasterboard which is 50% denser than standard plasterboard adding more mass to the wall. The second layer is a 3mm high density mass loaded vinyl (MLV). This mass loaded vinyl performs differently to the mass in the plasterboard due to the different construction, helping to block a different range of sound frequencies. The third layer is a 9mm acoustic closed cell foam designed to dampen and reduce sound vibrations from transferring through the board. And then on top of that is a second layer of high density mass loaded vinyl.
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  &lt;h2&gt;&#xD;
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           What Is SoundBoard 4?
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&lt;div data-rss-type="text"&gt;&#xD;
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           SoundBoard 4 is a pre-bonded, multi-layer acoustic sound proof panel made up of four carefully selected materials, each designed to tackle different elements of sound transmission. It offers a balance of mass and damping, making it a reliable solution for dealing with airborne noise like voices and TV noise, from adjacent rooms with stud walls.
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Benefits of SoundBoard 4
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      &lt;span&gt;&#xD;
        
            ✅
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    &lt;strong&gt;&#xD;
      
           Ultra-Slim Design
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        &lt;br/&gt;&#xD;
        
             Just
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           30mm thick, SoundBoard 4 is ideal where space is limited but wall soundproofing is still essential.
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            ✅
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    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Quick &amp;amp; Easy to Install
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
            Panels are supplied ready to fit, reducing labour time and making it a popular choice for DIY projects and professional installers alike.
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            ✅
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    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Multi-Layered Acoustic Performance
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
            Combines four proven soundproofing materials to reduce airborne noise and improve wall insulation.
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           ✅
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    &lt;strong&gt;&#xD;
      
           Highly
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      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Effective on Stud Walls
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
            Ideal for adding large amounts of mass to stud wall constructions, to help block unwanted airborne noise travelling between rooms.
          &#xD;
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  &lt;/p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            ✅
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Minimal Room Impact
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
            Because of its slim profile, it's perfect for rooms where maintaining internal space is a priority.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Why Choose SoundBoard 4?
          &#xD;
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you're asking
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           'how to soundproof an internal stud wall'
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and need a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           compact, high-performance solution,
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard 4 is an excellent choice. It offers a great balance between
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            sound reduction, ease of installation, and minimal room loss,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            making it one of the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           best ways to soundproof a wall.
          &#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Watch the Full SoundBoard 4 Installation on a Stud Wall with Before and After Sound Test
          &#xD;
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This video shows the full installation of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundBoard 4
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;strong&gt;&#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           on a stud wall separating bedrooms. It also shows a before and after sound test showing the dramatic improvement following the installation of SoundBoard 4:
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Option 2:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           The ReductoClip™ Direct to Wall System
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           The ReductoClip™ Direct to Wall System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           - An excellent solution for all noise problems, e.g. loud music, clear conversation and TV noise.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What Is the ReductoClip™ Direct-to-Wall Soundproofing System?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClip Direct To Wall System is a high-performance, space-saving solution for reducing unwanted noise through solid walls. Designed for those who want maximum acoustic isolation without sacrificing valuable room space, this system is ideal for blocking airborne noise such as music, clear conversation, and television sound.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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            The ReductoClip Direct To Wall System can be installed directly onto your existing solid wall. This not only saves time and space but simplifies the installation process, making it a great choice for DIY soundproofing.
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           With a total system thickness of just 60mm, it’s the thinnest isolation clip system available on the market. Despite its slim profile, it delivers impressive results in treating medium to high levels of airborne noise and even provides some resilience against mild impact noise.
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           While it offers a lower performance than the ReductoClip Independent Stud Wall System, it provides greater acoustic performance than SoundBoard 4, making it a perfect solution for homeowners seeking excellent results on a solid brick wall with minimal space loss.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Key Benefits of ReductoClip™ Direct-to-Wall
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&lt;div data-rss-type="text"&gt;&#xD;
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            ✅
           &#xD;
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    &lt;strong&gt;&#xD;
      
           Ultra-slim 60mm profile
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            – minimal loss of space
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            ✅
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           No stud wall required
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            – installs directly to the existing wall
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            ✅
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           Excellent airborne noise reduction
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            – ideal for noisy neighbours
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             ﻿
            &#xD;
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            ✅
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           DIY-friendly system
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      &lt;span&gt;&#xD;
        
            – suitable for experienced DIYers or tradespeople
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            ✅
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Quicker installation
          &#xD;
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      &lt;span&gt;&#xD;
        
            – compared to full stud wall systems
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            ✅
           &#xD;
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    &lt;strong&gt;&#xD;
      
           Higher performance than slim direct to wall panel systems
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            like SoundBoard 4
           &#xD;
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Why Choose the ReductoClip™ Direct-to-Wall?
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip Direct To Brick Wall System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           is the ideal choice when you need powerful soundproofing without sacrificing space. With a slim 60mm profile and no need for a stud frame, it delivers excellent performance against noisy neighbours, reducing airborne noise like voices, music, and TV, while keeping your room size virtually unchanged. It’s the perfect solution for homeowners who want reliable, high-performance wall soundproofing in a slim, easy-to-install system.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Installation of the ReductoClip™ Direct to Wall System
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            The below installation video shows you how to soundproof a wall using the
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip Direct-to-Wall System, the slimmest isolation clip system available on the market. At just 60mm thick, it delivers an excellent performance against noisy neighbours while keeping space loss to a minimum.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Whether you're a confident DIYer or hiring a tradesperson, this system is straightforward to install and delivers impressive real-world results.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Customer testimonial of the ReductoClip™ Direct to Wall System, reducing the noise from noisy neighbours
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           In this video testimonial, a customer shares their experience using the
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip Direct-to-Wall Soundproofing System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to tackle unwanted noise from their neighbours.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            With just a
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            60mm build-up, this innovative system offers maximum sound reduction with minimal space loss, making it ideal for homes where space is tight but peace and quiet is a must.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Option 3:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip™ Independent Wall System
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClip™ Independent Wall System is a high-performance wall soundproofing solution built on the proven concept of a “room within a room,” this system is ideal for stopping loud disruptions such as shouting, TV noise, music, travelling through walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           By fully isolating the new wall from the existing structure, this system dramatically reduces sound transfer. It’s the ultimate soundproofing choice for homes, apartments, commercial buildings and music studios.
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What is the ReductoClip™ Independent Wall Soundproofing System?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Mobile+Central-5a87ea63.jpg" alt="ReductoClip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClips
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            attach to a new timber or metal stud frame, positioned a minimum of 10mm away from the existing wall.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Mineral Wool
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is added to the frame to reduce echo and reverberation within the cavity.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-2-4m-furring-bar/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip Furring channels
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            are then secured to the clips, creating a decoupled frame. This breaks the path of sound vibration, preventing it from passing through to the new wall layers.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Additional high mass layers (two layers of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            acoustic plasterboard
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and a layer of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            FlexiSound
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ) are then applied resulting in a powerful, high preforming soundproofing system.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Benefits of the ReductoClip™ Independent Wall System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Exceptional soundproofing
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            – superior performance for all types of unwanted noise problems
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Slimline design
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            – the slimmest clip and bar soundproofing isolation system on the market
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Fewer clips required
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            – more substantial and robust clip with two fixing points, means fewer clips are needed than other clip systems. Reducing costs and installation time
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Easy acoustic plasterboard installation
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            – wider furring bar makes acoustic plasterboard fixing quicker and more secure
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Versatile
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            - the ReductoClip System can be used on both walls and ceilings
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Peace of mind
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            – a tested and proven system delivering outstanding performance
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Why Choose the ReductoClip™ Independent Wall System?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you're dealing with serious noise problems from noisy neighbours through a solid brick party wall, the ReductoClip Independent Wall System offers one of the most advanced and effective soundproofing solutions available. Unlike basic solutions, this system is designed to combat high levels of noise, whatever your unwanted noise issue.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           By fully decoupling your new wall from the existing structure and adding high mass acoustic layers, it significantly reduces the transmission of sound energy. This means greater peace, privacy, and comfort in your home.
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip Independent Stud Wall System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In the below video, we take a closer look at the ReductoClip Soundproofing System, the most effective and slimmest clip-and-bar isolation system on the market. You'll discover how ReductoClips work to decouple walls and ceilings, significantly reducing airborne and impact noise in homes affected by noisy neighbours, loud environments, or even specialist settings like home cinemas and music studios.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           We’ll also compare ReductoClips with other clip systems to show you exactly why this advanced solution stands out for performance, space-saving design, and ease of installation.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to install the ReductoClip Independent Wall System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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            In this installation video, we guide you through the step-by-step process of fitting the ReductoClip Independent Wall System. One of the most effective wall soundproofing solutions available for tackling domestic noise (and also used to soundproof music studios). You’ll see how the system is installed to achieve maximum acoustic isolation, making it ideal for homes affected by noisy neighbours, loud conversations, TV noise, and other everyday disturbances.
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           With its advanced decoupling design and space-saving profile, this video shows why the ReductoClip Independent Wall System is the go-to choice for reliable, high-performance wall soundproofing.
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           Summary
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            This blog offers a complete guide to soundproofing solid brick walls from noisy neighbours in the UK. Whether you're dealing with loud conversations, TV noise, or banging doors, it outlines practical solutions for reducing unwanted sound through walls in domestic homes and flats.
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            The guide explains how effective soundproofing depends not just on adding materials, but on combining them correctly to block and dampen noise. It also introduces three high-performing systems for different needs: SoundBoard 4, a slimline, easy-to-install solution ideal for stud walls or where space is limited on a solid brick wall; the ReductoClip Direct to Wall System, perfect for solid brick walls where space is tight but high performance is still required; and the ReductoClip Independent Wall System, the ultimate soundproofing option offering maximum acoustic solutions for even the most serious noise problems.
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            If you found this blog useful, and are looking for further ways to create a quieter home, you may be interested in reading our blog regarding
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    &lt;a href="/case-study-how-to-soundproof-a-floor-the-5-best-acoustic-floor-solutions"&gt;&#xD;
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            Floor Soundproofing
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          .
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            ﻿
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           Soundproofing materials highlighted in the article:
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            Ready to take the next step? Visit our
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            online store
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            to explore the full range of soundproofing materials and systems highlighted in this article. From the space-saving SoundBoard 4 to the high-performance ReductoClip Systems, you'll find everything you need to tackle noise issues effectively.
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           All products are trusted by homeowners, installers, and developers across the UK for their proven results and easy installation.
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            Author
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           Ian Baker is the owner of The Soundproofing Store and a leading name in the soundproofing industry. 
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            With a prestigious track record of award-winning credentials, Ian is a trusted and respected authority in his field. 
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           Ian set up The Soundproofing Store with the aim of helping individuals find effective solutions to their unwanted noise issues. His extensive knowledge and insights have been invaluable in helping to transform noisy environments into peaceful spaces. 
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Noisy+Neighbours-7c17a238.jpg" length="36514" type="image/jpeg" />
      <pubDate>Wed, 11 Jun 2025 16:13:09 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours</guid>
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        <media:description>main image</media:description>
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    <item>
      <title>What are the best acoustic underlays for timber joisted or concrete floors?</title>
      <link>https://www.soundproofingstore.co.uk/what-are-the-best-acoustic-underlays-for-floors</link>
      <description>A guide on the best soundproofing acoustic underlays for timber and concrete floors. Performance against airborne and impact noise and final floor finish suitability</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           What are the best acoustic underlays for timber and concrete floors?
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Kids+on+floor+pic.jpg" alt="Impact noise on wooden floor" title=""/&gt;&#xD;
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           Struggling with Noise from Above?
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            There is nothing worse than spending time in your own house or flat and being aware of unwanted noise from above. Whether this be children running around (which can sound like a herd of elephants), moving furniture, shouting, music or TV noise.
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           These disturbances are often made worse by modern hard flooring choices - such as laminate, hardwood, or tiles - which offer little sound absorption compared to carpet.
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           Why Acoustic Underlay Is the Ideal Solution
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            The good news is, you don’t have to live with these noise problems. Acoustic underlays are specifically designed to reduce both
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           impact noise
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            (like footsteps) and
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           airborne noise
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            (such as voices or music), helping restore comfort and quiet to your space.
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            In this blog, we’ll guide you through the best acoustic underlay options for both
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           timber
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            and
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           concrete floors
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           , so you can make the right choice for your property.
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           Soundproofing underlay versus Carpet underlay
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           Many homeowners assume that carpet underlay and soundproofing underlay serve the same function - but that’s a costly mistake when it comes to reducing unwanted noise. Understanding the difference is key to achieving effective soundproofing in your home.
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           What's the Difference Between Carpet Underlay and Soundproofing Underlay?
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           Carpet underlay is designed for comfort, durability, and helping carpets fit better, not for significantly reducing noise. While these products can provide a slight acoustic benefit, they are not engineered for true soundproofing.
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            Why Carpet Underlay Doesn’t Truly Soundproof a floor
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           While some carpet underlays may claim to have soundproofing properties, they don’t perform anywhere near the level of dedicated soundproofing underlays or acoustic mats. Importantly, most carpet underlays aren’t tested to the same acoustic standards as true soundproofing materials.
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           Be aware of a common sales tactic: some brands quote a dB rating to imply soundproofing performance. However, this usually refers only to airborne noise reduction on concrete floors, whereby the underlay itself may contribute just 5% to that figure.
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           Choosing the Right Product for Carpeted Floors
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            If you're trying to reduce noise under a carpet, it's essential to choose a soundproofing underlay, such as a
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            SoundMat
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            which is designed specifically for that purpose. Later in this blog, we’ll show you the best options available for both timber and concrete subfloors.
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           Are you soundproofing against Airborne or Impact noise?
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            Sound is broken down by
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            airborne noise
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            (transmitted through the atmosphere) talking, TV noise, dogs barking etc and   
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            impact noise
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             the physical impact of two solids hitting one another (footfall, doors banging, walking, furniture moving etc).
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            Whether the noise is airborne noise, impact noise, or a combination of both will determine the soundproof flooring underlay you will need. To find out more about airborne and impact noise
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    &lt;a href="https://www.soundproofingstore.co.uk/whats-the-difference-between-impact-and-airborne-noise?_gl=1*1f9zl5e*_gcl_au*MTE2NDY4MDczMC4xNzQ0NjQwNDYw*_ga*YzVjNTUzZWMtN2MzYi00NjhkLTkxNDYtNzExMDFmOTI5YWY2*_ga_C14W53N9Z3*MTc0NjAxODk1OS4xNTguMS4xNzQ2MDIxMzc2LjM0LjAuMA.." target="_blank"&gt;&#xD;
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            click here
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           .
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           4 key questions before adding acoustic underlay to your floor:
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  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Pink+Bedroom+soundmat+image.jpg" alt="SoundMat acoustic underlay"/&gt;&#xD;
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            Before choosing an
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           acoustic underlay
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            for your home or flat, it’s important to ask the right questions. Your answers will help determine the most effective soundproofing solution for your specific situation - whether you're dealing with timber or concrete floors, impact or airborne noise.
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           1. Is the Floor a Solid Concrete Floor or Timber Joist Floor?
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            The type of subfloor is crucial.
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           Concrete floors
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             can require different acoustic treatment to
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           timber joist floors.
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            Choosing the right product ensures a better noise reduction performance.
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           2. Where Is the Noise Coming From - Above or Below?
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            Knowing the source of the noise helps guide the treatment.
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           Noise from above
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            usually requires impact sound insulation, while
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           noise from below
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            may need airborne noise reduction. Some solutions can tackle both.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
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           3. Is the Noise Vibration Impact, Airborne, or a Combination of Both?
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           Impact noise
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            includes footsteps and dragging furniture.
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           Airborne noise
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            includes voices, music, or TV sounds. Many real-world situations involve a mix, so selecting a product like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            that addresses both can be essential.
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           4. How Loud Is the Noise You Are Experiencing?
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            The louder the noise you’re dealing with, the more robust the soundproofing or acoustic solution needs to be. For example, heavy footfall or loud TV noise will need higher-performance acoustic underlay like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           5. What Is the Final Floor Finish?
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Your choice of floor finish - such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           carpet, laminate, hardwood, or tiles
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           can have an
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    &lt;strong&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            affect on the overall performance. With severe impact noise problems, a soft final floor finish will help to absorb some of the footfall at source. Different acoustic underlays are also more suited to different final floor finishes.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/timber-joisted-floors"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Learn More
           &#xD;
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    &lt;/a&gt;&#xD;
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            .
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof a floor with acoustic underlays?
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            One of the most effective acoustic underlays to soundproof a floor for both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
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    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise reduction
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            -
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      &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           a slim (only 15mm thick) acoustic mat designed to easily and effectively soundproof timber floors. The following video demonstrates a real-world installation, including before and after sound tests.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Effective floor soundproofing isn’t just about adding any material - it requires a considered approach. To reduce both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (like voices and music) and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (like footsteps and dragging furniture), there are some key principles to follow.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Improve the Mass of the Floor to Block Airborne Noise
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To block airborne sound, increase the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           mass and density
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            of the floor using specialist soundproofing materials such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic mats
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . The greater the mass, the harder it is for airborne sound to pass through.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Improve the Floor’s Ability to Absorb Impact Noise and Vibration
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Mass alone doesn’t stop
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . You need products that absorb sound energy and vibration, with cushioning layers to absorb the impact vibration. Proven acoustic underlay solutions like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMats
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            act like a floating floor, which help to absorb impact vibration before it enters the structure of the floor.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Add Acoustic Insulation Between Timber Joists
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you have a timber joist floor, adding
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic insulation
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/?attribute_pa_size=100mm-bail-of-4-sheets-2-88m2-coverage" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Mineral Wool
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;strong&gt;&#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           between the joists is important. This prevents sound from resonating and amplifying within the floor void.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Use a Combination of High-Mass Materials for Effective Soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Different materials block different sound frequencies. A combination of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           varied high-mass products,
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           rather than just more of the same material will deliver a better performance.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Insulate cavities when soundproofing a timber floor
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            It is important to consider voids between the floorboards and the ceiling. Any noise that gets into this sealed chamber will echo resonate and amplify the noise (this is called the drum effect). To combat this we recommend filling between the timber joists with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            acoustic mineral wool
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This is the equivalent of shouting down a cardboard tube and it amplifying your voice. If you then fill some of the cardboard tube with cotton wool and do the same, the noise will be absorbed.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Acoustic mineral wool and its use in soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Acoustic mineral wool is used to absorb sound (not block it) making it ideal for use within cavities. In the video below, you’ll learn where and how to use acoustic mineral wool effectively. Plus, a simple demonstration of how effective the benefits are when used as part of an acoustic underlay solution.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The 3 best ways to soundproof a timber floor
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing a timber floor effectively means tackling both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (like voices and TV sound) and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (such as footsteps or furniture movement). To achieve this, you need to follow three key principles:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           increase the mass
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            of the floor to block airborne sound,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           add a cushioning impact-absorbing layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to reduce vibration, and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           install acoustic mineral wool
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            between the joists to prevent sound from resonating in the floor cavity.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In the video below, we showcase the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           top 3 acoustic underlays for timber floors,
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reverso-soundmat"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Reverso SoundMat
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundscreed28"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundScreed WF28
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . You'll discover how each solution performs against different types of noise and how to choose the right acoustic underlay for your noise issue and final floor finish.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           ProSound™ Reverso SoundMat
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (18mm) Dual-Sided Acoustic Underlay for Timber Floors
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+hero+square-92740fc4.jpg" alt="Reverso SoundMat"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Slim, stabilised and Perfect for Hard Floor Finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a compact
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           18mm thick acoustic underlay
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            that combines three dense soundproofing layers with a resilient impact-absorbing layer. It's designed specifically to improve the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne and impact sound insulation
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           timber floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , significantly reducing noise like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           TV, conversation, and footsteps
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Built-In Stabilising Layer Saves Time and Cost
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            What makes Reverso unique is its
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           integrated stabilising layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , allowing
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           most
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            hard floor finishes, like laminate, engineered wood, or LVT to be installed directly on top without the need for extra over boarding. This saves installation time and reduces overall costs.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Reversible Design for Hard or Soft Floor Finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           reversible design
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            means it’s equally suitable for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           soft floor finishes
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            such as carpet. Both options maintain the same system height, ensuring consistent finish levels across multiple rooms.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Features at a Glance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56527;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Dimensions:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1200mm x 600mm x 18mm (0.72m²)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56583; Ideal for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact and airborne noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           : voices, TV, footsteps
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57056;️
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Installation:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Direct-to-subfloor with no adhesive needed, easy DIY installation
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56577;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Reversible:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
            Suitable or hard or soft floor finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57003;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           No over boarding required
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for most hard floor finishes
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Reverso SoundMat™ A Reversible Acoustic Underlay for Hard and Soft Floor Finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Discover the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ Reverso SoundMat™
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            from
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Soundproofing Store
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    
          .
          &#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             A clever, unique and reversible
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           overlay soundproofing solution
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            designed for both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact and airborne noise reduction
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             ﻿
            &#xD;
        &lt;/span&gt;&#xD;
        
            This video provides a quick product overview, showing how Reverso is compatible with almost all final floor finishes, including
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           laminate, engineered wood, and carpet
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Its built-in stabilising layer means
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           no overboarding is needed
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for most hard floors, helping you save on both installation time and cost.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof a Floor with Reverso SoundMat™ A Full Installation Guide
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Learn how to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           soundproof a floor
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            effectively using the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            a versatile acoustic underlay designed to reduce both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne sound
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . This step-by-step video shows a full installation process and explains how Reverso’s
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           reversible design
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            works seamlessly with both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           hard and soft floor finishes
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Unlike many other acoustic underlays, the Reverso requires
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           no over boarding layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (in most cases) when installing hard floors, saving time, materials, and installation effort.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2. ProSound™ SoundMat 3 Plus (15mm) A High-Performance Acoustic Mat for Carpeted Floors
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus" target="_top"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-91a90871.jpg" alt="ProSound Sound Mat3 plus for loud impact and airborne noise" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Unrivalled Soundproofing for Impact and Airborne Noise
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ SoundMat 3 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a powerful, all-in-one acoustic underlay engineered to reduce both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (TV, conversation) and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (footsteps, furniture movement). With a slim profile of just
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           15mm
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , it’s ideal for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           carpeted floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            in homes, flats, or commercial spaces.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Multi-Layer Construction for Maximum Performance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This mat combines
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           layers of high-mass material
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (Mass Loaded Vinyl) with a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           closed-cell foam layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , combined into a single product. This structure delivers excellent soundproofing performance while keeping installation quick and hassle-free.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Compatible with All Floor Finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            While designed for carpet finishes (no additional underlay needed), the SoundMat 3 Plus can also be used under
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           laminates, vinyl, and tiles,
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           simply
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            add a rigid over board layer fixed with adhesive. For carpets,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           gripper rod risers
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            will be needed around the perimeter to raise the height of the gripper rod.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Features at a Glance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56527;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Dimensions:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1200mm x 1200mm x 15mm (1.44m²)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56583; Designed to reduce
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne and impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           &amp;#55356;&amp;#57286; 3 layers
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            of soundproofing technologies cleverly combined in one mat
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           &amp;#55357;&amp;#57056;️ Installation:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Direct-to-subfloor with no adhesive required. Easy DIY installation
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55358;&amp;#56964;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Carpet-ready:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            No underlay needed beneath carpet finishes. SoundMats act as luxury carpet underlays
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56615;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Other finishes:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Use a rigid board when installing hard floor finishes
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Why use SoundMats when soundproofing a floor? Features, benefits and applications
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Discover the key benefits of using
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMats
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for effective
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           floor soundproofing
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . In this video, we explore the features and applications of the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-2-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMat 2 Plus
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , two high-performance acoustic mats designed to reduce both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            on
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           timber
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           concrete floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . These ultra-thin, easy-to-install soundproofing solutions are ideal for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           carpet finishes
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , but also compatible with other final floor types (with an over boarding layer). Making them a flexible choice for a wide range of properties.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof a Floor with SoundMat 3 Plus The Full Installation and Sound Test
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Learn how to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           soundproof a timber floor
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            using the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ SoundMat 3 Plus,
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            a direct-to-floor acoustic mat designed to reduce both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (like footsteps) and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne sound
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (like voices and TV). At just
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           15mm thick
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , this high-performance solution combines layers of mass (MLV) and closed cell foam to deliver outstanding sound insulation with minimal floor height increase.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In this video, you'll see the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           full installation process
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            on a timber floor between residential hotel rooms, along with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           before-and-after sound tests
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Whether you're dealing with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           noisy neighbours
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            or want to improve
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           inter-floor privacy
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , SoundMat 3 Plus is a proven, high performing solution.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3. ProSound™ SoundScreed WF28 (28mm). High-Mass Floor Soundproofing to Block Airborne Noise
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundscreed28" target="_top"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SS28+hero+square-77b9c332.jpg" alt="SoundMat 2 Plus Soundproofing mat" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Engineered for Superior Airborne Noise Reduction
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ SoundScreed WF28
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a dense, high-mass
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           floor soundproofing system
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            designed to significantly reduce
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Ideal for those looking to create a quieter, more private living environment and particularly suited to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           new builds, refurbishments, or property conversions
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Two-Layer Acoustic Design for Maximum Performance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundScreed WF28 combines an
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           18mm dry screed board
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for added mass with a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           10mm wood-fibre resilient layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to help add resilience to the floor. This dual-layer system improves
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne sound insulation
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and provides a solid base with some resilience for reducing light impact noise.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ideal for Hard Floor Finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Designed to be
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           overlaid on existing timber floorboards
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , SoundScreed WF28 creates a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           strong, level base
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            that’s ready for hard floor coverings, without needing an extra stabilising layer. This reduces installation time and labour costs, making it a practical choice for builders and homeowners alike.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Features at a Glance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56527;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Dimensions:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1200mm x 600mm x 28mm (0.72m²)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56583; Excellent for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise reduction
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            in floors
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55356;&amp;#57286; 2-layer system:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           18mm dry screed
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            +
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           10mm wood-fibre resilient layer
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57056;️
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Installation:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Simple overlay with 4-way overlap joints
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55358;&amp;#57013; Provides a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           solid, stable base
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for hard floor finishes
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55356;&amp;#57313; Ideal for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           new builds, conversions, and renovations
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundScreed WF28 - Uses, Benefits &amp;amp; Overview of This High-Mass Acoustic Floor Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ProSound™
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundscreed28"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundScreed WF28
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a powerful overlay floor soundproofing system specifically designed to reduce very high levels of airborne noise. This versatile solution is ideal for a wide range of environments. Whether you're tackling noise issues in domestic homes, offices, retail units or commercial buildings.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundScreed WF28 is suitable for all final floor finishes and can be installed easily as a DIY project. With its dense, layered structure, it provides a strong, stable base while delivering excellent airborne sound insulation performance.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What soundproofing underlay works best for a concrete floor?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            While we’ve explored the best acoustic underlays for timber floors, it’s equally important to understand what works best for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/concrete-floor-soundproofing"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            concrete floors
           &#xD;
      &lt;/strong&gt;&#xD;
      
           .
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In most cases,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            isn’t a major concern with concrete or
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           beam and block floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            finished with screed. That’s because the high mass of concrete naturally blocks airborne sound effectively.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            However, if you are still noticing airborne noise issues, this may indicate a structural weakness or flanking path - feel free to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           contact our team
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for tailored advice.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To effectively reduce
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            on a concrete floor, such as footfall or furniture movement, it’s essential to use a soundproofing underlay with a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           resilient cushioning layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Products like the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            are ideal, acting as a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           floating floor
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            that absorbs vibration before it travels through the structure, resulting in a quieter and more comfortable living space.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           4. ProSound™ SoundMat 2 Plus (12mm). A Slimline Acoustic Mat for Concrete Floors and Carpet Finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-2-plus" target="_top"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM2+hero+square-98c33271.jpg" alt="Soundproofing Mat underlay SoundMat 2" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Slimline Design with Effective Soundproofing Performance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ SoundMat 2 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           12mm thick
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            slimline acoustic underlay designed to reduce
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           airborne noise,
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            such as voices, TV, and general conversation and is especially effective in properties with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           concrete floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . Its compact size makes it ideal for situations where floor height is restricted but effective noise reduction is still needed.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Dual-Layer Construction for Impact Noise Control
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundMat 2 Plus combines two proven soundproofing technologies: a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           3mm mass loaded vinyl barrier
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to help block airborne noise, and a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           9mm closed cell foam layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            that absorbs sound energy and dampens vibration. This layered design helps significantly improve sound insulation.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ideal for Carpeted Floors Over Concrete
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This system is particularly suited for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           carpet installations
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            over
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           solid concrete floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . Its cushioned surface means it acts as a luxury caret underlay and carpets can be laid directly on top, making installation faster and more cost-effective.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Features at a Glance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56527;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Dimensions:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1200mm x 1200mm x 12mm (1.44m²)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56583; Optimised for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           noise reduction
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55356;&amp;#57286; Dual-layer system:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           3mm mass loaded vinyl + 9mm closed cell foam
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57056;️
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Installation:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Direct-to-floor, no adhesive required. Easy DIY installation
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55358;&amp;#56964; Ideal for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           concrete floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           carpet finishes
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             &amp;#55357;&amp;#56419; Acts as a luxury carpet underlay 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           5. ProSound™ ImpactoMat 5 (5mm). An Ultra-Slim Impact Noise Underlay for Concrete Floors
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_top" href="/ImpactoMat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ImpactoMat+hero+square-426f7a81.jpg" alt="ImpactoMat 5mm Soundproofing underlay for concrete floors" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Slimline Acoustic Solution for Multi-Storey Concrete Buildings
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ProSound™ ImpactoMat 5
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a cost-effective,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ultra-slim 5mm acoustic underlay
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            designed to reduce
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise,
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            such as footsteps on
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           concrete subfloors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Ideal for use in
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           apartments, hotels, offices
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , and other multi-storey buildings, it’s a smart choice where floor height restrictions apply.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Tough, Resilient, and Compatible with All Floor Finishes
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ImpactoMat 5 offers impressive impact noise reduction. It’s ideal for hard floor
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           final floor finishes
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , including wood, laminate, and tiles, and can even be installed
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           above or below underfloor heating systems,
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           making it extremely versatile for both residential and commercial settings.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Fast and Easy Installation
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This acoustic underlay is designed for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           direct-to-floor application
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , requiring only adhesive to fix in place. Making it perfect for fast, low-disruption installations, for DIY or professionals alike.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Features at a Glance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56527;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Dimensions:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1m x 10m x 5mm (10m²)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56583; Reduces
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           impact noise
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            on concrete floors
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57056;️
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Installation:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Adheres directly to subfloor with minimal effort. Easy DIY installation
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55356;&amp;#57314; Ideal for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           multi-level concrete buildings
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (flats, hotels, offices)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56613; Can be used
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           with underfloor heating systems
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55358;&amp;#56809; Durable, slim, and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           compatible with all final floor finishes
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ImpactoMat 5: Concrete Floor Acoustic Underlay Solution
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Looking for a slim but effective way to reduce
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           impact noise on concrete floors
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ? The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ProSound™ ImpactoMat™
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is just 5mm thick, yet delivers an impressive soundproofing performance.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In this video, we explore how ImpactoMat works, why it's ideal for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           multi-storey buildings
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            like apartments, hotels, flats and offices, and how it fits seamlessly under laminate, engineered wood and tiles, making it a versatile and cost-effective solution for concrete floor sound insulation.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Shop Acoustic Underlays - Top-Rated Soundproofing Solutions for Floors
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What final floor finishes can be used with acoustic underlays?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A common question when choosing an
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic underlay
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            or
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           soundproofing mat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is whether it limits your choice of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           final floor finish
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . The good news is,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           you won’t be restricted
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Acoustic underlays are designed to work with a wide range of floor types, including
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           carpet, laminate, vinyl, engineered wood, and tiles
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The only exception is that some
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           hard floor finishes
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            may require an additional
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           stabilising layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to ensure a level, durable surface. We’ve highlighted below where this applies for each specific product.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            As always, we recommend checking the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           installation guidelines provided by your final flooring manufacturer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to ensure full compatibility and performance.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Can soundproofing mats or acoustic underlay be fitted underneath carpet?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Yes, absolutely.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            All of the acoustic underlays and soundproofing mats mentioned above, including the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           (soft side up)
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              are fully compatible with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           carpeted floors
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . In fact, these products allow carpet to be fitted
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           directly on top and
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           act as a luxury carpet underlay,
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            making installation simple and efficient.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            It is important to use
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           gripper rod risers
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            around the perimeter to accommodate the increased height of the underlay, ensure the floor is fully acoustically treated and to achieve a secure, professional carpet fit.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Can acoustic underlay be used with engineered wooden flooring?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/wooden+floor+engineered.jpg" alt="Engineered wooden flooring" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Yes, it can.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Acoustic underlays are suitable for use with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           engineered wood floor finishes.
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            can be installed directly under most engineered or hardwood floors
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           without the need for an additional over boarding layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you're using
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            or
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , any
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           engineered wood flooring that is 18mm or thicker
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            can typically be laid directly on top.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For thinner flooring types (under 18mm), we recommend installing a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           6mm hardboard layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            first to create a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           flat, stable surface
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof under laminate flooring?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Laminate+flooring-c2057733.jpg" alt="Laminate flooring soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Soundproofing underlays
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            can be highly effective beneath
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           laminate flooring.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            All of the acoustic mats mentioned above, including
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              can be used as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           laminate underlay soundproofing solutions
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . The same applies for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           vinyl
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           cushioned vinyl flooring
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For best results, we recommend adding a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           6mm hardboard layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            over the soundproofing mat before laying laminate or vinyl. This provides a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           flat, stable surface
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            An exception is the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , which includes a built-in stabilising layer, so most
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           hard floor finishes
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            can be installed
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           directly on top
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           no additional hardboard
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            required.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What soundproofing mats would I need if I wanted to fit floor tiles?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/floor+tiles.jpg" alt="Floor tiles soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            All of our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic underlays
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            can be used as a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           soundproofing solution beneath floor tiles
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , but extra care must be taken due to the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           fragile nature of tiles
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Because floor tiles require a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           firm and stable base
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , they should
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           not
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            be installed directly onto soft, cushioned soundproofing mats, as this can lead to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           cracking or damage
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            over time.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To avoid this, we recommend applying a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           12mm hardwood board
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            layer
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           on top of the acoustic underlay
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            before fitting tiles. This ensures a solid, level surface that preserves the integrity of the tile.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is an exception, as typically it does
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           not require an over boarding layer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . However, for tile installations, we advise
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           priming the surface
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and considering a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           thicker stabilising board
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , especially when using smaller or more delicate tiles.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Can you fit soundproof floor underlay on top of underfloor heating?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Underfloor+heating-c3dca22f.jpg" alt="Soundproofing with underfloor heating" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Yes, but it depends on the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           type of soundproofing underlay
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            you choose.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ImpactoMat 5
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundscreed-25-direct-to-joist"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ProSound™ SoundScreed 25
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            are both thermally transparent and are compatible with being installed
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           directly on top of, or below underfloor heating systems.
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            However, for all other
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           soundproofing mats
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , including
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Reverso SoundMat
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , these must be fitted
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           beneath the underfloor heating system
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             ﻿
            &#xD;
        &lt;/span&gt;&#xD;
        
            This is because their dense, sound-blocking construction also
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           restricts heat transfer
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
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            , which could reduce the efficiency of your heating setup. Just like sound,
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           heat is a form of energy
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             and these high-mass mats are designed to block energy transmission.
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            Find out more about
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    &lt;a href="https://www.underfloorheatingtradesupplies.co.uk/blog/underfloor-heating-between-joists/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            how to install underfloor heating
           &#xD;
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      &lt;span&gt;&#xD;
        
            in our detailed guide.
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           Do acoustic underlays meet part E building regulations for Soundproofing?
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           Yes, all of the acoustic underlays we have highlighted can meet and exceed the requirements of Part E Building Regulations
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            when used correctly as part of a full soundproofing system.
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            SoundMat 3 Plus, SoundMat 2 Plus, Reverso SoundMat, ImpactoMat 5 and SoundScreed WF28 are tested acoustic underlay solutions that not only comply with
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    &lt;/span&gt;&#xD;
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           Part E
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            standards for separating floors in residential buildings but can
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           surpass the minimum performance requirements
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           , significantly improving noise control between rooms or dwellings.
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            ﻿
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            ✅ To achieve compliance, it’s essential that these products are
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           fitted, sealed, and installed correctly
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           and
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            as part of a complete soundproofing system.
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           Are acoustic underlays easy to fit?
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      &lt;span&gt;&#xD;
        
            Absolutely. All of the acoustic flooring products from
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    &lt;a href="/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Soundproofing Store
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            are designed for straightforward installation, whether you're an experienced DIYer or a professional tradesperson.
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           Each product comes with access to detailed installation guides, videos and technical data sheets, which can be easily downloaded to help you through every step of the process. Fitting acoustic underlay is a quick and efficient way to reduce unwanted noise in your home or building project.
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      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56393; Download installation guides and technical data sheets
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/downloads"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            here
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            or contact our team for expert fitting advice (01423) 206208.
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&lt;/div&gt;&#xD;
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           Acoustic underlays overview
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            By now, you should have a clearer understanding of whether you're dealing with
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           airborne noise
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            (like voices and music) or
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           impact noise
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            (like footsteps and slamming doors). We've also covered how crucial it is to identify whether your floor is
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           timber or concrete
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            , and how the
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           final floor finish
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            affects which acoustic underlay is most suitable.
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            ﻿
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            We’ve highlighted some of the
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           top-performing acoustic underlays
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            available for different floor types and noise issues.
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           However, soundproofing can be complex, and choosing the right solution depends on your specific situation. If you're unsure which product is best for your needs, it's always best to speak with an expert.
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            Our experienced team is just a phone call away and ready to help you find the
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    &lt;strong&gt;&#xD;
      
           best acoustic underlay
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            for your property and noise problem.
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           Author
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           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            An authoritative voice within Soundproofing, Phil also fronts
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            channel, sharing his extensive knowledge and expertise with people all over the world.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Kids+on+floor+pic.jpg" length="86834" type="image/jpeg" />
      <pubDate>Thu, 01 May 2025 10:09:26 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/what-are-the-best-acoustic-underlays-for-floors</guid>
      <g-custom:tags type="string">concrete,laminate,sounddeck,sound,for,soundbarriermat,best,underlay,regupol,tiles,airborne,floors,are,noise,timber,floor,impactomat,soundproofing,soundmat3,soundreduction,or,soundmat2,impact,acoustic,neighbours,partE,acoustic underlay,noisy,soundmat,underlays,insulation,the,timberjoist,what,engineeredwoodenfloor,Acoustic mat,regulations,carpet,soundmat3plus</g-custom:tags>
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        <media:description>thumbnail</media:description>
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        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to soundproof a ceiling</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling</link>
      <description>Discover the most effective way to soundproof a ceiling in your flat or home. This expert guide explains how to block impact and airborne noise using the ReductoClip system, perfect for timber or concrete ceilings.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a ceiling in a flat or apartment  
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  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ceilings" target="_top"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/living+room+ceiling.jpg" alt="Soundproofed ceiling in living room" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Why soundproofing your ceiling is important in flats and shared occupancy buildings
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you're searching for how to soundproof a ceiling, whether you're in a flat, apartment, a property converted to accommodate multiple occupants, or a domestic home, you're not alone. With rising complaints of noise from upstairs neighbours, many people are looking for effective soundproofing ceilings in flats and soundproof insulation for ceilings. As reported by
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.express.co.uk/news/uk/927830/luxury-flats-owner-noisy-neighbour-court-battle-payout-100k" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Express
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            a noise dispute between neighbours led to a £100,000 compensation claim due to "intolerable noise" coming from the family living above, highlighting just how serious poor ceiling sound insulation can be.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            If you live in a flat or converted property, the best solution (if possible) is always to soundproof the floor above, with acoustic floor treatment like
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            SoundMats
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    &lt;span&gt;&#xD;
      
           , as this tackles impact noise at its source. However, if you don’t have access to the upstairs property, ceiling soundproofing becomes the next best option to block both airborne noise (like music and voices) and impact noise (like footsteps and furniture movement).
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This guide covers everything you need to know about ceiling soundproofing, including the best methods and products for acoustic ceiling insulation, based on whether your ceiling is made of timber joists or concrete.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What is the best ceiling soundproofing solution?
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/timber-joist-ceiling-soundproofing" target="_top"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/picture+of+ceiling+kitchen.jpg" alt="Soundproofed ceiling" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The best ceiling soundproofing solution depends on two key factors:
          &#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           1. The Type of Ceiling Construction (Timber Joist or Concrete)
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The structure of your ceiling plays a critical role in how sound travels and how it can be blocked or absorbed. Timber joist ceilings tend to amplify both impact and airborne noise because they are low in mass and the cavities between the joists can create a drum-like resonance if left untreated.
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      &lt;span&gt;&#xD;
        
            Timber ceilings benefit greatly from a layered soundproofing approach involving vibration isolation (such as
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;a href="/timber-joist-ceiling-soundproofing"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClips
           &#xD;
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ) dense sound-blocking boards, like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            acoustic plasterboard
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    
          and
          &#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            high mass acoustic membrane
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            FlexiSound
           &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             which dampens sound energy and vibrations, whilst also adding further mass. Adding
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/?attribute_pa_size=100mm-bail-of-4-sheets-2-88m2-coverage" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            acoustic mineral wool
           &#xD;
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             between the joists to dampen sound within the cavity is also important.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Concrete ceilings, often found in high-rise buildings, are denser and therefore usually provide better sound insulation against airborne noise than timber. However, they can conduct vibration, meaning impact noise can easily transfer from above. Soundproofing solutions like the ReductoClip system with timber battens provides layers of mass and resilience to help dampen sound energy and vibration with minimal loss of ceiling height.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2. The Type of Noise You Are Trying to Reduce (Airborne or Impact Noise)
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Different noise types require different soundproofing strategies:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Impact Noise
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      &lt;/strong&gt;&#xD;
      &lt;span&gt;&#xD;
        
            : Created by footsteps, dropped items, or furniture being moved. This noise travels through the structure of the building.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Airborne Noise
           &#xD;
      &lt;/strong&gt;&#xD;
      &lt;span&gt;&#xD;
        
            : Includes sounds like talking, TV audio, and music. This travels through the air and passes through gaps and lightweight materials.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip Ceiling Soundproofing
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            addresses both by combining high-mass materials to block airborne sound and decoupling to break the path of structural vibrations.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key Questions Before Choosing a Ceiling Soundproofing System
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Is your ceiling made of timber joists or concrete?
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Is the noise from above or below?
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Is the noise impact, airborne, or both?
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How loud is the noise?
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing ceilings in flats
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ceilings" target="_top"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/pillow+over+head.jpg" alt="Trying to block sound before ceiling soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you live in a flat and want to improve the soundproofing performance of your existing ceiling, one option (if you're Ed Sheeran) as reported in the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://metro.co.uk/2019/07/22/ed-sheeran-spends-4million-buying-neighbouring-houses-stop-locals-complaining-noise-10437392/" target="_top"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Metro Newspaper
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              would be to simply buy the flat above! If you don't have £4 million to splash out on properties to limit noise problems with neighbours, then our advice would be to address these three key areas:
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
              1.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Addition of mass
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (high density materials) added to the ceiling to block airborne noise.
            &#xD;
        &lt;br/&gt;&#xD;
        
             This can be achieved by the addition of materials such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic plasterboard
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           with 
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            FlexiSound 5
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           .
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Different types of mass block different sound frequencies better than others, so using a combination of differing high mass materials will give you a better result then adding more of the same.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
              2.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Vibration Dampening
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (high performing vibration isolation system) used to dampen the vibration and helping to stop it from travelling through the structure from above.
            &#xD;
        &lt;br/&gt;&#xD;
        
             This can be achieved with isolation clips systems such as the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip System
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
               3.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Sound Absorption
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (reduction of sound echo / reverberation). To stop sound echoing and amplifying in any sealed chambers such as between timber joists (also known as the drum effect).
            &#xD;
        &lt;br/&gt;&#xD;
        
             This can be counteracted by the addition of a high performing noise absorption material such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Mineral Wool
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            .
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof a timber ceiling
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+to+ceiling+flexisound-c2fa9582.jpg" alt="Soundproofing of timber ceiling with ReductoClip system" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip Timber Ceiling System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The soundproofing capabilities of timber ceilings can easily be upgraded with the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip Timber Ceiling System
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . The ReductoClip Ceiling System is a high performing sound reduction system, designed to completely isolate existing ceilings. This easy to install system can be applied directly to any flat surface and you only lose 60mm of space.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            By attaching the ReductoClip to the timber joists, this system simply and easily secures the furring channel and decouples the new high mass ceiling layers from the structure. This system greatly reduces the transference of sound vibration energy. The addition of high mass layers also helps to block airborne noise.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            On a standard construction this will exceed the building regulations requirements for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/PART-E-Regs"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Part E
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . Tested on a timber joist structure with one layer of OSB directly fixed as a structural floor, performance figures of 64dB Airborne and 59dB Impact are achieved.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           The ideal soundproofing solution for high levels of impact and airborne noise on timber joist ceilings.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Video: How to soundproof a timber ceiling with the ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The most effective way to soundproof a ceiling against noisy neighbours and unwanted impact and airborne noise from above is by using the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip Ceiling System
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This is an extremely high-performing acoustic ceiling system designed to decouple the new ceiling layers from the original structure, drastically reducing the transfer of sound energy. At just
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           60mm thick
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , it’s also the slimmest clip-and-bar soundproofing solution available, making it ideal where ceiling height is limited.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Watch the video below to see the step-by-step DIY installation process on a timber joist ceiling. Whether you live in a flat, apartment, or domestic home, this system is perfect for blocking noise from upstairs. It’s also widely used in high-performance spaces such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           home cinemas
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           music studios.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof a Concrete Ceiling
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In an ideal word you would build a new suspended frame just below the concrete ceiling and apply soundproofing as above. However, it's worth pointing out that this will mean a minimum loss of around 200mm of space.
            &#xD;
        &lt;br/&gt;&#xD;
        
            As a general rule, most people do not have just under 8 inches of space to lose off the ceiling, which is why our standard specification is to use our higher performing
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/concrete-ceiling-soundproofing"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip Ceiling System
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            with timber battens, resulting in only 110mm loss of space.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             This system will achieve an average of:
            &#xD;
        &lt;br/&gt;&#xD;
        
             Airborne reduction of up to 74db on a concrete ceiling
            &#xD;
        &lt;br/&gt;&#xD;
        
             Impact reduction of 48dB on a concrete ceiling
            &#xD;
        &lt;br/&gt;&#xD;
        
             (Both of these figures exceed the new
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/PART-E-Regs"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Part E
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Building Regulations for soundproofing)
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-ceiling-system-concrete-with-timber-batten"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Battened+Concrete+Ceiling+flexisound-b7a9bc71.jpg" alt="Soundproofing an existing concrete ceiling with ReductoClips" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing a ceiling: Quick summary
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           1. Add Mass to Block Airborne Noise
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Increase the density of your ceiling using high mass materials such as:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Plasterboard
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            FlexiSound 5
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Different types of mass block different sound frequencies, so using a combination of differing high mass materials will give you a better result then simply adding more of the same.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2. Dampen Vibrations
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Use a vibration isolation system to break the path of sound travelling through the structure. Our recommended solution:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip System
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This effective clip system isolates the ceiling and dramatically reduces structural vibration transfer.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3. For Timber Joist Ceilings Add Acoustic Insulation
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           To reduce echo and reverberation within sealed chambers and to prevent the "drum effect" (amplified noise in sealed voids), use:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Mineral Wool
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Placed between joists, it absorbs sound energy and helps improve overall acoustic performance.
          &#xD;
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           Resilient bars v's ReductoClips for ceiling soundproofing
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            We are also regularly asked about ceiling only soundproofing and traditional resilient bars. If you are soundproofing
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           both
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            the floor and the ceiling, resilient bars can be a cost effective solution. However, for soundproofing a ceiling only, we wouldn't recommend traditional resilient bars. In our experience, up to 40% are fitted incorrectly, with screws penetrating through the bar and into the timber joists (see below image). Essentially making them totally ineffective, as they no longer decouple the noise.
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           The ReductoClip system offers up to a 10dB improvement over resilient bars (another halving of the noise) and can't be damaged during the fitting.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/furing+bars+diagram-76b10e09.jpg" alt="Resilient bars soundproofing installation errors" title=""/&gt;&#xD;
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           How much does it cost to soundproof a ceiling?
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           Many people assume that soundproofing a ceiling is costly, but in reality, it’s more affordable than you might think. For an average ceiling size of 5m x 4m, the material cost for a complete ReductoClip timber ceiling soundproofing system is typically under £1,900 (excluding VAT and installation costs). This makes it a cost-effective solution for achieving professional-level acoustic insulation and reducing both impact and airborne noise from above.
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            Compared to the disruption and stress caused by noisy neighbours, and in some cases, even forcing people to move home, investing in soundproof insulation for ceilings is a smart, long-term solution.
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           The ReductoClip system can be installed by a professional or a competent DIYer, making it accessible for homeowners seeking high performing ceiling soundproofing.
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           Final Thoughts on Soundproofing Ceilings
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            Effective ceiling soundproofing in flats, residential properties and domestic homes requires a strategic combination of mass, vibration damping, and sound insulation within cavities. Whether you're dealing with a concrete or timber ceiling, the
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           ReductoClip System
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            provides a reliable, easy-to-install, and space-saving solution.
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            Don't let noisy neighbours disturb your peace. With the right soundproof ceiling solution, you can enjoy comfort, privacy, and quiet in your own home.
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           Author
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           Ian Baker is the owner of The Soundproofing Store and a leading name in the soundproofing industry. 
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           With a prestigious track record of award-winning credentials, Ian is a trusted and respected authority in his field.   
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           Ian set up The Soundproofing Store with the aim of helping individuals find effective solutions to their unwanted noise issues. His extensive knowledge and insights have been invaluable in helping to transform noisy environments into peaceful spaces. 
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         Need Help?
        &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/living+room+ceiling-37f4b2d7.jpg" length="124904" type="image/jpeg" />
      <pubDate>Thu, 01 May 2025 00:00:00 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling</guid>
      <g-custom:tags type="string">concrete,ceiling,how to,Soundproofing ceilings in flats,acoustic insulation for ceilings,impact,acoustic,neighbours,vibration,noisy,ceilings,insulation,soundproof,ceiling soundproofing,how,reductoclip,noise,timber,to,soundproofing</g-custom:tags>
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        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>The Ultimate Guide to Wall Sound Insulation for Noisy Neighbours</title>
      <link>https://www.soundproofingstore.co.uk/the-ultimate-guide-to-wall-sound-insulation-for-noisy-neighbours</link>
      <description>Tired of noisy neighbours? Discover how wall sound insulation can transform your home into a quieter, more peaceful space. This in-depth guide covers the best soundproofing materials, methods, and DIY-friendly solutions to block unwanted noise through shared, brick party walls.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Choosing the right sound insulation for your home
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-43f34b61.jpg" alt="ReductoClip Sound Insulation Systemfor walls"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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           Living with noisy neighbours can be frustrating, whether it’s loud music, late-night parties, or the constant thudding of footsteps. Sound travels easily through walls, especially in older or poorly insulated properties, making it difficult to find peace and quiet in your own home. Thankfully, wall sound insulation can make a significant difference in reducing noise and improving your quality of life.
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           In this comprehensive guide, we’ll cover everything you need to know about soundproofing walls - from understanding how sound travels to the best materials and methods to block out noise effectively.
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  &lt;h2&gt;&#xD;
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           What is the difference between sound insulation and soundproofing
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            Often sound insulation and soundproofing are interchangeable terms. Soundproofing refers to the process of blocking or preventing sound from entering or leaving a space. e.g. when soundproofing a wall, the aim is to eliminate the transfer of sound from one room to the other.
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           Sound insulation
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            for
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            the purpose of this article refers to the materials and methods used to reduce the amount of sound that travels through a wall.
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            Acoustic insulation is another frequently used term and in relation to soundproofing, relates to
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
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            Acoustic Mineral Wool
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            and its use to absorb sound within wall, floor and ceiling cavities. It is not a soundproofing solution in its own right.
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           Acoustic Mineral Wool And Its Use In Soundproofing
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           Acoustic mineral wool, such as Earthwool and Rockwool, plays a crucial role in effective soundproofing for walls, floors, and ceilings. In this video, we explain what acoustic mineral wool is, how it works to reduce sound, and why it's essential for insulating cavity spaces. You’ll also see a simple demonstration showing the dramatic difference mineral wool can make when added to a cavity space. Whether you're planning a DIY soundproofing project or looking for professional advice, this video will show you where and how to use acoustic mineral wool for maximum sound insulation performance.
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           Benefits of Sound Insulation for Noisy Neighbours
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           Wall sound insulation
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            is an effective solution for reducing unwanted noise from adjoining properties, especially in semi-detached or terraced homes. It not only improves comfort but also protects your privacy and overall wellbeing.
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           Blocks Neighbour Noise
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           Sound insulation significantly reduces noises like talking, TV, music, and footsteps coming through shared party walls, creating a quieter living space.
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           Improves Peace and Quiet
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           By cutting out everyday disturbances, sound insulation creates a more relaxing and enjoyable home environment, reducing stress and unwanted noise.
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           Boosts Privacy
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            Effective wall insulation not only blocks incoming noise but also prevents your own sounds from travelling next door, allowing everyone to enjoy their home without disruption.
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           Enhances Sleep and Wellbeing
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           A quieter home environment supports better sleep quality, reduces disturbances, and contributes to improved overall health and mental wellbeing.
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  &lt;h3&gt;&#xD;
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           DIY and Non-Invasive Options Available
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           Modern soundproofing systems can be installed with minimal disruption. Many solutions are DIY-friendly or suitable for retrofitting without major construction work.
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            ﻿
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  &lt;h2&gt;&#xD;
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           Popular Wall Sound Insulation Systems
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           There are several excellent sound insulation systems available, designed to suit different property types and levels of noise problems.
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           Clip and Bar Systems (e.g. ReductoClip System)
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            Clip and bar systems work by decoupling the wall surfaces, reducing both airborne sound and vibrations from neighbouring properties. They are highly effective for party walls in semi-detached and terraced homes.
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
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            The ReductoClip System
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            is the highest performing and slimmest on the market.
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           Direct to Wall Soundproof Boards (e.g. SoundBoard 4)
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            Direct-to-wall boards like
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            SoundBoard 4
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            are ideal for low mass walls, such as internal stud walls. These dense boards add mass directly to the wall surface, improving airborne sound insulation with minimal space loss.
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  &lt;h2&gt;&#xD;
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           How Sound Travels Through Walls
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            ﻿
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           To effectively soundproof your walls with acoustic insulation solutions, it’s important to understand how sound travels. Sound is essentially a vibration that moves through the air and through solid structures. It can enter your home in two (primary) ways:
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           1. Airborne Noise
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            ﻿
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           Airborne noise is sound that travels through the air and passes through walls, ceilings, and floors. Common examples include voices, music, and TV noise. These sounds vibrate the air particles and easily penetrate lightweight or poorly insulated walls.
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           2. Impact Noise (Structure-Borne Noise)
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           Impact noise occurs when an object comes into contact with a surface, creating vibrations that move through the building structure. Examples of impact noise include footsteps, furniture being moved, doors slamming, drilling, or hammering. Because this type of noise travels through solid materials, it requires specific soundproofing techniques to reduce it effectively.
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           Key Principles of Sound Insulation
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           Understanding the key principles of sound insulation is essential for achieving maximum noise reduction in homes. In this video, we provide an overview of the ReductoClip system - a high-performing soundproofing solution that decouples walls and ceilings for superior acoustic performance. You'll learn why ReductoClips and bars are the slimmest and most efficient isolation clip system available, how they are used to tackle noisy neighbour issues, and why they are also ideal for demanding spaces like home cinemas and music studios. We also compare ReductoClips with other clip-and-bar systems to highlight the unique benefits they offer.
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           Successful wall sound insulation involves addressing the following three key principles:
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           1. Mass
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            Adding mass to a wall helps reduce sound transmission by making it more difficult for sound waves to pass through. The heavier and denser a wall is, the more resistance it offers against airborne noise. High-density materials such as Mass-Loaded Vinyl (MLV),
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            FlexiSound
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            , and
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            Acoustic Plasterboard
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           are all highly effective options for increasing wall mass and improving sound insulation.
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           2. Damping
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            Damping materials work by absorbing sound energy and reducing the vibrations that allow noise to travel through walls. Products like
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            ReductoClips
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            ,
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            FlexiSound
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           , and Closed Cell Foam are specifically designed to introduce damping into a soundproofing system. By reducing vibration, these materials significantly cut down the amount of noise transmitted from one room to another.
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           3. Decoupling
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            Decoupling involves physically separating two surfaces to break the direct path that sound vibrations would otherwise travel along. Isolation clip and bar systems, such as the
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            ReductoClip Independent System
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           , are a highly effective way to achieve decoupling, creating a physical air gap that greatly improves the sound insulation of walls and ceilings.
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           Top Wall Sound Insulation Products and Brands
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           Looking to block noise from neighbours? Here are the top wall sound insulation products used in modern soundproofing systems:
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           1. Isolation Clips and Bars (e.g. ReductoClips)
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             Create a
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            decoupled ‘floating wall’
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             by separating layers from the existing structure
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            Excellent for blocking high levels of noise and different frequencies of sound
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            Used in high-performance wall (and ceiling) systems for all types of noise problems
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           2. Acoustic Plasterboard
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             High-density acoustic plasterboard - 12.8kg/m² density, 15mm thick.
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            Adds mass to walls to block airborne sound
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            Commonly used as a key layer in wall soundproofing systems (but not effective on its own)
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           3. Acoustic Mineral Wool Insulation
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             Density: 45–60 kg/m³
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            Fills cavities in walls, floors, and ceilings to absorb sound
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            Reduces echo and sound amplification inside voids
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            (Note: not effective as a standalone sound barrier)
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           .
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           4. Mass-Loaded Vinyl (MLV) &amp;amp; Acoustic Membranes (e.g. FlexiSound)
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            Heavy, flexible membranes (e.g. FlexiSound) 5mm thick and 10 kg/m²
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            Blocks airborne noise and absorbs vibration​
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            MLV often used inside composite soundproof panels like SoundBoard 4
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           5. Damping Materials:
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           (e.g. FlexiSound, Tecsound)
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            Improve the soundproofing of low-frequency sounds
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            Applied between acoustic plasterboard layers to reduce sound vibrations from passing through the wall
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           6. Composite Soundproof Panels (e.g. ProSound SoundBoard 4)
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             Pre-layered systems with
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            MLV, acoustic plasterboard, and closed cell foam
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            Max performance on a stud wall and minimal thickness (
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            30mm
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            )
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            Ideal for direct to wall installation
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           7. Acoustic Sealants &amp;amp; Accessories
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            Sealant and putty pads block sound leaks in sockets and perimeter edges
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            Essential for maintaining the effectiveness of any soundproof wall
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            Tip:
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             Soundproofing is like waterproofing – sealing even small gaps matters
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           Types of Wall Insulation Systems to Block Sound
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           Choosing the right wall insulation system is crucial for effectively blocking unwanted noise from neighbouring properties. In this video, we explore the top three soundproofing solutions for solid walls: the ReductoClip Independent Wall Solution, the ReductoClip Direct to Wall Solution, and the SoundBoard 4 soundproofing wall panel. Each system offers different benefits depending on your budget, space limitations, and the level of noise you need to block. Watch to discover how each option works, the key differences between them, and how to choose the best solution for your specific soundproofing needs.
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           1. Isolation Clips and Furring Channels
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           Best for:
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            High-performance soundproofing.
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            Isolation clips (e.g. ReductoClips) are attached to an independent stud frame (for maximum results) or to the existing wall structure, holding metal furring channels in place. This creates a
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           decoupled or ‘floating’ wall system
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           , separating soundproofing layers from the original structure.
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            High level of sound reduction for most noise types
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            Prevents vibrations from travelling through the wall
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            Ideal for brick party walls to reduce noise from noisy neighbours
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           The slimmest sound insulation clip and bar system on the market.
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  &lt;/p&gt;&#xD;
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&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Mobile+Central-5a87ea63.jpg" alt="ReductoClip Sound Insulation Clip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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           2. Independent Wall Systems (e.g. ReductoClip Independent Wall System)
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           Best for:
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            Maximum sound isolation using a physical air gap and full decoupling.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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            An
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           independent wall system
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            involves building a
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           second timber stud wall
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            in front of the existing wall, leaving an
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           air gap
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            n between the two. This gap physically separates the two surfaces, making it much harder for sound to pass through.
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            The air gap limits direct sound transfer
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             Cavity is filled with
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            acoustic mineral wool
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             to absorb trapped sound and eliminates the “drum effect” by preventing sound bouncing within the void
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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           Isolation clips and bars
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            (e.g. ReductoClips) are then added to the new frame.
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  &lt;p&gt;&#xD;
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            A full soundproofing build-up of:
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Plasterboard
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      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            FlexiSound Membrane
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Another layer of
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Plasterboard
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This complete system provides exceptional sound blocking while maintaining a slim profile.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           The ReductoClip Independent Wall System
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           thinnest and highest-performing system on the market
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , with a total depth of just
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           120mm
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Best choice for high-performance soundproofing in homes and music studios. This layered build-up adds mass and dampens sound energy at different frequencies.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Stud+Build+Up+SQUARE+flexisound-2b0f9b00.jpg" alt="ReductoClip Independent Sound Insulation System"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3. Direct-to-wall Soundproof Insulation Panels (e.g. SoundBoard 4)
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Best for:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Quick, space-saving wall soundproofing on low mass existing walls.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           SoundBoard 4™
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a multi-layered, ready-to-install panel designed for direct fitting to stud walls or low-mass masonry. It includes:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            15mm Acoustic Plasterboard
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3mm Mass Loaded Vinyl
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            9mm Closed Cell Acoustic Foam
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3mm Mass Loaded Vinyl
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Total thickness:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           30mm
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           SoundBoard 4 can be easily mounted directly to existing low mass walls to help block airborne noise. Particularly effective on internal stud walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-7542a8b1.jpg" alt="SoundBoard 4 Direct to Wall Sound Insulation Panel"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Quick Step-by-Step Guide to Wall Sound Insulation
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Looking to block noise from a neighbouring property? Follow this expert-approved quick step-by-step
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           wall sound insulation guide
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to get the best results.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ✅ Step 1: Identify Where The Sound is Coming From
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Examine the wall for cracks, holes, and gaps.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If there is a chimney? When you can hear the noise, listen in the alcoves and then compare the chimney breast to check if the chimney breast is also a weakness.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ✅ Step 2: Install an Isolation Clip and Bar System (e.g. ReductoClip)
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             For the highest performance build a stud wall a min of 10mm in front of the offending wall
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Attach
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             ReductoClips
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             to the stud frame and add the
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-2-4m-furring-bar/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             Reducto Furring Channels
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This creates a decoupled floating wall that blocks vibrations and airborne sound
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ✅ Step 3: Add High Mass Soundproofing Layers
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Insert
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             Acoustic Mineral Wool
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
              between the stud frame to absorb sound within the cavity
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Install two layers or Acoustic Plasterboard to increase the mass of the wall, sandwiching a layer or FlexiSound in between.
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ✅ Step 4: Seal Gaps and Cracks
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Leave a 5mm gap around the perimeter and seal it with
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             acoustic sealant
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Apply
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/acoustic-socket-putty-pads/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             Acoustic Socket Putty Pads
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
      
            
           &#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             ﻿
            &#xD;
        &lt;/span&gt;&#xD;
        
            to the inside of plug sockets to prevent sound leaks
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Remember: Even small gaps can allow noise to pass through - sealing gaps is essential for effectiveness.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ✅ Step 5: Finish and Decorate
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          &lt;span&gt;&#xD;
            
              ﻿
             &#xD;
          &lt;/span&gt;&#xD;
          
             After the final
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             Acoustic Plasterboard
            &#xD;
        &lt;/strong&gt;&#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             layer is installed, apply a
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            skim plaster finish
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             The wall is now ready for
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            painting or decorating
           &#xD;
      &lt;/strong&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             as normal
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Result: A high-performance, sound-insulated wall that blocks neighbour noise and improves peace at home.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Common Sound Insulation Mistakes to Avoid
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Avoid these errors to get the most out of your soundproofing project.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Installing wall sound insulation can dramatically reduce noise - but only if done correctly. Here are the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           most common soundproofing mistakes to avoid
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and how to do it right the first time.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57003;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           1.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Using Insufficient Mass
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Thin or lightweight materials won’t effectively block sound.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ✅
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Solution:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Use
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           high-density
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           materials such as
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            FlexiSound, Mass Loaded Vinyl (MLV) and Acoustic Plasterboard to lock airborne sound.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57003;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           2.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           U
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           sing Foam Panels And Lightweight Fabrics
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Foam tiles and curtains
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           won’t stop sound
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              from travelling through walls.
            &#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Solution:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              Focus on materials that add
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           mass and density
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            - soundproofing is about blocking noise from passing though walls, not just absorbing sound within the room.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57003;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           3.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Only Soundproofing Part Of The Wall
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Insulating just one section of the wall allows sound to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           leak through untreated areas
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
            &#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Solution:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              Ensure the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           entire wall surface is covered
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , sealed, and layered properly to block all sound paths.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57003;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           4.
          &#xD;
    &lt;/strong&gt;&#xD;
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      &lt;span&gt;&#xD;
        
             
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Leaving Gaps and Openings
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Even tiny gaps around the edges can let sound in or out.
            &#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Solution:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              Use
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic sealant
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              around all edges and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic putty pads
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              behind plug sockets to create a complete barrier. Make sure to follow installation instructions, or phone an expert for advice if unsure.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#57003;
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           5.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Using The Wrong Soundproofing System
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Not all noise is the same. Airborne sounds (talking, TV) require different solutions than impact noise (footsteps, bass, snoring).
            &#xD;
        &lt;br/&gt;&#xD;
        
             ✅
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Solution:
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              Choose the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           right system for your specific noise problem
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . If you're unsure, get advice from a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           soundproofing expert
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Final Tip:
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Do it once, do it right.
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Avoid shortcuts and budget fixes - proper soundproofing requires the right materials, correct installation, and full coverage of the wall.
            &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Why Sound Insulation Hacks Don't Work
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Many so-called soundproofing hacks promise quick, easy, and low-cost ways to block noise - but do they really work? In this video, we debunk some of the most common soundproofing myths, including the effectiveness of soundproof paint, soundproof wallpaper, carpets, rugs, foam panels, and even egg boxes. You'll learn why these popular hacks often fail and discover the real principles that make proper sound insulation effective. If you're serious about creating a quieter space, this video will give you the answers you need.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Cost of Top Performing Sound Insulation Solutions
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How Effective Is Wall Sound Insulation?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Wall sound insulation
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            can be highly effective at blocking unwanted noise, especially when using the right materials and systems.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            One of the most effective systems is the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ReductoClip Independent Wall System
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , which is designed to reduce high levels of noise across all noise types. It performs so well that it’s not only used to block sound from
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           noisy neighbours
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , but is also trusted in
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           professional music studios
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            where sound control is critical.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Blocks voices, TV noise, bass, and low-frequency sounds
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Ideal for semi-detached an terraced homes, apartments, and music studios
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Combines decoupling, sound damping, and mass for maximum performance
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Wall insulation products are extremely effective
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            when installed correctly and tailored to your specific noise problem. High-performance systems like the ReductoClip System offer
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           professional-grade results
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for both domestic homes and music studios.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The ReductoClip Sound Insulation System For Walls
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            ReductoClip™ Independent Wall System
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;strong&gt;&#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           is one of the highest performing soundproofing solutions available for walls. In this video, we take you through the installation process and explain why this system offers exceptional acoustic insulation. Designed to tackle excessive levels of domestic noise from noisy neighbours, as well as demanding environments like music studios, the ReductoClip system provides outstanding results by effectively decoupling and insulating wall surfaces. Watch the video to learn how it works and why it’s the ideal choice for exceptional noise control.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Wall Insulation For Noisy Neighbours - Conclusion
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Soundproofing a wall to block noise from neighbours
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is most effective when it combines three key techniques:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           adding mass
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           damping vibrations
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           decoupling the wall structure
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            By using high-density materials like
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic plasterboard
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           FlexiSound membranes
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , sealing all gaps with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           acoustic sealant
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , and installing a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           decoupled wall system
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            such as the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , you can dramatically reduce unwanted sound transmission.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A properly soundproofed wall creates a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           quieter, more peaceful home environment
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , which supports better
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           sleep, focus, and overall wellbeing
          &#xD;
    &lt;/strong&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you're facing ongoing noise issues, it’s worth considering a professional soundproofing solution or speaking with a soundproofing expert who can recommend the right system for your situation.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For trusted advice and tailored recommendations, contact
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            The Soundproofing Store
           &#xD;
      &lt;/strong&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           - the UK’s soundproofing specialists - for expert guidance and soundproofing solutions designed to meet your specific noise reduction needs.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Author
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            An authoritative voice within Soundproofing, Phil also fronts
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            channel, sharing his extensive knowledge and expertise with people all over the world.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+Insulation+Image+3.jpeg" length="128570" type="image/jpeg" />
      <pubDate>Thu, 17 Apr 2025 11:28:08 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/the-ultimate-guide-to-wall-sound-insulation-for-noisy-neighbours</guid>
      <g-custom:tags type="string">Soundproof walls,Wall sound insulation,ReductoClip System,Sound Insulation,Sound Insulation Tips,FlexiSound,Ultimate guide,Acoustic Insulation,SoundBoard 4,Noisy Neighbours,ReductoClip</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+Insulation+Image+3.jpeg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+Insulation+Image+3.jpeg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Soundproof Your Home  And Gain Peace And Quiet!</title>
      <link>https://www.soundproofingstore.co.uk/transform-your-living-room-with-soundproofing-and-gain-peace-and-quiet</link>
      <description>Discover how soundproofing a brick party wall with the ReductoClip Independent Wall System completely blocked noisy neighbours TV and music, restoring peace at home. 5-star customer testimonial.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How Soundproofing My Wall Stopped The Noise From Noisy Neighbours
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/solid-party-wall-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/1920-s+semi+detached+house+3.jpg" alt="1920's semi-detached house"/&gt;&#xD;
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           If you’ve ever struggled with noisy neighbours, you’ll know how frustrating it can be. Whether it’s late-night TV, loud conversations, or just everyday sounds being heard through the wall, unwanted noise can really impact your home life.
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           That was exactly the challenge in this home. In a semi-detached property, the shared solid brick party wall in the living room - made up of two alcoves and a chimney breast, wasn’t doing enough to stop sound from travelling between houses. With a TV mounted on the chimney breast, our customer explained how "
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           it felt like the neighbour’s television was playing in the same room
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            ."
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           Interestingly, the customers TV was also mounted on their wall, so the chances are the neighbour was also experiencing the same unwanted noise.
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&lt;div data-rss-type="text"&gt;&#xD;
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            Party wall prior to soundproofing
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+System+BEFORE.jpg" alt="Wall with two alcoves and a chimney breast"/&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           Finding the Right Soundproofing Solution
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            After researching different wall soundproofing options to reduce noise passing through a brick wall, the homeowner came across the
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           ReductoClip Independent Wall System
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            .
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            They contacted
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            The Soundproofing Store
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            and discussed the unwanted noise problem, which included being able to hear TV noise from the neighbour through the solid brick party wall and occasionally loud music. because the neighbour also played loud music, the customer decided to opt for the
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            ReductoClip Independent Wall System
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            . The belts and braces of soundproofing, which would give the best possible reduction in sound.
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           A conversation with one of The soundproofing Store advisors meant: 
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            ✅
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           The guidance of a knowledgeable and friendly soundproofing expert
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            ✅
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           A fast, no-pressure quote
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            ✅
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           A tried-and-tested soundproofing system that delivers exceptional results
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            Once the installation of the ReductoClip was complete, the difference was
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           immediate
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           .
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  &lt;h2&gt;&#xD;
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           The Results? Silence and a Stylish New Look
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+System+AFTER.jpg" alt="Soundproof wall with ReductoClip Independent System"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Once the ReductoClip Independent Wall System was installed, the homeowner declared how
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      &lt;/span&gt;&#xD;
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           "The
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           unwanted TV noise was completely gone"
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      &lt;span&gt;&#xD;
        
            &amp;#55357;&amp;#56393;
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           "It’s blocked all the neighbour’s TV out – result!
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           "
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           &amp;#55357;&amp;#56397;
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           (R. Cooper)
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            When installing the soundproofing, the customer also took the opportunity to enhance the look of the living room space. They also installed
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           sleek shelving in the alcoves
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            for a modern, stylish finish. Once the ReductoClip is installed, other than the exceptional performance against unwanted noise, once the wall is decorated, you would never even know it was there!
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            Soundproofing works both ways, giving peace and privacy to both the homeowner and their neighbour. So whilst the soundproofing blocked out the noise from the noisy neighbour, the noise from the customer is also blocked from passing through the wall into their neighbours property.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           A Soundproofing Success Story
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      &lt;span&gt;&#xD;
        
            This soundproofing project proves that
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           you don’t have to live with noisy neighbours and unwanted noise
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    &lt;span&gt;&#xD;
      
           . The right soundproofing solution can restore peace and quiet, meaning you can enjoy a quiet home, with minimal disruption and without compromising on style.
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            If you’re tired of hearing
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           every sound from next door
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           , and dealing with noisy neighbours then why not take the first step towards a quieter home? Soundproofing isn't just for music studios, it's for anywhere life and noise happens!
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Soundproofing Customer Testimonials
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&lt;div data-rss-type="text"&gt;&#xD;
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           The soundproofing store has helped hundreds of domestic customers soundproof their walls, floors and ceilings within all types of properties. Feel free to browse the 5-star customer reviews by clicking on the image below:
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&lt;div&gt;&#xD;
  &lt;a href="https://www.trstd.com/en-gb/reviews/soundproofingstore-co-uk" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/trusted+shops+logo.jpg" alt="Trusted Shops "/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           More About The ReductoClip Independent Wall System
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-43f34b61.jpg" alt="ReductoClip Independent Wall System"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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           The ProSound ReductoClip Independent Wall System is a high-performance soundproofing solution designed to significantly reduce noise transmission through walls. By creating a fully decoupled, isolated structure, it effectively minimises both airborne and impact noises, making it ideal for residential homes, commercial properties, and music studio environments.
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           Key Features:
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           With exceptional sound reduction and a slimline design: The total build-up is only 120mm from the original wall, making it the slimmest independent clip system available, preserving valuable room space. 
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           DIY-Friendly Installation: Designed for straightforward installation, allowing competent DIY enthusiasts to implement the system without professional assistance, therefore saving on labour costs. 
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           System Components:
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           Independent Stud Frame: A 10mm air gap isolates the soundproofing from the existing wall, enhancing sound reduction performance.
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  &lt;p&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/10m-isolation-strip-self-adhesive/" target="_blank"&gt;&#xD;
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            Isolation Strip
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           : Placed around the perimeter of the stud frame to reduce flanking vibrations.
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    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip/" target="_blank"&gt;&#xD;
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            ReductoClips:
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            Act as a shock-absorbing suspension system, decoupling mass layers from the frame to dampen high levels of sound energy and vibration.
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  &lt;p&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-2-4m-furring-bar/" target="_blank"&gt;&#xD;
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            ReductoClip Furring Channels:
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            Extra-wide channels facilitate quicker and easier fixing of acoustic plasterboards.
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  &lt;p&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
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            Acoustic Mineral Wool:
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            Fills the frame cavity to dampen sound within the void and prevent sound amplification (the drum effect).
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  &lt;p&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
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            Acoustic Plasterboard:
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            Two layers increase the wall's mass, providing more density than standard plasterboard while allowing for standard finishing and decorating techniques.
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
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            FlexiSound 5 Membrane:
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            An anti-vibration layer that adds further mass to the wall, sandwiched between the acoustic plasterboard layers, reduces different sound frequencies to further dampen sound energy and vibration. 
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           ReductoClip Independent Wall System: Installation Overview:
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           For a visual guide on the soundproofing installation process, you can watch the following video:
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            ReductoClip System: Highest level of Acoustic Insulation for Walls
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           ReductoClips offer a high-performing soundproofing solution, expertly designed to decouple walls and ceilings for optimal noise control. As the slimmest isolation clip system available, ReductoClips and bars deliver superior acoustic insulation. This advanced sound isolation system is perfect for residential properties in soundproofing against noise disturbances from noisy neighbours.
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           Soundproofing a living room wall: Summary
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            Living with noisy neighbours can be incredibly disruptive, but finding a solution doesn’t have to be complicated. This homeowner in a semi-detached property was struggling with noise travelling through their shared, solid brick party wall. They were being disturbed by unwanted TV sounds and loud music from next door. After researching soundproofing options, they discovered the
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            ReductoClip Independent Wall System
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           , which provided the ideal solution for blocking out the unwanted noise.
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           After consulting with The Soundproofing Store and receiving expert advice, the homeowner chose The ReductoClip System, and the installation process was smooth and straightforward. The results were immediate - the intrusive TV noise was completely eliminated, creating a much more peaceful living environment. The system not only improved the soundproofing but also allowed the homeowner to enhance the space with stylish alcove shelving.
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            The ReductoClip System is a win for both the homeowner and their neighbours. It blocks noise from both sides, ensuring a quiet environment for everyone. This domestic soundproofing project highlights how the right soundproofing solution can dramatically improve the quality of life in your home. If you're tired of listening to noisy neighbours, the ReductoClip Independent Wall System offers a 5-star rated, high-performing soundproofing solution to bring back peace and quiet in your home.
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           Author
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           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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            An authoritative voice within Soundproofing, Phil also fronts
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    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
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            channel, sharing his extensive knowledge and expertise with people all over the world.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/1920-s+semi+detached+house+3.jpg" length="167814" type="image/jpeg" />
      <pubDate>Thu, 27 Mar 2025 12:41:43 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/transform-your-living-room-with-soundproofing-and-gain-peace-and-quiet</guid>
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    <item>
      <title>Case Study: How To Soundproof a Floor (The 5 best acoustic floor solutions) 2024</title>
      <link>https://www.soundproofingstore.co.uk/case-study-how-to-soundproof-a-floor-the-5-best-acoustic-floor-solutions</link>
      <description>The 5 best acoustic floor solutions when looking to successfully soundproof a timber floor to achieve a high level of airborne and impact noise reduction</description>
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           The 5 best acoustic floor solutions 2025. How To Soundproof a Floor Case Study
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           How to soundproof a timber joisted floor and select the correct acoustic floor insulation
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Pink+Bedroom+soundmat+image.jpg" alt="SoundMat 3 Plus best floor soundproofing"/&gt;&#xD;
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           This blog explains in detail how to successfully soundproof a floor to achieve a high level of Airborne Noise soundproofing and Impact Noise soundproofing. How to achieve peace and quiet in your own home and to exceed Part E Building Regulations for conversions and new builds. 
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            This article explains a step-by-step guide for floor soundproofing on a standard timber joisted floor/ceiling build up to achieve high levels of soundproofing between properties.
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           Please read to the end for some important details to help avoid some common mistakes.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/woman+banging+on+ceiling+pic-0a8d98f8.jpg" alt="Noisy neighbours above"/&gt;&#xD;
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           Understanding the Floor Soundproofing problem
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            In this example I have selected our most common question, which is
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            "How to soundproof a timber joisted floor for
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           impact and airborne noise.
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            "
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           Firstly we need to understand the problem in detail and establish the needs of the customer, and to do this we have to start with a few questions.
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             Are you aiming to meet Part E Building regulations? Or just upgrading soundproofing within your own home on a budget?
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             What is the current build-up of the current floor/ceiling? 
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             Where is the noise coming from ? (from below travelling up or from above travelling below)
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             What is the planned final floor finish on the floor above?
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             What solution is the customer looking for? (I.E they could be just concerned with airborne noise and are not interested in impact noise)
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            How susceptible to noise are you?
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           Question 1: Is this to meet Part E Building regulations? Or just upgrading soundproofing within your own home on a budget?
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           This helps us understand why you need the soundproofing and the level of soundproofing you need to achieve: 
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             If you are looking to pass Part E Building Regulations for a new build or conversion you will need to achieve a set minimum level of soundproofing for impact and airborne noise. (See our
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            building regulations
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             page) which after installation will have to be proven with a sound test carried out by a UCAS accredited sound tester (see
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            how sound tests are carried out
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             ) 
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            If you are just looking to improve on current soundproofing (or lack off) in an existing property then you do not have to achieve the same levels as the Part E building regulation, however we will always aim to exceed the Regulations target figures to give you a good level of soundproofing.
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           Question 2: What is the current build-up of the current floor/ceiling?
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            We need to understand these points fully before we can give the correct advice, as different building materials perform differently for soundproofing purposes. This will help us understand how well your current floor/ceiling build up is performing, ultimately helping us to identify the correct solution and highlight any possible problems for soundproofing.
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          Question 3: Where is the noise coming from ? (from below travelling up or from above travelling below)
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            We need to understand this as we have different solutions for Airborne noise from below and Airborne and Impact noise from above (I.E If it is noise from below then this is just an Airborne noise travelling up to the room above)
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          Question 4: What is the planned final floor finish on the floor above?
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            This again is a very important question as different final floor finishes can affect the results by as much as 5dB and also some solutions are not suitable for hard final floor finishes such as laminates.
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          Question 5: What solution is the customer looking for? (I.E they could be just concerned with airborne noise and are not interested in impact noise) 
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            We need to understand this answer to specify the correct products, as some products are only suitable for impact noise and some products are only for blocking airborne noise. 
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          Question 6: How susceptible to noise are you?
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           One thing I have learned over time is that different people are susceptible to noise in different ways. (I.E to some people, the sound of rustling leaves is too loud, whereas some people can ignore this level of noise very easily). Therefore, we have to take into account an individual's susceptibility to noise - as we may have to increase the level of soundproofing for those people who are more sensitive.
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           So, lets get started with a recent floor soundproofing case study
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           We were contacted by a property developer who was converting an existing house into two separate apartments.
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            He is looking to improve the current timber joisted floor / ceiling to comply with
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    &lt;a href="https://www.gov.uk/government/publications/resistance-to-sound-approved-document-e" target="_blank"&gt;&#xD;
      
           Part E Building regulations
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            which are designed to give a good level of peace and quiet between properties.
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           After initial investigation we were informed that the current build-up is Lath and Plaster on the ceiling below, no insulation between the timber joists which are 200mm deep and the floor above is the original Victorian floorboards.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/lath+and+plaster+ceiling+thin-ad18b5c8.jpg" alt="Lath and plaster celing soundproofing" title="Lath and Plaster ceiling"/&gt;&#xD;
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            This information allows us to estimate how well the current build-up performs, and a standard result for this would be 78dB for Impact noise and 38dB for Airborne noise. The target figure for Impact noise in a conversion is 63dB or lower and of airborne noise 43dB or higher (please see our separate blog on
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           decibels explained
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            )
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           This means we must reduce the Impact performance by 15dB and improve the Airborne performance by 5dB as minimum. However, at The Soundproofing Store we always aim to exceed the building regulations by several dB as every structure performs slightly differently (I.E different types and density of wood floorboards will always perform differently and different types of timber joists will perform differently depending on the type of wood, spacings of the joists and finally the depth of the joists. Even the lath and plaster ceiling can have different thicknesses).
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           To soundproof this floor, we need to build in a dampening system for impact and vibration noise and add mass to block airborne noise.
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            Improve the mass of the floor - This is normally achieved by adding high mass/density products.
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            Improve the ability of the floor to absorb sound energy and vibration (footsteps). Without this, the addition of the mass will have very little effect on impact noise.
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            Use acoustic insulation between the timber joists to eliminate sound resonating and amplifying in this sealed chamber.
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            Use different materials of high mass. Different materials perform better for different sound frequencies so using a combination of high mass materials will perform better than simply using more of the same material.
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           In this scenario we have to specify a ceiling and floor solution due to the initial very low performance for impact noise.
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           Stage one is to use an acoustic mineral wool between the timber joists
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  &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustic+mineral+wool+square.jpg" alt="Three pieces of acoustic insulation are stacked on top of each other on a white background."/&gt;&#xD;
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           Acoustic mineral wool is not a sound blocking material but a sound absorption material. This is because between the ceiling below and the floor above is what we call a sealed chamber, and if noise gets into this sealed chamber it will always resonate and amplify. This is what we call the drum effect. (Think about hearing a bunch of children running around on the floor above and how this can sound like a heard of elephants below).
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            So how does mineral wool prevent this?
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             Acoustic mineral wool is made from spun rock and has millions of small cavities, and when sound enters these cavities it is dissipated and turned into heat. (Think about shouting into a pillow).
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            What depth of mineral wool do I need?
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             We normally recommend 100mm thick mineral wool for timber joists which are up to 250mm deep. If deeper, we would recommend a second layer of mineral wool.
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            What density of mineral wool should I use?
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             We normally recommend mineral wool with a mass of 60kg per meter squared. This gives us the best performance and value for money. We do not want the mineral wool to be of a very low density like thermal insulation as sound will pass through it relatively easily, and on the flip side we don’t want it to be too dense as it would then just reflect the noise and not absorb it. 
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            Do I need to fill the whole cavity?
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             The short answer is no we just need to get enough insulation between the joist to stop sound echoing and reverberating and filling the whole cavity only adds a small benefit.
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           The next stage is to select the best Soundproofing solution for the floor
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           Now, at this point we will look in detail at five of our best selling floor soundproofing products that are tried and tested to offer excellent levels of floor soundproofing, and discuss the benefits and drawbacks of each system.
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           Option 1:
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             Is our most popular tried and tested method, and this is to use our 15mm overlay
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat™ 3 plus system
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           .
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          This matting is simply laid on top of the current base floor and  can meet building regulations without mineral wool between joists and a lath and plaster (or double plasterboard) on the ceiling below. However, this is what we call a borderline pass for airborne noise and a good pass for impact noise. To achieve a higher level of airborne noise protection and to guarantee a pass, we would normally either add a single layer of 15mm acoustic grade plasterboard to the lathe and plaster ceiling below, or remove the lathe and plaster and add resilient bars and two layers of acoustic 15mm plasterboards. (Which will also meet the fire regulations for the burn time between the two properties).
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&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundMat+3+Plus-7c7daa19.jpg" alt="SoundMat 3 Plus floor soundproofing"/&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Advantages of the SoundMat™ 3 Plus system:
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            The only system which may not need any insulation between joists or additional soundproofing on the ceiling below
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            Thin 15mm solution so you are not raising your floor hight too much
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            Would act as a luxury carpet underlay (so no need for carpet underlay)
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            Can be easily installed buy a good DIYer or basic tradesperson
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            The foam layer is made from a closed cell foam so will not absorb water in case of water damage in the future
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            Offers the highest impact reduction of all and the system has a very high airborne noise performance
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            Can be easily upgraded, either on the floor above or on the ceiling below
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  &lt;p&gt;&#xD;
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           Disadvantages of the SoundMat™ 3 Plus system:
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    &lt;li&gt;&#xD;
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        &lt;span&gt;&#xD;
          
             Different final floor finishes may need different treatments (I.E a solid board fixed on top of the mats may be needed for some types of hard final floor finish) See the
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      &lt;a href="/downloads"&gt;&#xD;
        
            installation guide
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             for more info.
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            Can be a relatively expensive solution for large areas
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           SoundMat 3 Plus Floor Soundproofing Solution
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  &lt;h2&gt;&#xD;
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           How to install SoundMat 3 Plus
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            Option 2:
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           T
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            o use our Reverso SoundMat™ this acoustic flooring solution is simply added on top of the existing base floor. Soft side up for soft final floor finishes, such as carpet and hard side up for laminates, wood, vinyl and tiles. The beauty of the
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    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           Reverso SoundMat
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            is that no overboarding layer is needed for most laminate, wood and vinyl finishes.
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    &lt;span&gt;&#xD;
      
           Soft side up, with resilient bars and two layers of acoustic plasterboard on the ceiling below and 100mm 60kg acoustic mineral wool between the joists. Airborne noise 54dB and impact noise 42dB (Exceeds Part E Building Regulations.
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    &lt;span&gt;&#xD;
      
           Hard side up, also with resilient bars, two layers of acoustic plasterboard on the ceiling below and 100mm 60kg acoustic mineral wool between the floor joists. Airborne noise 54dB and Impact noise 51dB (Exceeds Part E Building Regulations).
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Advantages of the Reverso SoundMat 18mm system:
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Reversible, suitable for hard or soft floor finishes
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            Acts as a premium carpet underlay
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        &lt;span&gt;&#xD;
          
             No over boarding layer is needed for most hard floors, such as laminates, wood and vinyl.
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            (For tiles, a thicker stabilising board may be needed for certain types of tiles and a levelling / smoothing compound might be required for certain LVT and vinyl)
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            Unique, dual purpose means hard or soft floor finishes are at the exact same height
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            Only 18mm thick, meaning minimal build up of original flooring height
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            Exceeds Part E Building Regulations (when used as the system described above)
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             Ideal for loud levels of impact
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            and
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             airborne noise
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Simple direct to floor installation (no adhesive required)
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            Can be taken up, reversed and reused if tastes change with regards to soft or hard floor final finishes in the future
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Disadvantages of the Reverso SoundMat floor soundproofing:
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
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        &lt;span&gt;&#xD;
          
             SoundMat 3 Plus would be a more cost effective option for a carpet final floor finish
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+SoundMat-e0e27da8.jpg" alt="Reverso SoundMat"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Reverso SoundMat™ Product Overview
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      &lt;span&gt;&#xD;
        
            How to install the Reverso SoundMat
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Option 3:
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            Is our overlay ProSound™
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    &lt;a href="/soundscreed28"&gt;&#xD;
      
           SoundScreed
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            28mm system, originally designed as a fast and efficient alternative to poured screed. The high mass and density makes it perfect for soundproofing and blocking excessive levels of airborne noise. Easily installed on top of the existing base floor and fixed together with half tongue and groove edges and joint adhesive.
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundScreed 28 has a much higher amount of mass, so performance for airborne noise is higher than the above SoundMat 3 Plus and Reverso SoundMat, but with a lower performance for impact noise. (60db for airborne noise and 58dB for impact noise).
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Advantages of the SoundScreed 28mm system floor soundproofing:
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  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Offers a much higher level of airborne noise of 60dB reduction
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Meets the higher level of soundproofing needed in Scotland (54dB airborne and 58db for impact noise)
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Suitable for all final floor finishes including tiles
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Can be installed by any general tradesperson
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Can be used above under floor heating due to it's high thermal conductivity.
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Disadvantages of the SoundScreed 28mm floor soundproofing:
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      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Can be a relatively expensive option in comparison to other systems
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    &lt;li&gt;&#xD;
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            The ScreedDeck may need priming for certain floor finishes
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            Can raise the final floor height considerably
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    &lt;li&gt;&#xD;
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            May need priming for certain floor finishes
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundscreed28"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundScreed+28-ca30a315.jpg" alt="SoundScreed 28"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundScreed 28 Product Overview
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  &lt;/h2&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Option 4: 
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      &lt;span&gt;&#xD;
        
            Is our Direct to Joist ProSound™
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    &lt;a href="/-sounddeck-32"&gt;&#xD;
      
           SoundDeck 32mm
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This system is designed to be fitted direct to the timber joists without the need for a standard 18mm to 22mm T&amp;amp;G sub floor, and fixed together with the tongue and groove edges and wood joint adhesive. However, to achieve a good level of impact noise you will also need to add mineral wool between the joists and a resilient bar to the bottom of the timber joists with two layers of acoustic plasterboard. This system is also a borderline pass for airborne noise. Airborne Noise: 43dB,  Impact Noise: 52dB
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      &lt;/span&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Advantages of the Direct to Joist SoundDeck 32mm:
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      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Ideal for timber floor refurbishment projects
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Suitable for all floor finishes, including laminates, wood, vinyl and tiles
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Tongue and groove edge for fast and easy installation
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Commonly used directly to joists as an upgrade floor replacement or as an overlay board on top of existing floorboards
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Disadvantages of the SoundDeck 32mm:
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Relatively higher cost for the decking
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Must be used with a 100mm acoustic mineral wool and a resilient bar system, with two layers of acoustic plasterboard on the ceiling below
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            These are large sheets so clear access is needed
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
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    &lt;span&gt;&#xD;
      
            
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/-sounddeck-32"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundDeck+32+New.jpg" alt="SoundDeck 32mm direct to joist floor soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Option 5:
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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           Is our
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip™ ceiling system 
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This is our preferred solution when soundproofing can only be added to the ceiling below for different reasons. This involves removing the current ceiling, inserting 100mm acoustic mineral wool, attaching our high performing ReductoClips at appropriate spacings to the bottom of the timber joists, inserting a long furring bar into the clips and attaching two layers of 15mm acoustic plasterboard. A specialist material called
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/tecsound-sy100/" target="_blank"&gt;&#xD;
      
           Tecsound SY100
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is installed between the two plasterboards.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The clips and bars are highly effective at absorbing impact and sound vibration and the two boards and Tecsound add a great deal of mass for blocking airborne noise.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Advantages of the ReductoClip™ ceiling system:
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Ideal for when soundproofing can only be added to the ceiling below
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Good performance for Impact and Airborne noise
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Thinnest ceiling system on the market and only takes up 60mm from the bottom of the timber joists
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Disadvantages of the ReductoClip™ ceiling system
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            An acoustic matting may still be needed on the floor above for solid floors such as laminate, vinyl, tiles and hard wood floors
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to install the ReductoClip Ceiling Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           So going back to our case study, which system did the client select? 
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The final decision came down to a couple of factors that were important to this customer.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
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      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            They did not want to raise the floor height too much, as this the would affect different thresholds within the property (I.E keeping the floor level with the top of the stairs and not wanting to remove and raise the current original skirting boards)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The majority of the final floor finishes would be carpet
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The ceiling below had to be removed as it was already damaged, so adding soundproofing to the ceiling was not a problem
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The client experienced problems with water damage in previous properties he had renovated and wanted a material that could not be damaged by water
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Finally he wanted a system that exceeded building regulations, not just a bare minimum pass. He had previous experience of tenants who were very susceptible to noise and had complained about noise between the properties, when the minimum standard had been used previously.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            So the final solution selected was the thin 15mm
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat™ 3 Plus system
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , with acoustic mineral wool between the joists and a resilient bar system and two layers of acoustic plasterboard on the ceiling below. (This also met the fire regulation for the burn time between properties).
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This system exceeded building regulations:
          &#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For Impact noise 42dB 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For Airborne noise 57dB 
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           (Remember a 10dB improvement is perceived as a halving of the noise)
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Some Top Tips for getting the best soundproofing results
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing is like waterproofing so sealing any small gaps will give you the best results. I.E imagine winding down the window in your car just a small amount at the top and you can hear everything outside very clearly. Close that small gap and everything becomes much quieter
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Seal between old floorboards with acoustic sealant if any gaps have appeared over time
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Some old floorboards warp and bend over time, so if your floor is not flat and level, the recommendation is a layer of hardboard on the base floor first to give you a flat stable base
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The harder the final floor finish, the lower the final performance for impact noise will be. (All floors are tested without the final floor finish in place) I.E an 18mm engineered wood flooring as a final floor finish will reduce the impact performance of the soundproofing by 4-5dB
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Some Metal Posi Joists perform lower for impact noise, compared to tradition timber joists (Up to 4-5 dB lower)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you are planning on adding underfloor heating, this should always go on top of the soundproofing, as sound is an energy and so is heat, therefore we do not want to reduce the performance of the underfloor heating. (Some types of underfloor heating need a flat stable base so check with the manufacturers recommendations in case you need to add a board on top of the soundproofing)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you have to have downlighters in the ceiling below (not our favourite things, as any holes will let sound through) please use the new LED fire rated downlighters and get the thinnest possible, as these have the best acoustic ratings. Alternatively, buy surface mounted downlights and seal the small hole where the cable comes through.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;strong&gt;&#xD;
      
           Author
          &#xD;
    &lt;/strong&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ian Baker is the owner of The Soundproofing Store and a leading name in the soundproofing industry. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           With a prestigious track record of award-winning credentials, Ian is a trusted and respected authority in his field.   
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ian set up The Soundproofing Store with the aim of helping individuals find effective solutions to their unwanted noise issues. His extensive knowledge and insights have been invaluable in helping to transform noisy environments into peaceful spaces. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
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      <title>Reducing Office Noise and Echo: Acoustic Panels Case Study</title>
      <link>https://www.soundproofingstore.co.uk/how-to-reduce-noise-and-echo-in-an-office-acoustic-panels-case-study</link>
      <description>Reduce echo and dramatically improve the sound quality in office spaces. A detailed case study showing the office acoustics before and after. Easy peel and stick installation of ProSound Easy-Fix Acoustic Foam ceiling Panels.</description>
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           Easy-Fix Acoustic Foam Panels: The Soundproofing Solution to Office Noise and Echo
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           In many offices, unwanted noise and echo can pose significant challenges. Excessive office noise can disrupt productivity, increase stress, and make communication difficult. Fortunately, acoustic panels provide an effective and stylish solution to these problems.
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           Why Noise and Echo Are Problematic in Offices
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           Open-plan offices, whilst great for collaboration, often amplify sound. Hard surfaces like glass, concrete, and wood reflect sound waves, creating echoes and increasing noise levels. This environment can lead to:
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            Reduced focus and lower productivity.
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            Miscommunication during meetings or phone calls.
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            Increased employee fatigue and stress due to constant noise distractions.
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           What are Acoustic Panels?
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            Acoustic panels
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            are specially designed to absorb sound waves. They effectively reduce noise and prevent echoes. Available in various sizes, shapes, and styles, they seamlessly complement different office aesthetics whist dramatically improving the sound quality within the space.
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           Acoustic panels work by trapping sound waves and converting them into heat energy. This process minimises reverberations, creating a quieter, more comfortable workspace for employees to focus and collaborate effectively.
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            Acoustic panels from
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            The Soundproofing Store
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            feature a specialist sound absorbing foam core and are wrapped in an acoustic fabric. The 40mm thick options provide a Class A sound absorption performance, to dramatically reduce unwanted echo and enhanced the acoustic comfort within any space.
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            ﻿
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           Steps to Reduce Office Noise and Echo with Acoustic Panels
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           1. Identify Problematic Areas
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           Start by assessing your office space. Identify the areas where noise levels are highest, such as meeting rooms, open plan communal areas, and reception areas.
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           2. Choose the Right Type of Acoustic Panels
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           Acoustic panels come in various forms, each suited to different needs:
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             Wall Panels
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            : Ideal for reducing sound reflections off flat surfaces.
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             Ceiling Rafts
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             or
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             Baffles
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             : Ideal for spaces with high ceilings where sound bounces around and when wall space is reserved for screens, artwork, displays or notices.
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            Desk Dividers: A practical solution for open-plan offices, providing personal sound insulation.
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             High-impact Panels
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            : Ideal for high traffic areas or sports halls.
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           3. Customise for Aesthetics and Branding
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           Acoustic panels can be more than functional - they can also be a design element. Choose colours, patterns, or custom-printed panels that reflect your brand or complement your office decor.
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           Benefits of Acoustic Panels in Offices
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            Improved Productivity: 
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            A quieter environment allows employees to concentrate better, free from disruptive background noise.
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            Enhanced Communication:
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             Meetings and calls are clearer and more productive with reduced background noise.
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            Increased Comfort:
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             A quieter workspace helps to reduces stress and fatigue, creating a more comfortable and pleasant working environment.
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            Professional Appeal:
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             Beyond functionality, acoustic panels add a polished, modern look to your office.
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           Why Acoustic Panels are Essential for Reducing Noise and Echo in an Office
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            Acoustic panels are often a necessity for modern offices. They not only solve noise and echo issues but also contribute to a healthier, happier, and more productive workplace.
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           Acoustic panels are designed to absorb sound waves, reducing noise and preventing echoes. By incorporating them into your office, you can create a more comfortable, productive, and professional environment.
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            By investing in acoustic panels, you can transform your office into a space where unwanted echo and noise no longer impacts productivity, concentration, communication and wellbeing.
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            ﻿
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           Case Study: Acoustic Easy-Fix Ceiling Panels for Office Soundproofing
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           The Acoustic Challenge: Noisy Echoey Office
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Broughton+Hall+Outside+6.jpg" alt="Broughton hall business park "/&gt;&#xD;
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            The Soundproofing Store
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            was contacted by the Managing Director of a business in the process of moving into a stunning new office on the Broughton Hall Estate in Yorkshire. Although the beautiful setting offered tranquillity, the building itself failed to reflect this peaceful atmosphere.
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           The office, a spacious converted watermill, captured the company’s interest with its rustic charm. However, it posed significant challenges for managing office acoustics. The large open-plan design, coupled with hard reflective surfaces amplified noise throughout the space.
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            With 50-60 staff members, many of whom spend a considerable amount of time on the phone, the existing acoustics in the space hindered productivity and were not conducive to a productive work environment.
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            ﻿
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           The Solution: ProSound Easy-Fix Acoustic Ceiling Panels
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            The Soundproofing Store
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            offers a variety of acoustic wall and ceiling treatment solutions, so why were Easy-Fix Acoustic Panels selected?
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           By analysing the office dimensions and reviewing photos of the space, The Soundproofing Store’s team of acoustic experts identified the available surface area within the office. Using this information, they created an acoustic report of the office. The report calculates the echo levels in the space and determines the amount of sound absorption needed to reduce the echo to a distraction-free level. (The acoustic report for the office can be seen below).
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           Easy-Fix Acoustic Foam Panels are selected because they attach easily and directly to both walls and ceilings. Given the office’s stunning design and limited wall space, the beams offered an ideal location for installing the panels. This approach not only preserved the aesthetic appeal but also optimised the available space. In a large open-plan office, treating the ceiling ensures a more even distribution of sound absorption, making this solution both practical and effective.
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           The client chose the Easy-Fix Panels in white, prioritising a seamless blend with the room's design over a bolder statement in their brand colours. In white, the panels introduced a modern touch that perfectly complemented the rustic charm of the converted mill.
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           Features of Easy-Fix Acoustic Panels
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            To address unwanted office noise, it is important to cover the surface area with soft, absorbent material. This is achieved by using sound absorption panels, also referred to as acoustic treatment panels.
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            ProSound Acoustic Easy-fix Ceiling Panels
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            are a popular solution for reducing echo and reverberation and improving sound quality in commercial spaces. The panels are designed to be extremely easy to install and highly effective in reducing noise levels, making them an ideal choice for the business's needs.
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           The Acoustic Easy-fix Ceiling Panels are made from a high-performance acoustic foam core, which helps absorb sound waves and prevent echo, thus reducing overall noise levels in the office. They can be added to ceilings or walls and when sound is projected out, instead of hitting a hard wall or hard ceiling and bouncing back, it hits the acoustic panel and the panel soaks the sound up and absorbs it. This stops it from bouncing back into the room. The more surface area of the office covered in acoustic panels, the less echo there is.
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            The Easy-Fix Foam Panels are covered with an acoustically transparent fabric which means the sound goes straight through the fabric and into the sound absorbing core. With a range of fabrics and colour options to suit any type of office space. Because all office spaces are different, Easy-Fix Acoustic Panels are bespoke and available in a variety of different shapes and sizes to suit any space.
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            ﻿
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           Optimising Acoustics Within An Office
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           The Soundproofing Store ran an acoustic report which calculated the reverberation time of the office. This was 4 seconds, which meant with just a couple of people talking in the room, there was a lot of echo. Add in all of the employees and it would be extremely loud.
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           The aim was to get the reverberation time down to 1 second, so not completely 'dry' which would sound odd for an office environment. (Think about the dry feel of the acoustics when you are at the cinema). Reducing the reverberation time from 4 seconds to 1 second makes a huge huge difference to the office acoustics. 
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           To achieve this result 42 Easy-Fix Acoustic Panels are used, covering 60m². This size of the panels were bespoke to fit between the wooden beams at 800mm x 1800mm and 40mm thick. Importantly, ProSound Easy-Fix Acoustic Panels deliver a Class A -NRC 0.95 performance.
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           Easy-Fix Panels Installation
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           ProSound Easy-Fix Panels are extremely easy to install. Instead of being installed with brackets or suspension cables they have a simple self adhesive peel and stick application. Due to the acoustic panels being installed on the office ceiling and not the wall, a grab adhesive is also used.
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            Step-by-Step Installation of ProSound Easy-Fix Acoustic Ceiling Panels
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           Office Sound Absorption with Easy-Fix Acoustic Foam Ceiling Panels: The Results
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           Acoustic panels can serve as either a subtle addition or a bold statement in an office. With endless design possibilities, the choice is entirely up to personal style preference.
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            Following the installation of the Acoustic
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            Easy-Fix Foam Ceiling Panels
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           , the office environment drastically improved. Staff reported a significant reduction in overall noise levels, with less disturbance from background chatter and phone conversations. The panels helped absorb sound, preventing it from bouncing off the hard surfaces of the office and reducing the ‘echo’ effect that had previously made the space feel noisy and unproductive.
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           In addition to their acoustic performance, the panels seamlessly blended into the office’s aesthetics, enhancing the building’s modern, yet rustic charm without detracting from the natural beauty of the space. The MD and staff were thrilled with the results, saying how "the office soundproofing is amazing." and that he wouldn't hesitate to "highly recommend, Phil and the team at The Soundproofing Store."
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           The business can now operate to its full potential in beautiful surroundings, whilst providing an acoustically optimised space for all members of the team.
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           Easy-Fix Acoustic Panels: Difference Before and After Sound Test
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           Easy-Fix Acoustic Panels: Key Takeaways
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            Simple and Effective: Easy-Fix acoustic panels are a non-invasive and highly efficient way to tackle office echo.
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            Versatile Design: Panels are fully customisable to enhance both function and aesthetics, making them ideal for modern workspaces.
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            Quick Installation: No drilling required! This solution minimises any disruption to businesses.
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           Acoustic Panels in Offices: Conclusion
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           Acoustic panels are an essential tool for improving the sound environment in office spaces. By absorbing noise and reducing echo, they help create a quieter, more productive, and comfortable workspace. Whether you're in an open-plan office or a large conference room, acoustic panels are an effective solution to enhance communication, minimise disruptions from unwanted noise and improve employee well-being and productivity. In today’s modern work environments, where noise pollution is a growing concern, investing in acoustic panels is a smart decision for businesses looking to foster a more focused and efficient workplace.
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           Reducing noise and echo in an office doesn’t have to be complicated. Acoustic panels offer an efficient, versatile, and stylish solution to create a more comfortable and productive workspace. By assessing your office’s needs and strategically placing panels, you can transform your environment into one where everyone can thrive.
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           Author
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           Sam Fessey heads up the Sound Absorption department within The Soundproofing Store. With a huge amount of experience in acoustics, his extensive knowledge is invaluable in working with all types of settings in helping to transform noisy environments into peaceful, productive spaces for people to enjoy.
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             ﻿
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/After+pic+6.jpg" length="74011" type="image/jpeg" />
      <pubDate>Mon, 09 Dec 2024 12:53:10 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-reduce-noise-and-echo-in-an-office-acoustic-panels-case-study</guid>
      <g-custom:tags type="string">Acoustic treatment,office acoustics,corporate space,office,Easy-Fix panels,before and after test,Case-study,reduce echo,ProSound,sound absorption,noise,Acoustic panels,Noisy office,reverberation,sound test,Foam Panels</g-custom:tags>
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      <title>Brick Wall Soundproofing</title>
      <link>https://www.soundproofingstore.co.uk/brick-wall-soundproofing</link>
      <description>Soundproofing a brick wall can be extremely effective if key principles are followed. Decoupling soundproofing layers from the brick wall and enhancing its ability to absorb and dampen sound energy.

Adding resilience to the brick wall with ReductoClips allows the wall to flex and absorb vibrations, much like a car’s suspension system smooths out road bumps. To block airborne noise, heavy, dense materials like FlexiSound and Acoustic Plasterboard are added.

For optimal soundproofing of a solid brick party wall, the ReductoClip Independent Wall System offers a outstanding solution, combining key soundproofing elements for maximum noise reduction.</description>
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           How to soundproof a brick wall
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           Hearing noise through a brick wall can be surprising, given their solid and dense structure. However, brick walls aren't entirely soundproof. In this post, we'll explore the key reasons sound can pass through brick walls and share the most effective methods to enhance a brick walls ability to block and minimise noise transfer.
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           Why can I hear my noisy neighbours through my brick wall?
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           Hearing neighbours in a semi-detached or terrace house is a common issue, as the shared wall between the two homes can easily transmit sound. This wall, known as a party wall, often lacks sufficient soundproofing to block noise effectively. Here are some common reasons why sound might be travelling through your brick party wall:
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           1. Density and condition of the bricks:
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             In many terraced and semi-detached houses, the party wall was built with minimal soundproofing in mind, particularly in older homes. Some brick walls will have weak areas, as not every brick is made with the exact same density and more porous bricks are less dense and less effective at blocking sound.
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           2. Wall cavities:
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            Sound can enter a cavity, bounce around and amplify (similar to a drum) hence the term 'the drum effect'. This can occur when a fireplace is removed on one side (or both sides) of the brick wall.
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           3. Airborne Sound Transmission:
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             Airborne sounds like voices, TV, and music travel through the air, hitting the brick party wall and causing it to vibrate. Without a dense or insulated barrier, these vibrations pass through to your side of the wall. This is particularly common if the wall has empty cavities or lacks mass. Hearing noise from a TV through a neighbours wall is also increasingly more common since the mounting of large TV's (directly onto dividing brick walls) has became more and more common.
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           4. Brick Walls Reflect Sound but Don’t Absorb It:
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            Brick walls are dense, which helps block some sound. However, they don’t absorb sound waves well, meaning sound can sometimes pass through if it’s loud or low-frequency. For instance, lower bass sounds can vibrate through brick more easily than high-pitched sounds. Low-frequency noises like snoring, bass music or low voices, can vibrate through solid walls. Bricks are rigid, which means when low-frequency sounds hit the wall, the vibrations can pass through to the other side.
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           5. Structure-Borne Noise:
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             Structure-borne sounds such as footfall, closing doors, and appliances like washing machines cause vibrations to travel through the wall structure itself. Structure-borne noise happens because the impact causes the building elements to vibrate. These sounds are harder to block because they move through the building structure rather than simply through the air.
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           6. Flanking Noise:
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            Occasionally, noise doesn’t go directly through the shared brick wall but instead "flanks" around it. This can happen through connected walls, floors and ceilings. Therefore, occasionally, the sound you’re hearing may be travelling through these connected elements, rather than directly through the brick wall itself. To check this, do a simple ear test when you can hear the noise and listen to where it is loudest.
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           7. Gaps, Cracks, or Poorly Sealed Outlets:
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            Gaps or cracks in the wall and old mortar, poorly sealed electrical outlets, or plumbing fixtures can allow sound to travel through the wall more easily. Sound can travel through the smallest of openings. Think of it like water. If water can find a path, so can sound.
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           How to reduce noise from noisy neighbours through a solid brick wall
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           To soundproof a brick wall separating neighbours, it's essential to use tried and tested soundproofing methods.
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            1. Decouple the wall using the
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            ReductoClip System
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           . Physically build an internal stud frame a minimum of 10mm away from the existing brick wall to give the highest level of soundproofing. Sound passes through solid materials and by creating a physical airgap, it makes it much harder for sound to pass through your neighbours brick wall into your room.
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            2. Add mass to the brick wall. Heavy dense materials are extremely effective at blocking airborne noise. Materials like
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            Mass Loaded Vinyl
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            ,
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
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            FlexiSound
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            and
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Plasterboard
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            .
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            3. Fill any empty cavities with
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Mineral Wool
           &#xD;
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            . This will stop sound from bouncing round empty cavities, creating a chamber of sound which amplifies the sound making it louder.
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            4. Install soundproofing panels such as
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      &lt;strong&gt;&#xD;
        
            SoundBoard 4
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            . A direct to wall soundproofing panel which features a 3mm layer of mass loaded vinyl. A 9mm layer of closed cell foam sandwiched between a further 3mm layer of mass loaded vinyl and a layer of 15mm acoustic plasterboard. Ideal for low mass structures like internal stud walls, but can be used on brick walls when there are space constraints due to window or door frames.
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            Direct to wall soundproof panels on brick walls do not perform as well as the
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            ReductoClip Independent
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            or
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            ReductoClip Direct to Wall
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            system as the soundproofing is not de-coupled from the brick wall.
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&lt;div data-rss-type="text"&gt;&#xD;
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           Soundproofing a brick wall using the ReductoClip System
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-d54885db.jpg" alt="ReductoClip Isolation clip for soundproofing"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            The
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           ReductoClip system
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      &lt;span&gt;&#xD;
        
            is a highly effective soundproofing solution specifically designed to combat unwanted noise issues from noisy neighbours travelling through brick walls. An innovative sound isolation clip and bar solution creating a
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            "decoupling"
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            layer, prevents sound vibrations from easily passing through brick wall structures. Extremely high performing and the slimmest clip and bar system on the market, achieving excellent sound reduction and minimal space loss.
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            Here’s a guide to soundproofing with the
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           ReductoClip system:
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           How the ReductoClip System Effectively Soundproofs a Brick wall
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            The
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           ReductoClip Independent System works by creating a floating wall (or ceiling) separated from the main wall structure by isolation clips and acoustic furring channels. This separation helps block airborne noise across all frequencies, including lower bass tones from music or male voices.
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           Installation Steps for Soundproofing a brick wall with the ReductoClip System
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Solid+Wall+Reducto+Independent-e32f99d9.jpg" alt="ReductoClip Independent Soundproofing System on a brick wall"/&gt;&#xD;
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            ReductoClips are attached to an independent stud frame built a minimum of 10mm away from the offending brick wall. High mass layers and sound dampening materials are attached to the Reducto Furring Bars which are slotted in-between the ReductoClips.
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           The ReductoClip Independent Wall System effectively blocks noisy neighbour sounds through a brick wall. With a total build-up of just 120mm, it stands as the slimmest independent soundproofing system on the market.
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           Soundproofing a solid brick wall with the ReductoClip Independent System
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            Alternatively, ReductoClips can be attached directly to the brick party wall. This will give an excellent sound reduction and is a slim 60mm (again the slimmest direct to brick wall clip and bar system on the market). Not as high performing as the ReductoClip Independent System which fully decouples the soundproofing layers from the brick wall, it is still an outstanding system for performance v's space loss.
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            Soundproofing a solid brick wall with the ReductoClip Direct to Wall System
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             Acoustic mineral wool is slotted between the stud frame (ReductoClip Independent System) or attached directly to the brick wall between the clips and bars using contact adhesive spray (ReductoClip Direct to Wall System).
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             Acoustic channels
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             (also known as furring channels or bars) are 'snapped' into the ReductoClips. Soundproofing layers are then installed onto the Reducto furring channels. By using The ReductoClips and bars, soundproofing materials remain decoupled from the main brick wall structure. This separation is essential for absorbing sound energy from a noisy neighbour before it passes into your room.
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             A first layer of Acoustic Plasterboard is fixed to the ReductoClip Furring Channels. Leaving a 5mm gap around the perimeter edge of the wall, floor and ceiling.
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             FlexiSound 5 is then attached to the Acoustic Plasterboard. FlexiSound is self-adhesive and requires no fixings. Is ultra thin (5mm) and adds a huge amount of mass to the brick wall. Used as part of the ReductoClip buildup, it also helps to dampen sound energy and vibration.
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             A second layer of Acoustic Plasterboard is then installed, sandwiching the FlexiSound between the two layers.
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             Acoustic sealant is then applied around the perimeter of the soundproofing layers. A high strength, flexible sealant specifically formulated to seal perimeters and gaps where sound may escape.
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             Full installation instructions can be downloaded from
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      &lt;/span&gt;&#xD;
      &lt;a href="/"&gt;&#xD;
        &lt;strong&gt;&#xD;
          
             The Soundproofing Store
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           Conclusion: Soundproofing a brick wall
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&lt;div data-rss-type="text"&gt;&#xD;
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           To effectively soundproof a brick wall, it's essential to reduce sound transmission by decoupling surfaces and enhancing the walls ability to absorb and dampen sound energy. Sound travels through solid materials via direct contact. Therefore, create a separation, such as building a new stud wall with a 10mm gap, making it harder for vibrations and sound transfer to travel.
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            Adding resilience to a brick wall with ReductoClips, allows the wall to absorb vibrations, much like how a car's suspension smooths out road bumps.
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            Additionally, adding layers of dense materials like
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            FlexiSound
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      &lt;strong&gt;&#xD;
        
            Acoustic Plasterboard
           &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            blocks airborne noise. These two types of materials are used as both are effective at reducing different sound frequencies.
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      &lt;span&gt;&#xD;
        
            For superior noise reduction through a solid brick party wall, the
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            ReductoClip Independent Wall System
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            offers an all-encompassing solution that meets all soundproofing needs.
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           Author
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           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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            An authoritative voice within Soundproofing, Phil also fronts
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    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
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            channel, sharing his extensive knowledge and expertise with people all over the world.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-a7f64da9.jpg" length="67251" type="image/jpeg" />
      <pubDate>Thu, 28 Nov 2024 11:59:46 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/brick-wall-soundproofing</guid>
      <g-custom:tags type="string">Acoustic Mineral Wool,soundproofing,,solid wall,SoundBoard 4,isolation clip and bar,DIY soundproofing,Noisy Neighbours,Structure borne noise,ReductoClip Direct to brick wall,ReductoClip Independent System,How to soundproof a brick wall,brick wall,,sound proof,FlexiSound,airborne noise,Acoustic plasterboard,Reducto Furring bar,ReductoClip,soundproofing panel</g-custom:tags>
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    <item>
      <title>How To Soundproof A Stud Wall</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-stud-wall</link>
      <description>How to soundproof a stud wall, reducing noise through hollow internal partition walls.</description>
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           How To Soundproof A Stud Wall
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           Reducing Noise Through An Internal Hollow Wall
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            Here at The Soundproofing Store, most of our calls tend to be about blocking noise from neighbours, but
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           what about if the noise is in your own home?
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           If you are looking to reduce noise from your teenagers bedroom, blocking the noise of a snoring husband, or maybe you are planning to separate a room into two with a partition stud wall and want to soundproof while you're there... below you should find the answers to all your questions!
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           The 3 best ways to soundproof a stud wall
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           A quick science of soundproofing
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            1. Airborne Sound (voices, television, music etc) is only blocked by mass. Mass = weight, so we want to add materials to the wall that are heavy and dense, and this will block more sound. Soundproofing materials like Mass Loaded Vinyl and Acoustic Plasterboard, which make up three of the four layers within the direct to stud wall soundproofing panel -
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            SoundBoard 4
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            .
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             2. When sound hits a surface it becomes a strong vibration energy. We need some resilience in the wall to absorb/dampen the vibration.
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             These rules apply to all walls, for stud walls we have one more important factor;
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           3. If the wall is hollow inside, it is a sealed cavity. When sound gets into this cavity, it echoes, resonates and amplifies becoming louder. This is called the drum effect. We need to fill the cavity with acoustic insulation, this absorbs the sound and reduces the resonance.
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           Soundproofing An Existing Stud Wall
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            So how do we soundproof a stud wall that is already in our home, but we just want to upgrade/improve it?
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             Well, there are two stages. For best results we would advise on doing both. However the first stage can be messy and inconvenient, in which case you can skip to stage two, but remember the results won't be quite as good!
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           Stage One - Insulating The Cavity.
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            We need to fill the cavity with acoustic insulation, using
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            Acoustic Mineral Wool
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           . The best way to do this is to remove the plasterboard on one side of the wall, exposing the framework. We can then fill between the frame studs with acoustic insulation, by just inserting the insulation and letting it hold itself with friction.
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            There are many different types of insulation but the best for absorbing sound in our experience is acoustic mineral wool. We find the ideal density for our purposes is 60kg. This is dense enough to absorb the sound, rather than letting the sound pass through, but not too dense that sound is reflected off it instead.
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             Find out more or order yours here -
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            Acoustic Mineral Wool 60kg
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustic+mineral+wool+square.jpg" alt="Acoustic Mineral Wool" title=""/&gt;&#xD;
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            After installing the insulation, we then want to make the wall whole again by replacing the layer of plasterboard. You can use standard plasterboard, or
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            acoustic grade plasterboard
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            for an even better result. This has far more mass than regular plasterboard.
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           Stage Two - Add Mass
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            Now that we have a complete surface again, we can now install one of our SoundBoards. The SoundBoards are made up of one layer of acoustic grade plasterboard, one or two layers of mass loaded vinyl, and a thick layer of acoustic foam.
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            The plasterboard and vinyl layers add a huge amount of mass to block the airborne sound, while the foam isolates the solid parts of the SoundBoard form the wall and dampens the vibration energy.
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             You can choose between two ProSound™ SoundBoards;
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           ProSound™ SoundBoard 3
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            - Which is perfectly sufficient for a good result when soundproofing an internal stud wall.
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           ProSound™  SoundBoard 4
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            - For blocking louder noise through a stud partition wall.
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           Skipping Stage One?
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            Well I can't blame you! It is extra work and mess, but you can expect the effectiveness of the soundproofing to be around 10 - 15% less. Therefore I would strongly recommend to opt for the
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           Pro-Sound™ SoundBoard 4
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           to go on top to make up for not insulating the stud wall cavity.
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           Stud Wall Sound Insulation: Building A New Stud Wall
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           If you are building a new stud wall from scratch, then there are some extra improvements that you can make for maximum results.
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           Isolate Your Frame
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           The more of the frames surface that is in contact with the structure, the easier it is for sound vibration to transfer into it. For best results we can float the frame on an 
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           Isolation Strip
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            . This is a self adhesive, 6mm rubber crumb strip, that dampens vibration. We can stick this around the perimeter of the frame to isolate the frame from the structure. This means that the only points of contact between the frame and the structure are the screws. The amount of vibration that travels through a screw is so small that it is practically negligent.
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            ﻿
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           Timber or Metal Frame?
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           Generally timber absorbs sound better than metal and resonates less than metal. For example, if you hit a piece of metal with a hammer, it rings out for quite a long time. This is the metal resonating. If you repeat the process on wood, you tend to get a quick, dull knock, because the wood doesn't resonate as much.
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           There are acoustic metal frames on the market that are designed to dissipate the sound and convert the vibration energy to heat, but generally timber is better to use than standard metal framing.
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           Frame Thickness
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            The thicker the frame, the more insulation you can install and so you will get a slightly better result. A 100mm frame with 100mm Acoustic Mineral Wool will reduce more sound that a 50mm frame.
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           Plasterboard
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            Most stud walls are built with standard 12.5mm plasterboard. This is relatively lightweight and has little mass. If you want an even higher result from your wall, cover one or both sides of the frame with
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           15mm Acoustic Grade Plasterboard
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            which is far higher in mass. Combined with the SoundBoard, this should block a great deal of airborne sound.
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           Conclusion
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           Whether you're looking to block out noise from a snoring partner, reduce sound from a teenager’s bedroom, or enhance the privacy of a newly divided space, upgrading your internal walls with soundproofing solutions can make a significant difference. By insulating the cavity with Acoustic Mineral Wool and adding mass with ProSound™ SoundBoards, you can dramatically improve the soundproofing capability of your internal stud walls.
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            Do you think you may need to also soundproof the internal doors? Check out this blog -
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-door" target="_blank"&gt;&#xD;
      
           How To Soundproof A Door
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            Need to know more about soundproofing a solid wall? -
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours" target="_blank"&gt;&#xD;
      
           How To Soundproof A Wall
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            If you need further advice or guidance,
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            The Soundproofing Store
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            is always here to help you choose the best solution for your needs
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         Need Help?
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Stud+wall+2.jpg" length="61776" type="image/jpeg" />
      <pubDate>Fri, 27 Sep 2024 12:45:46 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-stud-wall</guid>
      <g-custom:tags type="string">Acoustic Mineral Wool,internal,wool,soundproof stud wall,,stud,sound,acoustic,hollow,soundboard,partition wall,sound proofing,insulation,soundproof,stud wall sound insulation,noise,mineral,wall,soundproofing,frame</g-custom:tags>
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    <item>
      <title>Do Soundproofing Wall Panels Work?</title>
      <link>https://www.soundproofingstore.co.uk/do-soundproofing-wall-panels-work</link>
      <description>An overview of the best soundproofing panels for soundproofing unwanted noise through a party wall and the best acoustic wall panels for reducing reverberation and echo within a space.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Do Soundproofing Wall Panels Work
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           An overview of the best soundproofing panels and acoustic wall panels
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            The award winning and best selling soundproofing panel for soundproofing a wall is the
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           ProSound™ SoundBoard 4™
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            . The best selling acoustic wall panels for improving the acoustics within a room are the
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           ProSound™ Acoustic Wall Panels
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           .
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           Are you looking for soundproofing Panels or sound absorption?
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            Soundproofing wall panels and acoustic wall panels are completely different products and can't be interchangeably used.
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           So what is the difference between soundproofing and sound absorption? How do you know if you need to use soundproofing wall panels or acoustic wall panels?
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            If you are trying to block noise from getting into or out of a room, then you need to look at soundproofing the wall with soundproof wall panels. This could be trying to block the unwanted noise from noisy neighbours through your party wall from. e.g. TV noise, music, talking, snoring etc. Research from
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    &lt;a href="https://www.comparethemarket.com/home-insurance/content/what-type-of-neighbour-are-you-quiz/" target="_blank"&gt;&#xD;
      
           Compare the Market
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            revealed that noise complaints to UK councils happen every two and a half minutes, with the top nuisance complaint being that of noise.
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            However, if you are looking to improve the room acoustics within a space, then you need to look at sound absorption and acoustic wall panels. This is common in communal spaces such as classrooms, village halls, schools, restaurants and also used to reduce echo and reverberation in music studios and home cinema rooms.
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           Learn more about the difference between Sound Absorption and Soundproofing Panels
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           How Soundproofing Panels Work
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            The
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           SoundBoard 4
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            is the biggest selling direct to wall soundproofing wall panel. Unlike acoustic wall panels, the SoundBoard 4 is used to help reduce unwanted airborne noise through a party wall. So how do you know if the SoundBoard 4 is the correct soundproofing solution for you?
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           SoundBoard 4™ Soundproofing Panel
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            Soundproofing Wall Panels FAQ's 
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           How Do Acoustic Wall Panels Work?
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            What happens if you are looking to improve the acoustics within a room, rather than soundproof a wall?
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            If you are looking to improve the acoustics within a room, then this can be done easily with sound absorption products.
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           Sound energy will bounce off smooth, hard surfaces (in a similar way a rubber ball bounces off the ground). This repeated bouncing of sound energy creates an amplifying effect and makes the noise within a room appear much louder. This is why it can sometimes be hard to have a conversation within a communal space such as a restaurant even when the person you are trying to speak to is only a few feet away.
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            How sound absorption acoustic wall panels work
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  &lt;a href="/sound-absorption-old"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+absorption+website+image+-c7252209.jpg" alt="How sound absorption works"/&gt;&#xD;
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            The image above shows how the soft material used in the blue acoustic wall panel (shown on the right hand image) is designed to absorb sound energy helping to stop it from bouncing around the room.
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           This in turn helps to make the room acoustics become clearer and quieter because less sound energy is travelling and amplifying around the room. The below video highlights the big improvement in acoustics within an office space once the ProSound Acoustic Wall Panels have been installed.
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           Acoustic Treatment: Before and After Test
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           The Best Acoustic Treatment Panels
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           Sound Absorption Acoustic Wall Panels FAQ's
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           High performance acoustic wall and ceiling panels are available in a large variety of colours, shapes and sizes to suit the aesthetics of any room. They make a big difference to the acoustics within a room and are very simple to install.
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            ﻿
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           Soundproofing Panels For Walls Summary
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            The advice of the expert team at
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    &lt;a href="/walls"&gt;&#xD;
      
           The Soundproofing Store
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            is to always use the highest performing system you can depending on the space you can lose from your wall and also the budget you have to spend. There is no such thing as over soundproofing, but there is such a thing as under soundproofing.
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            Soundproofing panels such as the
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard4
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            are an excellent solution when used in the correct circumstances and are especially suited to the use on internal stud walls, or for clear, higher frequency airborne noise on solid walls.
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            It is important to use the correct wall soundproofing solution depending on the type of noise problem being heard and the construction of the wall. If you are looking for soundproofing wall panels to reduce the noise being heard from noisy neighbours and are unsure if they are the right choice of soundproofing, then please speak to an expert. Feel free to contact us on the number below, or by filling in the below contact form. Whatever your soundproofing or sound absorption question, we are here to help.
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            ﻿
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           Author
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            Sam Fessey heads up the Sound Absorption department within The Soundproofing Store. With a huge amount of experience in acoustics, his extensive knowledge is invaluable in working with all types of settings in helping to transform noisy environments into peaceful, productive spaces for people to enjoy.
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    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-7542a8b1.jpg" length="68881" type="image/jpeg" />
      <pubDate>Wed, 04 Sep 2024 11:03:21 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/do-soundproofing-wall-panels-work</guid>
      <g-custom:tags type="string">Soundproofing wall panels,SoundBoard4,solid,wall soundproofing,panels,stud,acoustic,sound proofing,impact noise,noisy neighbour,airborne noise,sound absorption,Knowledge Hub,wall,acoustic wall panels,Soundproofing,</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-7542a8b1.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
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    <item>
      <title>What is the cost of soundproofing v's moving house?</title>
      <link>https://www.soundproofingstore.co.uk/what-is-the-cost-of-soundproofing-v-s-moving-house</link>
      <description>Soundproofing the walls, floors and ceilings within your house is a cost-effective alternative to moving house. Learn more about the costs involved.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           What is the cost of soundproofing v's moving house?
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           Is soundproofing your home cheaper than moving house?
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/cost+of+moving+house.jpg" alt="Average cost of moving house in the UK 2020"/&gt;&#xD;
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            According to a survey by Halifax Homes, nearly 1 in 10 people claim to have moved to a new house because of poor relations with their neighbours. The survey also highlighted that people living next door were a bigger influence on a decision to move house than schools.
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            The types of behaviour behind most of the decisions to move house include (53%) being attributing to the noise from their neighbours, such as; loud voices, music, and Television noise. If you are having to deal with unwanted noise from your neighbours, then you are not alone. A survey from
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           Which?
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            discovered over 3 million UK adults suffer with noisy neighbours.
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           Should I stay, or should I go?
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           Many customers contact us at their 'wits end' due to the unwanted noise of noisy neighbours. The unwanted noise can be so bad that anxieties around noisy neighbours can mean in some instances, people start looking exclusively at detached properties. All of which come at a premium and in 90% of cases are cost prohibitive.
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            Latest figures from
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    &lt;a href="https://www.gov.uk/government/news/uk-house-price-index-for-june-2021" target="_blank"&gt;&#xD;
      
           Gov.UK
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            report the average price of a detached property in England being £463,000, compared to the average price of a semi-detached property of £288,000, or terraced property £244,000.
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            If you currently live in a semi-detached property, on average it will be an extra £175,000 for a detached house. This doesn't include the actual cost of moving, such as; solicitors fees, valuation fees (some lenders don't charge for this), stamp duty, surveyor's fees, estate agent fees, removal costs and higher mortgage costs on a more expensive home. There are also more expensive running costs, or higher council tax costs to consider.
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           On average, the cost of moving in the UK is nearly £12,000 (
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           Halifax 202
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           4
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           )
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           Average house price by property type for England
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           Average price by property type GOV.UK (Jan 2024)
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           Average cost of soundproofing walls, floors and ceilings
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           Average soundproofing costs for walls, floors and ceilings (Sept 2024)
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           Will Soundproofing stop all noise from noisy neighbours?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/noisy+neighbours+image+1.jpg" alt="Noisy neighbours"/&gt;&#xD;
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           If you are very sensitive to sound, you’re not going to find a better solution than a completely detached property. Soundproofing can greatly improve the sound transference between attached properties.
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           Why soundproofing isn't an exact science
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/diagnosing-noise-problems.jpg" alt="Noise in a house"/&gt;&#xD;
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            The difficulty with sound is that it's extremely complex, as sound is an energy and a vibration. The vibration travels very easily through solid material and can transfer from one surface to another if in direct contact. So once the sound energy gets into a structure it can easily spread through different surfaces. As sound isn't visible, it is often difficult to know exactly what surfaces the sound is travelling through. Every property is different and the way sound travels through it is unique to that property. This is why, for soundproofing to be successful, it is advisable to speak to an expert who can discuss your particular noise issue in more detail, learn about the types and levels of noise being soundproofed against and importantly the type and structure of the property.
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           Different property structures and soundproofing
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           If you have noisy neighbours and the sound is coming through the party wall of the house, you would be correct to soundproof the wall of your home. However, in some properties, some of the sound could also be leaking through the floor, or the ceiling or the adjoining walls. It could even be travelling out of the neighbour's windows and back in through yours. (Or potentially all of these!).
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           There are also many different types of party wall that all perform to different levels. Along with lots of potential flaws and weaknesses that can occur in party walls. Therefore, if the noise from next door is excessively bad and the construction of the party wall is incredibly poor, then even a very high performing soundproofing system can only do so much. It would certainly improve things greatly but doesn’t mean it will block out 100% of the noise.
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           It is rare that a lot of sound will be leaking through other areas, but it certainly can happen. And if it does, realistically the only way to combat it, would be to soundproof the wall, floor and ceiling in that particular room. Like you would if you were building a soundproofed music studio.
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           Will soundproofing an attached house make a difference?
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            In all likelihood it is possible to soundproof an attached house to a level that would make a huge difference to the unwanted noise being heard from noisy neighbours. The thousands of extremely satisfied customers
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           The Soundproofing Store
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            have helped is certainly testament to this, along with a very impressive independent review rating (Trusted Shops) of 5 stars.
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           A detached house means no noise from neighbours can directly pass through any part of the structure but comes at a premium cost, whereas soundproofing your existing home comes in at a fraction of the cost v's that of moving to a detached property.
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            If you love your home and the location, but don't enjoy living there due to noisy neighbours, then soundproofing can certainly help to improve the soundproofing capabilities within your home. Many soundproofing solutions can be installed by a competent DIY'er or local tradesperson and are far less hassle than moving house. Check out
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    &lt;a href="https://myurbanjungle.com/explore/blog/how-long-does-it-take-to-move-house/" target="_blank"&gt;&#xD;
      
           this blog for more information on the steps and time it takes to move house
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           .
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           Click the buttons below for different performing soundproofing solutions for walls, floors and ceilings:
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           How to soundproof a solid wall - the top 3 soundproofing solutions
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           How to soundproof walls, floors and ceilings videos
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           Highlighted below are useful videos of soundproofing solutions and installation videos:
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           1. The ReductoClip™ Independent Wall Solution
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            2. ReductoClip™ Direct to Wall Solution
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           3. The SoundBoard 4™ Direct to Wall solution
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           4. SoundMat™ 3 Plus floor solution
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           5. ReductoClip™ ceiling system
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            The wall, floor and ceiling systems vary depending on the levels of noise needing to be soundproofed against. They do demonstrate the alternative to having to move house and are much cheaper alternatives. 
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           The ReductoClip Wall Soundproofing Solution  - achieve the highest level of soundproofing
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           1. Installing the ReductoClip™ Independent Wall Soundproofing Solution
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           2. Installing the ReductoClip™ Direct to Wall Clip Soundproofing Solution
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           SoundBoard 4 Direct to Wall Soundproofing Panels
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           3. Installing SoundBoard 4™ Direct to Wall soundproofing Boards
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           SoundMat 3 Plus Floor Soundproofing Solution
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           4. SoundMat 3 Plus™ Floor Soundproofing Installation
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           5. ReductoClip™ Ceiling Soundproofing
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           Effective soundproofing provides a much cheaper alternative to moving house
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           The correct soundproofing solution for walls, ceilings and floors depends on the structure of the home, the type of noise (airborne, impact, or a combination of both) and how loud the noise is.
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            It is certainly possible to soundproof a home against noisy neighbours, rather than having to move to a detached property. As a rough guide, based on the average figures mentioned earlier, the cost of soundproofing an average sized wall, floor AND ceiling would be more than 97% cheaper than the cost of moving house to a detached property.
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           Author
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           Ian Baker is the Managing Director of The Soundproofing Store and a leading name in the soundproofing industry. 
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           With a prestigious track record of award-winning credentials, Ian is a trusted and respected authority in his field.   
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           Ian is passionate about helping individuals find effective solutions to their unwanted noise issues and his extensive knowledge and insights are invaluable in helping to transform noisy environments into peaceful spaces. 
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/scales+with+house+and+money.jpg" length="22252" type="image/jpeg" />
      <pubDate>Sun, 01 Sep 2024 15:16:03 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/what-is-the-cost-of-soundproofing-v-s-moving-house</guid>
      <g-custom:tags type="string">cheaper,Soundproof,move,cost,neighbours,neighbour,expense,cheap,house,detached,Noisy,flat,noise,Soundproofing,Home,moving,apartment</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/scales+with+house+and+money.jpg">
        <media:description>thumbnail</media:description>
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      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/scales+with+house+and+money.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Which is the best soundproof isolation clip?</title>
      <link>https://www.soundproofingstore.co.uk/which-is-the-best-soundproof-isolation-clip</link>
      <description>Soundproofing isolation clips are highly effective in reducing noise transmission between walls and ceilings. By decoupling the surfaces and creating a break in the sound path, these clips significantly minimise the amount of noise that can travel through structures. Helping to soundproof against noisy neighbours and soundproof music studios and home cinemas.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Which soundproofing clip should I choose?
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-99046d83.jpg" alt="Sound isolation clip ReductoClip"/&gt;&#xD;
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           When choosing the right soundproofing clip, consider the following:
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           1. Type of Noise
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  &lt;ul&gt;&#xD;
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            Airborne Noise (e.g., voices, TV noise): If you're mainly concerned with blocking airborne noise, a high-quality clip will work well.
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             Impact Noise (e.g., footsteps, vibrations, low bass noises e.g. music or snoring): For dealing with impact noise, you might want to choose a clip with superior decoupling properties, like the ReductoClip which has a dual rubber design compared to the single rubber designs of other clips. The two different types of rubber used in two separate areas of the clip makes the ReductoClip better able to absorb different frequencies of sound.
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           2. Application Area
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            Residential or domestic homes: A high quality clip will work well. Often there are space constraints within homes, so choose a clip which takes up the least amount of space like the ReductoClip which is the not only the highest performing, but also the thinnest on the market
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            Home Theaters or Recording Studios: For spaces where superior soundproofing is crucial, again the ReductoClip offers an exceptional performance in reducing unwanted noise in high performance situations.
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           3. Budget
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             Many clip and bar systems are a similar price point (give or take £80-£100). It is worth paying slightly more for a market leading clip and bar solution which has performance test data and is a tried and tested soundproofing solution. 
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           4. Ease of Installation
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            The majority of soundproofing clip systems can be fitted by a competent DIYer. Usually it is recommended that two people do the installation once the clips and bars are fitted as soundproofing materials are extremely heavy. Another alternative would be to use a local tradesperson. Most clip and bar systems come with a comprehensive installation guide and often with videos detailing step-by-step instructions
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           5. Space Considerations
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             The ReductoClip Direct to Wall soundproofing clip system is by far the slimmest on the market and the full system only takes up 60mm.
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           Recommended Clip
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           If you are unsure of which soundproofing clip to use, then the best advice would be to speak to an expert. With soundproofing, it's advisable to do it once and do it right.
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           What are soundproof isolation clips?
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           Soundproof isolation clips are used in domestic homes to reduce unwanted noise from noisy neighbours. Soundproof isolation clips are also used to soundproof the walls and ceilings of recording studios, cinema rooms and home theatres. Isolation clips are used as part of a full soundproofing system to dramatically reduce sound transmission through walls and ceilings. They help to decouple structures, e.g. solid brick walls in terrace houses separating your house from your neighbours. Soundproof clips help to reduce the transfer of sound vibrations from one part of a structure to another.
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           How do soundproofing clips work?
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            Decoupling:
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             The primary function of isolation clips is to decouple the offending wall from the soundproofing layers, such as
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      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        
            Acoustic plasterboard
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             and
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      &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
        
            FlexiSound
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      &lt;span&gt;&#xD;
        
            . This separation reduces the direct path that sound vibrations can travel through, significantly lowering noise transmission.
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            Vibration Dampening:
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             The clips often include a rubber component that helps absorb and dampen vibrations. This material acts as a cushion, reducing the energy of sound waves and preventing them from travelling through the structure.
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            Installation:
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             The clips are attached in two ways. 1. to an independent stud frame built 10mm away from the offending wall (for optimal soundproofing results) or 2. attached directly to the wall or ceiling. Furring channels are then clipped into the isolation clips and the soundproofing layers are then attached to these channels. The result is a soundproof wall or ceiling that is isolated from the original structure.
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           Key benefits of soundproof isolation clips
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            Improved Sound Isolation:
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           By decoupling surfaces, soundproof isolation clips significantly reduce the transmission of sound energy and vibration. Making them ideal for environments where sound control is critical, such as domestic homes with noisy neighbours, recording studios and home theaters.
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           Enhanced Privacy:
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            Soundproofing clips are effective in residential settings where privacy is important, such as between flats and apartments or between rooms within a home.
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           Compliance with Building Regulations:
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            Many new homes and those undergoing conversions require a certain level of sound isolation. In England and Wales this is regulated using
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    &lt;a href="/how-to-pass-part-e-building-regulations"&gt;&#xD;
      
           Part E1 Building Regulations
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           . When used as part of a full system, Isolation clips help buildings meet these standards.
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           Best sound isolation clip
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-bbb9ac20.jpg" alt="ReductoClip soundproof isolation clip and bar"/&gt;&#xD;
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            The most popular soundproof isolation clip is the ReductoClip. The
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip
          &#xD;
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      &lt;span&gt;&#xD;
        
            is the winner of the SME UK Enterprise Awards - Soundproofing Solution of the Year 2024.
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           Which is the best soundproofing clip: comparisons
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            What makes the ReductoClip the best isolation clip for soundproofing? The figures below are based on the soundproof clips attached directly to a solid brick wall. Performance for clip and bar systems can be further improved by attaching them to an independent stud frame built a minimum of 10mm away from the offending wall.
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           When comparing the ReductoClip, MuteClip, and GenieClip, the ReductoClip stands out as the top choice for effective soundproofing with minimal space loss. It offers the highest noise reduction (19dB) perfromance and the slimmest profile, making it ideal for projects where space is at a premium. Its dual isolation points and wider furring channel provide superior soundproofing and easier installation. The MuteClip and GenieClip, while still effective, offer slightly lower performance and take up much more space. They also have limitations in lower sound frequency performance. The ReductoClip provides the best combination of performance, space efficiency, and installation convenience.
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           Soundproof isolation clips: comparisons
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           Soundproof isolation clips: installation tips
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  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+-+Bar+-+Phils+version.jpg" alt="ReductoClip and bar soundproof isolation clip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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           Use with the correct channels:
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            Isolation clips are used alongside furring channels or furring bars which clip into the isolation clips. Make sure to use the correct channels for the clips being used. The soundproofing layers of high mass materials such as Acoustic Plasterboard and FlexiSound are then attached to the furring bars allowing the soundproofing clips to isolate the soundproof materials from the offending wall or ceiling.
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            Clip spacings:
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           Follow the manufacturers spacings to ensure the correct installation. There are different spacings for different clip and bar systems.
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            Optimal performance:
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            If space allows, build an independent stud frame 10mm away from the offending wall and attach the soundproofing clips to this. This further decouples the soundproofing making it even harder for unwanted noise to travel from one house or room to the other.
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  &lt;h3&gt;&#xD;
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           Do soundproofing clips work?
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      &lt;span&gt;&#xD;
        
            Yes, soundproofing isolation clips are extremely effective at reducing noise transmission travelling between walls and ceilings. They work by decoupling and creating a break in the sound path.
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing clips are a proven and effective method for reducing noise transmission in various settings, from residential homes to professional studios and work best when installed correctly and as part of a soundproofing system which utilises high mass materials such as Acoustic Plasterboard and FlexiSound.
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Choosing the best soundproof isolation clip - overview
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  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            When choosing the right soundproofing clip, consider your specific needs, such as the level of noise reduction required, the type of structure you’re working with, and any space constraints. If maximum sound isolation is your top priority, opt for premium clips that offer high decoupling and enhanced noise reduction.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Author
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  &lt;/h3&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
          &#xD;
    &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            An authoritative voice within Soundproofing, Phil also fronts
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            channel, sharing his extensive knowledge and expertise with people all over the world.
           &#xD;
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  &lt;/p&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/reductoclip+and+bar+close+up.JPG" length="141632" type="image/jpeg" />
      <pubDate>Thu, 22 Aug 2024 15:48:11 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/which-is-the-best-soundproof-isolation-clip</guid>
      <g-custom:tags type="string">vibration dampening,DIY Installation,soundproofing,,isolation clip,noisy neighbours,GenieClip,MuteClip,,clip comparisons,soundproof,,Decoupling,Add Mass to Soundproof,Sound isolation clips,ReductoClip</g-custom:tags>
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      <title>How can I soundproof an existing wall?</title>
      <link>https://www.soundproofingstore.co.uk/how-can-i-soundproof-an-existing-wall</link>
      <description>Soundproofing an existing wall can significantly enhance the comfort and privacy of your living space by reducing unwanted noise from noisy neighbours. The key to effective soundproofing lies in understanding and applying the three main principles of soundproofing: isolation, damping, and mass.</description>
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           What is the best way to soundproof an existing wall?
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           How do you stop noise coming through shared existing walls?
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           Many of us share walls with our neighbours and as a consequence hear unwanted noise from next door. Soundproofing existing walls in your home, which are already built, such as a shared wall or a party wall can greatly improve privacy. Here are some key soundproofing methods to follow when soundproofing a dividing wall that you share with a neighbour:
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           1. Add Mass to the Wall
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           Acoustic Plasterboard:
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            Adding two layers of
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           Acoustic Plasterboard
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            with
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           FlexiSound
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            sandwiched in between, when used with ReductoClips will significantly reduce unwanted noise from passing through a wall.
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            Mass Loaded Vinyl (MLV):
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            This is a dense material that is used as part of direct to wall soundproofing panels such as
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           SoundBoard 4.
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            Particularly effective at soundproofing existing lightweight stud walls.
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           2. Decoupling
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            Create a physical gap:
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            Isolate the soundproofing by creating an air gap and building an independent stud frame (a minimum of 10mm) in front of the existing wall. This delivers the highest level of soundproofing.
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            Sound Isolation Clips:
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            These can further improve soundproofing by providing additional decoupling.
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           ReductoClips
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            are extremely high performing and are the slimmest on the market.They can also be attached directly to the existing wall.
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            Resilient Channels:
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           Furring bars
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           are metal channels that clip into the ReductoClips and help to create a gap between the wall and the build up of soundproofing which helps in breaking the path of sound.
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           3. Damping
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           ReductoClips, FlexiSound and Closed Cell Foam:
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            Are effective damping materials to help absorb sound energy and vibrations.
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           4. Sealing Gaps and Cracks
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           Acoustic Sealant:
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            Use this to seal any gaps, cracks, and perimeter edging of the wall. Small openings or cracks can allow sound to pass through.
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           5. Absorption
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           Acoustic Panels:
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            These panels absorb sound waves, reducing echo and noise, but don't soundproof or stop noise from travelling through an existing wall. Learn more about
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           Acoustic Panels.
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           Key soundproofing materials when soundproofing an existing wall
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           How not to soundproof a shared wall with your neighbour
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            Here are some key
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           things to avoid
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            when soundproofing an existing wall:
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            Using Thin Materials:
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            Simply adding a layer of plasterboard to a brick wall without using a proper soundproofing system or specialist soundproofing materials such as Acoustic Mineral Wool, Acoustic Plasterboard, FlexiSound and ReductoClips and bars, will not soundproof the wall.
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           2. Not Sealing Gaps and Cracks:
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            Make sure the soundproofing is properly sealed around the perimeter of the wall, along with any gaps using
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           Acoustic Sealant
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           3. Leaving Outlets Unsealed:
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            Leaving gaps and creating weak points around e.g. electrical sockets. Be sure to use surface mounted socket boxes, or
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           Acoustic Socket Putty Pads
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            to ensure these aren't weak points in the soundproofing.
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           4. Not Decoupling:
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            With no decoupling from the existing wall the soundproofing performance will be limited. Creating a physical air gap between the soundproofing and the existing wall and using ReductoClips will give the highest level of soundproofing.
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           5. Not Using Isolation Clips:
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            Without using isolation clips it is hard to achieve the best soundproofing results. Using isolation clip and bar systems like the ReductoClip and bar system will achieve the best results when soundproofing an existing brick wall
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           6. Not Adding Mass:
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            By not adding mass to the wall, such as
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           Mass Loaded Vinyl (MLV)
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            ,
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           FlexiSound
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            and
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           Acoustic Plasterboard
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            it will be hard to block unwanted airborne noise
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            7. Simply using more of the same material:
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           Use a combination of high mass materials as different materials block different frequencies of sound
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           Make sure to follow the key principles of soundproofing, otherwise the wall will remain ineffective at blocking sound, leading to poor soundproofing results.
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           The 3 main principles of soundproofing an existing brick wall
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            Isolation
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           Concept:
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            Isolate or 'decouple' soundproofing by leaving a physical gap between the existing wall and the soundproofing layers to create a sound breaker.
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           Top-Tip:
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            ReductoClips are highly effective at isolating soundproofing layers from the wall, preventing sound transfer.
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           2. Damping
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            Concept:
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           Use elastic or damping materials like FlexiSound and Closed Cell Foam to absorb sound energy and vibrations.
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           Top-Tip:
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            ReductoClips provide excellent sound damping, helping to reduce sound energy and vibrations and reduce sound transmission through an existing wall.
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           3. Mass
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            Concept:
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           Increase the density of walls to reduce unwanted airborne noise. Utilise materials like Mass Loaded Vinyl, FlexiSound, and Acoustic Plasterboard.
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           Top-Tip:
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            Combining different types of mass can effectively block a wider range of sound frequencies.
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           Key steps to soundproofing a wall that is already built
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-99046d83.jpg" alt="ReductoClip Isolation Soundproofing Clip"/&gt;&#xD;
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             Identify the Source:
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             Is the noise coming through the wall airborne (talking and voices) or impact noise (footsteps and banging) or a combination of both?
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             Use Decoupling Methods:
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            For the best performance in sound reduction and a necessity against impact vibrations and low bass frequencies (such as deep voices, snoring and music) use isolation clips (ReductoClips) and resilient furring channels (Reducto Furring Bars) on an independent stud frame
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             Insulate cavities:
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            Use Acoustic Mineral Wool to insulate cavities between the decoupled structure, which separates the soundproofing layers and the existing wall. Mineral wool doesn't soundproof the wall, but absorbs sound within the cavity to stop it amplifying within the space
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            Seal Gaps and Cracks
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            : Use acoustic sealant to seal the perimeter of the soundproofing layers and in any gaps around windows, and doors.
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            Add Mass to the Wall:
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             Add a layer of Acoustic Plasterboard, a layer of FlexiSound and a second layer of Acoustic Plasterboard. The combination of these different layers of mass work better when soundproofing an existing wall, as the different materials block different sound frequencies
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            Install Soundproofing Panels:
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             Direct to wall soundproofing panels like SoundBoard 4 can be added to the wall to help block unwanted airborne noise. These are particularly effective on internal stud walls
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            Final Touches:
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             Use a plaster skim and decorate the wall as usual
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           These key soundproofing steps are important if you want to achieve the best soundproofing results.
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           How to soundproof an existing wall cheaply?
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  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Noisy+Neighbours-d4eaccc2.jpg" alt="Row of terraced houses"/&gt;&#xD;
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           So called 'cheap' soundproofing hacks although mentioned online, really don't exist. You will end up wasting money on things which yield no soundproofing results and will be disappointed with the results. There are many supposedly cheap ways to soundproof a wall and highlighted below are the most popular, along with the reasons as to why they won't work:
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           Add Mass with Furniture and Decor
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            Bookshelves and Cabinets:
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             Placing heavy furniture like bookshelves or cabinets against the wall to add mass and absorb sound is a misbelief. For a wall to be soundproofed the whole wall needs to be soundproofed with tried and tested soundproofing materials. Noise will simply travel through, around the back and over the top of bookshelves and cabinets
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             Curtains or Tapestries:
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            Hanging thick curtains or tapestries on the wall to help stop sound is also a misconception. This will deliver zero soundproofing. What it might help with is absorbing sound within the room. Think of the acoustics within an empty room compared to a room with carpet and soft furnishings. However, it is important to stress again that this will have absolutely no soundproofing benefits whatsoever at blocking sound from passing through an existing wall.
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            ﻿
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           Use Soft Furnishings
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            Rugs and Carpets:
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             Adding upholstered furniture, cushions and pillows to the room to reduce echo. Again, adding soft furnishings will help absorb some of the sound within the room, rather than it reflecting off hard surfaces, but this is not soundproofing. Sound will still pass from your neighbour through your wall and vice versa.
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           DIY Acoustic Panels
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           .
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            Egg Cartons:
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             The idea that attaching egg cartons to the wall will help with soundproofing is a complete fallacy. Adding something lightweight to the wall won't block airborne noise from passing through the wall.
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            Many 'cheap' soundproofing options don't soundproof, they won't block unwanted noise from your neighbours room from passing into your room and vice versa. They simply help with the acoustics within the room. There are also dedicated
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    &lt;a href="/sound-absorption"&gt;&#xD;
      
           acoustic panels
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            and solutions to help reduce echo and noise within a room and this is separate to soundproofing.
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           How can I sound proof my wall cheaply?
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            Many of the 'cheap' soundproofing options which come up time and time again (as mentioned above) aren't remotely effective at soundproofing a wall. It is much better to save your money and to soundproof the wall properly using a tried and tested soundproofing system and doing it once and doing it right. Based on an average wall size of 3m x 2.4m for the highest performing
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip Independent Wall System
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            the cost would be around £900 including delivery and VAT.
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            For the same size wall and for the
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    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           ReductoClip Direct to Wall System
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            (without the independent stud frame) the cost would be around £835, including delivery and VAT.
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            For the
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           SoundBoard 4
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            which is an excellent direct to existing wall soundproofing panel for studs walls, the cost would be around £570.
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           The 3 best ways to sound proof an existing brick wall
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           Conclusion: How to soundproof an existing wall
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           Soundproofing an existing wall can significantly enhance the comfort and privacy of your living space by reducing unwanted noise, especially from noisy neighbours. The key to effective soundproofing lies in understanding and applying the three main principles: isolation, damping, and mass.
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             Isolation
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            involves creating a physical gap between the existing wall and the soundproofing layers using methods such as building an independent stud frame 10mm away from from the existing wall and using ReductoClips and resilient channels. This decoupling is crucial for breaking the path of sound and preventing it from travelling through the structure.
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            Damping
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             focuses on absorbing sound energy and vibrations using materials like FlexiSound and Closed Cell Foam. ReductoClips also contribute to damping, further reducing sound transmission.
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            Mass
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             requires adding dense, heavy materials like Mass Loaded Vinyl, Acoustic Plasterboard, and FlexiSound to increase the wall's density and block airborne noise effectively. Combining different materials can block a wider range of sound frequencies.
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           By following these principles and using proper soundproofing materials and techniques, you can achieve significant noise reduction in your existing walls. Avoid common mistakes such as using thin materials, neglecting to seal gaps and cracks, and failing to decouple and isolate the soundproofing layers.
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            Although some "cheap" soundproofing hacks might seem appealing, they often yield disappointing results. Investing in a tried and tested soundproofing system is more effective in the long run. Depending on your budget, noise reduction needs and space you can lose from the wall, systems like the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip Independent Wall System
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ,
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    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           ReductoClip Direct to Wall System
          &#xD;
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      &lt;span&gt;&#xD;
        
            , or
           &#xD;
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4
          &#xD;
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      &lt;/span&gt;&#xD;
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           can provide excellent levels of soundproofing performance.
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           Ultimately, proper soundproofing requires a thoughtful approach and the right materials to ensure the best results. By understanding the principles and following best practices, you can transform your space into a quieter, more serene environment.
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  &lt;h3&gt;&#xD;
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           Author
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  &lt;p&gt;&#xD;
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           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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            An authoritative voice within Soundproofing, Phil also fronts
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    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
          &#xD;
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            channel, sharing his extensive knowledge and expertise with people all over the world.
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  &lt;p&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
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      <pubDate>Wed, 07 Aug 2024 10:55:31 GMT</pubDate>
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    <item>
      <title>Sound Absorption and Acoustic Panels:  A Comprehensive Guide</title>
      <link>https://www.soundproofingstore.co.uk/sound-absorption-and-acoustic-panals-a-comprehensive-guide</link>
      <description>In the modern world, managing sound within spaces has become essential for various reasons. Ranging from ensuring a peaceful environment in commercial office spaces to improving audio quality in recording studios..</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           A Complete Guide to Sound Absorption and Acoustic Panels
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/board+room+image.jpg" alt="Acoustic wall panels and ceiling baffles "/&gt;&#xD;
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           Outline
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            1.
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           Introduction
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              Definition of Sound Absorption
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              Importance of Acoustic Panels
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            2.
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           Basics of Sound Absorption
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              What is Sound Absorption?
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              How Sound Absorption Works
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              Key Terminology
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            3.
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           Types of Acoustic Panels
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              Fabric Wrapped Panels
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              Felt PET Panels
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              Wooden Panels
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            4.
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           Applications of Acoustic Panels
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              Residential Use
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              Village halls
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              Commercial Use
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              Industrial Use
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              Educational Facilities
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              Recording Studios
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            5.
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           Benefits of Acoustic Panels
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              Improved Sound Quality
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              Noise Reduction
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              Enhanced Clarity
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              Aesthetic Appeal
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            6.
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           Challenges and Limitations
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              Cost Considerations
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              Installation Challenges
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              Maintenance Requirements
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              Effectiveness in Different Environments
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              Handling and Storage
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              Repairing Damaged Panels
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            7.
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           Comparative Analysis
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              Acoustic Panels vs. Soundproofing Materials
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              Cost Comparison
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              Effectiveness Comparison
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            8.
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           Case Studies
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              Successful Acoustic Panel Installations
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              Real-Life Examples
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           9.
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            FAQs
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              Common Questions About Acoustic Panels
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              Solutions to Frequent Problems
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            10.
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           Conclusion
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              Summary of Key Points
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  &lt;a href="/acoustic-ceiling-rafts"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/call+centre-1a6ffdc1.jpg" alt="office acoustic ceiling rafts "/&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Sound Absorption and Acoustic Panels: A Comprehensive Guide
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           Introduction
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           In the modern world, managing sound within spaces has become essential for various reasons, ranging from improving audio quality in recording studios to ensuring a peaceful environment in residential and commercial spaces. Sound absorption, particularly through the use of acoustic panels, plays a crucial role in achieving these objectives. This comprehensive guide delves into the importance, types, applications and benefits, of acoustic panels, offering a detailed understanding of how they work and how to utilise them effectively.
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           Basics of Sound Absorption
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           What is Sound Absorption?
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            Sound absorption refers to the process by which sound energy is absorbed by materials or objects, rather than being reflected or transmitted.
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           This absorption reduces the amplitude of sound waves, effectively lowering noise levels and improving sound quality in a given space.
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           How Sound Absorption Works
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            Sound absorption works through materials that can capture and dissipate sound energy.
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           These materials convert sound energy into a small amount of heat through friction and other mechanisms within their structure, thereby reducing the overall sound energy in the environment.
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           Key Terminology
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           NRC (Noise Reduction Coefficient)
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           A measure of a material's ability to absorb sound. Higher NRC values indicate better sound absorption.
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           Sound absorption class
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            The sound absorption classes range from "A" to "E" the higher being the best performance.
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           ProSound Acoustic Panels
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            deliver an outstanding sound absorption performance and are Class A performance.
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           Class A: Highly absorbent, with an absorption coefficient of 0.90 or above across a wide frequency range. Ideal for any space that requires noise control, such as recording studios, classrooms, village halls, offices and large rooms.
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           Class B: Moderately absorbent, with an absorption coefficient between 0.80 and 0.90.
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           Class C: Reasonably absorbent, with a coefficient between 0.60 and 0.80.
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           Class D: Slightly absorbent, with a coefficient between 0.30 and 0.60.
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           Class E: Minimally absorbent, with a coefficient below 0.30. Mainly used for aesthetic purposes rather than noise control. 
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           Reverberation Time
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           The time it takes for sound to fade away in a closed space after the source has stopped emitting.
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           Types of Acoustic Panels
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           Fabric-Wrapped Acoustic Panels
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           Fabric-wrapped panels combine aesthetic appeal with functionality. They come in various colours and designs, making them ideal for spaces where both sound control and visual appeal are important.
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           Felt Acoustic Panels
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           Felt acoustic panels are made from 100% PET fibre of which +/- 50% are derived from recycled plastic water bottles.
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           Wood Slatted Acoustic Panels
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           Wood slat panels come in different wood finishes and are backed with acoustic felt. They offer a warm finish to rooms while providing class B sound absorption.
          &#xD;
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      &lt;br/&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Applications of Acoustic Panels
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      &lt;br/&gt;&#xD;
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           Residential Use
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      &lt;br/&gt;&#xD;
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           In homes, acoustic panels are used to reduce noise in large open plan living spaces.
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           Village Halls
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    &lt;span&gt;&#xD;
      
           Large rooms with hard surfaces can create large amounts of echo and acoustic panels can dramatically reduce the noise levels.
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           Commercial Use
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           In offices and commercial buildings, acoustic panels help to create a more productive and comfortable environment by reducing noise levels and minimising distractions.
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           Industrial Use
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           Companies use acoustic panels to control noise levels from machinery and equipment, ensuring a safer and more pleasant working environment.
          &#xD;
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           Educational Facilities
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           Schools and universities utilise acoustic panels in classrooms, lecture halls, and auditoriums to enhance speech clarity and reduce noise.
          &#xD;
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           Recording Studios
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           Acoustic panels are essential in recording studios to reduce echo, and ensure high-quality audio recordings.
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/acoustic-wall-panels"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/classroom+image-981f042b.jpg" alt="Acoustic Wall Panels and Ceiling Panels"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Benefits of Acoustic Panels
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           Improved Sound Quality
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  &lt;h3&gt;&#xD;
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           By absorbing unwanted noise and reducing echo, acoustic panels significantly enhance the overall sound quality in a space.
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    &lt;span&gt;&#xD;
      
           Noise Reduction
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Acoustic panels help to lower noise levels, creating quieter and more comfortable environments in both residential and commercial settings.
          &#xD;
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           Enhanced Privacy
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           In offices and meeting rooms, acoustic panels can prevent sound from travelling between rooms, ensuring conversations remain private.
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  &lt;h2&gt;&#xD;
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           Enhanced Clarity
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  &lt;h3&gt;&#xD;
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           Improved clarity of sound and reduced reverberation within a room.
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           Aesthetic Appeal
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  &lt;h3&gt;&#xD;
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           Modern acoustic panels come in various designs and finishes, allowing them to blend seamlessly with interior design trends while providing functional benefits.
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           Challenges and Limitations
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      &lt;br/&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           Cost Considerations
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  &lt;h3&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Cheap foam panels are often without a classification and don't add any aesthetic quality to a room. High performing,
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    &lt;/span&gt;&#xD;
    &lt;a href="/sound-absorption"&gt;&#xD;
      
           Class A acoustic panels
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            can make a huge improvement to room acoustics and can greatly improve the aesthetics of a space.
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  &lt;h2&gt;&#xD;
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           Installation
          &#xD;
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      &lt;br/&gt;&#xD;
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  &lt;h3&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Installing acoustic panels can be undertaken by a good DIY'er or tradesperson.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Please see the relevant
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/downloads" target="_blank"&gt;&#xD;
      
           data sheets
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for the best practice for the type of panel you are fitting.
           &#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           Handling and Storage
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Handle panels with care to avoid damage, using white gloves to avoid marking the panels. Store in a clean, dry place when not in use.
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  &lt;p&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           Acoustic Panels vs. Soundproofing Materials
          &#xD;
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  &lt;p&gt;&#xD;
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  &lt;h3&gt;&#xD;
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           Acoustic panels are designed to absorb sound, while soundproofing materials block sound transmission. Both have their own applications and benefits.
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
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  &lt;p&gt;&#xD;
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  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Effectiveness Comparison
          &#xD;
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  &lt;p&gt;&#xD;
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The effectiveness of each solution depends on the specific requirements of the space and the type of noise issue being addressed.
          &#xD;
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      &lt;br/&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Case Studies
          &#xD;
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  &lt;/h2&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Sound absorption FAQ's
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/sound-absorption"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Office+Reception.jpg" alt="Acoustic panels in an office"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Conclusion
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           Sound Absorption is designed to reduce the echo and reverberation of a room to make the space quieter and give the sound within the room much more clarity.
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           Echo is sound energy repeating around a room. Sound energy will bounce off smooth hard surfaces much in the same way a rubber ball bounces off the ground. Although the direction of the sound changes, the echo sounds the same as the original sound. This creates an amplifying effect and makes everything seem very loud, often making conversation in these kind of spaces hard to understand. You might have encountered this whilst sat in a restaurant where you can barely hear what the person opposite you is saying.
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           Sound absorption can be used in any situation where reverberation is a problem. Examples of this include noisy offices, village halls, museums, sports halls, classrooms, meeting rooms and music studios.
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           Sound absorption will reduce the reverberation in any type of space to create a quieter, clearer atmosphere. 
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           Author
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            Sam Fessey heads up the Sound Absorption department within The Soundproofing Store. With a huge amount of experience in acoustics, his extensive knowledge is invaluable in working with all types of settings in helping to transform noisy environments into peaceful, productive spaces for people to enjoy.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/board+room+image.jpg" length="178105" type="image/jpeg" />
      <pubDate>Fri, 05 Jul 2024 13:02:09 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/sound-absorption-and-acoustic-panals-a-comprehensive-guide</guid>
      <g-custom:tags type="string">Reverberation,,ProSound Acoustic Rafts,acoustic baffles,Sound absorption,Echo,,acoustic panels</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/board+room+image.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/board+room+image.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to soundproof an existing floor between rooms</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-an-existing-floor-between-rooms</link>
      <description>A detailed case study on how to soundproof a timber floor separating bedrooms in a hotel. Using the highly acclaimed SoundMat 3 Plus, this solution significantly reduces impact and airborne noise. Step-by-step instructions on the DIY installation of this tried and tested soundproofing solution.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How to soundproof an existing floor between rooms
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  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sportsmans+4.jpg" alt="Sportsman's Arms Hotel"/&gt;&#xD;
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           Step-by-Step Guide to Soundproofing an Existing Floor Separating Rooms
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            The Soundproofing Store is a multi-award winning soundproofing company selling high performing soundproofing and acoustic solutions.
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           The Soundproofing Store
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            was contacted by Jamie Carter, the owner of The Sportsman's Arms, a hotel and restaurant nestled in picturesque Nidderdale, North Yorkshire.
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           Jamie explained that there was a converted barn next door to The Sportsman's with three separate bedrooms for residents. Two rooms upstairs and one room directly below one of the upstairs rooms. Jamie went on to explain that he was looking for a soundproofing solution to minimise the impact noise (mainly footsteps) travelling from the room above into the room below and airborne noise (voices and TV noise) travelling between both rooms.
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           This step-by-step guide highlights the SoundMat 3 Plus floor solution which was used to combat the unwanted impact and airborne noise, along with the full DIY installation process and results.
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           How to soundproof a floor separating rooms with SoundMat 3 Plus
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           Case Study: Soundproofing an Existing Floor
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           Project Overview
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           Client:
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            Jamie Carter, owner of The Sportsman's Arms, a highly acclaimed hotel and restaurant
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           Rooms:
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            Floor separating guest bedrooms
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           Objective:
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            Reduce noise transmission between two bedrooms, targeting both impact and airborne noise
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           The best way to soundproof a floor separating bedrooms
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  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM+3+PLus11.jpg" alt="SoundMat 3 Plus on a timber floor "/&gt;&#xD;
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            Identify the type of noise
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           Determine whether you need to address impact noise (footsteps, moving furniture) or airborne noise (voices, music). This will help you select the appropriate soundproofing materials and methods.
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           Final Flooring
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           Different floor soundproofing solutions are better suited for different types of final floor finishes. When choosing the most suitable option, consider not only the noise you want to block but also the type of final floor finish you plan to use.
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           Acoustic Insulation
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            Add acoustic insulation between floor joists prior to installing the floor soundproofing. The bedroom at The Sportsman's Arms hotel already had acoustic insulation within the joists, so no acoustic mineral wool was needed to be added in this instance.
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           Preparation
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           Clear the room of all furniture and existing floor coverings (in this instance carpet).
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           Sealing Gaps and Cracks
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           Identify and seal all gaps and cracks in the subfloor using an acoustic sealant, which will help prevent sound leakage.
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           Perimeter Edging
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           Add carpet gripper rod risers around the perimeter for carpet final floor finishes.
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           Soundproof Solution
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            Choose the most effective soundproofing solution for your individual situation. SoundMat 3 Plus is the most popular soundproofing solution for timber floors and carpet final floor finishes. A high performing direct to floor soundproofing mat, sometimes referred to as an underlay mat.
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           Seal Edges and Perimeters
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           Use acoustic sealant to seal the edges where the soundproofing meets the walls, ensuring no sound leakage through these joints.
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           Final Flooring
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           The final floor finish of choice is carpet and SoundMat 3 Plus will also act as a luxury carpet underlay.
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Timber floor soundproofing solution: SoundMat 3 Plus
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundMat+3+Plus-4db56523.jpg" alt="SoundMat 3 Plus "/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            SoundMat 3 Plus is an exceptional soundproofing mat specifically designed to minimise unwanted impact and airborne noise. Ideal for carpeted final floor finishes, this thin (only 15mm thick) and highly effective floor soundproofing significantly enhances the soundproofing capabilities of existing floors and was the perfect choice for the timber floor separating the two bedrooms at The Sportsman's Arms.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           SoundMat 3 Plus achieves superior soundproofing results for timber floors
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-07ecc533.jpg" alt="SoundMat 3 Plus "/&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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            Key Features of SoundMat 3 Plus
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  &lt;ul&gt;&#xD;
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             High Performance Soundproofing:
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      &lt;/span&gt;&#xD;
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            The SoundMat 3 Plus significantly reduces unwanted impact and airborne noise
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            Clever Layering:
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             Different layers of high mass materials are combined in one easy-to-install product:
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            3mm Mass Loaded Vinyl:
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             Acts as a high-mass acoustic barrier to effectively block airborne noise
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            9mm Closed Cell Foam:
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             Dampens sound energy and vibrations, such as those caused by footsteps
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            3mm Mass Loaded Vinyl:
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             Provides a second layer of high mass to further enhance the blocking of airborne noise
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             Slim Design:
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            At only 15mm thick, SoundMat 3 Plus minimises floor height build-up allowing for seamless integration with existing flooring
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            Simple Installation:
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             A huge benefit of SoundMat 3 Plus is its simplicity of installation. With no adhesive required, the mat can be easily loose laid, making it a hassle-free soundproofing solution
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            Versatile:
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             Suitable for all final floor finishes. For more details, you can explore
            &#xD;
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      &lt;/span&gt;&#xD;
      &lt;a href="/soundmat-3-plus"&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           System components when installing SoundMat 3 Plus
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&lt;div data-rss-type="text"&gt;&#xD;
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           The materials used when installing the SoundMat 3 Plus on a timber floor at The Sportsman's Arms:
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat 3 Plus
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            - High performing floor soundproofing solution to help block impact and airborne noise.
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    &lt;a href="https://soundproofingstore.uk/product/9mm-gripper-rod-soundproofing-riser/" target="_blank"&gt;&#xD;
      
           9mm Gripper Rod Soundproofing Riser
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            - Designed for use under standard carpet gripper rods and used with the SoundMat 3 Plus. Risers are constructed with mass-loaded vinyl to enhance soundproofing around the perimeter. Featuring a wooden layer for securely fixing carpet gripper rods and a foam edge to create an airtight seal against the wall.
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           When used with the 15mm Floor SoundMat 3 Plus system, the gripper rod risers add mass to the perimeter's weak points, blocking airborne noise. Additionally, they raise the carpet gripper rods to the optimal height for gripping the carpet correctly.
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    &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
      
           Acoustic Sealant (900ml)
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      &lt;span&gt;&#xD;
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           - A specialist sealant used to fill any small gaps between floorboards prior to laying the SoundMats and also used to seal around the perimeter of the SoundMats. This helps to prevent any air gaps through which sound could travel through.
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    &lt;a href="https://soundproofingstore.uk/product/sealant-applicator-gun-for-900ml-tubes/" target="_blank"&gt;&#xD;
      
           Jumbo Sealant Applicator Gun for 900ml Tubes
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      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
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           -
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          &#xD;
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            A
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           heavy-duty applicator gun designed to dispense acoustic sealant smoothly and accurately whilst helping to ensure the precise application of sealant along seams and edges.
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    &lt;a href="https://soundproofingstore.uk/product/high-tack-tape/" target="_blank"&gt;&#xD;
      
           High Tack Tape
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            - Used to tape over the joins of the SoundMat 3 Plus to prevent any movement once the SoundMats are laid in place.
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/?attribute_pa_size=100mm-bail-of-4-sheets-2-88m2-coverage" target="_blank"&gt;&#xD;
      
           Acoustic Mineral Wool
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            - Acoustic mineral wool is designed to improve acoustic performance and reduce reverberation within cavity spaces. It is added to the cavity space underneath the floorboards prior to laying SoundMat 3 Plus. Acoustic mineral wool wasn't added in this situation because there was already insulation within the joists. 
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Easy DIY installation of SoundMat 3 Plus
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&lt;div data-rss-type="text"&gt;&#xD;
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           Jamie had never installed any type of soundproofing before and quickly and easily installed the SoundMat 3 Plus.
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           By following these steps, you can easily and effectively reduce noise transmission between rooms, creating a quieter and more comfortable living environment.
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&lt;div data-rss-type="text"&gt;&#xD;
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            Step 1: Preparation of the base floor:
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            Ensure the floor is
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             smooth, flat, and level
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            Remove any dust or debris
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            Seal any gaps between the floorboards prior to laying the SoundMat 3 Plus
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           Step 2: Installation of Gripper Rod Risers:
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            Add Gripper Rod Risers around the perimeter of the floor with the foam edge placed up against the wall. This isolates the hard part of the riser and the floor from the wall. Helping to limit flanking vibration where the vibration from impact on the floor can transfer into the wall
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           Step 3: Laying SoundMat 3 Plus:
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            Lay the SoundMats in a brick bond pattern butting them up against the gripper rod risers. Simply loose lay the SoundMats and make sure not to screw or nail through them
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           Step 4: Secure the SoundMats:
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            Tape over the joins using high tack tape to prevent any movement over time
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           Step 5: Sealing with Acoustic Sealant:
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            Apply acoustic sealant around the perimeter, including around any pipework. This helps to prevent any air gaps which sound can pass through
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            Jamie followed the above process and was able to easily install SoundMat 3 Plus on the bedroom floor. 
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           DIY Installation of SoundMat 3 Plus
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Results
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/dB+reader+36dB.jpg" alt="dB reading 36.3"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Footsteps which were very loud and clear before the soundproofing have been dramatically reduced. Music which was played before the soundproofing was also very loud and very clear and is now muffled and much harder to hear.
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            Impact Noise:
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             Significant reduction in footstep noise
            &#xD;
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    &lt;li&gt;&#xD;
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        &lt;span&gt;&#xD;
          
             Before soundproofing: 50dB
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      &lt;span&gt;&#xD;
        
            After soundproofing: 36dB
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           (The lower the value the better)
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      &lt;br/&gt;&#xD;
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    &lt;li&gt;&#xD;
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            Airborne Noise:
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      &lt;span&gt;&#xD;
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             Noticeable decrease in the transmission of voices and music between the bedrooms
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
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            Before soundproofing: 27dB reduction
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      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             After soundproofing: 33dB reduction 
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           (The higher the value the better)
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A reading was also taken with the dB reader with no noise being played and when the room was silent. The reading was 35 - 36dB. The reading with the noise playing following the installation of the soundproofing was only a couple of decibels over the background silent noise level, which is a fantastic result. 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundMat 3 Plus client testimonial
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/testimonial+pic.jpg" alt="SoundMat 3 Plus "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Jamie, with no prior experience, effortlessly installed the soundproofing and was thrilled with the results. He also found the SoundMats 'remarkably easy' to lay down.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           According to Jamie, “The product is absolutely great; installation was much simpler than I’d anticipated. The SoundMat’s manageable sections made it easy for me to fit myself - it was a simple job.”
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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           Jamie continued, "We're due to have the carpet fitted tomorrow and the carpet fitter came and was really impressed with the job that we'd done. The gripper risers are in place and it means that the carpet fitters can just come in and lay the carpet straight down."
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           Expressing his satisfaction, Jamie added "We're really pleased with the results, we've had customers in the room directly below and people working in here and I'm really impressed with the amount of sound it's stopped. A really successful project and really really happy we've worked with you on it".
            &#xD;
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  &lt;/p&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Top-tips for effective floor soundproofing
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
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            Choose Quality Materials:
           &#xD;
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      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Investing in high-quality soundproofing materials like SoundMat 3 Plus will significantly improve the results of your soundproofing
            &#xD;
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      &lt;/span&gt;&#xD;
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            Seal small gaps:
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             Use
            &#xD;
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            acoustic sealant to seal any gaps. Think of soundproofing like waterproofing. Any gaps and sound will find a way out
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             Don't drill or nail through the SoundMat 3 Plus:
            &#xD;
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            The SoundMat's are loose laid. Don't mechanically fix them down as this will compromise performance
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            Consider Professional Help and Advice:
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        &lt;span&gt;&#xD;
          
             If you’re unsure as to which soundproofing solution to use, speak to a professional to ensure you achieve the best possible results (01423) 206208.
            &#xD;
        &lt;/span&gt;&#xD;
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      &lt;br/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Conclusion
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This case study demonstrates that soundproofing an existing floor between bedrooms can be easily achieved through the use of a high-quality, tried and tested soundproofing solution. By addressing both impact and airborne noise, Jamie's DY installation of SoundMat 3 Plus made a significant improvement in noise reduction between the two rooms. An excellent result meaning a quieter and more peaceful environment for guests to enjoy during their stay.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Whether you’re a hotel owner, or a homeowner, SoundMat 3 Plus offers an exceptional and efficient soundproofing solution. Designed to minimise unwanted impact and airborne noise. Ideal for carpeted final floor finishes, it offers a slim profile (only 15mm thick) while significantly enhancing soundproofing capabilities. Whether you’re dealing with footsteps from guests in a hotel, noisy neighbours, or ensuring privacy between floors within your own home, SoundMat 3 Plus is the ideal solution.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Timber floor soundproofing products
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Below are the products used in soundproofing the bedroom floor separating rooms at The Sportsman's Arms. (Based on a carpet final floor finish).
           &#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
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           Author
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            An authoritative voice within Soundproofing, Phil also fronts
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            channel, sharing his extensive knowledge and expertise with people all over the world.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+Plus+Blog+image.jpg" length="26027" type="image/jpeg" />
      <pubDate>Mon, 01 Jul 2024 15:32:38 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-an-existing-floor-between-rooms</guid>
      <g-custom:tags type="string">soundproofing,,SoundMat 3 Plus,DIY soundproofing,Noisy Neighbours,case study,impact noise,timber floor soundproofing,underlaymats,bedroom floor soundproofing,floor soundproofing,,airborne noise,acoustic insulation,,Sportsman's Arms</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+Plus+Blog+image.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+Plus+Blog+image.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Ultimate DIY Soundproofing: Using SoundBoard 4 Soundproofing Panel for Stud Walls</title>
      <link>https://www.soundproofingstore.co.uk/ultimate-diy-soundproofing-using-soundboard-4-soundproofing-panel-for-stud-walls</link>
      <description>Outstanding soundproofing results when soundproofing an internal stud wall separating bedrooms within a hotel. Step-by-step DIY installation and detailed case-study.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Ultimate DIY Soundproofing: Using SoundBoard 4 for Stud Walls
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+installation+15.jpg" alt="Installing SoundBoard 4 "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           DIY Soundproofing Made Easy: Using SoundBoard 4 Soundproof Panels on Stud Walls
          &#xD;
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           is the largest online retailer of high-quality soundproofing solutions. A UK based company specialising in award-winning soundproofing products and solutions for all unwanted noise issues.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Soundproofing Store serves both DIY enthusiasts, professional installers, and local tradespeople - providing expert advice, technical support, and comprehensive guides and step-by-step installation videos to help customers choose and install the right soundproofing solutions for their specific requirements. An award-winning company which is known for its high-quality products and commitment to helping customers create quieter, more comfortable environments.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundBoard 4 in Action: Soundproofing a Hotel Room
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sportsmans+5.jpg" alt="Sportsman's Arms "/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Background 
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Sportsman's Arms is a hotel and restaurant nestled in the heart of Nidderdale. Regularly voted as one of the best hotels in England by the likes of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.telegraph.co.uk/travel/destinations/europe/united-kingdom/england/yorkshire/north/hotels/the-sportsmans-arms-hotel-and-restaurant/" target="_blank"&gt;&#xD;
      
           The Telegraph
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Soundproofing Store was contacted by owner Jamie Carter because of unwanted noise travelling through the internal stud wall separating rooms within a converted barn. When both rooms had guests staying it meant that often one or both parties were being disturbed by the guests in the next door room and vice versa. 
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      &lt;/span&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Objectives
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ol&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Reduce noise intrusion: Minimise the noise between adjacent rooms when residents were staying at the hotel. This included unwanted airborne noise heard either side of the internal dividing stud wall. Noises such as talking,TV, music and snoring
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Use high performing soundproofing solutions which were trusted and proven
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing solutions which were an easy and quick DIY install, to limit the time the rooms would be out of action to potential customers
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing which minimised any space loss within the room
           &#xD;
      &lt;/span&gt;&#xD;
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  &lt;/ol&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Stud Wall Solution: SoundBoard 4
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-96e4644a.jpg" alt="SoundBoard 4 "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundBoard 4 is a soundproofing board or soundproofing panel designed to enhance the soundproofing capabilities of an internal stud wall. Composed of 4 layers of dense materials that effectively block and absorb sound waves, reducing noise transmission between spaces.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard 4 is particularly effective on low mass stud walls and is a slim soundproofing solution at only 30mm thick. A direct to wall soundproofing panel which is also an easy DIY install. SoundBoard 4 was the obvious soundproofing solution for the internal bedroom wall at The Sportsman's Arms.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Key features of SoundBoard 4 for Superior Soundproofing:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            High Density:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             SoundBoard 4 is constructed from high-density materials such as acoustic plasterboard, which is heavier and more dense than standard plasterboard. This density is crucial for blocking airborne noise. The board includes two layers of mass loaded vinyl, acting as an acoustic barrier to further prevent sound transmission. Additionally, it features a layer of closed cell foam that effectively dampens vibrations and sound energy, enhancing overall soundproofing
             &#xD;
          &lt;span&gt;&#xD;
            
              ﻿
             &#xD;
          &lt;/span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Multi-Layer Construction:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             SoundBoard 4 consists of a combination of 4 layers of soundproofing materials designed to block airborne noise. Each layer works in synergy to provide maximum sound insulation, making SoundBoard 4 an ideal choice for creating a quieter environment
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Easy Installation:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             SoundBoard 4 panels are designed for straightforward DIY installation, making them a convenient choice for homeowners and DIY enthusiasts. Panels can be mounted directly onto walls using screws, without the need for specialised skills or equipment. This user-friendly approach allows for professional-quality results with minimal fuss
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials used
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="/soundboard-4"&gt;&#xD;
        
            SoundBoard 4
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The primary soundproofing material, designed with high-density construction and multiple layers to block and absorb sound
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
        
            Acoustic sealant
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A specialist sealant used to fill the small 5mm gaps around the perimeter of the SoundBoard 4 panels. It prevents sound leakage and enhances the overall effectiveness of the soundproofing
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/sealant-applicator-gun-for-900ml-tubes/" target="_blank"&gt;&#xD;
        
            Jumbo sealant applicator gun
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A heavy-duty applicator gun designed to dispense acoustic sealant smoothly and accurately. This tool is essential for applying sealant along seams and edges
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/packers-28mm-x-5mm-pack-of-25/" target="_blank"&gt;&#xD;
        
            Packers
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            Small, adjustable spacers used to ensure precise alignment and 5mm perimeter spacing of SoundBoard 4 panels during installation
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      &lt;a href="https://soundproofingstore.uk/product/acoustic-socket-putty-pads/" target="_blank"&gt;&#xD;
        
            Acoustic socket putty pads
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            These pads are used to seal electrical sockets. They prevent sound from passing through these potential weak points, maintaining the integrity of the soundproofing
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            Drywall screws for fixing the SoundBoard 4 into the stud work
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           SoundBoard 4 Installation Process: Step-by-Step Guide for Effective Soundproofing
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&lt;div data-rss-type="text"&gt;&#xD;
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           By following these simple installation steps, Jamie simply and effectively installed SoundBoard 4 panels on the dividing stud wall separating the two bedrooms:
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           Step 1: Preparation
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           Remove Skirting and Coving:
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            Begin by carefully removing all skirting boards and coving
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           Install Acoustic Mineral Wool:
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            If installing acoustic mineral wool, remove the existing plasterboard and fit the mineral wool between the existing stud work
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           Step 2: Locate the Timber Studs
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           Identify Stud Positions:
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            Use a stud locator to find the timber studs in the wall. Mark their positions for accurate placement of SoundBoard 4 panels
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           Step 3: Start the Installation
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           Begin in the Bottom Corner:
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            Start the installation in the bottom left or right-hand corner of the wall. Ensure the edges of the boards meet on the center of a stud for optimal stability
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            Position the first panel and using the 5mm packers leave a 5mm gap around the edge of the wall, floor (and also the ceiling)
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            Hold the SoundBoard 4 panel in position and use suitable length drywall screws to securely fix the board into the stud work
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            Position the second panel tightly against the first, ensuring there are no gaps between them
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            Start the second row from where the first row ended to create a staggered joint
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           Step 4: Plug Sockets
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           Use acoustic putty pads:
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            Use acoustic socket putty pads (double or single) or surface mounted plug sockets. This reduces any weak spots for sound to travel through
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           Step 5: Seal the Gaps
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           Apply Acoustic Sealant:
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            Fill the 5mm gap around the perimeter of the whole wall with acoustic sealant. Additionally, apply sealant over the joints between the boards to prevent any sound leakage
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           Step 6: The final finish
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           Prepare the Plasterboard:
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           Once all the SoundBoard 4 panels are securely in place and sealed, the wall is ready for a standard plasterboard finish
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           The goal was to minimise the noise transfer between two rooms, thereby enhancing the comfort and satisfaction of hotel guests. By adhering to the above installation process, the hotel successfully achieved superior soundproofing, creating a quieter and more enjoyable environment for their guests. Let's take a look at the results..
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           DIY Installation of SoundBoard 4
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard 4 on a hotel stud wall - results
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Customer+testionial+with+Jamie+-+Phil.jpg" alt="Soundproofed hotel wall"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Noise Reduction:
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           There was a significant reduction in airborne noise following the installation of SoundBoard 4:
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            Before soundproofing: 13dB reduction
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            After soundproofing: 32dB reduction
           &#xD;
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            Client Satisfaction:
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      &lt;span&gt;&#xD;
        
            Jamie completed the installation himself with the help from Phil from
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
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            .
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           Jamie
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            goes on to say how "the product is great" and was "actually really surprised how easy it was to do" and having now done it that he'd "recommend that it's easy enough for anyone to do at home" installing SoundBoard 4 is "surprising simple."
           &#xD;
      &lt;/span&gt;&#xD;
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           The soundproofing was a huge success and Jamie goes on to say:
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  &lt;ul&gt;&#xD;
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        &lt;span&gt;&#xD;
          
             "We haven't heard a peep coming through the wall."
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        &lt;/span&gt;&#xD;
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    &lt;/li&gt;&#xD;
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  &lt;p&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Dramatic noise reduction from SoundBoard 4 Soundproofing Panel
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Conclusion
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           By using SoundBoard 4 Jamie effectively soundproofed the internal stud wall separating two bedrooms within his family run country Inn.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This case study illustrates how SoundBoard 4 can be a practical and efficient solution for DIY soundproofing projects, offering significant benefits in noise reduction and acoustic enhancement on stud walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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           Residents can now enjoy a beautiful tranquil setting during the day and a peaceful, undisturbed sleep at night.
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  &lt;/p&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Stud wall soundproofing products
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
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  &lt;h3&gt;&#xD;
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           Author
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  &lt;p&gt;&#xD;
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           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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            An authoritative voice within Soundproofing, Phil also fronts
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
          &#xD;
    &lt;/a&gt;&#xD;
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            channel, sharing his extensive knowledge and expertise with people all over the world.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+installation+spirit+level.jpg" length="38594" type="image/jpeg" />
      <pubDate>Thu, 06 Jun 2024 09:04:02 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/ultimate-diy-soundproofing-using-soundboard-4-soundproofing-panel-for-stud-walls</guid>
      <g-custom:tags type="string">soundproof panel,Acoustic Mineral Wool,SoundBoard4,soundproofing case study,buy online,easy installation,,DIY soundproofing,Noisy Neighbours,high density,Acoustic Sealant,internal wall soundproofing,customer testimonial,step-by-step guide,acoustic putty pad,,Add Mass to Soundproof,airborne noise,noise reduction,hotel soundproofing,stud wall,</g-custom:tags>
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    </item>
    <item>
      <title>How to soundproof a wall (The 3 best acoustic wall solutions) 2024</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-wall-the-3-best-acoustic-wall-solutions-2024</link>
      <description>How to soundproof a wall. 3 wall soundproofing solutions for solid and stud walls. Achieve peace and quiet against noisy neighbour's and exceed Part E Building Regulations.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
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           How to soundproof a wall
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           (The 3 best acoustic wall solutions) 2025
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            The easiest and most effective way to soundproof a brick wall in a semi-detached or terraced home against the unwanted noise of noisy neighbours. A recent study highlighted in The Express details how more than
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    &lt;a href="https://www.express.co.uk/life-style/property/1407262/property-tips-hacks-noisy-neighbours-UK-advice-noisiest-city-London-Southampton" target="_blank"&gt;&#xD;
      
           250,000 noise complaints were made in the UK in the last 12 months
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            , with loud music accounting for 50% of all complaints.
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           Key questions to answer before soundproofing a wall
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Solid+Wall+Reducto+Independent+with+FlexiSound+mobile.jpg" alt="Soundproofed wall"/&gt;&#xD;
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           Before soundproofing a wall, there are some key questions to answer, which help to ensure the correct and most informed soundproofing decision.
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           1.	What is the wall constructed of?
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            Knowing if the wall is a solid brick / block or light weight timber stud construction, will help to determine how well the current wall performs for blocking noise. (This will help determine the correct level of soundproofing needed).
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           2. What level of noise is being heard?
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             Is the noise a quiet muffled noise?
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             Clearer noise such as the odd clear word / make out which TV programme they are watching?
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            Or excessive levels of noise such as dogs barking, snoring, doors slamming, clear conversation or music?
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           3. What type of noise is being heard?
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            There are two types of noise. Airborne or impact noise, or a combination of both. This will help you determine the correct wall soundproofing system.
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           4. Is there a chimney breast on the wall?
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             Chimney breasts normally perform better for soundproofing than the alcoves. This is due to their higher mass, compared to the alcoves which may just have a single brick. (Put your ear to the alcove wall and take a mental reading of the level of noise and then compare it to when you put your ear to the front of the fireplace). Learn more about
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            soundproofing a chimney
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            .
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           Addressing these key questions before soundproofing a wall is essential when choosing the correct soundproofing system. By understanding the walls construction, noise level, type of noise, and presence of features like chimney breasts (and if noise can be heard through the chimney breast) allows for an informed decision to be made about the appropriate soundproofing measures needed.
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           How to soundproof a brick wall?
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           Soundproofing a brick wall can be easily achieved by decoupling from the offending wall, adding mass to the wall and using soundproofing materials which absorb sound energy and vibrations.
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-968f6b3e.jpg" alt="Brick wall soundproofing"/&gt;&#xD;
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           In the UK brick walls usually separate attached and semi-detached houses. Because you are sharing a party wall with your neighbour it often means you can hear unwanted noise coming through the connecting wall, and because they are usualy constructed with just a singal brick, which does not have enough mass to block noise. to soundproof this type of wall we need to :
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            1. Decouple the wall
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           Create a sound breaker by leaving a gap between the soundproofing and the original wall. This helps to stop sound vibrations from travelling though the structure.
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           2. Add mass to the wall
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            The heavier and more dense a material is, the more airborne sound it will block.
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           3. Add different types of mass to the wall
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           Different types of mass block different sound frequencies. Always use a combination of high mass materials for the best results.
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           4. Dampen sound vibration and energy
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            When sound hits a wall it becomes a vibration. Damping materials help to absorb sound energy and vibrations.
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           5. Add acoustic insulation
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           Use acoustic mineral wool in cavity spaces to stop sound from resonating and amplifying. (This is called the drum effect).
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            To achieve the highest level of soundproofing, decouple from the offending wall. Use different layers of mass such as
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           Acoustic Plasterboard
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            and
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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            and dampen sound energy and vibrations using the
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    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip/" target="_blank"&gt;&#xD;
      
           ReductoClip
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            system.
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            This can be easily achieved as a full system by using the
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           ReductoClip Independent Wall Solution
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           .
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           Top 3 soundproofing solutions to reduce unwanted noise from noisy neighbours
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           The 3 best wall soundproofing solutions for an existing wall
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           Wall soundproofing case study - key questions
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            Our client (Mr and Mrs Wheeler) contacted us due to being disturbed by the noise coming from next door within their mid terrace house.
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           1.What level of noise is being heard?
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           The noises they could hear from next door were described as medium levels of conversation. We asked Mrs Wheeler to clarify the levels and types of noise and she explained it was low levels of conversation, whereby you could hear the odd word, but not the whole sentence. They could also hear music coming through the party wall.
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            The Soundproofing Store further clarified if the noise being heard from next door was just the airborne noise of people talking, or could Mr and Mrs Wheeler also hear impact noise, such as footsteps and doors banging.
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           Mrs Wheeler explained that it was only airborne noise she was experiencing coming from her neighbour's house, although along with the conversations and talking, she could also hear their TV and music.
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           2.What is the makeup of the wall?
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            The Soundproofing Store then needed to ascertain which room within the house Mrs Wheeler was looking to soundproof and what the makeup of the wall was.
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           It was within the lounge where they were being disturbed the most and Mrs Wheeler confirmed that her wall was a solid, brick party wall.
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           3.Is there a chimney in the room?
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            The next important question was to check if there was a fireplace within the lounge. Mrs Wheeler confirmed that there was and when we asked her to do a simple ear test next time she heard the noise, she confirmed she could only hear the noise coming from the alcoves of the wall within the lounge and the noise through the chimney was much quieter.
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           This is often the case, due to firebricks containing more mass than standard bricks and having two layers of them often provides enough 'natural' soundproofing. Meaning the sound coming through the alcoves often can't be heard through the chimney breast. However, this isn't always the case and we discuss later within this article on what to do if you can hear noise coming through the chimney breast, or if indeed there are weaknesses, e.g. the chimney has been removed from your neighbour's house.
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           The next stage is to select the best wall soundproofing solution
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            Once the right questions have been asked and answered,
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    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
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           can then discuss with Mr and Mrs Wheeler the best wall soundproofing solution options for their noisy neighbour problem. Highlighted below are the 3 most effective wall soundproofing options. The ReductoClip Independent Wall Solution, ReductoClip Direct to Wall Solution and the SoundBoard 4.
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  &lt;p&gt;&#xD;
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           With each system we discuss the advantages and disadvantages of each wall solution, to help Mr and Mrs Wheeler and all of our customers make an informed choice.
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&lt;div data-rss-type="text"&gt;&#xD;
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           Option 1: The ReductoClip™ Independent Wall System
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  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            The ReductoClip Independent Wall Solution delivers the highest level of soundproofing.
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Installing the ReductoClip™ Independent Wall System
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The ReductoClip™ Independent wall system is the slimmest and highest performing clip and bar solution, delivering the highest level of soundproofing for your home. Often used in recording studios and night clubs, as well as domestic properties, the
           &#xD;
      &lt;/span&gt;&#xD;
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip independent wall system
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            will result in an approximate 80-90% noise reduction with a loss of space of 120mm.
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  &lt;/p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The new soundproofing layers are effectively creating a 'room within a room' (50mm timber stud) a minimum of 10mm away from the wall. Sound travels easily via connected surfaces, so by fully decoupling from the offending wall, this helps to deliver the highest performing soundproofing solution.
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip/" target="_blank"&gt;&#xD;
      
           ReductoClip
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            /
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-2-4m-furring-bar/" target="_blank"&gt;&#xD;
      
           furring bar
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and two layers of
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . These materials are extremely efficient at blocking airborne sounds from travelling through. This is because their weight and density increase the overall mass, which (as mentioned above) is crucial for soundproofing against airborne sounds. 
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Because these layers are fixed onto the ReductoClips and furring channels instead of directly to the stud frame, sound vibrations cannot easily pass. The clips act like shock absorbers and absorb the vibration energy, stopping the vibrations (sound) from travelling into the new wall layers.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Reducto+Clip+Soundproofing+store-f16bfaa2.png" alt="ReductoClip™"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The ReductoClip Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Advantages of the ReductoClip™ Independent Wall System:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Creates a 'room within a room' isolated from the original structure, which offers the highest level of soundproofing possible
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The perfect solution for soundproofing against loud noises, recording studios or band practice rooms
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Can be used on solid, or stud walls
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The thinnest independent clip system on the market (by up to 15mm)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Dual rubber clips for higher performance, due to being able to absorb different sound frequencies
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Exceeds Part E Building Regulations
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            DIY install
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A proven performance of airborne noise: 77dB (DnT,w) on a solid wall and 69dB (DnT,w) on a stud wall
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
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      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Disadvantages of the ReductoClip Independent Wall System:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
            &#xD;
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  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The system takes up 120mm of space from the original wall, and although is the thinnest independent wall system available on the market, can still sometimes be too much space to lose in domestic properties. Especially where there are sometimes space constraints such as door frames and window ledges.
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Installing the ReductoClip Independent Wall System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           1.	A timber stud frame is built in front of the existing wall, de-coupling the new wall from the existing wall to minimise the transferral of sound energy
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2.	The inside of the frame is insulated with an
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    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Subsequently, the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/reductoclip-system-for-walls/" target="_blank"&gt;&#xD;
      
           ReductoClips
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and are fixed onto the frame
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3.	Finally, a new wall layer, of 15mm
          &#xD;
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    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic grade plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is added to the frame
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           4.	A specialist material called
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , is added to the acoustic plasterboard
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           5.	A second layer of 15mm acoustic grade plasterboard is added to the frame, sandwiching the FlexiSound 5 between both of the acoustic plasterboard layers.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-968f6b3e.jpg" alt="ReductoClip™ Independent Wall System"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Step-by-step installation of the ReductoClip™ Independent Wall System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Was the ReductoClip™ Independent Wall System the chosen system for this case study?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Although offering superior soundproofing, Mr and Mrs Wheeler felt they didn't have the space to lose from the alcoves within their lounge for this particular wall soundproofing solution. It was also decided that the levels of noise they were experiencing, although having a negative impact on their everyday enjoyment within their home, wasn't excessive enough to warrant the highest performing capabilities of the ReductoClip™ Independent Wall Solution.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Option 2: ReductoClip™ Direct to Wall System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+Build+Up+SQUARE+flexisound-13586076.jpg" alt="ReductoClip™ Direct to Wall soundproofing system"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClip™ Direct to Wall System is installed directly to a solid wall, bypassing the process of building an independent stud frame in front of the wall you are soundproofing. It has a total build up of 60mm.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClips are installed directly to the existing wall, instead of building an isolated frame. 
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Advantages of the ReductoClip™ Direct to Wall System:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClip Direct to Wall Solution offers an excellent performance given its slim profile.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
            &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Only 60mm loss of space
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Offers the highest level of soundproofing, combined with minimal loss of space to the home
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The perfect wall soundproofing solution for soundproofing against medium to loud levels of noise, (such as clear conversation, TV noise and music)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Suitable for use on solid or stud walls
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Dual rubber clips for higher performance in absorbing different sound frequencies
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Exceeds Part E Building Regulations
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            DIY Install 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Disadvantages of the ReductoClip™ Direct to Wall System:
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Can’t be used for excessive noise levels, or music studios
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step-by step installation of the ReductoClip™ Direct to Wall Soundproofing System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip™ Direct to Wall Customer Testimonial
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Installing the ReductoClip™ Direct to Wall System:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            1.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           ReductoClips
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           are attached directly to the wall 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            2.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-3m-furring-bar/" target="_blank"&gt;&#xD;
      
           Furring channels
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            are attached to the ReductoClips 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           Acoustic mineral wool
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is added to the wall (between the bars) using
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/contact-spray-adhesive-500ml/" target="_blank"&gt;&#xD;
      
           contact adhesive spray
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3. A new wall layer, of 15mm
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           Acoustic grade plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is added
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            4. The specialist material
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           ,
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is added to the acoustic plasterboard
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           5. A second layer of 15mm acoustic grade plasterboard is added, sandwiching the FlexiSound 5 in between.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+Build+Up+SQUARE+flexisound-13586076.jpg" alt="ReductoClip Direct to Wall build up"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Was the ReductoClip™ Direct to Wall Soundproofing System the chosen system for this case study?
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The beauty of the ReductoClip™ Direct to Wall soundproofing system is that it still offers a dramatic noise reduction, with only 60mm loss of space. This would be our recommendation to Mr and Mrs Wheeler, given their noise problem and with them also wanting to minimise any space loss.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           They had also read abut the SoundBoard 4, a direct to wall soundproofing panel. This is an excellent solution for stud walls, but not as effective on solid walls, we will go into more detail below as to why this is the case:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Option 3: ProSound™ SoundBoard 4™
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Soundboard 4™ is a direct to existing wall system and is very easy to install, taking up just 30mm of space. It is ideal for blocking noise on stud walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           The SoundBoard 4 is constructed from 4 layers of different high mass soundproofing materials to block a wider range of sound frequencies. The different layers that make up the SoundBoard 4 work by adding mass to the wall and by improving the walls ability to absorb sound energy. The final layer is an acoustic grade plasterboard meaning that following the easy DIY installation, you are then left with a plaster boarded finish, ready to add a skim coat of plaster to and decorate. Due to the weight of each board it must be installed using a suitable hammer fix screw and although an easy DIY installation, it does require two people to lift, hold and fix to the wall.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-e8515003.jpg" alt="Soundboard4 brick wall soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard 4 Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Advantages of the SoundBoard 4™ Soundproofing Wall Panel:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Ideal for situations where space is of a premium. For a more slim-line solution, such as where space cannot allow for the ReductoClip™ Independent or ReductoClip Direct to Wall systems. The loss of space with the SoundBoard 4 is only 30mm
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Can be fitted directly to solid or stud walls
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Thinner and a very straightforward DIY install, meaning minimal disruption to your home
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The SoundBoard 4 is constructed from 2 layers of mass-loaded vinyl for blocking airborne noise, a closed cell foam to absorb vibration and then bonded to a final layer of 15mm acoustic grade plasterboard. This means there is only one board to install straight onto the wall, rather than multiple layers or build work
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Acoustic grade plasterboard is higher in mass than regular plasterboard, and can be skimmed and decorated as normal
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Passes Part E Building Regulations (as part of a system)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Disadvantages of the SoundBoard 4™ wall solution:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
            
            &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             On a solid brick wall, the SoundBoard 4 can be used for airborne noise at higher frequencies, but is limited at blocking lower base frequencies from the likes of music, deep voices and snoring. This is when it would be advised to use one of the ReductoClip Systems.
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Using SoundBoard 4 on a solid wall would only be advised when space constraints are essential, such as door fames, or windows making it physically not possible to use the 60mm ReductoClip Direct to Wall System.
             &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Installing the SoundBoard 4:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The SoundBoard 4 is a direct to wall soundproofing panel and is an easy DIY installation:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            All skirting and coving is firstly removed and any dust is wiped away to ensure the wall is flat and clean
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            It's recommended to start the installation in the bottom left or right corner
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             The first
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundboard-4"&gt;&#xD;
        
            SoundBoard 4
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             is offered to the wall making sure it sits square
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A 5mm gap is left around the perimeter edge of the wall, floor and ceiling (to prevent any flanking vibration)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             The SoundBoard 4 is attached to the wall by drilling 9 holes per board and fixed with
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/hammerfix-6mm-x-80mm-screws-pack-100/" target="_blank"&gt;&#xD;
        
            hammer screw fixings
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Once the first SoundBoard 4 is in place, the second is applied by butting it up tightly to the previous board and so on
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The second row of boards needs to start from where the first ended to give a staggered joint
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Fill the 5mm gap with
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/?s=acoustic+sealant&amp;amp;post_type=product" target="_blank"&gt;&#xD;
        
            acoustic sealant
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             and seal between any gaps within the boards
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The SoundBoard 4 is now ready for a plaster skim finish, or use of a heavy duty backing paper
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Was the SoundBoard 4™ the chosen system for this case study?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-375e8b13.jpg" alt="SoundBoard 4"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The SoundBoard 4™ offers an excellent performance on stud walls, however its performance is limited to airborne noise on solid walls and it doesn't perform effectively against lower bass noises such as music.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Mr and Mrs Wheeler wanted to use the RedutoClip Direct to Wall Solution, as this is a higher performing solution than the SoundBoard 4 on a solid wall and didn't take up as much space as the ReductoClip Independent System.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClip Direct to Wall System can also be installed by a competent DIYer, although in this case Mr and Mrs Wheeler wanted to use their local handyman who had previously done work for them in the past.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Things to consider when soundproofing a wall
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Plugs and Radiators
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you are unable to, move the sockets to another wall (with the help of an electrician), this would be the preferred option. Alternatively, the best way is to fit the soundproofing across the whole wall and make a small hole in the soundproofing and pull the cable for the socket through and then fill with acoustic sealant.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           You would then refit the socket on as a surface mounted socket.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Another option is to fit the soundproofing around the socket and fit a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-socket-putty-pads/" target="_blank"&gt;&#xD;
      
           socket putty pad
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            in the back box of the socket. 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Acoustic Mineral Wool
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           In an ideal world, we would also recommend adding Acoustic Mineral Wool to the cavity below your floorboards in between your floor’s timber joists for the first 1.5m away from the offending wall. If sound is getting into this cavity it will bounce around, resonate and amplify. It is a bit like shouting down a cardboard tube, by adding the mineral wool, we stop this effect. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing chimney breasts
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When soundproofing the alcoves of a wall, in most cases the chimney breast doesn't need the same level of soundproofing. This is because chimney breasts are normally constructed of a double layer of fire bricks which are far heavier and denser than the standard bricks (normally) used in the alcoves.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           However, there are always exceptions and a top tip of you are unsure is to do a simple ear test by putting your ear to the alcove wall when you hear the noise from next door and do the same at the chimney and compare.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you hear noise coming through the alcoves and the chimney breast then there are a number of options.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Top tips for achieving the best wall soundproofing results
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing is like waterproofing, it is only as good as the weakest point. An example: If you are in a car and the window is only slightly open, you can normally hear all the sound outside perfectly clearly. Close the window fully and the car becomes soundproofed and all sounds are reduced to a quiet muffle. This illustrates how much sound can travel through any small gaps. This is why it's important to remove all skirting boards and coving before installing the wall soundproofing solutions, to ensure the whole wall is covered.
             &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Brick wall soundproofing products
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Author
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ian Baker is the Managing Director of The Soundproofing Store and a leading name in the soundproofing industry. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           With a prestigious track record of award-winning credentials, Ian is a trusted and respected authority in his field.   
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ian is passionate about helping individuals find effective solutions to their unwanted noise issues and his extensive knowledge and insights are invaluable in helping to transform noisy environments into peaceful spaces. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-968f6b3e.jpg" length="67251" type="image/jpeg" />
      <pubDate>Sat, 01 Jun 2024 10:14:06 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-wall-the-3-best-acoustic-wall-solutions-2024</guid>
      <g-custom:tags type="string">Soundproofing wall panels,SoundBoard4,brick wall soundproofing,solutions,sound,acoustic,best,wall panel,noisyneighbour,insulation,knowledge hub walls,airborne,walls,FlexiSound,noise,Soundproofing,ReductoClip,wall</g-custom:tags>
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        <media:description>main image</media:description>
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      <title>How to soundproof a wall</title>
      <link>https://www.soundproofingstore.co.uk/the-best-way-to-soundproof-a-wall</link>
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           How to soundproof a wall?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-8412edee.jpg" alt="ReductoClip Independent Wall soundproofing Solution"/&gt;&#xD;
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           How to soundproof a wall from noisy neighbours
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           The Soundproofing Store
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             has been soundproofing walls in the UK for over 10 years and have hundreds of 5* reviews on
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           Trusted Shops
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           .
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            In the United Kingdom, brick walls frequently act as a partition between connected and semi-detached residences. When you have a shared wall with your neighbour, known as a "party wall," noise can easily pass through it. If the wall lacks proper construction, you may be subjected to unwanted sounds from the adjacent side.
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           To enhance the soundproofing of your brick wall, consider separating it from your neighbour's wall to create a gap, and then use professional soundproofing materials to absorb sound energy and vibrations.
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           When considering ways to soundproof a wall, various methods are available, depending on the noise level and the type of wall (solid or stud). Here are some effective techniques to assist you in minimising noise.
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           1.  Identify where the noise is coming from
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           Press your ear against different sections of the wall to identify the areas where most noise is coming through (for instance, alcove walls are usually much thinner than chimney breasts) this will help you identify the areas that need sound proofing.
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           2.  Add mass to the wall
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           One of the simplest ways to reduce noise through a brick wall is to add heavy/dense materials to your wall.
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            Installing soundproofing layers such as
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           SoundBoard 4
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            or
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           FlexiSound 5
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            with a layer of
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           acoustic plasterboard
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            on top can significantly reduce unwanted noise.
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           (Please note this solution is not effective for low bass frequencies)
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           SoundBoard 4 Test data
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           2.  Add a new wall in front of the existing wall
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           Adding a new fake wall is the most effective way to soundproof a wall although you will lose more space. Soundproofing clips such as the ReductoClip can be fitted directly to the wall if space is a premium, or for higher performance they should be fitted to a new independent stud wall. These clips will reduce the amount of sound energy and vibration that can be transmitted through the wall. You should then add further layers of high density materials.
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           (These systems offer a higher performance than just adding mass directly to the wall and work better for lower bass frequencies)
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           ReductoClip Direct to wall Test Data
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           ReductoClip on a independent stud wall Test Data
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           3.  Use acoustic insulation in any cavities
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            Enhancing the soundproofing of walls is possible by integrating
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           soundproofing insulation
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            in cavities or sealed areas. Acoustic grade mineral wool slabs are designed to optimise sound absorption within the cavity between the new wall, consequently boosting acoustic performance and reducing reverberation.
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           4.  Seal all gaps and holes
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            Minor gaps and holes can allow a significant amount of noise to pass through, which is why it's important to apply
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           acoustic sealant
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            along the perimeter of the wall and around small openings for electrical wiring and pipework. Enhance the soundproofing of electrical sockets by using
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           acoustic putty pads
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           .
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           5.  Additional tips
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           Address any flanking paths
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           Sound may also move through alternative paths like ceilings, floors, and side walls. Place your ear against these surfaces and compare the noise levels with the wall. If the noise is just as loud as through the wall, you may be dealing with a flanking noise issue.
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           Do not use acoustic foam panels for soundproofing
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            Acoustic panels
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           DO NOT BLOCK NOISE
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            they only help with sound reverberation and echo within a room.
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           Helpful wall soundproofing guide
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  &lt;a href="https://youtu.be/huNDsYKLpqo?si=pQC0fGXqxu-a9hOJ" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Screenshot+2024-05-13+153347.png" alt="Phil Lyons from The Soundproofing Store "/&gt;&#xD;
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           Author
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    &lt;a href="https://www.soundproofingstore.co.uk/meet-the-team" target="_blank"&gt;&#xD;
      
           Ian Baker,
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            the Managing Director of The Soundproofing Store, is a prominent figure in the soundproofing sector. His distinguished history of award-winning achievements and development of trademarked, superior wall soundproofing solutions establish him as a revered and reliable expert in the field.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-8412edee.jpg" length="259812" type="image/jpeg" />
      <pubDate>Mon, 13 May 2024 09:02:32 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/the-best-way-to-soundproof-a-wall</guid>
      <g-custom:tags type="string">Soundproof,independent,FlexiSound,Add Mass to Soundproof,acoustic,airborne noise,neighbour,noisy,ReductoClip,insulation</g-custom:tags>
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      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-8412edee.jpg">
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      <title>How to reduce echo using acoustic panels</title>
      <link>https://www.soundproofingstore.co.uk/how-to-reduce-echo-using-acoustic-panels</link>
      <description>A case study showing the installation of acoustic treatment in a church hall and a before and after acoustic test.</description>
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            How acoustic panels dramatically reduce echo
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           How to solve the problem of echo!
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            Sound absorption, or acoustic treatment is used to reduce echo and reverberation within a room.
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            Acoustic panels help to reduce echo and increase the clarity of sound within any space
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            Using high performing ProSound acoustic panels help to absorb echo and reverberation
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            Acoustic treatment can be chosen based on the room's characteristics for example using ceiling panels if there is limited wall space or based on a personal design preference
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             Acoustic options include Acoustic Wall Panels, Acoustic Ceiling Rafts, Acoustic Ceiling Baffles, Acoustic High Impact Sports Panels
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            Using a high performance Class A sound absorption acoustic panel will give optimum performance in reducing echo
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             Speak to
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            The Soundproofing Store
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             about an acoustic report which will show the improved reverberation times of the proposed sound absorption 
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           By selecting appropriate acoustic treatment, you can easily and significantly improve room acoustics.
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            How to reduce echo in a church hall: Case Study
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Baffles+Thumb+Nail+no+Phil+2.jpg" alt="ProSound Acoustic Ceiling Baffles "/&gt;&#xD;
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            Members of St Andrew's Church in Starbeck, North Yorkshire, contacted
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           The Soundproofing Store
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            with a familiar concern. They were looking for a way of reducing excessive echo and noise within their church hall.
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            St Andrew's Church hall is regularly used for a variety of proposes, from meetings, scout groups, film nights, dance classes and events. The hall serves as a central hub to the local community and often has a number of people taking part in activities at any one time.
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           The committee were looking at how to solve the problem of noise and echo within the hall, which was making it hard for people to hear each other, or hear an instructor or teacher when activities were taking place.
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           What causes echo?
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            The noise problem within St Andrew's Church hall is an extremely common one. This is because within communal spaces there are often hard surfaces, such as wooden floors and solid stone walls. These are very hard, reflective surfaces (reflective from an acoustic point of view). This causes problems, because when a sound is projected e.g. when playing music or talking, the sound travels out into the room and hits one of the hard reflective surfaces and bounces back into the room again. It will then hit another surface and bounce again and with every bounce a copy of the sound is created (known as an echo).
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            The more echo the noisier and more amplified the sound gets. Now multiply that by having several people all talking at the same time creating multiple echoes. This often results in not being able to concentrate on the sound you are trying to listen to, as there is so much distraction with unwanted noise. Think about being in a restaurant and not being able to hear the person sat opposite you because of multiple echoes all bouncing around creating a 'messy' noisy atmosphere.
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            This is a problem in so many settings, not just church halls. It's the same in any shared space such as; school halls, classrooms, restaurants, meeting rooms and even open plan living spaces in peoples homes.
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            How to solve the problem of echo?
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           The most effective way of reducing echo is by using acoustic panels, often referred to as acoustic treatment, or sound absorption.
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            Acoustic panels are easily installed within a space and either fixed onto the walls, or suspended from the ceiling.
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            Acoustic panels are filled with a sound absorbing core, so once a sound is projected it travels out into the room and hits the panel and instead of bouncing back creating the echo, it stays in the panel where that sound is absorbed, converting it into a tiny amount of heat.
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            With the right amount of sound absorption panels for the size and shape of the room, the echo can be reduced so much so that it is no longer a problem.
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            Acoustic panel options
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           Which acoustic treatment should be used to reduce echo?
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            Acoustic wall or ceiling panels can be used interchangeably within the same project and it really boils down to individual preference or constraints from the the shape or aesthetics of the room. For example, with the St Andrew's Church hall project it was important to keep the walls clear for notices and displays and although ProSound Acoustic Wall Panels can be used as a pin board, it is important not to cover the entire surface of the panels.
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           In this instance the obvious choice was to use either ProSound Acoustic Ceiling Rafts or ProSound Acoustic Ceiling Baffles which are suspended down from the ceiling to keep the wall free for their decorations and displays. The committee of the hall chose Acoustic Ceiling Baffles which offer increased coverage within the hall.
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           How many acoustic panels are needed to reduce echo?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/St+Andrews+Baffles+mockup.png" alt="Acoustic Baffles St Andrews Church "/&gt;&#xD;
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            By looking at pictures and dimensions of the hall The Soundproofing Store's acoustic team were able to model out the space and calculate how much echo and reverberation there is currently within the hall and how much sound absorption is needed to reduce it by a significant amount.
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            The acoustic report below shows how the sound within the hall can be brought down to a level where the space becomes a lot more user friendly and the echo is dramatically reduced.
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           Lowering reverberation times with acoustic treatment
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            The Soundproofing Store produced an acoustic report showing the reverberation time of the church hall (in seconds) and at different frequencies in hertz (Hz).
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            The reverberation time is the time it takes for the sound to dissipate by 60 decibels after the source stops. A lower reverberation time means the sound is absorbed faster and the room is quieter. A higher reverberation time means the sound lingers longer and the room is more echoey.
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            The below graph compares the reverberation time of the church hall without any sound absorption (red line) and with sound absorption (green line).
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            The green line shows the reverberation time within the church hall with the addition of ProSound Acoustic Baffles. The baffles significantly reduce the reverberation time (from 4.05 seconds to 1.96 seconds) meaning the room becomes less echoey and noisy and much more comfortable acoustically.
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            Acoustic Report for St Andrew's Church
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            Before and after acoustic sound test
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           What are ProSound Acoustic Ceiling Baffles?
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            ProSound Acoustic Ceiling Baffles are all custom made to order and made to any size or shape requirements. The acoustic baffles are wrapped in an acoustic fabric in an extensive range of colours to suit the decor, style or brand of the space. All panels are manufactured here in the UK and with extremely quick delivery lead times of 4-7 days.
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            Inside of the baffle is a class A absorption core, which means it absorbs a very high level of sound (90-100%) so the majority of sound that hits the baffle will stay in the baffle, instead of bouncing back into the room.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/New+raft+baffle+panels+cut-17f3f42b.jpg" alt="Acoustic Ceiling Baffles Features"/&gt;&#xD;
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           ProSound Acoustic Baffles Synopsis:
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           Acoustic Baffles DIY Installation
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            ProSound acoustic insulation products are extremely easy to install. If you have basic DIY skills then you will have no trouble installing the acoustic ceiling baffles, rafts, or wall panels yourself. As with all of The Soundproofing Store's acoustic panels, all fixing kits are fully supplied along with instructions and the sound absorption team at The Soundproofing Store are only ever a phone call away (01423) 206208. 
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            Because the baffles are attached to the ceiling of St Andrew's Church hall, to aid installation, a scaffolding tower was hired from a local tool hire merchant. This was delivered to the church hall on the morning of the installation and picked up again the following morning.
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            Step-by-step installation of ProSound Acoustic Baffles
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             Find the long edge of the baffle which feels softer than the other. The one without the hard edge frame, as this is the top of the baffle
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            In this instance the baffles are 2.4m long which means there will be 3 suspensions installed per baffle. One in the centre and two towards the edges. The centre point of the baffle is 1200mm and this is where the first corkscrew spiral is inserted. It is simply pushed through the fabric and twisted into the core of the baffle. It is important to keep it straight, making sure the spiral does not pop out trough the face of the baffle
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            The second and third spiral hooks are then inserted at 300mm from each edge
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            The suspension cable is then fixed by attaching the bullet to the ceiling using appropriate fixings. (Because the baffle was being fixed into a timber ceiling, timber screws are used)
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            The suspension wire is then screwed into the bullet letting the cable hang down
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            The eyelet of the suspension wire is then attached to the spiral spring within the baffle
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             The cable length is then adjusted using a spirit level to ensure the baffle is level. The height of the baffles can be easily adjusted by pulling the excess cable through the eyelet to lower or raise the baffle
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            Once the correct height is achieved and the baffle is level, the excess wire is then simply cut with cable cutters
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            Improving both the sound and aesthetics with acoustic ceiling baffles
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            Once installed, the ProSound Acoustic Ceiling Baffles made a huge difference, not only to the acoustic quality of the church hall (as demonstrated in the earlier before and after clap test) but also visually. The acoustic ceiling baffles have given the hall a fresh and modern look and a vibrant burst of colour has really brightened up the space.
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            The committee members of St. Andrew's Church were delighted with the transformation of their hall. The acoustic treatment significantly reduced echo and noise, creating a more comfortable environment for their various activities and events. With improved acoustics, the church hall could now better fulfill its role as a vibrant community space and become a more commercially viable space to rent out for future events and activities.
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            Acoustic ceiling baffles can be used on ceilings within any space and with over 70 different colours to choose from (and with photo print options also available) there is a design to suit any room.
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           A summary of how to reduce echo
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           The noise issue in St Andrew's Church hall occurred because sound was bouncing off the hard surfaces (wooden floors and solid stone walls) which reflected, rather than absorbed the sound.
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            These surfaces are highly reflective acoustically, causing projected sounds to bounce off them and create echoes within the hall
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            Multiple echoes intensify noise levels, making it difficult to hear or be heard
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            This problem isn't unique to church halls but extends to any kind of shared spaces like school halls, classrooms, gymnasiums, meeting rooms, restaurants, scout huts and open-plan living spaces
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            The most effective solution for reducing echo is using acoustic panels, also known as acoustic treatment or sound absorption
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            Acoustic panels suspended from ceilings, or installed on walls contain a sound-absorbing core that prevents sound from bouncing back into the room and effectively reduce echo
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           Sound absorption panels can be easily tailored to the room's size and shape and can significantly reduce echo and improve the overall acoustics and aesthetics.
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           Examples of acoustic panels
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            Acoustic panels are available in a range of colours, shapes, and sizes. If you're seeking to minimise echo and reverberation in any space,
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           The Soundproofing Store
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            is here to help you.
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            Simply get in touch with your room dimensions and any images of the space and The Soundproofing Store will work out the correct amount of sound absorption panels needed.
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Acoustic Panels FAQ's
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    &lt;/span&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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           Author
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      &lt;br/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Sam Fessey heads up the Sound Absorption department within The Soundproofing Store. With a huge amount of experience in acoustics, his extensive knowledge is invaluable in working with all types of settings in helping to transform noisy environments into peaceful, productive spaces for people to enjoy.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/After-64b4b87b.jpg" length="52942" type="image/jpeg" />
      <pubDate>Thu, 25 Apr 2024 14:33:21 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-reduce-echo-using-acoustic-panels</guid>
      <g-custom:tags type="string">acustic ceiling rafts,DIY Installation,Acoustic treatment,before and after acoustic test,echo,quick delivery,acoustic panels,case study,Acoustic ceiling baffles,reverberation times,acoustic report,no more echo,acoustic baffles,sound absorption,noise,church hall,reverberation,acoustic tiles</g-custom:tags>
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    <item>
      <title>Best Floor Soundproofing: A Comprehensive Guide 2024</title>
      <link>https://www.soundproofingstore.co.uk/best-floor-soundproofing-a-comprehensive-guide-2024</link>
      <description>A guide for the best floor soundproofing 2024</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Floor Soundproofing: A Comprehensive Guide to the Best Acoustic Underlays 2024
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    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/kid+running+on+floor.jpg" alt="Child running on wooden floor"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Noise can be a significant issue in our day-to-day lives. If you live in a noisy environment or have noisy neighbors, you know how frustrating it can be to deal with unwanted noise. Soundproofing your floor with acoustic underlay can help reduce noise transmission and improve your quality of life. In this article, we'll go over some of the most effective ways to soundproof a floor and answer some common questions about the process.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Can you soundproof an existing floor?
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&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Yes, it is possible to soundproof an existing floor. The method used will depend on the type of floor you have and the level of soundproofing required. One effective option is to use acoustic underlay, such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
      
           SoundMat 3 Plus
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    &lt;/a&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            , which can reduce noise transmission by up to
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           Airborne Noise: 
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            51dB 
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            Impact Noise:
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           51
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           dB. This underlay is easy to install and can be used under various floor coverings, including carpet and engineered wood (if over 18mm thick)
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-d90abcfa.jpg" alt="SoundMat 3 Plus" title="SoundMat 3 Plus"/&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           SoundMat 3 Plus: Easy DIY Installation
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  &lt;h2&gt;&#xD;
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           What is the cheapest way to soundproof a floor?
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      &lt;span&gt;&#xD;
        
            Another option is to use
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    &lt;a href="https://www.soundproofingstore.co.uk/reverso-soundmat" target="_blank"&gt;&#xD;
      
           Reverso SoundMat
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , which can reduce noise transmission by up to
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Airborne Noise:
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    &lt;span&gt;&#xD;
      
            51dB and 
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    &lt;span&gt;&#xD;
      
           Impact Noise:
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            58dB. This system can be used where harder final floor finishes are used such as laminate as these types of final floor finishes need a more stable base to prevent any movement over time.
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  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+hero+square-ec73ac0f.jpg" alt="Reverso SoundMat" title="Reverso SoundMat"/&gt;&#xD;
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            Be wary of 'cheap' soundproofing solutions, or companies promising soundproofing for every budget. The hard truth is that your noise problem doesn’t care what your budget is. The soundproofing solution you need is determined by the construction of your floor, the noise issue you are experiencing and your final floor finish (e.g. carpet or hard floor finishes).
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           There are certain things you physically need to do to solve certain noise problems, and those things may cost more money, but need to be done to solve the problem. If you don’t have the budget, you would be better to wait, save up your money and eventually do it properly and solve the problem, rather than rushing into buying a cheap solution that isn’t suitable for your problem. You’ll only be disappointed in the results and will have wasted the money you did spend.
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           Remember the old saying “you get what you pay for”, and in soundproofing, that is certainly true.
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  &lt;h2&gt;&#xD;
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           What is the best way to soundproof a floor for noise from below?
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      &lt;span&gt;&#xD;
        
            The best way to soundproof a floor depends on the type of floor you have, the level of soundproofing required, and your budget. One of the most effective methods for noise from below is to use a a high mass material, which involves installing a new layer of flooring over the existing one with a dampening between the two layers (such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundscreed28" target="_blank"&gt;&#xD;
      
           SoundScreed WF28
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ) to help reduce noise transmission. This method provides excellent soundproofing results for loud levels of noise but can be more expensive than other options but you can apply any final floor finish directly on top such as laminates, wood, vinyl and tiles. It is also recommended that the void (the space between the ceiling below and the floor above) be filled with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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    &lt;span&gt;&#xD;
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            to stop sound amplifying in this sealed chamber.
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&lt;div&gt;&#xD;
  &lt;a href="/soundscreed28"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SS28+hero+square.jpg" alt="SoundScreed 28"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How do you soundproof a floor from the room below?
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you can't soundproof the floor and use any of the methods mentioned above. You can use a ceiling soundproofing system (see below) such as the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip Ceiling System
          &#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-ba3a1c28.jpg" alt="ReductoClip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Best Floor Soundproofing - Conclusion
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  &lt;/h2&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing a floor can make a significant difference in reducing unwanted noise transmission and improving your quality of life. By using the right soundproofing materials and techniques, you can achieve a quieter living space. Consider consulting with a professional for more specific guidance such as the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/timber-joisted-floors"&gt;&#xD;
      
           soundproofingstore.co.uk
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
             to ensure the best results for your situation.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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           We hope this guide has been helpful in understanding how to soundproof a floor and the different options available. Don't hesitate to reach out to us for more information or questions you may have.
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    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Remember, a quieter home is just a few steps away.
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  &lt;/p&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundmat+2+pics+tape.jpg" length="6640" type="image/jpeg" />
      <pubDate>Tue, 06 Feb 2024 11:52:03 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/best-floor-soundproofing-a-comprehensive-guide-2024</guid>
      <g-custom:tags type="string">impact noise,timber floor soundproofing,Reverso SoundMat,airborne noise,SoundMat 3 Plus,floor,floor soundproofing,soundScreed 28,how to soundproof a floor guide,soundproofing</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundmat+2+pics+tape.jpg">
        <media:description>thumbnail</media:description>
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    <item>
      <title>Does Soundproofing Foam Work To Block Noise?</title>
      <link>https://www.soundproofingstore.co.uk/does-soundproofing-foam-work</link>
      <description>The truth about soundproof foam. Can you use acoustic egg box soundproofing foam to soundproof a wall against noisy neighbours?</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           What kind of foam is best for soundproofing?
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "Soundproofing Foam" - Understanding the difference between Soundproofing and Sound Absorption
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Here at
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            we get inundated with enquiries regarding soundproofing and the best way to do this. Quite often customers think they can just stick soundproofing foam to a surface but unfortunately it isn't that simple.  
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            Whether it be soundproofing against noisy neighbours, or building your own home studio we are always asked the same question regarding soundproofing foam and egg box acoustic foam. "Is it good for Soundproofing?"
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  &lt;p&gt;&#xD;
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            The short answer is
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           No
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            .
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  &lt;a href="/sound-absorption"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/acoustic+foam.jpg" title="Soundproofing foam" alt="Foam on wall "/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Unfortunately egg box type soundproofing foam does not stop sound transferring through your wall from your neighbour or from leaving your room. All it will do is absorb some of the sound within your room and stop it echoing and amplifying.
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            It will not block sound from neighbours or escaping out of your room.
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           To soundproof a room we need to address the below points:
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            Sound (noise) is normally broken down into two categories.
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            The most common is
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           airborne noise
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            such as people talking and TV noise; the second is
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           vibration impact noise
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            such a machines vibrating against the wall and live musical instruments
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           To soundproof a wall effectively you need to:
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  &lt;ul&gt;&#xD;
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             Improve the
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            mass of the wall
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             - This is normally achieved by adding different high mass/density products.
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           However, when sound hits a wall it turns in to a vibration and an energy, so mass alone will not solve the problem. You also need to:
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             Improve the ability of the wall to
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            absorb sound energy and vibration
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            s
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             . Without this, the addition of the mass will have very little impact.
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             Use
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            different materials of high mass
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            . Different materials perform better for different sound frequencies, so using a combination of high mass materials will always perform better than simply using more of the same material.
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             For louder more powerful sound energy you also need to
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            decouple
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             the new wall from the existing wall. Many vibrations and noises, especially low bass frequency sounds (such as music, deep male voices, dogs barking and snoring) can be too strong to be blocked by simply connecting onto the existing structure.
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           How to stop noise coming through walls
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            We've highlighted that soundproofing foam definitely does not block noise from passing from room to room.
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           Key reasons why soundproofing foam doesn't block noise:
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            ﻿
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            It does not add mass. Foam, regardless of how dense it is will never be made heavy enough to block sound from transferring from room to room.
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            Soundproofing foam does not offer any decoupling, meaning vibrations will continue to travel through the wall and through the foam.
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            Soundproofing foam should really be called sound absorption foam. The term soundproofing foam is misleading to many people looking to soundproof their homes.
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           So, if soundproofing foam is not the correct product for soundproofing a wall, what is? Below are the best sound insulation solutions when needing to block the unwanted noise from a neighbouring room. This could be any and all types of noise; neighbours TV's, loud music, conversations or even shouting.
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            Wall soundproofing solutions instead of soundproofing acoustic foam
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            The most effective way to soundproof a room is to use an independent clip system like the
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           ReductoClip System
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           . This system delivers exceptional soundproofing and is used in both domestic properties, recording studios and home cinemas:
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            Completely isolates and decouples from the existing wall delivering an exceptional soundproofing performance
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            Absorbs high levels of sound vibration and energy
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            Adds a huge amount of mass to block airborne noise
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           Why it is best to use ReductoClips for soundproofing NOT egg box soundproofing foam
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           If soundproofing foam doesn't work: What Are The best soundproofing solutions for brick walls
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            Learn more about Soundproofing a Wall
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           So why do people buy soundproofing foam and use it? What's the point of soundproofing foam? Why do I see it on walls in images of loud music studios? 
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           Answer
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            : It is there to improve the internal rooms internal acoustics. Essentially it helps to reduce Echo and Reverb within a space.
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           Imagine being in a room with hard surfaces, a sports hall, or village hall for example. Clap your hands in a room like this with hard surfaces and the sound appears to reverberate and echo around the space for ages. 
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           Do the same in a room with lots of soft furnishings and the reverberation is very limited and appears flat, with a very short continuation. 
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           Now imagine very bouncy basketballs being thrown around the room. You throw them everywhere, in all directions and they continue to bounce around the room.
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           Now imagine the walls, floor and ceiling lined with foam. You throw the balls again, only this time they hit the foam and drop to the floor stopping them from continuing to bounce, the energy from the ball has been absorbed by the foam. 
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           This is no different to a soundwave inside a room, it reflects and bounces off any hard surfaces, but will be absorbed by soft surfaces. This is when the ProSound room acoustic treatment systems are used. They absorb the sound and stop the reflected sound travelling back into the room.
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           Room acoustics BEFORE installing ProSound™ Sound Absorption Panels
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/absorption+image+1+NEW-a04ec641.jpg" alt="How sound absorption works"/&gt;&#xD;
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           Room acoustics AFTER installing ProSound™ Sound Absorption Panels
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/absorption+image+2+NEW-d5d4cc72.jpg" alt="How sound absorption works after adding sound absorption panels"/&gt;&#xD;
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           The soft material used in the panels are designed to absorb sound energy and stop this energy from bouncing around the room and reflecting off the surfaces.
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           Class A panels like the ones at The Soundproofing Store are tested to absorb 90-100% of sound energy that hits them. This means you require less panels in an area to achieve good results compared to lower performing foam tiles where nearly the whole surface needs to be covered to get good results.
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           As a general rule of thumb we look to cover around 20- 30% of the surface area of the room.
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           Before &amp;amp; After Test: With and Without Acoustic Treatment
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            Sound absorption will therefore improve the rooms overall noise volume and improve the clarity of the sound in the room. However, it does not ultimately stop the sound energy within the room from travelling through the structure to a neighbouring space.
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            There are many way of applying sound absorption to different situations such as; music studios (once soundproofed), village halls, sports halls and offices. Some of the most popular options are our
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    &lt;a href="/acoustic-wall-panels"&gt;&#xD;
      
           ProSound Wall Panels
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           ,
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           Ceiling Rafts
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            and
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           Suspended Baffles
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            Why you shouldn't use egg box acoustic foam for soundproofing - a summary
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           What Soundproofing Foam Doesn't Do:
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            Soundproofing (Blocking Sound): Acoustic foam is not effective in blocking sound from entering or leaving a room. Soundproofing requires materials that add mass and density, such as
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound
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            , Mass-loaded vinyl, Acoustic plasterboard, or soundproofing panels such as
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           SoundBoard 4
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            .
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           These direct to wall acoustic panels
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            feature mass-loaded vinyl, acoustic plasterboard and closed cell foam, which help block and dampen sound transmission.
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           The highest performing soundproofing solutions such as the ReductoClip System highlighted above, also isolate the soundproofing layers from the offending structure and dampen sound energy and vibrations.
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           Effective Soundproofing Strategies:
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            Mass: Adding heavy, dense materials to walls, floors, and ceilings can help to block airborne sound.
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             Damping: Using materials that absorb sound energy and vibrations like
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      &lt;a href="/reducto-clip-system"&gt;&#xD;
        
            ReductoClips
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             which act like shock absorbers to dampen high levels of sound energy and vibrations.
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            Decoupling: Creating air gaps to separate surfaces can prevent sound from travelling directly through solid structures.
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             Sealing: Ensuring all gaps and cracks are sealed with
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      &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
        
            acoustic sealant
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             to prevent sound leakage.
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            Soundproofing Foam Summary:
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            While soundproofing foam is sometimes used to help with the acoustics within a room by reducing echo and reverberation, it is not effective for soundproofing. It DOES NOT block sound from entering or exiting a space. For effective soundproofing, a tried and tested soundproofing solution is required such as the
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           ReductoClip System
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           .
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           Author
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           Ian Baker is the Managing Director of The Soundproofing Store and a leading name in the soundproofing industry. 
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           With a prestigious track record of award-winning credentials, Ian is a trusted and respected authority in his field.     
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           Ian is passionate about helping individuals find effective solutions to their unwanted noise issues and his extensive knowledge and insights are invaluable in helping to transform noisy environments into peaceful spaces. 
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            "We don’t expect you to become an expert
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           overnight
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           , that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/acoustic+foam.jpg" length="21053" type="image/jpeg" />
      <pubDate>Tue, 23 Jan 2024 15:45:49 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/does-soundproofing-foam-work</guid>
      <g-custom:tags type="string">egg box acoustic foam,sound absorbing foam,wall soundproofing,Soundproofing Foam,Acoustic Foam,ReductoClip Direct to Wall,foam soundproofing tile,does acoustic foam work,acoustic panels,sound absorption panels,knowledge hub walls,foam wedges,egg box foam,bass traps,sound absorption,Acoustic insulation,acoustic tiles,wall</g-custom:tags>
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    <item>
      <title>Are Acoustic Wood Wall Panels Good For Soundproofing?</title>
      <link>https://www.soundproofingstore.co.uk/are-acoustic-wood-wall-panels-good-for-soundproofing</link>
      <description>The function of acoustic timber slatted panels lies in absorbing and dampening sound within a room, not blocking its transfer in and out. Learn more about sound absorption and soundproofing solutions.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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            Do Acoustic Wood Wall Panels Soundproof Against Unwanted Noise?
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            Soundproofing a room using acoustic timber slatted panels
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            Timber slatted acoustic panels can be effective for sound absorption and improving the acoustics within a space, but it's crucial to clarify that they are not designed to be an effective soundproofing solution. Soundproofing typically involves preventing sound from entering or leaving a space and acoustic panels are designed to absorb and dampen sound within a room, not to soundproof it.
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           Therefore, the function of acoustic timber slatted panels lies in absorbing and dampening sound within a room, not blocking its transfer in and out.
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            Wooden acoustic wall panels are a hugely popular design trend, elevating the aesthetics of walls and ceilings in a range of diverse settings, from residential and domestic DIY projects - to commercial refurbishments in restaurants, hotels and office spaces. The popularity of these panels is evident, with the
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           TikTok
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            hashtag #WoodPanel amassing over 51 million combined views, making them a sought-after choice when seeking both style and functionality.
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            Acoustic slat wall panels are easy and quick to install and add a visual feature to any wall or ceiling space with many interior designers praising them for 'adding texture, warmth and bringing a more modern and contemporary style to any room'. Wood slat acoustic panels for walls and ceilings can also be used as a clever design technique. For example, when used vertically they help to contribute to the illusion of higher walls and increased ceiling height.
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            Acoustic timber panels are readily available through outlets such as
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           The Soundproofing Store
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           , Acupanel, B&amp;amp;Q, and Amazon and are often marketed by other sellers as cutting-edge soundproofing solutions. However, whilst they bring a great modern design feature to a room and also help with sound absorption, they are definitely not a soundproofing solution. The reasons for this are discussed in more detail below.
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           The difference between soundproofing and sound absorption explained
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           What are acoustic panels?
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           Acoustic panels are specialist wall or ceiling treatments designed to improve the sound quality within a room by addressing issues such as echoes, reverberation, and unwanted noise within a space. Acoustic wall panels are commonly used in (various) settings, including open plan living spaces within homes, offices, studios, auditoriums, schools, and other places where controlling sound is important.
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           The primary purpose of acoustic panels is to absorb sound waves, preventing them from bouncing off hard surfaces and creating echoes. Sound absorbing acoustic panels contribute to creating a more balanced and controlled acoustic environment by reducing noise levels, minimising reverberation, and improving speech clarity.
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            Acoustic panels are typically made from materials with sound-absorbing properties and come in various shapes, sizes, and designs to cater to different aesthetic preferences and acoustic needs.
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           Sound absorbing acoustic panels can be strategically placed on walls and ceilings to target areas where sound reflection and reverberation are prominent. Additionally, acoustic panels are commonly used in recording studios, home cinemas, conference rooms, and open-plan offices to create an acoustically comfortable and controlled environment.
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            The most effective uses of timber slatted acoustic panels
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/slatted+panel+office+small+crop-1d719339.jpg" alt="ProSound Timber Slatted Acoustic Panels "/&gt;&#xD;
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           Sound Absorption:
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            Timber slatted panels are often used to absorb sound waves, reducing echo and reverberation within a room. This can improve the overall acoustics of a space, making it more comfortable and suitable for various activities.
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           Aesthetics:
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            Timber slatted panels can contribute to the aesthetic appeal of a room while serving a functional purpose.
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           ProSound Acoustic Timber Slatted Panels
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            come in 5 different veneer colour finishes, allowing for customisation to complement the overall design of any room.
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            Versatility:
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           Acoustic
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            panels are versatile and can be used in various settings, including residential, commercial, and public spaces. They are commonly found in homes, hotels, offices, conference rooms, restaurants, and home cinemas.
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           Limited Soundproofing:
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            While timber slatted panels can absorb and reduce sound within a room, they have serious limitations in terms of preventing sound transmission through walls or ceilings. If your goal is to block noise, it will be necessary to use tried and tested soundproofing measures, such as the
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip Soundproofing System
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            which is highlighted in more detail below.
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           How do timber slatted panels help with sound absorption?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/slatted+panel+home+image-d60ca285.jpg" alt="Acoustic wood wall panels "/&gt;&#xD;
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           Revamping your space with timber slatted acoustic panels is a popular interior design trend and wooden acoustic panels are celebrated for their aesthetic appeal and ease of installation. These panels also help to improve the aesthetics within a room, making them a go-to choice for various settings.
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           However, if your aim is to tackle significant echo challenges, especially in expansive communal areas like village halls, offices, schools, hotels, and restaurants, while timber slatted panels add a visually striking touch and offer some echo reduction, they may not deliver optimal performance compared to specialised sound absorption panels. Let's delve into why this is the case:
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            Sound energy will bounce off hard surfaces back into a room, creating an echo. High performing
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           Class A Sound Absorption Panels
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            are filled with a soft, specialist sound absorbing material, which absorbs sound and traps the sound inside. So when a sound wave hits the panel it stays there and doesn’t bounce back into the room.
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           Therefore, given this principle you might be asking, so how do wooden slatted timber panels absorb sound?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+slatted+images.jpg" alt="ProSound Timber Slatted Panels "/&gt;&#xD;
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            Timber acoustic panels have a layer of sound absorbing felt that sits behind the wooden slats which helps absorb sound. The surface area of the absorbing material isn't as large as traditional sound absorption panels like
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           ProSound Acoustic Wall Panels
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            and the felt isn't the same high performing absorbent core, which limits their sound absorption capabilities.
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            In essence, while timber slatted acoustic panels contribute to an aesthetically pleasing environment and offer some acoustic benefits, for spaces with pronounced echo challenges, exploring alternative sound absorption solutions might be a more effective approach.
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            Specialised panels like the
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           ProSound Acoustic Wall Panels
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            are designed with advanced acoustic principles to deliver superior performance in minimising echo and enhancing overall sound quality in any space.
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             ﻿
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           Do timber slatted acoustic panels work for soundproofing?
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           Acoustic timber slatted panels are not soundproofing.
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            The term 'Acoustic Panels' is a generic term and can often be confusing for those people looking at solutions to soundproof their home. When looking at Acoustic Panels be sure to check if these relate to sound absorption panels or soundproofing panels like the
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           SoundBoard 4
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            .
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            ProSound SoundBoard 4 Soundproofing Wall Panel
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           Timber slatted panels, while effective for certain acoustic purposes, do not provide the same level of soundproofing as materials specifically designed for that purpose. Timber slatted panels are often used for acoustic treatment, which focuses on controlling and improving the quality of sound within a space, rather than blocking or isolating sound from entering or leaving a room.
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           Here are some points to consider regarding timber slatted panels and soundproofing:
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           Absorption vs. Isolation:
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           Timber slatted panels are more geared towards sound absorption by minimising echoes and reverberation within a room.
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           Soundproofing on the other hand, involves preventing sound from travelling through walls or other structures, and this requires materials with different properties, such as mass and density.
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           Material Characteristics:
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           Timber slatted panels are designed for aesthetics and acoustic treatment, providing a visually appealing solution for managing sound within a space. Whereas effective soundproofing typically involves using materials with high mass, density, and damping properties to block or isolate sound transmission.
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            If your primary goal is to prevent sound transmission between rooms, you need to use a tried and tested soundproofing solution such as the
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           ReductoClip Soundproofing Solution
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            for walls.
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           What is the best way to soundproof a wall?
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           If you're seeking soundproofing solutions instead of sound absorption, the video below proves exceptionally valuable. It delves into the top three wall soundproofing techniques, offering practical insights into the most effective noise reduction systems when soundproofing a party wall.
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           The 3 best ways to soundproof a wall
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           Achieving effective soundproofing for a wall involves a comprehensive understanding and application of three fundamental principles:
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           1. Isolation:
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            A key principle in soundproofing is isolating or 'decoupling' one side of the structure from the other. This involves creating a sound breaker by minimising direct contact between the surfaces. By breaking the direct connection, vibrations and sound waves are less likely to transfer from one side to the other. This principle is crucial in preventing the transmission of sound vibrations
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           2. Damping:
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            Damping is another essential aspect of soundproofing. Elastic or damping materials are strategically employed to absorb sound energy and vibrations, thereby reducing the extent to which these elements can travel through the structure. Damping materials play a crucial role in enhancing the overall effectiveness of soundproofing solutions.
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           3. Adding Mass:
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             Increasing the mass of a wall is a fundamental strategy in blocking airborne sound. Different materials have varying densities and thicknesses, making them more effective at blocking different frequencies of sound. By incorporating materials with greater mass, such as
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            Acoustic Plasterboard
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             and
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            FlexiSound
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            , the wall becomes more resistant to the passage of airborne sound waves.
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            In summary, successful soundproofing involves a strategic combination of all three of these key principles. Isolation creates a sound breaker and minimises the direct transmission of vibrations, damping absorbs sound energy and vibrations, and adding mass enhances the wall's ability to block airborne sound. 
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            The
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           ReductoClip Independent Wall solution
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            is a tailored soundproofing solution which incorporates all three of these key principles and ensures the highest level of soundproofing.
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           ReductoClip Independent Wall Solution
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi.jpg" alt="ReductoClip Independent Wall Solution "/&gt;&#xD;
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            Conclusion: soundproofing with acoustic timber slatted panels
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    &lt;a href="https://soundproofingstore.uk/product/prosound-acoustic-timber-slatted-panel-2-4m-x-0-6m-x-22mm/" target="_blank"&gt;&#xD;
      
           Timber slatted acoustic panels
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            offer an effective solution when combining wood effect interiors and also improving the acoustics within a space. However, it's crucial to clarify that they serve a different purpose compared to tried and tested soundproofing solutions. While timber acoustic panels contribute to the visual appeal of a room and offer some echo reduction, they do not help in the soundproofing of a room.
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            Timber slatted panels can be aesthetically pleasing and versatile, making them suitable for various settings such as homes, offices, hotels and restaurants. However, when it comes to true soundproofing—preventing sound from entering or leaving a space—specialised soundproofing measures are essential.
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           The ReductoClip Soundproofing Solution
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           , with its principles of isolation, damping, and adding mass, ensures the highest level of soundproofing for walls (and ceilings).
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           Author
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           Sam Fessey heads up the Sound Absorption department within The Soundproofing Store. With a wealth of experience in acoustics, his extensive knowledge is invaluable when collaborating with customers to address and diminish reverberation and echo in any space and in creating environments with increased clarity and acoustic comfort.   
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           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/slatted+panel+home+image-02c6b6d1.jpg" length="461685" type="image/jpeg" />
      <pubDate>Mon, 22 Jan 2024 15:38:36 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/are-acoustic-wood-wall-panels-good-for-soundproofing</guid>
      <g-custom:tags type="string">school hall,ProSound Acoustic Timber Slatted Panels,,Sound absorption,,noisy restaurant,Acupanel,soundproofing,,village hall,echo,SoundBoard 4,acoustic wood panels,kitchen,dining room,,Noisy Neighbours,acoustic panels,timber slatted panels,room aethetics,noise,,interior design,B&amp;Q acoustic panel,reverberation,acoustic wall panels,ReductoClip</g-custom:tags>
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    <item>
      <title>How to soundproof against noisy neighbours- top tips!</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-against-noisy-neighbours-top-tips</link>
      <description>Achieve peace and quiet from noisy neighbours by understanding the core principles of soundproofing. Follow these essential steps and top soundproofing tips to enable you to create  a tranquil living space.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Soundproofing against noisy neighbours - top tips!
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           Top tips to successful soundproofing against noisy neighbours
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           Living with noisy neighbours can be more than just an inconvenience. The unwanted noise from noisy neighbours can pass through the walls of our homes straight into our wellbeing. The adverse effects of living with noisy neighbours on mental health and overall quality of life is well-documented, echoing the need for quiet living spaces at home. 
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           The Soundproofing Store
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            is an authoritative voice within soundproofing, with a track record of contributing to key articles across a variety of publications and earning accolades for exceptional, award-winning soundproofing solutions. As featured in
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    &lt;a href="https://www.thetimes.co.uk/article/how-to-soundproof-your-home-against-noise-pollution-mbglxqd9x" target="_blank"&gt;&#xD;
      
           The Sunday Times
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            ,
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           This is Money
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            and
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    &lt;a href="https://www.yorkshirepost.co.uk/lifestyle/homes-and-gardens/how-one-couple-soundproofed-a-flat-roofed-extension-and-found-peace-plus-get-free-tickets-to-the-harrogate-homebuilding-and-renovating-show-4360007" target="_blank"&gt;&#xD;
      
           The Yorkshire Post
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            .
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            Many thousands of customers contact
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           The Soundproofing Store
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            for advice and acoustic solutions to unwanted noise from noisy neighbours. This can range from unwanted noise being heard through a connecting party wall, to the unwanted noise from neighbours living above or below in flats, apartments and converted houses. 
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           This article aims to provide a handy guide and explanation of key steps and top tips when it comes to soundproofing against the unwanted noise from noisy neighbours.
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           Soundproofing against noisy neighbours - first steps
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           Before you embark on your soundproofing journey, there are some essential first steps: 
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            Identify the noise source. Before you start soundproofing, decide where the noise is coming from e.g. is it coming from above through the ceiling, below through the floor, or through the party wall
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            Next, categorise the type of noise? Is the noise airborne (e.g. voices) or impact noise (e.g. footsteps), or perhaps it’s a combination of both
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Make sure you know the structure of the area you are wanting to soundproof e.g is it a stud or solid wall, or a timber or concrete floor or ceiling
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When researching the best soundproofing solution for your noise problem, follow the main principles of soundproofing. There are both similarities and variations on the key principles depending if you are soundproofing a wall, floor or ceiling. These are highlighted in more detail below:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What are the 3 key principles when soundproofing a wall against noisy neighbours?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+SQUARE+with+flexisound-31469f42.jpg" alt="ReductoClip Independent Wall Solution "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When soundproofing a wall it is important to combine the below 3 principles of soundproofing:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you’re wondering how to tick off all 3 of these principles, then The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip Independent System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            delivers the best possible solution. It effectively covers off all of these points and as a result is the highest performing soundproofing solution for walls.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           To learn more about the most effective soundproofing solutions for solid walls, take a look at the below video:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The best 3 wall soundproofing solutions for noisy neighbours
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The top 3 soundproofing solutions for solid party walls
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What are the 4 key principles when soundproofing a floor against noisy neighbours?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Floor+SoundMat-c453ac58.jpg" alt="SoundMat 3 Plus Floor Soundproofing "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When soundproofing a floor the principles of soundproofing differ slightly to those when soundproofing a wall. Let's take a look at the 4 main principles when soundproofing a timber floor:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When soundproofing a floor, a combination of mass and cushioning materials are used to address both airborne and impact noise effectively.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            On a timber joist floor, the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           Reverso SoundMat
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is an excellent choice for hard floor final finishes and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for carpet finishes.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For concrete floors, adding a cushioning layer to absorb impact vibration helps to absorb the impact vibration before it enters the structure of the floor. A proven soundproofing solution like the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-2-plus"&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           is an excellent solution for impact noise on concrete floors.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When it comes to unwanted airborne noise being heard through a concrete floor, this can be sightly more complex. This is because concrete naturally has more mass to block airborne noise. When experiencing unwanted airborne noise through a concrete floor, it is advisable to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="tel:01423 206208"&gt;&#xD;
      
           contact us
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to discuss potential weak points.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What are the top 3 soundproofing solutions for timber floors?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The top 3 soundproofing solutions for timber floors
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What are the 4 key principles when soundproofing a ceiling against noisy neighbours?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/timber-joist-ceiling-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Ceiling+Reducto-e2e5cd4b.jpg" alt="ReductoClip Timber Ceiling Solution "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When soundproofing a ceiling, there are four main principles which are highlighted below:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The most effective ceiling system which covers off all these principles is
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           The ReductoClip Ceiling Solution
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , which provides the highest performing system when looking to soundproof a ceiling. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a timber ceiling using the ReductoClip Ceiling System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Top 2 soundproofing solutions for timber ceilings
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Highlighted so far are the important questions which need to be addressed before selecting an appropriate soundproofing solution to combat the noise from noisy neighbours. Additionally, there is the emphasis of recognising the importance of a soundproofing system that encompasses the key principles of soundproofing. 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Now, let's delve into some soundproofing tips:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing top tips
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/knowledge-hub"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Soundproofing+top+tips+2.jpg" alt="Soundproofing Top Tips "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Seal any gaps, cracks, and holes with
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
        
            acoustic sealant
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Think of soundproofing like waterproofing. Any gaps and the sound will leak through
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Think of Soundproofing like baking a cake. There are different acoustic materials such as
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        
            acoustic plasterboard
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             ,
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        
            acoustic mineral wool
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             and
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
        
            FlexiSound
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , which are all important soundproofing ingredients. However, they are not soundproofing on their own. As with baking a cake, you need the correct mix of ingredients, in the correct quantities and in the correct order to get the best results and this is the same for soundproofing
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Beware of the law of diminishing returns. If the same type of material simply keeps being added, every time you add another layer of the same material directly on top, each layer gets less effective. For example, simply adding more layers of
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        
            acoustic plasterboard
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             to a wall will be of little or no benefit
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Be mindful of
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/do-cheap-soundproofing-hacks-work"&gt;&#xD;
        
            soundproofing hacks
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             promising quick, easy and cheap soundproofing options. These can range from soundproof paint, wallpaper or simply adding acoustic plasterboard. They will not work! Save your money and always use a tried and tested soundproofing system
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Invest wisely. Be wary of ‘cheap’ soundproofing solutions. The truth is your noise problem doesn’t care what your budget is. The soundproofing system you need is determined by the type of noise problem you have and the construction of the building. One size fits all is not the case with soundproofing. You need the right system for your individual noise issue and situation
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The saying ‘you get what you pay for’ is certainly true when it comes to soundproofing. There are fundamentals that must be adhered to solve certain noise problems, so saving up and using the correct system is really the only option to achieve the best results
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            And finally, the main tip is to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="tel:01423 206208" target="_blank"&gt;&#xD;
      
           speak to an expert
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . Soundproofing can be complex and it’s always better to do it once and do it right.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing is a science, not a shortcut. Save time, money, and headaches by consulting experts. Whether it's walls, ceilings, or floors,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            are here to help you achieve the peace and quiet you deserve
             &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Conclusion: successful soundproofing against noisy neighbours
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In conclusion, achieving effective soundproofing against noisy neighbours means following a few fundamental key steps. When soundproofing a wall, floor or ceiling it involves selecting and combining the right acoustic materials.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing materials such as
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , should be used in the right quantities and in the right order. It is also vitally important to use these acoustic materials alongside the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (for walls and ceilings) to decouple from the offending structure.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            It's crucial to recognise that simply using individual acoustic materials on their own won't produce the desired outcome and you will most likely be disappointed with the results.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Beware of tempting soundproofing hacks promising quick fixes and instead, invest wisely by choosing tried-and-tested soundproofing systems (such as the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ) which is tailored to your specific noise issue and building construction.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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            While budget considerations are natural, it's vital to understand that effective soundproofing is an investment. Cutting corners with cheap solutions may not address the root cause of your noise problem.
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            Embrace the principle that "you get what you pay for" with soundproofing and that recognising and adhering to fundamental principles and choosing the right system is the key to achieving optimal results.
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           In the pursuit of creating peace and quiet in your home, a methodical, informed approach following the principles of soundproofing (as highlighted in this article) will undoubtedly provide you with the best outcome.
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           Author
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           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting domestic customers in finding effective solutions to all types of unwanted noise problems.
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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            An authoritative voice within Soundproofing, Phil also fronts
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           The Soundproofing Store YouTube
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            channel, sharing his extensive knowledge and expertise with people all over the world.
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           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
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      <pubDate>Wed, 03 Jan 2024 12:33:06 GMT</pubDate>
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      <title>How to improve the acoustic environment of SEN classrooms</title>
      <link>https://www.soundproofingstore.co.uk/how-to-improve-the-acoustic-environment-of-sen-classrooms</link>
      <description>Easily improve the room acoustics within SEN educational settings using ProSound Acoustic Panels. Sound Absorption can greatly increase the acoustic quality within learning spaces and help to enhance communication, concentration and promote effective learning.</description>
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            How to reduce echo and reverberation within classrooms 
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            How to improve the acoustics within SEN classrooms
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           The Soundproofing Store regularly work with educational settings to improve and enhance the room acoustics within classrooms and communal spaces. With an expert team who understanding the importance of creating an improved acoustic environment within educational settings and particularly within Special Educational Needs (SEN) and Special Educational Needs and Disabilities (SEND) classrooms and communal areas.
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           GOV.UK highlights how SEN and SEND can affect a child or young persons ability to learn by affecting their:
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            Behaviour or ability to socialise, for example they struggle to make friends
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            Reading and writing, for example because they have dyslexia
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            Ability to understand things
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            Concentration levels, for example because they have attention deficit hyperactivity disorder (ADHD)
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            Physical ability
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            SEN students often require a different learning and teaching approach to help them reach their full potential. This can further be aided by improving the acoustics within their educational setting.
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           The Soundproofing Store
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           offer
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            a range of high performing Class A  sound absorption solutions to choose from, which results in the acoustics of shared spaces being greatly improved. This helps to provide a positive atmosphere that caters to the unique learning and well-being requirements of students with diverse needs and helps to create an improved acoustic environment that empowers every student to thrive.
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            The importance of acoustics in learning spaces
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           The effectiveness of teaching and the welfare of staff and pupils can be greatly influenced by the acoustics of educational spaces.
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            Research shows that good acoustic quality means lower levels of unwanted noise, greater teaching effectiveness and improvements in pupil behaviours and concentration. Improving the room acoustics within SEN settings can help to enhance communication and promote effective learning.
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           Suitable acoustics in schools have long been a requirement since 2002, with the need for adequate acoustics as follows:
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           Department for Education. Acoustic design of schools: performance standards March 2014
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           1.2.2 School Premises Regulations &amp;amp; Independent School Standards
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           "The acoustic conditions and sound insulation of each room or other space must be suitable, having regard to the nature of the activities which normally take place therein."
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           Department for Education. Acoustic design of schools: performance standards March 2014
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           1.4.1 Acoustic considerations
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           "Pupils with special educational needs are generally even more reliant on good quality acoustic environments than others. Consequently, required reverberation times should  be shorter, sound insulation between adjacent spaces higher and indoor ambient noise levels (and the capacity for distraction) lower than in environments for other pupils."
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           BB93: performance standards for acoustics in schools
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           BB93
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            sets out minimum performance standards for the acoustics of school buildings, and describes the normal means of demonstrating compliance with the Building Regulations. It  also provides guidance in support of the School Premises Regulations (2012) and the Independent School Standards (2013).
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           Published by the Department for Education in England, the document states the minimum performance standards for acoustics in schools. The document is intended for designers and building control bodies to ensure that school buildings provide the right acoustic conditions to enable effective teaching and learning. BB93 covers aspects such as reverberation time, sound insulation, indoor ambient noise levels, and speech intelligibility. BB93 also gives guidance on how to meet the acoustic requirement of the School Premises Regulations and the Independent School Standards.
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           How sound absorption can lower reverberation times
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           Average Reverberation Time Above 250hz
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            The above graph shows a real-life acoustic report for a school assembly hall. The hall is a multi-use hall within a school committed to a high quality education for pupils who experience a range of special educational needs.
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           The graph shows the reverberation time of the room in seconds at different frequencies in hertz. Reverberation time is the time it takes for the sound to dissipate by 60 decibels after the source stops. A lower reverberation time means the sound is absorbed faster and the room is quieter. A higher reverberation time means the sound lingers longer and the room is more echoey.
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            The graph compares the reverberation time of the room without sound absorption (red line) and with sound absorption (green line). (Sound absorption is the process of reducing the sound energy that reflects off the surfaces of the room and this is explained in more detail within the videos that follow below).
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           The green line on the graph shows the reverberation time with the addition of ProSound Sound Absorption added to the wall (
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           ProSound Acoustic Wall Panels
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           ) and the ceiling (
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           ProSound Easy-Fix Foam Panels
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            ). The acoustic panels significantly reduce the reverberation time at all frequencies, especially above 250 hertz. This means that the room becomes more acoustically comfortable and less noisy with the addition of sound absorption panels.
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            The required reverberation time (as set out in the BB93 performance standards) for an indoor hall is less than 1.5. The addition of ProSound acoustic treatments easily brings the average reverberation time under the 1.5 requirement for this type of room.
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           Key considerations when improving the acoustic environment of SEN classrooms
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           Low Noise Levels:
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            SEN classrooms benefit from low background noise levels. Excess noise can often be distracting and overwhelming for students with sensory sensitivities or attention issues. Sound-absorbing materials like
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           acoustic panels
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            can help to reduce unwanted noise.
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           Sound Insulation:
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            Ensuring that the classroom is well-insulated can help to minimise external noise intrusion. The use of double-glazed windows and doors (where possible) and
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           soundproof walls
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           can further help in creating a quiet space where students can focus.
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           Clear Speech Perception:
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            In SEN classrooms, making sure that students can clearly hear and understand the teacher or speaker can be enhanced by improving the rooms acoustics using
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           sound absorption
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            which will help with clear and even sound distribution.
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           Quiet Spaces:
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            Designate quiet areas or sensory-friendly spaces within the classroom where students can retreat when they need a break or a quieter environment. These spaces can include comfortable seating and sensory tools to help regulate sensory input.
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           Minimise Echoes:
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            Echoes can make it challenging for students to understand spoken language and can be disorienting. The use of acoustic treatments can help to reduce echo in the room.
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           Minimise Auditory Overload:
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            Sound absorption can help prevent auditory overload, a common challenge for SEN students who may struggle to filter out irrelevant sounds. A well-controlled acoustic environment reduces the cognitive load associated with processing excessive auditory information.
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           Individual Learning Support:
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            Sound absorption solutions can be tailored to meet the specific needs of SEN students. For example, within a treated room, soft furnishings, such as bean bags or padded panels, can also be added to create quiet corners or sensory-friendly zones where students can retreat when they need a break or a quieter space.
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           Consider Lighting:
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            In addition to acoustics, consider lighting in the classroom or sensory room. Some students with SEN may be sensitive to fluorescent lighting. Natural lighting or adjustable, dimmable lighting options can be more comfortable for these students.
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            Collaborative Spaces:
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            Effective sound absorption allows for group discussions and teamwork while maintaining a controlled and supportive acoustic environment.
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           The Soundproofing Store
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           offer a range of sound absorption solutions to greatly improve the room acoustics within all types of SEN settings. The range of different sound absorption products are highlighted in more detail below.
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           However, before looking at the different types of sound absorption solutions for SEN settings, lets take a quick look at what sound absorption is and how it works:
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           What is sound absorption?
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           Occasionally the terms 'sound absorption' and 'soundproofing' can be confused. Soundproofing is trying to stop sound from getting into, or out of a room. Whereas sound absorption is improving the acoustics within a room by restoring clarity and making the room quieter. This is achieved by reducing the amount of echo and reverberation in the room. 
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           How does sound absorption work in SEN settings?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/classroom+image.jpg" alt="ProSound acoustic Wall Panels and Ceiling Rafts "/&gt;&#xD;
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            Sound energy will bounce off hard surfaces back into the room, creating an echo.
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           Sound absorption panels are filled with soft, absorbing material which absorbs sound and traps the sound inside. This means when a sound wave hits the panel it stays there and doesn’t bounce back into the room. 
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            The soft materials used in
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           ProSound Sound Absorption Panels
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            are designed to absorb sound energy. This means when a sound wave hits the panel it stays there and doesn't bounce back into the room.
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           Sound absorption before and after example
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           What are the different sound absorption solutions?
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            Conclusion: improving SEN provision with acoustic treatment
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           The Soundproofing Store
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            is a leading provider of acoustic solutions, with a focus on helping to create optimal learning environments for students with special educational needs by reducing the reverberation time and noise levels in classrooms, corridors, halls, and other shared spaces.
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            The Soundproofing Store has a wealth of experience and expertise in working with schools to meet the acoustic standards and regulations set by the Department for Education and is committed to improving the acoustic quality of educational settings for all students by advising on and supplying the most effective acoustic solutions.
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            The focus on this article has been on sound absorption and improving the acoustics within a room by restoring clarity and making the room quieter. As highlighted, this is achieved by reducing the amount of echo and reverberation in the room. However, should your educational setting also require
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           soundproofing
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            (which helps to stop sound from getting into, or out of a room) then this is also an area of expertise.
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            Please feel free to contact a member of the team to discuss the acoustic needs within your school and they will advise on the best solution and calculate the required amount of acoustic panels to lower the reverberation time and improve the acoustics within any given space.
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           Author
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            Sam Fessey heads up the Sound Absorption department within The Soundproofing Store. With a huge amount of experience in acoustics, his extensive knowledge is invaluable in working with education settings in helping to transform noisy environments into peaceful, productive spaces for students to learn and thrive within.
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           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/classroom+image.jpg" length="241902" type="image/jpeg" />
      <pubDate>Thu, 16 Nov 2023 12:21:04 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-improve-the-acoustic-environment-of-sen-classrooms</guid>
      <g-custom:tags type="string">school hall,How to,improve acoustics,BB93,Class A sound absorption panels,DIY Installation,reduce echo,ProSound,unwanted noise,communal areas,sound absorption before and after,Easy-Fix panels,minimise echoes,2021,acoustic panels,SEND,Acoustic ceiling rafts,school canteen,reverberation times,Acoustic ceiling baffles,acoustic treatment,sound absorption,Sports panels,reverberation,classrooms,SEN,acoustic wall panels,assembly hall</g-custom:tags>
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      </media:content>
    </item>
    <item>
      <title>The 3 best ways to soundproof a stud wall</title>
      <link>https://www.soundproofingstore.co.uk/the-3-best-ways-to-soundproof-a-stud-wall</link>
      <description>Insulate stud cavities using acoustic mineral wool. Add mass to help block airborne sound. Isolate or decouple the stud wall  to create a sound breaker and add damping materials to help absorb sound vibrations. Highlighted are the 3 best stud wall soundproofing solutions which combine these essential principles.</description>
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           The 3 best ways to soundproof a stud wall
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           Differences between stud and solid walls
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            Stud walls are usually internal walls separating living spaces within the same property.
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           Solid walls
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            on the other hand are usually made of brick and separate attached properties. If you live in a terraced property, the wall separating you and your neighbours property (even though they are attached) will be a solid brick wall.
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           The internal walls separating e.g. bedrooms, bathrooms to your bedrooms, or the kitchen to your lounge will usually be stud walls.
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           Stud wall soundproofing common scenarios
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           There are a range of situations when soundproofing an internal stud wall becomes a necessity. These commonly range from wanting to soundproof the connecting stud wall between bathrooms and bedrooms. It might also be the separating wall between bedrooms to reduce the unwanted noise of e.g. snoring coming from an adjoining room. Also popular, is the soundproofing of children's games rooms and play rooms from connecting rooms in the house.
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           Soundproofing stud walls
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           There are two main differences between a solid wall and a stud wall when it comes to sound:
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           1. Stud walls are hollow.
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            The empty space within the frame creates a sealed chamber where the sound bounces around, echoes, and amplifies becoming even louder. This is called the drum effect because that’s exactly how a drum works. If you want to see the drum effect in action, the video below goes into more detail.
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           2. Stud walls are very lightweight.
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            This is a problem because mass plays a huge part in blocking sound. The heavier, and more dense the wall is, the harder it is for sound to pass through. A solid brick or concrete wall has a much better starting point than a stud wall because it already has much more mass. Therefore, to effectively soundproof a stud wall, a lot of extra mass needs to be added to the wall.
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           Sound energy and vibration
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            Sound is a physical energy (a vibration) and sound vibrations travel through solid materials and through the contact of solid materials. To stop the sound coming through an internal stud wall, it's important to stop the vibration from coming through.
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           There are two ways to reduce this vibration:
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           1. T
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           he best way is through de-coupling
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           . In other words, building another wall in front of the existing wall with a gap in between so they are completely disconnected. This makes it much more difficult for the vibration to travel through as it has to jump across a physical gap.
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           2. A
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           dd resilience to the wall
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            , which allows the wall to flex and dampen the vibration.
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            So how is this achieved? The three most effective soundproofing solutions for stud walls are highlighted in more detail below.
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           How to soundproof an existing stud wall
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            The first step when soundproofing a stud wall is to fill the depth of the frame with a high density
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           acoustic mineral wool
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            . This absorbs the sound that gets inside and stops the sound from bouncing around and amplifying.
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            This alone isn’t going to block the sound, but helps to minimize the drum effect before adding a soundproofing solution to the wall and will lead to a higher sound reduction in the end.
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            In the majority of cases when soundproofing an existing stud wall it is more common to treat one side. If building a new stud wall, or if able to treat both sides, then the following still applies, but there may be a little more flexibility.
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           The benefits of using acoustic mineral wool in soundproofing and the drum effect
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&lt;div data-rss-type="text"&gt;&#xD;
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           1. SoundBoard 4 Direct to Stud Wall Soundproofing Panel
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-11548739.jpg" alt="SoundBoard 4 "/&gt;&#xD;
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            The most popular and most cost effective solution, is the
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           ProSound SoundBoard 4
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            . This is a 30mm thick direct to wall soundproofing panel and is installed as one single, easy to install panel.
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           SoundBoard 4 is made up of 4 layers consisting of a 3mm mass loaded vinyl, a 9mm closed cell acoustic foam, another 3mm mass loaded vinyl and finally a 15mm acoustic grade plasterboard. The acoustic plasterboard and the mass loaded vinyl layers add an extra 29kg of mass per meter square to the wall and add different types of mass to block different frequencies of sound. The closed cell foam separates the hard plasterboard layer from the stud wall and adds some resilience, which helps to dampen some of the sound energy.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Stud+Build+Up+SQUARE-4e0ab09d.jpg" alt="SoundBoard 4 Stud Wall Soundproofing "/&gt;&#xD;
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           The SoundBoard 4 is easily installed directly onto the stud frame. For an even higher performance, you can cover the stud frame with a layer of acoustic grade plasterboard first, then install the SoundBoard 4 over the top and this gives you even more mass.
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           For domestic properties wanting to reduce standard household noise between rooms, SoundBoard 4 is a thin, simple and effective solution.
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           How to soundproof an existing stud wall with SoundBoard 4
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            2. ReductoClip Direct to Stud Wall Soundproofing System
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-ba3a1c28.jpg" alt="ReductoClip Direct to Wall Soundproofing "/&gt;&#xD;
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            If a higher level of sound reduction is needed, the next level up is the
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           ReductoClip Direct to Stud Wall System
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            . ReductoClips are fixed onto the front of the stud frame and act like shock absorbing brackets. ReductoClip furring channels are then easily inserted into the clips to allow for somewhere to fix the
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
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            layers to. The wall is then covered with a layer of 15mm acoustic grade plasterboard, a layer of
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound
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            membrane, and then a final layer of 15mm acoustic plasterboard. These layers add an extra 35kg of mass per meter square to the wall, and combine different types of mass to block different frequencies of sound.
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  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+Stud+Build+Up+SQUARE+flexisound-c38a6efd.jpg" alt="ReductoClip Direct to Stud Wall Soundproofing"/&gt;&#xD;
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           The ReductoClip Direct to Stud Wall System de-couples the mass layers from the stud frame, and gives the system resilience and flexibility to dampen high levels of sound energy. A useful analogy of how it works is to think about how the suspension springs in your car dampen the impact of potholes and bumps in the road to give you a smoother ride. The ReductoClip System dampens and absorbs the energy of the soundwaves that hit your wall.
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           This system is 60mm thick, which is the slimmest system of its kind on the market, so if you can afford to take up 60mm of space, this system will give you a very high level of sound reduction. The ReductoClip Direct to Wall System will achieve a higher performance than the SoundBoard 4, particularly for lower frequency sounds such as low male voices, snoring, or bass from music or TV.
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            3. ReductoClip Independent Stud Wall System
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-ba3a1c28.jpg" alt="ReductoClip Independent Stud Wall System"/&gt;&#xD;
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           The final soundproofing option for stud walls is a little more extreme and more aimed at people trying to block out loud music, or heavy bass. This could be for people building a home cinema room or music space within their home, or if you just want to achieve the highest possible sound reduction you can.
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Stud+Build+Up+SQUARE+flexisound-cc563c7a.jpg" alt="ReductoClip Independent Stud Wall Solution"/&gt;&#xD;
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            This is using the
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip Independent Stud Wall System
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    &lt;span&gt;&#xD;
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            . The same system as the ReductoClip Direct to Wall System, but this time, instead of installing it directly onto the existing stud wall, the existing plasterboard is removed and the frame is filled with
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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            (the same as with our previous options) then a gap of at least 10mm is left and then a new stud frame is built in front of (but not touching) the existing stud wall. This achieves a complete de-coupling. The new frame is then filled with acoustic mineral wool and the ReductoClip System is installed onto the new frame.
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           Again, this adds a high level of resilience and a high level of mass. Still the slimmest clip and bar system on the market, this is going to take up 120mm space including the decoupling element, but delivers by far the highest level of sound reduction.
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           Frequently asked questions when soundproofing a stud wall:
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           1. How do you decorate a soundproofed stud wall?
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            All three stud wall soundproofing solutions have a 15mm acoustic grade plasterboard finish. This means they are decorated just as you would standard plasterboard. Usually a skim plaster on top of the plasterboard to cover any screw holes or joins. This then provides a flat even surface which can be painted, or wallpapered. For wallpaper, the recommendation would be to use a heavy-duty dry lining wallpaper first prior to the final wallpaper finish.
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           2. Should I insulate the cavity of my stud wall?
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            Yes. As highlighted in this article, the recommendation would be to use
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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            to insulate the cavity prior to soundproofing. If this isn't done, the cavity can act as a sealed chamber with the sound amplifying and resonating inside.
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           3. Can I install the soundproofing myself?
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            The ReductoClip stud wall solutions and SoundBoard 4 direct to stud wall soundproofing panel can be installed by a competent DIYer. If you don't feel confident installing the soundproofing yourself, a local tradesperson will have no difficulty.
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    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
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            supply comprehensive installation instructions and videos for a fuss free installation. Our expert team is also on hand to answer any questions prior, or during installation.
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           4. How much does it cost to soundproof a stud wall?
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           The cost depends on the size of the wall and the solution that's needed for your noise issue. A m² guide price is shown at the bottom of the below chart.
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           Stud wall soundproofing comparisons
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            Highlighted within this article are three excellent options for soundproofing a stud wall, depending on different levels and types of noise needing to be soundproofed.
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           The 3 stud wall soundproofing solutions are compared below:
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  &lt;h2&gt;&#xD;
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           Which soundproofing system should I use?
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           Remember soundproofing isn’t a one size fits all, it’s important to use a system that will be suitable for your specific situation to really have the greatest chance of solving that problem. If you’re unsure of which solution is best for your situation, then the best thing to do is speak to an expert. Please give us a call and speak to one of our highly trained technical advisors who can talk through the level and type of noise you are trying to block and give you the best advice. As always, we’re here to help.
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           Author
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           Ian Baker is the Managing Director of The Soundproofing Store and a leading name in the soundproofing industry. 
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           With a prestigious track record of award-winning credentials, Ian is a trusted and respected authority in his field.     
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ian is passionate about helping individuals find effective solutions to their unwanted noise issues and his extensive knowledge and insights are invaluable in helping to transform noisy environments into peaceful spaces. 
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    &lt;/span&gt;&#xD;
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      &lt;br/&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Stud+Wall+SoundBoard.jpg" length="27892" type="image/jpeg" />
      <pubDate>Thu, 02 Nov 2023 10:12:06 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/the-3-best-ways-to-soundproof-a-stud-wall</guid>
      <g-custom:tags type="string">Soundproof,acoustic mineral wool,Drum effect,stud wall,internal walls,SoundBoard 4,ReductoClip Independent Stud Wall,3 best ways,How to soundproof a stud wall,FlexiSound,Acoustic insulation,Soundproofing,ReductoClip,ReductoClip direct to stud wall,internal noise,household noise,games room</g-custom:tags>
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        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Stud+Wall+SoundBoard.jpg">
        <media:description>main image</media:description>
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    </item>
    <item>
      <title>What are the most popular soundproofing solutions for walls?</title>
      <link>https://www.soundproofingstore.co.uk/what-are-the-most-popular-soundproofing-solutions-for-walls</link>
      <description>Looking to soundproof a wall against noisy neighbours? Take a look at the top 3 soundproofing solutions for solid walls. Detailing their performance, thickness and cost.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           The top 3 soundprooing solutions for solid walls
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/3+soundproofing+solutions+pic4-bc47dd03.jpg" alt="ReductoClips and SoundBoard 4 "/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            When it comes to soundproofing a wall against noisy neighbours, how sound travels through connecting solid structures and how best to block it can be quite complex. The focus of this article is to highlight the top 3 soundproofing solutions for solid walls. Covering off the performance of the systems, the space loss and cost. It is worth remembering that you cant 'over' soundproof but you can certainly 'under' soundproof. The recommendation would be to always go for the highest performing system you can afford to do in terms of monetary value and space loss.
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            Having to listen to unwanted noise coming though a neighbours party wall can have a huge impact on the health and wellbeing of the unfortunate people having to listen to it. Such unwanted noise can come in many guises from TV,'s, music, shouting, dogs barking, running up and down stairs and even
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    &lt;/span&gt;&#xD;
    &lt;a href="https://www.mirror.co.uk/news/weird-news/my-neighbours-noisy-boiler-wakes-28516065" target="_blank"&gt;&#xD;
      
           noisy boilers
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           .
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           Soundproofing isn't a one size fits all
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            Everyone's noise issue is different, everyone's property is different which also means the soundproofing solutions need to be different and able to accommodate different variables. Acoustic solutions can vary in performance, space loss and cost.
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           When looking for the correct soundproofing system to soundproof a solid wall, it is important to consider:
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            What is the noise you are trying to block? e.g. impact or airborne noise (or a combination of the two)
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            How loud is the noise you are trying to block?
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            How much space can you afford to lose from the wall?
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           What is the science behind soundproofing?
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           Before focusing on soundproofing solutions, it is useful to cover off the basics of soundproofing to understand how different solutions work.
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           To get the best results when soundproofing a wall, there are 2 main objectives:
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            The first is to increase the mass of the wall. Mass is basically weight and density. Airborne sound is blocked by mass, so for example 300mm of concrete is going to naturally block a lot more sound than 10mm of timber, because it has many times more mass and is much denser.
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            Secondly, it is important to improve the walls ability to absorb and dampen sound energy. Sound is basically a vibration and vibration travels through solid materials, and through the contact of solid materials. This means when you create a sound on one side of the wall, the vibration energy of the sound travels straight through the wall to the other side.
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           What is the best way to reduce sound vibration?
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           The best way to reduce sound vibration is through de-coupling. In other words, building another wall in front of the existing wall with a gap in between. This makes it much more difficult for the vibration to travel through as it has to jump across a physical gap. The second is to add resilience to the wall, allowing the wall to flex and dampen the vibration.
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           An example of de-coupling to stop the transference of sound energy can be highlighted in the simple practical example shown below. Have you ever used two connected cans to communicate to another person (a very basic telephone!)?
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           If you speak into one of the cans and someone else holds the other to their ear, they can hear what you are saying as the sound vibrations are travelling down the string. However, if you cut the string, this stops the energy being able to travel to the other can and when it is pressed to your ear, you can no longer hear the other person.
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           What is the highest performing soundproofing solution for a solid wall?
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            Given the importance of the above objectives to successfully soundproofing a wall, the obvious question is, 'so what is the best soundproofing solution'? We will cover off the top 3 soundproofing solutions for solid walls and will start with the highest performing
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           ReductoClip™ Independent Wall Solution
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           .
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-f62eac4f.jpg" alt="ReductoClip Wall Soundproofing" title="ReductoClip &amp;amp; Reducto Furring Bar"/&gt;&#xD;
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           Solution 1: ReductoClip Independent Wall Solution - Highest Performing Wall Soundproofing Solution
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           The ReductoClip Independent Wall Solution covers off all of the above criteria and ticks all of the soundproofing boxes. It decouples from the offending wall and also absorbs sound energy and vibration.
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           How the ReductoClip Independent System works:
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            A new stud frame is built at least 10mm away from the existing wall (even further if space allows). This gives the de-coupling as the soundproofing system won't be touching the offending wall at all.
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             The stud frame is filled with
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            acoustic mineral wool
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             so that there isn't a hollow cavity being created. This is important, because if the cavity isn't insulated, the sound will resonate and amplify in there (like a drum).
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            The ReductoClip System is then installed onto the front of the frame. The ReductoClips act like a shock absorbing suspension system that dampens and absorbs sound energy in the same kind of way that your cars suspension absorbs the impact of pot holes in the road.
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             Next, different layers of mass is added onto the ReductoClip system. This is made up of two layers of 15mm
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            acoustic grade plasterboard
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             , sandwiching a layer of
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            FlexiSound 5
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             (an excellent and cost effective alternative to Tecsound SY1000). These layers are adding over 35kg of extra mass per meter square to create that barrier of mass to reduce airborne sound.
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           ReductoClip Independent System Buildup
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Buildup-71120a93.jpg" alt="ReductoClip Independent Wall Buildup"/&gt;&#xD;
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           The ReductoClip Independent Wall System is an incredibly high performing system (65dB Airborne noise performance) and is used in situations from domestic properties reducing noise from noisy neighbours all the way up to recording studios and home cinemas. The system reduces high levels of sound across the whole spectrum of frequencies from low bass up to high treble. It also reduces impact noises such as banging doors and cupboards as well as airborne noise and will massively upgrade any wall type including brick walls, block walls and even stud walls.
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           In an ideal world this system is the perfect choice and the recommended solution for almost everyone and for almost every situation. The only reason why it won’t always be suitable is because of the space it takes up. Even though the ReductoClip is the slimmest isolation clip system on the market and the total space loss is only 120mm (when also including the 10mm gap and a 50mm stud frame). There might be situations in which 120mm is too much space to lose.
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           However, if the space isn't an issue, then it is absolutely worth using this soundproofing solution to provide the highest chance of solving all noise issues and delivering the peace of mind and performance expectation needed.
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           The ReductoClip System - highest performing wall soundproofing solution
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           Solution 2: ReductoClip™ Direct to Wall Soundproofing Solution
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            So, what happens if you don't have the (120mm) space for the ReductoClip Independent Wall System? (Which, to visualise is about the same size as a can of soft drink turned on its side). It might be that you have doorways, or windows close to the offending wall, so in these instances the second best solid wall soundproofing solution is the
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           ReductoClip™ Direct to Wall System
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           .
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            This system is the same system as the RedictoClip Independent System highlighted above, with the only difference being that instead of building a stud frame a minimum of 10mm away from the offending wall, the ReductoClips are installed directly onto the wall. This gives the space saving element which might be needed, as it only takes up 60mm instead of the 120mm.
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            However, with a space saving of half the thickness, there is going to be a compromise on performance as there is no de-coupling from the original wall. The ReductoClip Direct to Wall System still does a good job at reducing sound energy because of the resilience the clips provide, however, it won't perform as highly as the independent system.
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            As with the ReductoClip Independent System, the ReductoClip Direct to Wall solution can also be installed on brick, block or stud walls and will give a very good reduction in all noise types from low pitch, to high pitch and against both impact and airborne noise. The ReductoClip Direct to Wall solution ultimately delivers the perfect compromise between performance and space loss.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+Build+Up+SQUARE-862224b1.jpg" alt="ReductoClip Direct to Wall Soundproofing"/&gt;&#xD;
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           How to install the ReductoClip Direct to Wall System
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           Solution 3: SoundBoard 4 Direct to Wall Soundproof Panel
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-375e8b13.jpg" alt="SoundBoard 4 Wall Soundproofing Panel" title="SoundBoard 4 Wall Soundproofing Panel"/&gt;&#xD;
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            The third and final solution is the
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           SoundBoard 4
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           . This is the slimmest option at just 30mm thick and is specifically designed to offer a solution for those who are really limited to space. It is installed as one single, easy to install panel and is made up of 4 layers consisting of:
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            3mm mass loaded vinyl
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            9mm closed cell acoustic foam
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            3mm mass loaded vinyl
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            15mm acoustic grade plasterboard
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           The SoundBoard 4 is fixed directly against the offending wall, so there is no de-coupling, (although the foam layer does give a small level of resilience to dampen some sound energy). The SoundBoard soundproof panel 4 adds around 29kg per meter square of mass, including different types of mass which help respond to different sound frequencies. 
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           The SoundBoard 4 can be used on solid walls, but does have some limitations. Any solution of this type which has no de-coupling and limited resilience is going to be quite effective for mid to high frequencies, so things like high pitch voices for example, but it’s not going to be very effective for stronger vibration, such as low pitch sounds, bass from music, snoring and impact noises.
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            The construction of the wall is also an important consideration when using SoundBoard 4. If the wall is a thick solid wall it might be that it is already doing a good job at blocking the higher pitch sounds. This is often the case if you can hear lower, more muffled sounds coming through and if this is the case, SoundBoard 4 isn’t going to give much improvement and the ReductoClip would be the required solution.
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           However, if you have a very thin, very old wall circa pre 1950's then the party wall is probably going to be thin, potentially only a single layer of brick and not naturally providing much mass. In these situations where you can hear high pitch sounds coming through, then SoundBoard 4 should give you a pretty good improvement. 
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           It is important to point out that the limitations of SoundBoard 4 are the same for all solutions which are designed to add more mass to a wall, with no de-coupling and limited resilience.
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           The SoundBoard 4 soundproofing panel really comes into it’s own when used on a stud wall as they have such a low mass starting point. The addition of the 29 extra kg of mass per meter square will make a huge difference. So if you are looking to soundproof an internal stud wall or even a dormer style timber external wall, SoundBoard 4 is a great option.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-6a2054a5.jpg" alt="SoundBoard 4 Direct to Wall panel"/&gt;&#xD;
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            SoundBoard 4 Direct to Wall Soundproofing Panel
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           What is the difference in cost for the top 3 wall soundproofing systems?
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           Depending on the size of the wall, there is often only a marginal difference between the cost of the ReductoClip Systems.
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           Below is an overview of the cost of all 3 systems (based on an average wall size of 4m wide x 2.3m high).
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            The cost includes unlimited (free) advice, materials, VAT and delivery costs. Because all of the systems supplied by
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           The Soundproofing Store
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            can be fitted by a competent DIYer the below costs don't include installation. For those customers who don't feel confident to install the systems themselves, then a local tradesperson will have no difficulty installing the systems (detailed guides and videos are also supplied) and the experts at The Soundproofing Store will happily speak to the person doing the installation should they need any help.
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            ReductoClip Independent Wall System from £1,045 (doesn't include the stud frame)
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            ReductoClip Direct to Wall from £985
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            SoundBoard 4 from £705
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            Top 3 solid wall soundproofing solutions - Summary
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           The 3 options of the ReductoClip Independent Wall Solution, ReductoClip Direct to Wall Solution and SoundBoard 4 Direct to Wall Soundproofing Panel are three top performing options to cover different budgets, wall constructions, space limitations and noise types.
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           It’s important to use a system that will be suitable for your specific noise problem to really have the greatest chance of solving that issue. If the incorrect solution is chosen, then it might lead to disappointing results. It is much better to pay for the right solution the first time round.
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           If you’re unsure of what soundproofing solution is best for your specific and individual situation, then the best thing to do is to speak to an expert. Please feel free to give us a call and speak to one of our expert team. You can also contact us via the contact form below.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/3+soundproofing+solutions+pic4-2abfe79b.jpg" length="44602" type="image/jpeg" />
      <pubDate>Sun, 01 Oct 2023 13:42:27 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/what-are-the-most-popular-soundproofing-solutions-for-walls</guid>
      <g-custom:tags type="string">studio,wall soundproofing,sound,ReductoClip Direct to Wall,SoundBoard 4,Noisy Neighbours,knowledge hub walls,loud noise,music,walls,ReductoClip Independent System,noise,airborne noise,Knowledge Hub,FlexiSound,,Top 3,Soundproofing,soundproofing panel,ReductoClip,wall,soundproofing</g-custom:tags>
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        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Do cheap soundproofing hacks work?</title>
      <link>https://www.soundproofingstore.co.uk/do-cheap-soundproofing-hacks-work</link>
      <description>Do soundproofing quick fixes really exist? Uncover the myths of soundproofing and explore if cheap soundproofing  hacks really work</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Cheap Soundproofing Hacks - the do's and don'ts
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Soundproofing+hacks+blog+pics+4.jpg" alt="Acoustic Foam &amp;amp; egg boxes"/&gt;&#xD;
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           The internet is full of articles, blogs, YouTube videos and cheap soundproofing hacks promising quick, easy and cost saving ways to soundproof your room. The big question is, do they work? 
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           In this article we’ll focus on the most common of these hacks and explain why they aren’t always the miracle cure they claim to be. In fact, more often than not, they’re less of a hack and more of a myth!
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           Cheap soundproofing hacks uncovered
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           How does soundproofing work?
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           Sound and soundproofing is a very complex subject and to know if a soundproofing hack is going to work or not, it's useful to understand the basics of soundproofing and the science behind it.
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           To get the best results when soundproofing a structure (e.g. a wall) there are 2 main objectives:
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             The first is to increase the mass of the structure. Mass is basically weight and density and is very important for blocking sound. For instance, 300mm of concrete is going to naturally block a lot more sound than 10mm of timber, because it has many times more mass. Therefore, an effective soundproofing system needs to add lots of extra mass to the structure. It is also important that the extra mass covers the entire wall, floor or ceiling that is being soundproofed. A barrier is being created to block the sound and if there are any gaps for air to get around the soundproofing, then sound can get around too. Think of soundproofing like waterproofing, it’s only as effective as the weakest point.
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             Secondly, it's essential to improve the ability of the structure to absorb and dampen sound energy. Sound is a vibration energy and vibration travels through solid materials and transfers through the contact of solid materials. This means when you create a sound on one side of the wall, the vibration energy of the sound travels straight through the wall to the other side. This is why, if you have a party wall separating your home and your neighbours it's not uncommon to hear unwanted noise, such as their TV, radio, footsteps or voices.
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           What is the best way to soundproof a wall?
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Solid+Wall+Reducto+Independent-318d2b1e.jpg" alt="ReductoClip Independent Wall System"/&gt;&#xD;
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            There are two ways to reduce the sound vibration mentioned above and the best way is through de-coupling.
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            In other words, building another wall in front of the existing wall with a gap in between. This makes it much more difficult for any sound vibrations to travel through, because it needs to jump across a physical gap.
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           The second is to add resilience to the wall, allowing the wall to flex and dampen the vibration in the same way as the suspension springs in your car dampen the effect of bumps in the road.
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            The most effective soundproofing will do both of these and the
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           ReductoClip System
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            is one of the most popular and effective systems on the market. If you’re looking at an alternative which doesn’t de-couple or add resilience, then quite simply, it won’t work. 
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           So, how does the science of soundproofing fit with the many soundproofing hacks out there? Do they or don't they deliver on the above 2 objectives?
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           Does soundproof paint and soundproof wallpaper really work?
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  &lt;a href="/sound-absorption"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/paint-e82d3d0d.jpg" alt="Paint tins"/&gt;&#xD;
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            Let’s start with the widespread hack of using soundproof paint and soundproof wallpaper. If we consider the fact that a typical brick party wall has around 300kg of mass per metre square, can we realistically expect that adding a mere 1 or 2mm of wallpaper or paint, (which weigh less than 1kg per metre square) to effectively block any more sound?
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            If we approach this from a scientific standpoint and examine the principles of soundproofing, the answer becomes clear -
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           no
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            , the addition of wallpaper or paint, which weighs next to nothing will not block sound.
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            Not only does paint fail to contribute any additional mass to the wall, it also doesn’t de-couple the wall or dampen any sound energy vibrations.
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           It's important not to be misled – soundproofing paint or wallpaper does not exist. Save yourself the trouble and avoid wasting your time and money on any paint or wallpaper claiming to be soundproof.
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           How to soundproof a room with carpets and curtains
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  &lt;a href="/sound-absorption"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/carpets+and+curtains.jpg" alt="Room with carpets and curtains"/&gt;&#xD;
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            Another popular hack involves adding soft furnishings, such as carpets, curtains, and rugs to a room.
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            These items are often recommended for their supposed soundproofing benefits, which is actually misleading. This hack can be quite deceptive as it clouds the distinction (and confusion) between soundproofing and sound absorption.
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           Soundproofing aims to prevent sound from entering or leaving a room. A practical example would be blocking the sound coming from your neighbours property and stopping it from entering your own space, or preventing the sound within your property from disturbing your neighbours.
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            Sound absorption on the other hand enhances the acoustics within a room by reducing the amount of echo.
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           Have you ever moved house and tried to have a conversation in a completely empty room? The sound is much more echoey as the sound is bouncing off the hard surfaces creating echoes of the original sound and reverberating round the room.
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           However, once the room is furnished there is less echo as some of the sound is now being absorbed by the curtains, carpet, cushions etc. 
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            By adding soft furnishings to your room, you can reduce the echo and improve the acoustics. It's important to note though, that this won't prevent sound from outside the room from entering or sounds from inside the room from escaping.
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           The difference between soundproofing and sound absorption
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           Can you soundproof a room with egg boxes or foam tiles?
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            A similar hack to the addition of soft furnishings is advocating the use of egg boxes and the modern equivalent, foam tiles. You’ve probably seen YouTube videos where people have these on the walls in the background and people often assume that it’s soundproofing.
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            Again, they are very lightweight, so they don’t add mass to block sound, and they don’t cover the whole surface so sound goes around them. They also don't add any resilience, or decoupling and therefore, the answer is
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           no
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           , you can't soundproof a room with egg boxes or foam tiles.
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           Once again, what egg boxes and foam tiles do is help with sound absorption. If you add these around the room they will help to some small degree with reducing echo in the room, but they definitely don’t stop sound getting in or out.
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           If your goal is to enhance room acoustics and minimise echo, there are more effective products available for you to use. The video below showcases a variety of high performing acoustic treatment solutions:
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            High performing acoustic treatment solutions 
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           Is adding acoustic plasterboard a quick and cheap soundproofing fix?
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&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/?_gl=1*1v2h1t7*_ga*N2Q1NzNhMzctYWQ0OS00NGFlLWJlOWItMTMyMWQwY2RlNzhl*_ga_C14W53N9Z3*MTY5NTIxNDE0MC4zNi4xLjE2OTUyMTQxNTEuNDkuMC4w" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/15mm+Acoustic+plasterboard+squ-ff959157.jpg" alt="Acoustic Plasterboard"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Another soundproofing hack and quick fix which is bandied around is that of simply adding layers of
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
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    &lt;span&gt;&#xD;
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            to the offending wall to help soundproof it. This will add some extra mass to the wall, but won't add any of the de-coupling, isolation or dampening which is crucial for effective soundproofing.
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            The best way to think about acoustic materials such as plasterboard or
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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            is that they are ingredients used for soundproofing, they are not soundproofing on their own.
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            Soundproofing is a bit like baking a cake. You need the correct mix of ingredients, in the correct quantities and put in the correct order to get the result you need. (A bowl of sugar on its own will never make a cake).
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           Using the cake analogy, acoustic plasterboard is a useful soundproofing ingredient, but to get the desired result, you also need other ingredients, and to use those ingredients in the correct way and in the correct order.
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           Simply putting acoustic plasterboard straight onto the wall is not going to block any more sound. If you have noisy neighbours and a solid party wall the wall will already be performing at a certain level blocking the sound (even though you can still hear unwanted noise). The addition of a layer of acoustic plasterboard will not make any significant improvement to how the existing wall is performing.
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            This is where tried and tested soundproofing solutions come into play. Systems like the
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
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            (as demonstrated in the video below) can significantly improve the wall's ability to absorb and block sound:
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           Soundproofing do's - the best way to soundproof a wall
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           Cheap soundproofing
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            Cheap soundproofing isn't a hack as such, but it's important to be wary of “cheap” soundproofing solutions, or companies promising soundproofing for every budget.
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            The hard truth is that your noise problem doesn’t care what your budget is. The soundproofing system you need is determined by the type of noise problem you have and the construction of the building. This means there is different criteria that needs to be met to solve different noise problems.
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           The correct solution may cost more money or take up more space, but this needs to be done to solve the problem. If you don’t have the budget for the correct solution, you would be better to wait, save up your money and eventually do it properly and solve the problem. This is preferable to rushing into buying a cheap solution that isn’t suitable for your noise issue, as you’ll only be disappointed in the results and will have wasted your money.
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           Every situation is different, and in some cases, a thinner, simple, more cost effective solution is going to be enough. However, this should be determined by your situation, not your budget.
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           Remember the old saying “you get what you pay for” - in soundproofing, this is certainly true.
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  &lt;h2&gt;&#xD;
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           The do's and don'ts of soundproofing
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&lt;div data-rss-type="text"&gt;&#xD;
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           There are a number of soundproofing hacks across the internet, which we've hopefully explained are more don'ts than do's!
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           Do:
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            Make sure to choose a tried and tested soundproofing system. The science doesn’t lie and cheaper alternatives, or quick fixes will only lead to disappointing results.
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            Don't:
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           Believe all the soundproofing hacks out there. Ask yourself the question - will this add mass, de-couple from the original structure and add resilience? If the answer is no, then it's not soundproofing.
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            If you’re experiencing an unwanted noise problem and are feeling overwhelmed by options and information, or if you need a helping hand to point you in the right direction, please give us a call and speak to one of our highly trained technical advisors.
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            You can also find a wealth of honest and accurate information on our website at
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    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           soundproofingstore.co.uk
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Soundproofing+hacks+blog+pics+3+cropped.jpg" length="42676" type="image/jpeg" />
      <pubDate>Wed, 20 Sep 2023 13:46:28 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/do-cheap-soundproofing-hacks-work</guid>
      <g-custom:tags type="string">cheap soundproofing hacks,noisy neighbours,Acoustic Foam,myths,soundproof paint,acoustic panels,egg boxes,soundproof wallpaper,soundproof curtains,acoustic insualtion,hacks,ProSound,sound absorption,Soundproofing,acoustic wall panels,ReductoClip,soundproofing</g-custom:tags>
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        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Soundproofing+hacks+blog+pics+3+cropped.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Case Study: How to soundproof a timber ceiling</title>
      <link>https://www.soundproofingstore.co.uk/case-study:-how-to-soundproof-a-timber-ceiling</link>
      <description>The most effective way to soundproof a timber ceiling using the ReductoClip Ceiling Solution. Including performance and a step-by-step DIY installation guide</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Case Study: How to soundproof a timber ceiling
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&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/First+layer+of+plasterboard+4.jpg" alt="ReductoClip Timber Ceiling System"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           The most effective way to soundproof a ceiling using the ReductoClip™ Timber Ceiling System
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&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            This case study highlights the step-by-step process of soundproofing a timber ceiling against unwanted impact and airborne noise using the ReductoClip Ceiling Soundproofing Solution. As featured in
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.yorkshirepost.co.uk/lifestyle/homes-and-gardens/how-one-couple-soundproofed-a-flat-roofed-extension-and-found-peace-plus-get-free-tickets-to-the-harrogate-homebuilding-and-renovating-show-4360007" target="_blank"&gt;&#xD;
      
           The Yorkshire Post
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           :
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            The noise issue
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           Mr and Mrs Helliwell live in a 3-bedroom 1930's semi-detached house and have a one storey, flat roof extension. Since the extension was built they have had a long-term problem with hearing excessive levels of noise on the roof every time it rains.
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            What they are experiencing is not dissimilar to those people living in properties with noisy neighbours living above.
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            When the rain hits the roof it creates an impact vibration which travels from the roof, into the joists and down into their room below. The exact same principle applies when it comes to soundproofing against unwanted impact noise from above, regardless of the type or source of impact vibration (whether this be rain, footsteps, or dragging furniture etc).
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            A soundproofing system such as the ReductoClip System which decouples layers of mass from the original structure provides the most effective solution for all unwanted noise situations. The big benefit of this system is that it decreases high levels of both impact and airborne noise.
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           In this instance, for Mr and Mrs Helliwell it isn't unwanted airborne noise such as talking, shouting, TV noise or music, but unwanted traffic noise from a nearby busy road.
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           Important questions before soundproofing a ceiling:
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  &lt;ul&gt;&#xD;
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            What type of ceiling do you have? Is it timber or concrete?
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            What is the noise being heard? Is it impact noise such as footsteps, dragging furniture, or as in this case, rain?
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            Is the unwanted noise airborne noise such as voices, music and TV noise? Or is it a combination of both impact and airborne noise?
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Do you need to pass
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      &lt;/span&gt;&#xD;
      &lt;a href="/part-e-building-regulation"&gt;&#xD;
        
            Part E Building Regulations?
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           What are the benefits of the ReductoClip Timber Ceiling System?
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  &lt;/h2&gt;&#xD;
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  &lt;p&gt;&#xD;
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            Sound energy vibrations travel very easily through solid materials. Hence why the impact from the rain is easily travelling from Mr and Mrs Helliwells roof, through the ceiling, down the joists and into the room below. It has a path to travel because as all of these materials are connected together. To stop this from happening there needs to be a de-coupling, or separation and that's where there ReductoClips come into play.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClips act like shock absorbers, absorbing the sound vibrations creating a de-coupling suspension system for the furring bars and soundproofing layers to be attached to. Once they are in place, when an impact noise is made above it gets to the clips, which then absorb it and stop it from getting into the ceiling layers.
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  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClips de-couple from the original ceiling delivering the highest level of soundproofing
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Minimal loss of space. The full system including the layers of mass results in only 60mm loss of ceiling height
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            At only 25mm, The ReductoClip and bar combined is the thinnest clip and bar system on the market
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Dual rubber design which enables the ReductoClips to absorb different sound frequencies achieving a higher level of performance
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A wider clip face space means wider furring bars, which allow for a greater surface area to attach acoustic plasterboard to. This makes installation of the clips and bars much easier
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
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  &lt;/p&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           ReductoClip Exceptional Performance - Soundproofing Product Overview
          &#xD;
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to install the ReductoClip Ceiling Solution
          &#xD;
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step-by-step installation of the ReductoClip Ceiling Soundproofing System
          &#xD;
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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            The ReductoClip Timber Ceiling Soundproofing Solution can be installed by a competent DIYer. Mr Helliwell is an electrician by trade, but without any experience of installing soundproofing. With the help from a colleague, they installed the system themselves following
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           The Soundproofing Store's
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            comprehensive installation guide.
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           1. Firstly remove any fixtures, fittings and coving
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            Light fittings were removed from the ceiling. The same would also need to happen for smoke detectors etc which might be fixed onto the ceiling.
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           The next step is to remove any coving. In some cases, if you are careful when removing the coving it can be reused once the ceiling has been soundproofed. In this instance the coving was being fully replaced, so didn't need to be saved.
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            2. Remove the existing ceiling
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            Many customers ask if they can keep their existing ceiling and simply add the ReductoClips, Reducto furring bars and soundproofing layers to it.
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           Keeping the existing ceiling can be an option if really needed. However, the soundproofing improvement can potentially be compromised by doing so. This is for 2 reasons:
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           1. Removing the existing ceiling allows access to the joists which can then be insulated with acoustic mineral wool
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           2. If there is the mass of the floor above, mass of the existing ceiling and the mass of the new ceiling it complicates things as to how soundwaves actually travel through different structures. By creating what is essentially an air cavity can sometimes reduce the performance of the soundproofing
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           Taking down the exiting ceiling, insulating the joists and putting the ReductoClips onto the existing joists and adding the soundproofing layers of a new ceiling is certainly best practice to achieve the best results and is highlighted in this case study.
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           3. Add acoustic mineral wool to the exposed timber joists
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            Acoustic mineral wool is then added to the timber joists. If the joist cavity isn't insulated then essentially there is a void space between the floor above and the ceiling below. When sound gets into this void the sound bounces around, resonates, echoes and amplifies which makes the noise louder. This is called the drum effect, as it's basically how a drum or acoustic guitar work. The addition of acoustic mineral wool helps to absorb this sound.
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            In this instance, because there wasn't a room above and the roof was exposed to the elements, thermal installation was also added, followed by the acoustic mineral wool.
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           60g Acoustic mineral wool was added in slabs slightly wider than the joists. The space between the joists of this ceiling were on average 350mm - 360mm, so the slabs were simply cut to 400mm. These were then simply friction fitted between the joists.
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            Top tip, once you know the measurement of the slabs, keep the mineral wool in the packaging and cut it all in one go. (It can be easily cut using a normal saw).
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            Learn more about the role of acoustic mineral wool in soundproofing
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            4. Installing the ReductoClips
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            The next step is to install the ReductoClips onto the exposed timber joists using timber screws. It is important not to overtighten them too much as this will reduce their ability to absorb the sound energy. (They still need to squish slightly once installed).
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           The ReductoClips are marked out at specific spacings (as per the below diagram):
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             Maximum space between clips 1200mm
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            Maximum space between furring bars 400mm
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            Clips should be a maximum of 150mm away from the perimeter
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           5. Installing the ReductoClip Furring Bars
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  &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-3m-furring-bar/" target="_blank"&gt;&#xD;
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            Once the ReductoClips have been fitted, Reducto Furring bars are then attached to the ReductoClips. They are simply clipped into the ReductoClip brackets. The 50mm furring bar has been designed to be wider to make installation easier by having a larger surface area to screw plasterboards onto. There is also a useful centre line marking which makes it even easier when butting up the acoustic plasterboards.
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            The furring bars are installed with an overlap of 150mm and secured with 4 self tapping screws. Overlaps need to occur between clips, not on the clips.
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            Top tip: To utilise furring bar quantities and maintain joins between clips, cut a 600mm length bar and start with this, then start the second row with the offcut. Furring bars can easily be cut with a pair of tin snips.
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            At only 25mm thick (the ReductoClip and Reducto Furring Bar together) this makes it is the slimmest isolation clip system on the market. This is really important as it means minimal loss of height to the ceiling.
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            6. First layer of acoustic plasterboard
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            The nest step is the addition of high mass layers to help block airborne noise. The first layer to be added is a layer of 15mm acoustic grade plasterboard, which is heavier and more dense than standard plasterboard and therefore more effective at helping to block airborne sound. To make the installation of these high mass materials easier, a plasterboard lift was hired and is definitely recommended.
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            Top tip, before fixing the first layer of plasterboard, because there are two layers, it is important to know where the furring bars are as these will be covered once the first layer is in place. Simply mark the positions of the centre of the furring channels on the wall round the perimeter of the room.
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            The first layer of acoustic plasterboard is fixed using 25mm length self drilling screws (it's important not to screw through to the timber as this will short circuit the furring bars). Start the installation in one corner and make sure to leave a 5mm gap around the perimeter between the acoustic plasterboard and surrounding walls. The system needs to be isolated from the perimeter walls (packers and shims can be used if needed).
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            In this instance the ceiling was just over 2.4m (the full size of the acoustic plasterboard) and because one full board won't therefore cover the full width of the ceiling (still keeping the 150mm perimeter gap) it will mean there are lots of small gaps at the end. To avoid having lots of tiny pieces to make up the remaining gaps, instead cut the original board further down and use a bigger piece to make up the remaining (bigger) gaps.
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            7. Adding Tecsound to the second layer of acoustic plasterboard
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            The next step is to add a layer of Tecsound, which adds a huge amount of mass compared to its thickness.
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           Tecsound is used because at only 5mm thick, it weighs an impressive 10kg per m2. Being a viscoelastic material it means that when it's added to a surface it helps to dampen and absorb energy and vibration whilst also adding more mass to help block airborne noise.
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            In soundproofing, different materials perform differently to different frequencies of sound. By having a combination of the Acoustic Plasterboard and Tecsound, a higher level of performance is achieved than simply adding multiple layers of the same material.
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           A self-adhesive version of Tecsound is used, which is simply stuck to the second layer of acoustic plasterboard before being raised to the ceiling using the plasterboard lift. The Tecsound is then sandwiched between the two layers of acoustic plasterboard.
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           Top tip, Tecsound is very sticky and difficult to remove if stuck down incorrectly. It is often easier to cut it into smaller more manageable pieces rather than trying to stick the whole piece down in one go. Tecsound can easily be cut with a Stanley knife.
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           Remember to leave the 5mm gap around the perimeter.
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           Learn more about how Tecsound is used in soundproofing
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            An excellent alternative to Tecsound is
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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            .
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           FlexiSound 5 is also self-adhesive and offers the same mass and dampening properties, whilst also being cheaper than Tecsound.
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           Learn more about how FlexiSound is used in soundproofing
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           8. Acoustic Sealant
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           Once the Tecsound and second layer of acoustic plasterboard has been installed, simply seal round the 5mm perimeter gap using acoustic sealant. Any small gaps between the acoustic plasterboard sheets can also be filled with sealant where they perhaps haven't fully butted up together (very small mm gaps).
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           Ceiling final finish
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           Once the ReductoClip Ceiling Solution has been installed, the only thing left is for a plaster skim finish. Fixtures and fittings can then be reinstalled.
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           What lighting should be used on a soundproofed ceiling?
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            When it comes to lighting, ideally pendant lights, or surface mounted lights are the best option. In a perfect world it is best to avoid spotlights and downlights because they require big holes to be cut out of the soundproofing and by removing these layers of mass it is going to reduce the performance.
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           However, if the preferred option is to use spotlights then you can use acoustic hoods or covers which will help to minimise the negative effects of cutting into the soundproofing.
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           Performance of the soundproofed ceiling
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           A sound test was carried out using a hand held recorder prior to installing the soundproofing. The background noise without any distinguishable sound measured at around 40dB. When impact noise was made on the roof to recreate the impact of the rain, the reading was 55-60dB.
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            Following the installation of the ReductoClip Ceiling Soundproofing Solution, the same test was carried out again. The aim was to get as close to 40dB (i.e. the original silent ambient noise) as possible. The second test reading with the same level of impact noise being made measured at between 43-45 dB. This means the ReductoClip Ceiling Solution achieved an incredible reduction of 10-12 dB. This is a huge reduction, as the logarithmic scale of decibels means that for every 10dB reduced it is actually a halving of the volume, so in real world terms this is a huge improvement.
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           How much did it cost to soundproof the ceiling?
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            The size of the ceiling was just over 2.5m by just under 3m and the cost including all materials, fixings, delivery and VAT came in at just over £1,100. This didn't include installation costs as Mr Helliwell and his colleague fitted it themselves.
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           Customer testimonial
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Frankies+mum+2.jpg" alt="Ceiling soundproofing image of customer  "/&gt;&#xD;
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            The sound test above showed a brilliant result. However a further test would be the 'real world' one when there was next heavy rainfall and the feedback from Mr and Mrs Helliwell.
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            "I had a look online and found The Soundproofing Store. After discussing our noise problems with them, they advised on the best solution. They recommended the ReductoClip Ceiling Soundproofing System. We can no longer hear the rain and we also live fairly close to the A1 and we are no longer hearing that sound anymore either. Thanks ever so much to The Soundproofing Store, they really helped us and it's just nice to know that these companies are out there, willing to help."
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           Always speak to an expert
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           Soundproofing can be complex and it isn't a case of one size fits all because there are so many variables. This can range from the construction of the ceiling and the floor above. The final floor finish above the ceiling, the level of noise and type of noise needing to be soundproofed against and the height that can be lost from the ceiling.
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            The best advice would be to always speak to an expert to ensure the correct soundproofing solution is used in the correct situation.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Soundproofing Store is an award winning company with a dedicated team of experts who will happily advise on the correct soundproofing solution whatever the unwanted noise issue. Please feel free to contact a member of the team via the form or telephone number below.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/First+layer+of+plasterboard+4.jpg" length="71418" type="image/jpeg" />
      <pubDate>Thu, 14 Sep 2023 09:39:51 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/case-study:-how-to-soundproof-a-timber-ceiling</guid>
      <g-custom:tags type="string">ceiling,DIY instalation,Noisy Neighbours,Tecsound,acoustic insulation,ceiling soundproofing,impact noise,ReductoClip system for ceilings,timber ceiling,acoustic mineral wool,,FlexiSound,Acoustic insulation,how to soundproof a ceiling,noisy neighbours,,airborne noise,,Soundproofing</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/First+layer+of+plasterboard+4.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/First+layer+of+plasterboard+4.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Does Green Glue Work For Soundproofing?</title>
      <link>https://www.soundproofingstore.co.uk/does-green-glue-work-for-soundproofing</link>
      <description>How effective is green glue at soundproofing? The pros and cons of green glue and alternative, higher performing soundproofing solutions.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How does green glue work for soundproofing?
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  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Green+glue+3.jpg" alt="Green Glue"/&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           What is green glue and how does it work for soundproofing?
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    &lt;span&gt;&#xD;
      
           Green Glue is very popular in America and is becoming a more recognised brand in the UK. This is largely because a lot of houses in the states are timber based constructions, basically the equivalent to what we'd refer to as stud walls in the UK. These constructions are very lightweight with very little mass compared to the brick structure of buildings and homes in the UK. Therefore, because the walls are very lightweight they are naturally doing a poor job at blocking any noise which means it is easier to see a greater increase in sound blocking performance by adding what to is referred to in America as dry wall and green glue. However, we will discuss alternative solutions to stud walls and also why this combination of materials doesn't perform well on solid brick walls.
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           What is Green Glue?
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           Firstly, the name Green Glue is slightly misleading as it isn't actually a glue as we think of it. It never fully sets hard, so it shouldn't ever be used to stick materials together. it's important to still use mechanical fixings as well as the Green Glue to fix any materials together.
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            Green Glue is actually a dampening compound with the idea that acoustic glue is added to what they refer to as dry wall in the states (plasterboard in the UK) followed by a second layer of plasterboard (dry wall). Basically the Green Glue is sandwiched in between two layers of plasterboard.
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           How does Green Glue Work?
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           Because the Green Glue never sets hard it remains flexible, separating the two layers of plasterboard with a flexible material. This means it creates a vibration dampening effect. Because sound is a vibration energy, by dampening that energy, there should be a reduction in sound.
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           Does Green Glue Work?
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           Well... to a certain extent it does. Green Glue does increase the walls ability to dampen sound energy. However there are some key limitations:
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            It is only a very small amount of difference. When soundproofing any surface (a wall, floor or ceiling) it is important to look at soundproofing as a full system. The vast majority of any improvement gained by using the Green Glue and the plasterboard will have come from the extra layer of plasterboard (especially so when using acoustic plasterboard). This is because of the increase in mass which has been added to the wall. (One of the key fundamentals to soundproofing against airborne noise is to add mass)
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            Because it is only a small amount of dampening, it is only effective for higher frequency sounds. So will not be effective in the majority of situations and especially lower frequencies such as deep voices, bass tones from music and even snoring
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            It is only going to be useful on low mass structures such as stud walls. Adding some acoustic glue and a sheet of plasterboard to a solid brick wall in the UK to block unwanted noise is not going to make anywhere enough difference to make any noticeable improvement. Because the walls in the UK are constructed with much more mass to start with, a more effective and higher performing soundproofing solution is required to gain significant improvement. Basically, to get results on walls in the UK you need to go a lot further than simply adding acoustic glue and a sheet of acoustic plasterboard. The bricks themselves are already doing the equivalent (and more) than these materials
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             Green Glue It is an expensive product for the small amount of benefit which certainly does not live up to the marketing
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            "Green Glue - The Ultimate Noise Proofing Compound - Dissipates up to 90% of Noise!"
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           A useful overview of Green Glue
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           What are the alternatives to Green Glue?
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            We know that Green Glue is used sandwiched between the existing plasterboard and a new layer of plasterboard. The material we would recommend to be the sandwich filling between two layers of acoustic plasterboard is
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound
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            . Similarly to the acoustic glue, FlexiSound is also viscoelastic. When FlexiSound is placed between two sheets of acoustic plasterboard it gives the wall the ability to dampen sound energy and vibration. However, unlike the acoustic glue the FlexiSound also creates a barrier of mass. This is important (as previously mentioned) as it's mass that predominantly blocks airborne sound.
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound
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            adds an extra 10kg per m2 and is only 5mm thick. Compare this to the Green Glue which is adding absolutely no mass whatsoever. Also, because the acoustic glue doesn't uniformly cover the entire wall, it doesn't create any kind of air tight sealed barrier to help block sound.
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  &lt;h2&gt;&#xD;
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           Learn more about FlexiSound - an alternative to Green Glue
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           Soundproofing lightweight stud walls
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&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-375e8b13.jpg" alt="SoundBoard 4 alternative to green glue"/&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Green Glue is a noiseproofing compound (used more readily in the states) on timber stud walls. So what if you are looking to soundproof a stud wall? What is the alternative to Green Glue?  For soundproofing a stud wall, the recommendation would be to use the
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           ProSound™ SoundBoard 4™
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           this is a direct to wall acoustic board with a layer of acoustic grade plasterboard laminated to two layers of mass loaded vinyl which again greatly increases mass. There is also a layer of closed cell foam to give the wall the vibration dampening element. The SoundBoard 4 soundproofing wall panel easily outperforms the combination of acoustic glue and plasterboard and is a much quicker and easier installation.
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           The 3 best ways to soundproof a stud wall
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           SoundBoard 4™ a higher performing alternative to green glue and plasterboard
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           How to Soundproof a stud wall with SoundBoard 4
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           Soundproofing for all types and levels of noise with the ReductoClip
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&lt;/div&gt;&#xD;
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-f62eac4f.jpg" alt="ReductoClip Soundproofing solution"/&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
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            It is apparent that Green Glue isn't suitable for loud noises or across a full range of frequencies. So what happens if the unwanted noise is airborne and impact noise such a loud music, or low bass frequencies such as snoring? Also, what about in situations such as music rooms and home cinemas where high levels of dampening is needed? For these situations the recommendation would be the
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           ReductoClip™ System
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           , which is a high performing resilient dampening system. This dramatically outperforms the acoustic glue in both volume reduction and the range of frequencies.
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           Recommended Soundproofing Solution - The ReductoClip System
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           The ReductoClip System is the recommended solution when trying to achieve the best possible results when soundproofing a wall.
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            A brilliant, high performance, isolation clip system designed to decouple layers of mass from the structure of a building
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            Designed to dampen high levels of sound energy and vibration
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            Straightforward installation
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            Used in all situations from domestic homes needing to reduce unwanted noise from noisy neighbours to industrial applications to music studios and home cinemas
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            Used on both walls or ceilings where superior noise control is required against any level and all kinds of unwanted noise
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           Learn more about the ReductoClip System for soundproofing
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           Should I use acoustic Green Glue for soundproofing?
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            Green Glue used in the right situations on the right wall construction combined with plasterboard can give some sound reduction improvement. However, it's definitely not the miracle cure it seems to suggest. Without a doubt there are soundproofing materials and systems that will give much, much better results.
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            Soundproofing is not a one size fits all. If you are unsure as to which will be the most effective soundproofing solution for walls, floors and ceilings for your individual situation, then our advice would be to always speak to an expert. Should you have any questions, or require any advice, please don't hesitate to call a member of our expert team on (01423) 206208.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for." 
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          Contact Us
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Green+Glue+image.jpg" length="72756" type="image/jpeg" />
      <pubDate>Tue, 01 Aug 2023 12:06:26 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/does-green-glue-work-for-soundproofing</guid>
      <g-custom:tags type="string">how green glue works for soundproofing,wall soundproofing,sound dampening,stud wall,green glue,solid wall,SoundBoard 4,Tecsound,dry wall,knowledge hub walls,acoustic plasterboard,Acoustic insulation,Knowledge Hub,FlexiSound,,Soundproofing,resilience,ReductoClip,soundproofing panel</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Green+Glue+image.jpg">
        <media:description>thumbnail</media:description>
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      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Green+Glue+image.jpg">
        <media:description>main image</media:description>
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    </item>
    <item>
      <title>What is the best sound proof acoustic insulation?</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-insulation</link>
      <description>A guide to the best sound insulation and the best acoustic soundproofing insulation for walls, floors and ceilings.</description>
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           What is the best soundproof acoustic insulation?
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  &lt;a target="_blank" href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/?_ga=2.77094293.1633561167.1661935278-ab8a6e5f-0330-4138-bdaa-ad2d4003427a&amp;amp;_gl=1*b5qr46*_ga*MjNmZTAwMTAtOTJlNy00MGFmLTllYmQtNWZiMzA5YzFjNjll*_ga_C14W53N9Z3*MTcwNzE0NjQzNS4xNTAuMS4xNzA3MTQ3NjMzLjYwLjAuMA.."&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustic+mineral+wool+square.jpg" alt="acoustic mineral wool" title=""/&gt;&#xD;
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            Lets dispel the myths between acoustic insulation and soundproofing. Often, we think of insulation as having thermal connotations -keeping buildings warm in winter and cool in summer. Acoustic insulation and soundproofing are pretty much interchangeable terms and when people are using these terms, it's usually to look at ways in which to block the passage of sound.
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           However, acoustic insulation (
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           acoustic mineral wool
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            ) is only designed to absorb sound in cavities, and is not a full soundproofing system in its own right.
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           What is soundproofing?
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           Soundproofing is the process of blocking the transmission of sound between different spaces. For example, blocking sound through a party wall from noisy neighbours. Or blocking unwanted sound and noise from above or below in rooms within flats and shared buildings.
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            When we talk about soundproofing we are talking about reducing unwanted noise from the source. Often in domestic situations this comes from noisy neighbours and the transference of that sound energy to the recipient (you). For more of an in depth read take a look at
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           how to soundproof a wall against noisy neighbours
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           .
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           Soundproof Insulation Materials Explained
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           Soundproof insulation, also known as acoustic insulation or soundproof acoustic insulation, refers to the materials and techniques used to reduce or block the transmission of sound between different spaces. The primary goal of soundproof insulation is to create a more comfortable and quiet environment by preventing the passage of sound waves.
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           There are various types of soundproof insulation, and they can be applied to walls, ceilings, floors to minimise the impact of noise. Here is a list of some common materials which are often classed as soundproof insulation materials, however lets separate the fact from the fiction:
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           Fiberglass Insulation:
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           Fiberglass is not dense enough to provide effective sound insulation, a more effective option would be to use Acoustic Mineral Wool.
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           Foam Panels:
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            Egg box type foam panels are not to be used as soundproof insulation. They are sometimes used in the likes of music studios to help reduce echo and reverb.  A higher performing alternative would be ProSound Acoustic Wall Panels, which are specially designed for sound absorption, (also not suitable for soundproofing). Acoustic Wall Panels are extremely effective at reducing echo and reverberation (often in communal spaces such as village halls, schools, offices and music studios and restaurants).
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           Acoustic Mineral Wool Insulation:
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            Acoustic mineral wool is a dense material that effectively absorbs sound. It is commonly used in wall and ceiling cavities. It is not soundproofing on its own, but is used alongside tried and tested wall and ceiling systems such as the
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           ReductoClip Wall
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            and
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           ReductoClip Ceiling
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            Systems.
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           Mass-Loaded Vinyl (MLV):
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            MLV is a dense, thin rubber-like material that adds mass to surfaces, reducing sound transmission. Again, used as part of a soundproofing solution such as the
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           SoundBoard 4
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            Direct to Wall Acoustic Panel.
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           Green Glue:
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            Green Glue is a dampening compound applied between layers of plasterboard (or drywall) to help dampen vibrations. A more effective alternative to Green Glue would be to use
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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            .
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           Cork Insulation:
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            Cork is sometimes marketed as having sound-absorbing properties when looking to reduce impact noise. The recommendation would be to use a tried and tested floor soundproofing solution such as
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           SoundMat 3 Plus
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           , which is effective at blocking both airborne and impact vibrations as it adds far more mass to the floor which is essential for blocking airborne noise whilst also featuring a layer of closed cell foam to help dampen vibrations and sound energy from the likes of footsteps.
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           Learn more about Green Glue and soundproofing
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           What is the best way to soundproof a room?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-8412edee.jpg" alt="ReductoClip Independent Wall Soundproofing System "/&gt;&#xD;
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            Phil Lyons is head of soundproofing at the UK's largest supplier of soundproofing materials
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           The Soundproofing Store
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           . He explains how for successful soundproofing there are some essential key principles which need to be followed.
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           Phil goes on to explain the 3 main principles of soundproofing: Adding mass, isolating (or decoupling) and damping.
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           1. Decoupling:
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            Decoupling and isolation involves breaking the direct connection between surfaces to reduce sound transmission. Phil explains how sound waves travel easily through connected surfaces, so breaking this connection is important for effective soundproofing.
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           2. Adding Mass:
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             Increasing the mass of walls, floors, or ceilings can help block airborne sound transmission. Phil explains how this can be achieved by using dense materials like
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            Acoustic Plasterboard
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             ,
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            FlexiSound
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             and direct to wall acoustic panels like
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            SoundBoard 4
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            which features two layers of Mass-Loaded Vinyl (MLV).
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           3. Damping:
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            Damping involves reducing vibrations in walls, floors and ceilings by using materials that help to absorb sound energy and vibrations. Phil uses the analogy of how the suspension in your car works when it absorbs bumps the road. He goes on to explain that in walls and ceilings, "ReductoClips do this by acting like a shock absorbing suspension system to dampen high levels of sound energy and vibration."
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           Is Acoustic Insulation the same as Soundproofing?
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  &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Mineral+wool-f74d54d2.jpg" alt="acoustic soundproof insulation mineral wool"/&gt;&#xD;
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            Soundproofing solutions can include the use of acoustic insulation materials to help block noise within peoples homes, places of work and studios.
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           Acoustic mineral wool
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            is one of those products and is designed to absorb airborne sounds in the cavities of timber and metal party walls, timber joists and any sealed chambers where sound can reverberate. Using an acoustic insulator can effectively absorb sound and when used with other soundproofing solutions, can help to bring floors and walls into compliance in meeting (and when used as part of a build-up) exceed
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           Part E Building Regulations
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           .
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            Featured below is the
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           ReductoClip System
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            which includes the use of acoustic mineral wool (soundproof insulation) as part of the complete soundproofing system. It is important to note that acoustic insulators are not a loft type insulation wool with high thermal qualities. This is because they are produced to a specific density to give maximum sound absorption. Acoustic mineral wool delivers a high level of sound absorption and acoustic insulation within cavity partitions. 
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           Top tip
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            - there are many branded products out there which claim to offer effective acoustic insulation. Always check the mass of the product. This is key as to how well it will perform in blocking sound when soundproofing your wall, floor or ceiling. This is discussed in more detail below.
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            Acoustic Mineral Wool and Soundproofing
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           Why is acoustic insulation not a solution for soundproofing on its own?
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           Acoustic insulation (or soundproofing) is all about adding mass, mass and more mass. This helps to stop airborne noise from passing so easily through a structure. The most effective soundproofing solutions don't just add more of the same mass, they add mass which is comprised of different materials. This is very important, as different materials are better than others at blocking different types of sound. 
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           The other principle in effective soundproofing is to decouple or dampen the building. Sound travels as a vibration when it hits a wall or floor. To prevent sound vibrations travelling through buildings, the vibration needs to be dampened to stop it from travelling through. The most effective way to stop sound vibration energy from travelling through is to decouple the structure and then add mass.
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           What is the highest performing acoustic insulation system?
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            The
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           ReductoClip System
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            for walls decouples the original structure by creating a room within a room. This achieves the highest level of acoustic insulation and soundproofing. Not only does the ReductoClip System create an exceptional soundproofing performance within domestic homes against noisy neighbours, but it is also used as a professional system in soundproofing recording studios and music rooms. The ReductoClip System is also the go to system for Trade and Building specifiers when needing to exceed
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           Part E building regulations
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           .
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           How does the ReductoClip™ System for walls work? 
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           How to soundproof a wall using the ReductoClip™ Independent System
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            The 
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           ReductoClip System
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             for walls, works against both airborne noise (talking, TV noise etc) and Impact noise (moving furniture, footsteps etc). One of the elements to the system is the use of acoustic mineral wool (as mentioned above) which acts as an acoustic insulator. The acoustic mineral wool is added between the timber battens to absorb airborne sound in the cavities of timber and metal party walls. The acoustic mineral wool provides acoustic insulation by significantly improving acoustic performance and reducing reverberation. 
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           Acoustic insulation boards for walls
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-a2a299be.jpg" alt="ProSound SoundBoard4 insulation board"/&gt;&#xD;
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            The best performing direct to wall acoustic insulation board is the
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           ProSound™ SoundBoard4
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           ™
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           If you don't have the space to lose (building a room within a room) with the ReductoClip System, then this space saving option offers a good performance against noisy neighbours. The SoundBoard 4 acoustic board is only 30mm thick and can easily be installed by a competent DIYer or tradesperson. 
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           As previously mentioned, the best performing acoustic insulation needs to be heavy (mass blocks sound). Unlike other acoustic insulation solutions, the SoundBoard 4 features 4 layers of different high mass soundproofing materials, (which block a wide range of sound frequencies) all laminated together in one board. The SoundBoard 4 adds 34.83kg of mass to your wall and a dampening layer to prevent the sound energy (vibration) from travelling through.
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           SoundBoard 4™ Components:
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            15mm Acoustic Plasterboard finish (ready for a plaster skim finish, or heavy duty backing paper finish) 
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            3mm Mass Loaded Vinyl (doesn't absorb sound and designed to replace lead in soundproofing)
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            9mm Closed Cell Foam (dampens sound energy and vibrations)
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            3mm Mass Loaded Vinyl (a further layer of Mass Loaded Vinyl)
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           Does thermal insulation reduce noise?
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           The short answer is no. We often get asked if products used for thermal insulation (the likes of Kingspan or Celotex) will also be effective at soundproofing. To a certain extent by having the thermal material added it arguably offers more mass than it did before, but this would be so negligible that it wouldn't mean walls, floors, or ceilings had any further soundproofing capabilities than they did previously. 
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           Acoustic insulation for ceilings
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           In this article we have so far focused on acoustic insulation for walls. If you are looking at acoustic insulation for your ceiling , then similar to walls, you also need to:
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            Improve the mass of the ceiling, by adding high density materials.
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            Improve the ability of the ceiling to absorb sound energy and vibrations. (Without this part, the adding of any mass will have very little effect on impact noise).
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            Use different materials of high mass (as we discussed above for walls).
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           A useful exercise is to do a 4 point acoustic insulation check:
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           1. Is the ceiling a timber joist ceiling, or a concrete ceiling?
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           2. Where is the noise coming from? 
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           3. What type of noise is it? Airborne, Impact, or both?
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           4. How loud is the noise?
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            Further information on acoustic insulation for ceilings, is highlighted within our blog 
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling"&gt;&#xD;
      
           How to Soundproof a Ceiling
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            .
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           ReductoClip System for ceilings
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  &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-3432f109.jpg" alt="ReductoClip"/&gt;&#xD;
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           How to install the ReductoClip Timber Ceiling Solution
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           What is acoustic flooring?
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           By limiting the transference of sound travelling through concrete or wooden floors, you can create peace and quiet in your own home by laying acoustic matting.
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           Again, it's useful to do the 4 point acoustic insulation check:
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           1. What is the floor made of? Timber joist, or solid concrete?
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           2. Where is the noise coming from? The room below, or above?
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           3. Is the noise vibration impact, or airborne?
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           4. How loud is the noise on your side of the floor?
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           Can you insulate between two floors to reduce noise?
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            Yes, absolutely and the process couldn't be easier when using an acoustic underlay such as the
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    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           ProSound™ Reverso SoundMat
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            or the
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           ProSound™ SoundMat™ 3 Plus
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           .
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           Both of these acoustic mats help to block noise from above, or below. 
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           To successfully insulate a floor against sound you need to:
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            Improve the mass of the floor, by adding high mass density products (a running theme for walls, ceilings, and floors!)
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            Improve the ability of the floor to absorb sound energy and vibrations (footsteps). As mentioned previously, without this, the addition of any mass will have very little effect on impact noise.
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            Use acoustic insulation between the timber joists to eliminate any sound resonating and amplifying within this sealed chamber.
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            Use different materials of high mass, as simply using more of the same material will never have the same result as using different materials. (For all of the reasons we have mentioned above).
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           What is the best acoustic matting?
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           ProSound™ Reverso SoundMat
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    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           ™
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            is the only high performing soundproofing mat designed for both hard and soft floor finishes. When used hard side up, (unlike with other acoustic underlays) there is no need for an over boarding layer before installing most final floor finishes. The Reverso SoundMat is ideal for blocking loud levels of airborne and high impact noises and is suitable for all final floor finishes. 
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+hero+square-4f25c964.jpg" alt="Reverso SoundMat acoustic insulation"/&gt;&#xD;
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           Reverso SoundMat Components:
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            6mm Fibre Cement Board (provides a stable base for hard final floor finishes and adds mass to block airborne noise)
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            9mm Closed Cell Acoustic Foam (for impact noise such as footsteps and unlike open cell, or recycled chip foam will not absorb water should there be any water damage in the future)
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            3mm Mass Loaded Vinyl (further airborne noise blocking capabilities and acts as a luxury carpet underlay)
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           The Reverso SoundMat is a simple DIY install, without the need of adhesive and can be used under underfloor heating (hard side up).
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           ProSound™ SoundMat™ 3 Plus
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           features an innovative 3 layer design which is effective in helping to tackle the unwanted noise of everyday living. This particular acoustic mat delivers an outstanding performance against loud levels of noise, such as clear conversation, TV noise and heavy footsteps. At only 15mm thick, this acoustic matting saves you space compared to other traditional acoustic underlays.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-7562722e.jpg" alt="SoundMat 3 Plus acoustic matting"/&gt;&#xD;
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           SoundMat™ 3 Plus Components:
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            3mm Mass Loaded Vinyl (designed to replace lead in soundproofing)
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            9mm Closed Cell Foam (for impact noise, such as footsteps)
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            3mm Mass Loaded Vinyl (further airborne noise blocking capabilities)
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           These acoustic sound mats are simple to install by a competent DIY'er or tradesperson and are applied directly to the floor, without the need for any adhesive. The video below shows the easy installation of the acoustic mats.
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           Installing SoundMat 3 Plus acoustic underlay matting
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           Installing Reverso SoundMat acoustic underlay
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           Summary of the best soundproof acoustic insulation
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           Acoustic insulation can be applied to walls, floors and ceilings to soundproof against unwanted noise. By following the 4 step acoustic checker, this can help you to help make the correct product choice. Top performing solutions like the ReductoClip System and SoundMats have also been highlighted, due to their superior performance in soundproofing, along with their ease of installation (all of which can be fitted by a competent DIY'er or tradesperson).
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           Author
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           Phil Lyons heads up the technical team within The Soundproofing Store, bringing with him a wealth of expertise in the field of soundproofing and acoustics. With considerable experience in addressing a variety of noise-related challenges, Phil plays a crucial role in assisting customers in finding effective solutions to all types of unwanted noise problems.
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           Phil also serves as the head of the studio department, specialising in soundproofing music rooms and band practice spaces. His proficiency extends to regularly collaborating with builders and specifiers on projects that require compliance with Part E Building Regulations. Phil regularly demonstrates his versatility and extensive knowledge of soundproofing across all situations.
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            An authoritative voice within Soundproofing, Phil also fronts
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    &lt;/span&gt;&#xD;
    &lt;a href="https://www.youtube.com/@SoundproofingStore" target="_blank"&gt;&#xD;
      
           The Soundproofing Store YouTube
          &#xD;
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            channel, sharing his extensive knowledge and expertise with people all over the world.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
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      <pubDate>Tue, 02 May 2023 08:28:13 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-insulation</guid>
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    <item>
      <title>What are the 3 best ways to soundproof a timber floor?</title>
      <link>https://www.soundproofingstore.co.uk/what-are-the-3-best-ways-to-soundproof-a-timber-floor</link>
      <description>Reduce unwanted noise from noisy neighbours using high performing floor soundproofing solutions. DIY installation and suitable for all types of final floor finishes</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           The top 3 ways to soundproof a timber floor
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  &lt;a href="/timber-joisted-floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/md/unsplash/dms3rep/multi/photo-1558785245-eb7ab4366ad3.jpg" alt="Soundproofing for floors"/&gt;&#xD;
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           How easy is it to soundproof a timber floor?
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            If you are living with the unwanted noise from noisy neighbours living above, or below, then the good news is that there are a number of timber floor soundproofing solutions which are highly effective and easy to install. If the floor is a concrete floor, then take a look at this article to learn more about the the most effective
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    &lt;a href="/how-to-soundproof-a-concrete-floor"&gt;&#xD;
      
           soundproofing solutions for concrete floors
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           .
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            Unfortunately, for many people living in converted buildings such as flats and apartments, unwanted impact and airborne noise from noisy neighbours can be a common and unwelcome problem.
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    &lt;a href="https://www.mirror.co.uk/news/weird-news/my-entitled-neighbours-bang-floor-28412537" target="_blank"&gt;&#xD;
      
           A noisy neighbour article in The Mirror
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            highlights an example of this with neighbours below banging constantly on their ceiling when the people living above were just going about their everyday lives (not even making excessive noise). So extreme was the constant banging coming from below, that the gentleman living above didn't feel comfortable living in his own flat. However, rest assured that if you are in a similar situation and living with noisy neighbours above or below, there are a number of effective floor soundproofing solutions to help reduce unwanted impact and airborne noise.
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  &lt;h2&gt;&#xD;
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           The basics of soundproofing when soundproofing a timber floor
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           To understand how to soundproof a timber floor, it's helpful to understand a little about sound itself. When sound waves hit a solid surface, they can bounce off and continue to travel through the air or through the solid material. This is why sound can be transmitted through floors, walls and ceilings.
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            When soundproofing a floor, the aim is to reduce the amount of sound that is travelling from a room through the floor to the room below, or from the room below travelling up through the floor to the room above.
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            This is achieved by using specialist soundproofing solutions which help to absorb or block sound waves. Different materials perform differently at blocking certain frequencies of sound and adding different high mass products will help block different frequencies of unwanted airborne noise.
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            However, the addition of high mass materials is only one part of the solution. The second is to add resilience to the floor, as it's this resilience which helps to absorb impact vibration such as footfall.
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  &lt;h2&gt;&#xD;
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           3 essential steps to follow when soundproofing a timber floor
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            Increase the mass of the floor. Mass is basically weight and density and airborne sound is blocked by mass. e.g. 300mm of concrete is going to naturally block a lot more sound than 10mm of timber
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            Add a layer onto the floor that adds cushioning so that when impact, such as footsteps or dragging furniture occurs, this impact is cushioned and absorbed creating less vibration in the floor. Without this cushioning layer the vibration can easily spread through the structure to the room below
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             Stop the amplifying of sound within the sealed chamber between the floor and celling void. This is achieved by adding
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      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        
            acoustic mineral wool
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            between the joists
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  &lt;h2&gt;&#xD;
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           The 3 best soundproofing solutions for timber floors
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      &lt;span&gt;&#xD;
        
            This article highlights 3 proven soundproofing solutions for timber floors to help reduce unwanted impact and airborne noise. This could be from unwanted noisy neighbours being heard above or below, or in reducing noise between rooms within your own home. 
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  &lt;p&gt;&#xD;
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           Firstly, it’s important to explain that soundproofing is not a one size fits all solution. Everyone’s situation is different, every property is different, every noise problem is different, so to get the best noise reduction, you need a solution that is suitable for your noise issue and also one that is most suited to your final floor finish.
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            The purpose of this article and also highlighted in the video below is an overview of
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           The Soundproofing Stores
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            3 most popular floor soundproofing solutions for timber floors. Featuring the differences between each solution to help narrow down which system is best for different scenarios and indeed your own.
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           What are the top 3 soundproofing solutions for timber floors?
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            Choose a floor soundproofing solution specific to your situation
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           The correct soundproofing solution is dependent on each individual situation and variations can include:
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            The level and type of noise you are trying to block. e.g. is it impact noise on the floor above such as footsteps, dragging of furniture or airborne noise from above or below such as voices, TV noise or even shouting? It is worth highlighting that the distinction between airborne and impact noise, especially in relation to timber floors isn't quite as black and white as having two separate types of noise. Often, even though the cause of your noise problem might be an impact, what you are actually hearing is an airborne noise. For example if you clap your hands together, the impact vibration can be felt travelling up your arms. However, what you are actually hearing is an airborne noise. So, to get the best results for impact vibration you also want to reduce as much airborne sound as possible as well as cushioning the impact itself
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             What is the construction of the floor? e.g. Timber or concrete (if concrete please click
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            here
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            )
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            The other important factor when soundproofing a timber floor is taking into consideration the final floor finish. Is this going to be a soft finish such as carpet, or a hard floor final finish such as wood, tiles, vinyl or laminates?
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            Because of the variables highlighted above
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           The Soundproofing Store
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            offers a wide range of timber floor soundproofing solutions. This article covers the 3 most popular solutions, but is by no means exhaustive of every floor solution offered.
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           Floor Solution 1: SoundMat 3 Plus
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            When bearing the above principles in mind, the highest performing solution against BOTH impact and airborne noise and especially suited for soft floor final finishes such as carpet is the
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           SoundMat 3 Plus
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            floor solution.
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           SoundMat 3 plus is made up of three layers and is only 15mm thick:
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            The top and bottom layers are a 3mm mass loaded vinyl which add 16kg per metre square of mass to the floor. It's this mass and density which helps to create a barrier to block airborne sound 
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            In between the mass loaded vinyl layers is a layer of 9mm closed cell foam which compresses underfoot just enough to cushion footfall and other impact noises, while supporting weight without crushing. Closed cell foam also gives a much more consistent performance compared to chip foams (used in other floor solutions). This is because chip foams have inconsistencies (certain parts are harder or softer than others) which means the impact performance can vary within different areas of the same mat. Closed cell foam also doesn’t absorb water like chip foam, which makes it more suitable for domestic use where spillages and water leaks could be a consideration.
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           SoundMat 3 Plus
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            is a proven soundproofing floor system against both impact and airborne noise, whilst being thin and very simple to install. An easy DIY installation is achieved by simply loose laying the SoundMats on top of the existing floor. This makes it a hugely popular choice for use in domestic homes. Particularly for people living in flats or apartments with noise between neighbours above or below. SoundMat 3 Plus is also regularly used within detached houses, separating for example any unwanted noise being heard from bedrooms above to living areas below and vice versa. 
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            SoundMat 3 Plus is an ideal floor soundproofing solution for reducing unwanted household level noise such as footfall on the floor, TV noise and general conversation type airborne noise. However, if you’re struggling with more excessive levels of airborne noise, then you may need to upgrade to an even higher performing system such as SoundScreed 28. This solution is discussed in more detail below (please see Floor Solution 3).
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           SoundMat 3 Plus is an extremely popular solution for carpet final floor finishes as it also acts as a luxury carpet underlay. Carpet can be installed directly on top, which helps to reduce costs and keep the final floor height to a minimum.
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           The below video goes into more detail about the SoundMat 3 Plus:
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           SoundMat 3 Plus Timber Floor Soundproofing Mat
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            How to soundproof a timber floor using SoundMat 3 Plus
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            SoundMat 3 Plus can also be used by developers needing to meet Part E Building Regulations.
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            Floor Solution 2: Reverso SoundMat
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            So, what happens if your final floor finish is a hard floor finish and not carpet? This leads nicely into our second solution which is the
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           Reverso SoundMat
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           . 
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            The Reverso SoundMat has the same excellent soundproofing capabilities as the SoundMat 3 Plus. Performing well against both impact and airborne noise, but uniquely, one of the mass loaded vinyl layers has been replaced with a very stable 6mm cement fibre board. This means that where hard floor finishes such as laminates, engineered wood and tiles are needed, it is perfect because of the built-in stabilizing layer.
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           The Reverso SoundMat also has 3 layers and is 18mm thick:
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            The mass loaded vinyl and the cement board layers are very heavy and very dense, adding 17.5kg per metre square of mass and density to the floor. Again, it's this mass which helps to create a barrier to block airborne sound
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            In between the 3mm mass loaded vinyl layer and 6mm fibre cement board layer is a 9mm closed cell foam layer, which in the same way as it performs in the SoundMat 3 Plus compresses underfoot just enough to cushion footfall and help absorb impact noises, while supporting weight without crushing
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            The
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           Reverso SoundMat
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            was developed this way because in the past soundproofing mats such as the SoundMat 3 Plus, which is perfect for carpets, had too much flex to install finishes like laminates directly on top. So after installing the SoundMat 3 Plus you then need to install a 6mm plywood over the top to make the floor more stable, and then install your hard floor finish.
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           Uniquely, with the Reverso SoundMat that stabilizing layer is built into the product using the 6mm cement board, which saves floor height, installation time and also money.
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           Similar to the SoundMat 3 Plus, the Reverso SoundMat is also very popular for domestic homes with timber joist floors. The Reverso SoundMat is thin and simple to install which makes it perfect for retro fitting in existing homes. Perfect for use on floors separating neighbours in flats and apartments, or floors separating living spaces from bedrooms in the same house and especially suited to hard floor final finishes.
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           The Reverso SoundMat is beneficial in all of the above situations and is ideal for reducing unwanted household level noise (both airborne and impact). The Reverso SoundMat is also a great choice for projects where multiple rooms are being soundproofed with multiple floor finishes. So rather than having different soundproofing products in different rooms for different floor finishes or having to have overlay boards in some rooms and not others, the same product can be installed in every room. Simply install the Reverso SoundMat hard side up for hard floor finishes and soft side up for carpet finishes. This allows for an even floor height in every room which also makes it a great product for developers and contractors.
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           The below video goes into more detail about the Reverso SoundMat:
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            Reverso SoundMat Timber Floor Soundproofing Solution
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            How to soundproof a timber floor using Reverso SoundMat
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            The Reverso SoundMat can also be used by developers needing to meet Part E Building Regulations.
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           Floor Solution 3: SoundScreed WF28
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           What happens if the noise you are trying to block is a louder, more excessive level of airborne noise?
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           SoundScreed WF28
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           , the third floor soundproofing solution for timber floors is an overlay board which is used to reduce higher levels of airborne sound than the SoundMat 3 Plus or Reverso SoundMat. 
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            SoundScreed WF28 reduces even higher levels of airborne noise as it adds even more mass at 22kg per meter squared.
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           SoundScreed WF28 has 2 layers, is an engineered high performance soundproofing floor panel and is 28mm thick:
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            18mm dry screed gypsum bonded to a 10mm wood-fibre resilient layer
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            The wood fibre layer also adds some cushioning to the floor to help with low levels of impact vibration. However, SoundScreed 28 doesn’t perform as well at reducing impact vibration as SoundMat 3 Plus or the Reverso SoundMat
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           SoundScreed 28
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            has an overlap join on all 4 sides allowing for a very easy installation without any gaps. This closely joined overlap makes it even more airtight and even more effective at blocking airborne sound.
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           An extremely versatile product, SoundScreed 28 can be used in any situation where high levels of airborne noise need to be reduced. This can range from domestic properties to commercial spaces like shops, offices and music studios.
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            SoundScreed 28 is also a great soundproofing product for new builds, conversions and refurbishments and is an excellent choice for tradespeople and specifiers needing to pass
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           Part E building regulations
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            (when used as part of a full system).
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            SoundScreed 28 is also very quick and easy to install.
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           A big benefit of SoundScreed 28 is that it also provides a strong and stable base, so any final floor finish can be installed on top including carpet, laminate, engineered wood, tiles and even LVT.
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           SoundScreed 28 Timber Floor Soundproofing Solution
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           Unwanted noise from above and no access to the floor?
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            This article focuses on the most effective ways to soundproof a timber floor. However, what happens if there is unwanted noise being heard from above, but no access to the floor above to lay the soundproofing? The recommendation is to soundproof against impact vibration at the source. Therefore, if impact noise is being heard from neighbours living above, the most effective solution is to soundproof the floor. The reality is that this isn't always an option as it depends on the neighbours above allowing access to their floor.
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            Luckily there is another option, which is to soundproofing your ceiling using the
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           ReductoClip Ceiling Solution
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            for timber ceilings.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+to+ceiling-a68e497c.jpg" alt="ReductoClip Timber Ceiling Solution"/&gt;&#xD;
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            ReductoClip Timber Ceiling Soundproofing Solution
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           Top 3 timber floor soundproofing solutions - Summary
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            Highlighted in this article are the 3 best ways to soundproof a timber floor featuring the SoundMat 3 Plus, Reverso SoundMat and SoundScreed WF28. These 3 floor soundproofing solutions are tried and tested solutions to help reduce the unwanted noise from noisy neighbours or indeed reduce unwanted noise separating different rooms and living spaces inside the same home.
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           Narrowing down and choosing the correct floor solution for your unwanted noise issue can often seem quite daunting. The recommendation is to always speak to an expert to make sure the correct noise insulation solution is used depending on your individual situation.
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            Please feel free to call and speak to a member of our expert team on (01423) 206208. Alternatively, you can also contact us via the form below.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/wooden+floors+pic2.jpg" length="41382" type="image/jpeg" />
      <pubDate>Thu, 16 Mar 2023 11:42:27 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/what-are-the-3-best-ways-to-soundproof-a-timber-floor</guid>
      <g-custom:tags type="string">concrete,acoustic mineral wool,hard floor finish,ReductoClip Ceiling Solution,carpet finish,noisy neighbours,impact,Reverso SoundMat,SoundMat 3 Plus,SoundScreed 28,Knowlede hub floors,Noisy Neighbours,floor soundproofing,how to soundproof,Knole,airborne,floors,3 best ways,noise,closed cell foam,Acoustic insulation,mass loaded vinyl,timber,soundproofing</g-custom:tags>
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    <item>
      <title>How to soundproof a ceiling against noisy neighbours</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling-against-noisy-neighbours</link>
      <description>The best performing ceiling soundproofing solutions for timber and concrete ceilings, helping to reduce the unwanted noise from noisy neighbours.</description>
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           How to soundproof a ceiling against noisy neighbours
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           Soundproofing a ceiling against unwanted noise
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            For people living in an apartment, flat, or a property converted into multiple occupancy, they can often be in the unfortunate situation of having noisy neighbours living above, below or next door. A recent article published on the
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           MailOnline
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            highlights a couple blighted by
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           nuisance neighbours
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            living in a Victorian terraced house divided into two leasehold flats. The owners of the top flat were repeatedly woken in the early hours of the morning by noisy neighbours playing music so loudly that "the building vibrated".
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           Soundproofing a ceiling against Impact and/or Airborne noise
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           If you are experiencing the unwanted noise from noisy neighbours travelling from above down into your room below, more often than not you'll be able to work out what kind of noise it is.
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            Sound is usually broken down into two categories:
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            Airborne Noise - people's voices and TV noise
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            Impact and Vibration Noise - footsteps, doors banging and vibrations from appliances such as washing machines
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           Should I soundproof the ceiling or floor?
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           If you have access to the floor above, then this would always be the preferred option (when soundproofing against impact noise and vibrations), over and above soundproofing the ceiling. Why? Absorbing the impact noise at source, before it enters further into the building achieves a better result than trying to absorb the vibrations once they have travelled further into a structure.
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            Soundproofing the floor is an easy option if you are soundproofing against unwanted impact noise within your own home and not such an easy option in instances where there is no access granted to the floor above, (especially if relations with the neighbours making the noise are somewhat strained).
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            If the unwanted noise from noisy neighbours is originating from the property above and access to the floor above isn't an option, then soundproofing the ceiling would be the way to go.
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           Where to start when soundproofing a ceiling against noisy neighbours
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            Determine if the noise coming from your neighbours (above) is impact noise, airborne noise, or a combination of both.
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           Next, it is important to know if the ceiling is concrete, or timber joist? This will determine which system buildup will be needed (both options of soundproofing a timber ceiling and soundproofing a concrete ceiling are highlighted in more detail below).
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           How to soundproof a ceiling against noisy neighbours
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            Improve the mass of the ceiling by adding high mass/ density products
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            Improve the ability of the ceiling to absorb sound energy and vibrations (e.g. footsteps above). Without dampening vibrations, the addition of any mass will have very little effect on reducing the unwanted impact noise
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             If the ceiling is a timber joist ceiling, add acoustic insulation, such as
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            acoustic mineral wool
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             to absorb any sound between the timber joists. This will help to eliminate sound resonating and amplifying in what is essentially a sealed chamber. For concrete ceilings, a thin layer is also added as part of the
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      &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
        
            ReductoClip™ System
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             (more details on this system below)
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            Using different materials of high mass. Different materials perform better for different sound frequencies, so using a combination of high mass materials will perform better than simply more of the same material added to the ceiling
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           What is the best way to soundproof a ceiling against noisy neighbours?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-ba3a1c28.jpg" alt="ReductoClip Ceiling Soundproofing Solution"/&gt;&#xD;
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           The best ceiling soundproofing system to soundproof against noisy neighbours is the
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      &lt;/span&gt;&#xD;
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    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip™ Ceiling System
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    &lt;span&gt;&#xD;
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            . This system offers the slimmest clip system on the market. Only 60mm of living space is taken up with the ReductoClip system when used to soundproof a ceiling from noisy neighbours.
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           The ReductoClip ceiling solution delivers the highest level of soundproofing against the unwanted heavy footsteps, banging of doors and loud airborne noise from noisy neighbours, such as music and shouting. The ReductoClip™ Ceiling System means that high mass ceiling layers are decoupled from the structure, delivering the highest level of soundproofing against impact noise from above. This system is also used for soundproofing recording studios and band practice rooms and can also be used on walls as well as ceilings.
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            For builders and specifiers needing to meet
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    &lt;a href="/part-e-building-regulation"&gt;&#xD;
      
           Part E Building Regulations
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           , then the ReductoClip ceiling system offers an exceptional choice in ceiling soundproofing as the ReductoClip Ceiling System exceeds Part E Building Regulations.
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           How to soundproof a timber joisted ceiling against noisy neighbours
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Timber+Ceiling+buiold+up+with+labels-613820d9.png" alt="ReductoClip Timber Joist Ceiling"/&gt;&#xD;
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            Firstly, the current ceiling plasterboard is removed, exposing the timber joists.
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           Acoustic Mineral Wool
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            is then added into the void space, to stop any sound amplifying. Think of shouting down a cardboard tube, then filling the tube with cotton wool and shouting again. The sound is greatly reduced by the addition of the cotton wool.
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           ReductoClips™
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            are then fixed onto the bottom of the timber joists and
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    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-3m-furring-bar/" target="_blank"&gt;&#xD;
      
           ReductoClip Furring Bars
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            are then then fixed into the ReductoClips. The ceiling is then rebuilt by fixing the plasterboard layers onto the furring bars (instead of them being fixed directly to the timber joists). This de-coupes the ceiling and any vibrations that travel down from above will be absorbed and further reduced by the ReductoClips, which act like shock absorbers.
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            The ceiling is then built with two layers of 15mm
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic grade plasterboard
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            , sandwiching a layer of
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           FlexiSound 5
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            in between. These layers are extremely heavy and high in mass and block a high level of airborne noise.
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           How to soundproof a timber joisted ceiling with the ReductoClip System
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            How to soundproof a concrete ceiling against noisy neighbours
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Battened+Concrete+Ceiling+flexisound-31185f8b.jpg" alt="ReductoClip Concrete Ceiling Soundproofing"/&gt;&#xD;
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            Timber battens are attached directly to the concrete ceiling using suitable fixings. acoustic mineral wool is then added in between the timber battens.
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           ReductoClips are then attached to the timber battens and installed as per the above for timber ceilings. 
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           If you can't lose 110mm, then ReductoClips can be attached directly to the concrete ceiling (only 60mm of space loss) and installed with the correct fixings.
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           With a concrete ceiling, mineral wool is also added in between the first layer of plasterboard and the original concrete ceiling, to stop any sound from amplifying within this space.
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            When soundproofing a concrete ceiling against noisy neighbours, the sound can in some instances also travel down the walls. It is worth doing an ear test when you can hear the noise and listening for any noise coming through the walls. If this is the case, then soundproofing the wall will also be required.
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           What to do about lighting when soundproofing a ceiling against noisy neighbours?
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           The recommendation would be to use surface mounted lights and not spotlights. This is because to install spotlights the layers of soundproofing will need to be drilled through, which will consequently create multiple weak points for the sound to leak through.
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            Top Tip - Soundproofing is like waterproofing, it is only as good as the weakest point. Like water, sound can travel through small gaps. For example, if you are driving in a car with the window slightly open, you can hear all of the outside noise perfectly clearly. Once you close the window, the sounds are reduced to a quiet muffle.
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           Summary of soundproofing a ceiling against noisy neighbours
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            To soundproof against the unwanted noise from above travelling to the room below, it is always best to soundproof the floor at the source (for impact noise).
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           However, soundproofing a ceiling against noisy neighbours can be effectively and easily done by installing the ReductoClip Ceiling System which can be used on both timber joisted and concrete ceilings. The ReductoClip ceiling System can be installed by a competent DIYer, or local tradesperson.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ceiling+image.jpg" length="13165" type="image/jpeg" />
      <pubDate>Sun, 12 Mar 2023 12:19:18 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling-against-noisy-neighbours</guid>
      <g-custom:tags type="string">ceiling,concrete ceiling,noisy neighbours,impactnoise,sound,neighbours,ceiling soundproofing,timber joist ceiling,noise,airborne noise,how to soundproof a ceiling,Soundproofing,ReductoClip</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ceiling+image.jpg">
        <media:description>thumbnail</media:description>
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      <media:content medium="image" url="https://irp.cdn-website.com/28aa4e38/dms3rep/multi/ceiling+image.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Does soundproofing really work?</title>
      <link>https://www.soundproofingstore.co.uk/does-soundproofing-really-work</link>
      <description>Soundproofing works if the correct acoustic solution is used. Learn more about how soundproofing works and how to ensure it delivers the required results.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Does soundproofing really work?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reviews+pic+for+Blog.jpg" alt="Does soundproofing work? Testimonials"/&gt;&#xD;
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            Does soundproofing actually work?
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           Yes, absolutely soundproofing works
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            if the correct acoustic solution is used. The correct sound insulation depends on the property, the level and type of noise being heard and ensuring any soundproofing is installed correctly.
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            Soundproofing is an excellent solution if you are experiencing unwanted noise from noisy neighbours. This unwanted noise could be coming through your walls, floors or ceilings, or being heard through a combination of all three.
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           Acoustic panels are also effective at soundproofing between internal walls to help limit unwanted noise passing through rooms within the same property.
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           What is the alternative to soundproofing?
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    &lt;a href="https://www.dailystar.co.uk/sport/football/lionel-messi-psg-neighbours-house-26547192" target="_blank"&gt;&#xD;
      
           Lionel Messi reportedly bought his neighbours house
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            when he experienced his own noisy neighbours issue! However, back to the real world and if buying your neighbours home, or move to a detached property in a remote location, however if moving house yourself isn't an option, This article goes on to explain the best ways to soundproof your home with proven solutions.
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            The expert team at
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           The Soundproofing Store
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           advise and speak to hundreds of customers every week on the correct soundproofing solution for their individual noise issues. There are also those customers who get in touch, who have unfortunately had soundproofing (the term is used loosely) installed elsewhere and it hasn't worked. They then need to speak to an expert to ask advice on how to rectify what they have had done previously. The main reasons for the disappointing performance they are experiencing is usually because:
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            What has been added to their wall, floor or ceiling isn't the right soundproofing material
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            The soundproofing solution used isn't high enough performing for the noise needing to be blocked
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            The soundproofing used doesn't perform well enough against the type of noise. e.g. airborne or impact or a combination of both
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             The soundproofing hasn't been installed correctly
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            Our advice to ensure soundproofing does work is to always speak to an expert. 'Do it once and do it right.' Quick fixes don't exist when it comes to soundproofing and more often than not, starting from scratch is usually the best way to rectify any problems, which ends up costing more in the long run.
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           What is soundproofing and how does it work?
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           Soundproofing is blocking the transference of sound from one room to another. There are three main scientific principles of effective soundproofing:
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            Improve the mass of the wall, floor or ceiling to help limit airborne noise. Soundproofing materials are solid and heavy and need to be dense enough to stop airborne noise from leaving or entering a room.
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             Improve the mass of the wall by using a combination of different high density materials. This is because different types of materials perform better for different sound frequencies. Simply using more of the same high mass material will not be as effective as using different combinations of high mass materials.
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             Improve the ability of the wall, floor or ceiling to absorb sound energy and vibrations. The highest performing soundproofing solutions will always include a dampening, or decoupling effect. Without this any addition of mass will have little benefit.
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           What parts of a house can be soundproofed?
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            It is possible to soundproof any surface within the home - walls, floors and ceilings. Often it can be very obvious as to where the unwanted noise is coming from. However, if you are unsure, then the best tip is to do a simple ear test. When you can hear the noise, listen to the wall, or floor and and check where the noise can be heard.
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           Differences between soundproofing and sound absorption
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           As mentioned, soundproofing is stopping the transference of noise from entering and leaving a structure. Where as sound absorption is not soundproofing. Sound absorption will only reduces echo and reverberation within a room and will not block noise. Sound absorption materials, such as acoustic panels are added on walls or ceilings to absorb sound energy. Perfect for noisy communal areas such as offices, schools, restaurants and meeting rooms to reduce echo and sound reverberation.
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            Below is an example of sound absorption in situ. The before and after picture of
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           ProSound™ Acoustic Ceiling baffle
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           s
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            , which have been added to the ceiling of a busy restaurant to reduce the echo and reverberation. This results in a much more pleasant dining experience for customers, especially when there are lots of people talking. The acoustic panels help to create a quieter atmosphere in which individuals can talk to each other, be heard and enjoy their dining experience.
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           Conversely, with soundproofing, once the system has been installed and the wall, ceiling or floor is then redecorated, to look at, there would be absolutely no way of knowing that the soundproofing was even there. 
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Before+-+After+.jpg" alt="Before and after picture of ceiling "/&gt;&#xD;
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           The differences between soundproofing and sound absorption explained
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           Does soundproofing work both ways?
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           Yes, soundproofing works both ways. If you are soundproofing your home to stop the unwanted noise from noisy neighbours, then it will also work at blocking any noise from your house from passing into your neighbours property. This is an added benefit by further increasing the privacy of your own home.
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           Can I install soundproofing myself?
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            Anyone with good DIY skills will be able to install soundproofing themselves. 80% of customers at
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           The Soundproofing Store
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            install the systems themselves and they are supplied with comprehensive installation guides, videos and our expert team are on hand to answer any questions, prior or during installation. However, due to the soundproofing having a lot of mass, it will be heavy, so the recommendation would be to have two people to lift it. If you don't feel confident installing the soundproofing yourself, then a local tradesperson will have absolutely no difficulty at all installing it.
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           Top tip: Soundproofing is similar to waterproofing in that any gaps or weaknesses and the sound will find a way to 'leak' through.
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           Can you soundproof an existing wall?
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            Yes, absolutely existing walls can be soundproofed effectively. Soundproofing solutions and acoustic insulation can be added to existing walls without any damage or loss of much space. Once the correct acoustic panels are chosen, soundproofing can be installed by a competent DIYer.
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            Different acoustic solutions are available depending on if the existing wall is a stud or solid wall. However, the main principles of soundproofing still apply:
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           See our wall soundproofing page for more details.
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             Improve the ability of the existing wall to absorb unwanted sound energy and vibrations by using acoustic clips such as
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      &lt;a href="/reducto-clip-system"&gt;&#xD;
        
            ReductoClips
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            Add mass to the existing wall to help block airborne noise
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            Add different materials of high mass
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             Combining mass and decoupling or dampening from the original wall will result in the highest soundproofing performance
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           The 3 best ways to soundproof a solid wall
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           What are the benefits of soundproofing?
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            Soundproofing against the unwanted noise from noisy neighbours means being able to regain peace and quiet within your own home. Many customers have their lives turned upside down from the intrusion of unwanted noise in their homes. This can also have health implications such as; increased stress, high blood pressure and sleep disturbance.
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           Soundproofing also increases your own privacy. You can no longer hear your neighbours, which also means your neighbours can also no longer hear you.
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            Soundproofing alo has practical and essential benefits. E.g. contractors needing to pass building regulations for the passage of sound. Learn more about
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           passing Part E Building Regulations
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            .
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           What materials are most commonly used in soundproofing?
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           As highlighted, the most effective soundproofing solutions use a combination of different materials. Adding more of the same material will have limited benefit to the overall performance of the soundproofing. For soundproofing to work and be successful it is the combination of different materials which increases the overall performance of the acoustic solution.
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            A key material within soundproofing solutions which works well includes mass loaded vinyl which was originally designed to replace lead in soundproofing.
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           Acoustic grade plasterboard
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            is another material often used to soundproof walls and ceilings, as it is 50% more dense than standard plasterboard. This makes it much more effective at blocking airborne noise due to its increased mass. Another proven material in soundproofing is closed cell foam, which helps with any impact noise and helps to dampen sound vibrations and energy.
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            To achieve the highest level of soundproofing, decoupling soundproofing from the existing structure will result in the highest possible performance. The
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           ReductoClip
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            is a market leading independent clip system and more information on what makes it so effective and such a successful soundproofing solution is highlighted in the below video: 
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            ReductoClip™ Solution for walls and ceilings - soundproofing that works
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            SoundMat™ Solutions for floors - soundproofing that works
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           How to soundproof cheaply?
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            The Soundproofing Store are an online retailer and as such, prices are completely transparent all year round. Without sales, or seasonal discounts, after all, noisy neighbours are noisy all year round!
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            The expertise, advice and time customers receive from The Soundproofing Store is unrivalled. As a company we would always advise a solution depending on the individual factors from each customer. Soundproofing is not a one size fits all. Cheap alternatives exist in all walks of life, but when you are dealing with proven solutions and science, then our advice would always be to use a proven and tested system. Short cuts often lead to disappointing results with soundproofing and often end up costing more to rectify.
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           Do soundproofing hacks work?
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           Soundproofing hacks
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            such as adding 2 layers of plasterboard, adding soft furnishings to a room, e.g. rugs and carpets, will help with the sound absorption of a room, but won't remotely help with soundproofing. The same goes for so called soundproof wallpaper or paint. The science of soundproofing requires mass to help block sound. No amount of paint or wallpaper is going to come close to blocking unwanted noise travelling through a party wall v's using an approved soundproofing solution.
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           Does soundproofing work - final checklist
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            Yes, absolutely soundproofing works. There is no need to live with the stress of unwanted noise from noisy neighbours. Effectively soundproof walls, floors and ceilings by: 
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            Using a tried and tested soundproofing solution
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            Choosing the right soundproofing solution for the right type of noise
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            Choosing the right acoustic solution for the level of noise being heard
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            Installing the system as specified by the expert
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            Not using quick fixes. Soundproofing quick fixes rarely work and more often than not end up costing more to remove and put right
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           If you are unsure about whether soundproofing will work, always speak to an expert.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/noisy+neighbours+2+.jpg" length="31915" type="image/jpeg" />
      <pubDate>Wed, 08 Feb 2023 16:40:07 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/does-soundproofing-really-work</guid>
      <g-custom:tags type="string">soundproofing hacks,wall soundproofing,noisy neighbours,benefits of soundproofing,cheap soundproofing,Reverso SoundMat,SoundMat 3 Plus,acoustic panels,knowledge hub walls,existing wall,does soundproofing work,sound absorption,Soundproofing,ReductoClip,wall</g-custom:tags>
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    <item>
      <title>How to Reduce Reverberation and Echo with Sound Absorption</title>
      <link>https://www.soundproofingstore.co.uk/how-to-reduce-echo-with-sound-absorption</link>
      <description>How to reduce noise echo and reverberation within communal spaces. The benefits of using ProSound Sound Absorption Wall Panels and Ceiling Baffles within a village hall</description>
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           Dramatically Reduce Echo and Reverberation with Sound Absorption
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           The difference between soundproofing and sound absorption
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         There is often confusion between the difference in soundproofing and sound absorption. In its simplest terms, soundproofing blocks the passage of sound from one room to another, whereas sound absorption is used to improve the internal sound quality of a room by absorbing echo and reverberation within in the room. In turn this helps reduce the volume of the noise within the space but does not help to stop it travelling out of the space. 
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           Sound Absorption products are used to improve the sound quality within a room. 
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            Think of a noisy restaurant, it can often be difficult to hear and have a conversation with the person sat right next to you. That is because these types of spaces are big open spaces and have lots of hard reflective surfaces, wooden floors, high ceilings, large glass windows etc. 
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            Couple this with lots of people talking and enjoying themselves at the same time and the noise volume in the restaurant goes up. More sound energy is continuing to bounce off these hard surfaces and stay inside the room for longer. Making the clarity of the sound in the room very poor. 
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            Sound absorption and soundproofing explained
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           How to reduce sound reverberation within a room
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         Absorbing echo and reverberation within a room (sound absorption) and blocking, or reducing sound transfer from one room to another (soundproofing) require different approaches and solutions.
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          For soundproofing there are 3 fundamentals:
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          1. Increase the mass (weight) and density of the wall to make it heavier, as mass helps to block sound
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          2. Decouple the wall meaning one side of the wall doesn't touch the other. Creating a 'room within a room' and isolating it from the existing structure offers the highest level of soundproofing
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          3. Dampen the vibration energy of the wall
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          For sound absorption it is about stopping the reflection of the sound energy off the hard surfaces back into the room.
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          A useful analogy is to think of soundproofing like waterproofing. If you wanted to build a tank to contain water, would you use glass or sponges? A ridiculous question, however, one that allows a visual of how similarly sound acts to water. Sealed glass would block and hold the water. Sponges would absorb the water but quickly let it seep through. Acoustic treatment using sound absorption products are going to absorb the sound, whereas heavy, dense airtight materials will block the sound (soundproofing). 
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           Echo and Reverberation
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           Imagine being in a room with hard surfaces, a sports hall, or village hall for example. Clap your hands in a room like this with hard surfaces and the sound appears to reverberate and echo around the space for ages. 
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           Do the same in a room with lots of soft furnishings and the reverberation is very limited and appears flat, with a very short continuation.
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           The below video is a great example of this. Have a listen to the differences in the clap being heard in a room without any sound absorption and again following the installation of the ProSound™ Acoustic Wall Panels.
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            Acoustic Treatment: Before &amp;amp; After Test
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           Now imagine very bouncy basketballs being thrown around the room. You throw them everywhere, in all directions and they continue to bounce around the room.
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           Now imagine the walls, floor and ceiling lined with foam. You throw the balls again, only this time they hit the foam and drop to the floor stopping them from continuing to bounce, the energy from the ball has been absorbed by the foam. 
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           This is no different to a soundwave inside a room, it reflects and bounces off any hard surfaces, but will be absorbed by soft surfaces. This is when the ProSound room acoustic treatment systems are used. They absorb the sound and stop the reflected sound travelling back into the room.
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           Room acoustics BEFORE installing ProSound™ Sound Absorption Panels
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           Room acoustics AFTER installing ProSound™ Sound Absorption Panels
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           Echo in a village hall - case study
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         If you are reading this blog, it's more likely that you are looking to absorb sound and need acoustic treatment, rather than blocking sound (soundproofing). 
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         The Soundproofing Store were contacted by 1st Gresley Scout Group, who in their own words, were looking at sound absorption to "deal with a horrendous echo issue."
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          In this instance it was sound absorption and acoustic treatment, rather than soundproofing which was needed to reduce the echo and overall noise volume in the hall.
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          In this very real example, it's the same as discussed above. The problem with big halls is that the sound bounces off hard surfaces and continues to reflect and reverberate around the room. This makes hearing very difficult as the sound becomes very "wet" with no clarity to it. The noise volume rises too as the sound energy is staying in the room for longer whilst more sound is being created.  
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          Sound Absorption wall panels need to be added inside the room, as they are designed to absorb the sound waves, reducing the reflections and therefore reducing the reverberation and echo.
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          People often ask, how many wall panels or ceiling rafts they should use. There is no hard and fast science in terms of how many panels you need or what size etc. It’s a case of the more of the surfaces that are covered, the less echo you will get. However, as a general rule of thumb, look to cover around 25% - 30% of of the wall / ceiling area to achieve a good high level of sound absorption. 
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          Sound Absorption panels come in various shapes, sizes and colours, they can be hung from the ceiling, or fixed onto the walls. This allows for some real creativity and can be used as an artistic feature within the room.
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           The Solution To The Sound Problem
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           Mr Barnes the Group Scout leader contacted the Soundproofing Store for advice. Hanging ceiling baffles or rafts were not really an option in this instance, due to ball games being played in the hall and a low ceiling height. Therefore, ProSound™ Acoustic wall panels were added and fixed directly to the ceiling.
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           It was an ideal solution for their needs as it limited the loss of wall space and ceiling height. They chose a variety of black and red coloured panels to match the "troop colours" of the Gresley Scout Group. 
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           Sound Absorption Wall Panels 
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Easy+Fix+panel-e93e8f04.jpg" alt="Sound Absorption Wall Panels"/&gt;&#xD;
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            In this instance, ProSound™ Wall Panels, 1.2m x 2.4m (Class A) were used within the hall. They were easily fitted by using
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           Sound
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           Absorption Contact Spray Adhesive
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            and Impaling Clips.
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           Did the ProSound™ Sound Absorption Wall Panels Work?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Gresley+scout+hut-76c6993e.png" alt="ProSound Sound Absorption Ceiling Baffles"/&gt;&#xD;
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          Mr Barnes, the Group Scout Leader, got in touch to tell The Soundproofing Store how delighted he was and what a difference the sound absorption had made: 
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           "We installed them due to having a real “bounce issue” around the hall. Kids couldn’t hear leaders and leaders really struggled to hear the kids.
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           Since we installed the sound absorption wall panels, we have had numerous comments about how people can now finally hear each other. One child who wears cochlear implants normally just took them off as soon as they arrived, as they couldn’t hear a thing. They now can!
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           Another user wears hearing aids and has said how they can now finally understand things that are being said… Honestly it is a real game changer for our site…"
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           A brilliant result for the 1st Gresley Scout Group and sound absorption reducing the echo within their hall. The Soundproofing Store were delighted to hear it made such a difference to the space, whilst also having such a positive impact on individuals and their enjoyment of the sessions held within the hall.
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           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/board+room+image.jpg" length="178105" type="image/jpeg" />
      <pubDate>Wed, 01 Feb 2023 10:04:19 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-reduce-echo-with-sound-absorption</guid>
      <g-custom:tags type="string">testimonial,ceiling,rafts,absorption,panels,sound,hall,echo,baffles,room,walls,noise,sound absorption,village,reverberation,hanging,acousticsprosound</g-custom:tags>
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    <item>
      <title>Soundproofing A Bell Tower</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-a-bell-tower</link>
      <description>soundproofing a church bell tower</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How to Soundproof A Bell Tower
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           The most effective soundproofing solution when soundproofing a bell tower
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         Surprisingly, in the last few months we've had not one but four enquiries about soundproofing a bell tower, so we thought it would make an interesting blog subject.
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          Here in the UK we love our bell towers! Did you know that there are over 5,000 bell towers for change ringing in England, with less than 300 in the rest of the world. 
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          First of all...Bell towers were obviously created to be LOUD... VERY LOUD. But nowadays the good folks working in the church, and teams of bell ringers don't necessarily want to be deafened by them while working. So we don't want to stop the bells we just want to reduce the volume levels directly below.
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          The second issue is weather. Most bell towers have large windows or openings for the sound to float out through. Unfortunately that also means that the rain, snow and everything else can get in.
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           How to soundproof the floor of a bell tower
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         The key to soundproofing a floor is to:
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             Improve the mass of the floor - this is normally achieved by adding high mass/density products.
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             Improve the ability of the floor to absorb sound energy and vibration. Without this, the addition of the mass will have very little effect on impact noise.
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             Use acoustic insulation between the timber joists to eliminate sound resonating and amplifying in this sealed chamber.
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             Use different materials of high mass. Different materials perform better for different sound frequencies so using a combination of high mass materials will perform better than simply using more of the same material.
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           Recommendation for soundproofing a bell tower 
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            We would recommend using our
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           SoundScreed 28
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            solution on the bell tower floor, as this will add 20kg of mass per m2 to the floor to reduce the amount of airborne sound travelling down into the church.
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           SoundScreed 28
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SS28+hero+square-d57fb05d.jpg" alt="SoundScreed 28"/&gt;&#xD;
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           SoundScreed 28 is 28mm thick and is made up of two layers:
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           1.The top layer is an 18mm dry screed gypsum bonded to a 10mm wood fibre layer.
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           2. The boards come in sizes of 1200mm x 600mm and add 20kg of mass per m2
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           SoundScreed 28 also has an overlap join on all 4 sides which means it is easy to install without any gaps. The closely joined overlap also makes it even more airtight, with only a tiny seam, making it even more effective at blocking airborne sound.
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            SoundScreed 28 Performance
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           The main benefit of SoundScreed 28 is that it reduces very high levels of airborne sound from travelling to the room, or space below and from airborne sound below travelling to the room, or space above. This is because of the large amount of mass it adds to the floor. It’s the addition of mass by adding weight to the floor which helps creates a barrier to help block airborne sound. The wood fibre layer also adds some resilience to the floor to help reduce low levels of impact vibration.
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           Learn more about SoundScreed 28
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           Soundproofing top tip
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          As the bells are rung from below with ropes, it means that the bell tower floor may have several holes in it for these ropes to pass through. For the best sound reduction, make these holes as small as the ropes will allow. Every open gap is a weakness, so reducing these holes to the bare minimum will improve the soundproofing.
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  &lt;div&gt;&#xD;
    
          Do you have a bell tower or another unusual place that needs soundproofing? Visit
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      &lt;b&gt;&#xD;
        
            The Soundproofing Store
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    &lt;/a&gt;&#xD;
    
          or contact us via the form below.
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          It may be of interest to read about other unusual soundproofing projects, such as
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-shipping-container" target="_blank"&gt;&#xD;
      &lt;b&gt;&#xD;
        
            How to Soundproof a Shipping Container
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          .
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&lt;div data-rss-type="text"&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/bell+tower.jpg" length="124401" type="image/jpeg" />
      <pubDate>Mon, 16 Jan 2023 13:35:05 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-a-bell-tower</guid>
      <g-custom:tags type="string">a,Soundproof,airborne,church,noise,soundmat3plus,bell,SoundScreed,tower</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/bell+tower.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/bell+tower.jpg">
        <media:description>main image</media:description>
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    <item>
      <title>Are landlords responsible for soundproofing their properties?</title>
      <link>https://www.soundproofingstore.co.uk/are-landlords-responsible-for-soundproofing</link>
      <description>The benefits of soundproofing a rental property for both tenants and landlords. The most effective soundproofing solutions for walls, floors and ceilings.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Is soundproofing the responsibility of landlords?
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/rented+houses.jpeg" alt="Row of houses"/&gt;&#xD;
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           Are landlords responsible for soundproofing their tenants properties?
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            According to
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    &lt;a href="https://www.uswitch.com/mortgages/buy-to-let-statistics/" target="_blank"&gt;&#xD;
      
           Uswitc
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           h
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            there are currently around 2.74 million landlords in the UK, with the average UK landlord having eight properties in their portfolio. Whether landlords should provide soundproofing in their rental properties depends on a number of factors, including any laws and regulations in the area where the property is located, the terms of the lease agreement between the landlord and the tenant, and the specific needs of the tenant.
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           In most instances there isn't a necessity for landlords to provide soundproofing or to rectify any noise issues unless the neighbours making the noise are the landlords tenants.
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           In some cases, it may be necessary (or desirable) for landlords to provide soundproofing in order to protect the health, safety, and welfare of tenants. For example, excessive noise levels can cause sleep disruption, which can have negative impacts on physical and mental health.
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            Ultimately, the decision whether to provide soundproofing should be based on the specific circumstances of the rental property and the requirements of the tenant. It could be that there is excessive noise from neighbours in which case it is always preferable for landlords and tenants to communicate openly and honestly about their concerns and needs, and to work together to find a solution that meets the needs of both parties.
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           Part E Building Regulations
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            On the 1st July 2003 the Building Regulations for Soundproofing Part E were introduced to improve sound insulation in buildings.
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           These regulations highlight the national standard for the construction of buildings in the United Kingdom (different requirements exist for properties in England &amp;amp; Wales and Scotland).
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            Part E of the Building Regulations covers the "Resistance to the passage of sound" and sets out requirements for the sound insulation of buildings to ensure that they provide a reasonable degree of acoustic privacy for the occupants. These requirements apply to new buildings, as well as to certain types of alterations and extensions to existing buildings. The specific requirements for Part E depend on the type of building and its intended use, as well as its location in relation to other buildings and noise sources. It is important to note that the Building Regulations are minimum standards, and it is possible to exceed these requirements if desired.
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            Soundproofing to achieve compliance with Part E, or achieving a pass doesn't necessary mean there is adequate soundproofing for individuals living in the property. Learn more about
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           How to Pass and exceed Part E Building Regulations.
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            Houses and flats which have met the requirements of Part E can still experience unwanted noise issues. For older properties which haven't had to pass any kind of acoustic regulations there is a huge opportunity to improve any unwanted noise passing between walls, floors and ceilings with effective soundproofing.
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           Is it cost effective for landlords to soundproof their rental property?
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            According to
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           propertyreporter.co.uk
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            over half (53%) of those people living in rented properties have complained about late night parties and loud noise, compared to just over 35% of those with a mortgage. Almost two thirds (64%) of homeowners with mortgages consider themselves to be 'fairly friendly' with their neighbours, compared to 46% of those living in rented properties.
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           One of the most common complaints tenants make to their landlords is about unwanted noise issues.
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           How much soundproofing will cost depends on:
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            The surface and structure needing to be soundproofed. e.g. is it a wall, floor or ceiling. Is it a concrete or timber floor or ceiling or is it a stud or solid wall?
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            How loud is the noise needing to be blocked and what type of noise it is. e.g. is it impact or airborne noise (or a combination of the two) is it raised voices or excessive music?
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            The size of the area that needs soundproofing
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            Installation costs. The soundproofing solutions provided by The Soundproofing Store can all be fitted by a competent DIYer or local tradesperson
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           Soundproofing a rental property can have long term benefits and is certainly an investment. Soundproofing can help minimise complaints not only from exiting tenants, but also from any future tenants who might also experience unwanted noise from noisy neighbours. These kind of complaints can often be costly and time consuming for landlords.
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           Soundproofing rental properties - benefits to landlords and tenants
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           1.Improved tenant satisfaction: Soundproofing can significantly reduce noise levels in a property, leading to increased tenant satisfaction. Tenants who are happy with their living environment are more likely to stay longer, leading to reduced turnover and costs for the landlord
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           2. Greater privacy: Soundproofing can help to reduce the amount of noise that travels between properties, providing greater privacy for tenants. For people who work from home or have other responsibilities that require a quiet environment, soundproofing can help to create a more conducive environment for productivity and focus
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           3. Increased property rental value: Soundproofing can also be a huge positive for rental properties, as it can make them more attractive to potential tenants. This can potentially increase the value of the property for the landlord. Properties that have soundproofing are more attractive to potential renters, leading to higher demand and potentially a higher rental income
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           4. Increased comfort: Loud noises can be a source of stress and discomfort, particularly for people who are sensitive to noise. Soundproofing can help to create a more peaceful and comfortable living environment, which in turn can lead to tenants wanting to rent a property for longer
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           Overall, soundproofing can provide numerous benefits for tenants and landlords alike, including improved sleep, increased comfort, greater privacy and better work-life balance. Investing in soundproofing can lead to increased tenant satisfaction, fewer complaints and phone calls to landlords about unwanted noise and increased property value.
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           What is the best way to soundproof a rental property
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           When looking at soundproofing solutions for rental properties there are 6 important factors to consider:
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           1.The construction of the surface needing to be soundproofed. What type of wall or floor is it e.g. is it a stud wall, or solid wall, or a concrete or timber joist floor? This will help determine the most effective soundproofing solution
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           2. Where is the source of the unwanted noise? e.g. is it through a party wall, noise from above, or noise from below?
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           3. The type of sound needing to be blocked. Different soundproofing solutions work better against different sound frequencies
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            4. The level of noise. Is it loud, or excessive noise or lower levels of noise? Again this will determine the soundproofing solution required (it is not possible to over soundproof, but it is certainly possible to under soundproof)
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            5. The space there is to lose from the wall or floor build-up. As a guide, the higher performing the soundproofing system generally the more space it takes up
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           6. Budget. The best advice would be to do it once and do it right. Trying to cut corners or use cheaper materials which aren't tried and tested soundproofing solutions can often lead to disappointing results and work out more expensive for landlords in the long run.
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           What is the best way to soundproof a wall in a rental property?
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            Top 3 Wall Soundproofing Solutions Overview
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           What is the best way to soundproof a floor in a rental property?
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           Top 3 Floor Soundproofing Solutions Overview
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           How to soundproof the floor of a rental property with SoundMats
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           A typical noise complaint from the Housing Ombudsman Service
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            This case study is a typical example of a noise complaint by a tenant highlighted in the Housing Ombudsman Service  'spotlight on noise' Complaints 'Time to be heard' October 2022
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           Housing Ombudsman.org.uk
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            Mr C lives in a ground floor flat and was concerned by the amount of noise transference coming from the flat above him. He could hear creaking floorboards and daily living noises, which he feels was amplified by the fact they had laminate flooring. Mr C works nights, and so the noise in the daytime was particularly troublesome for him.
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           Having tried to resolve the issue informally with his upstairs neighbours, Mr C reported the issue to the landlord in November 2019. The landlord opened an ASB case, issued Mr C with the Noise app, visited Mr C’s property to witness the noise, and wrote to the neighbour.
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           In December, the landlord concluded the noise was daily living noise and closed the ASB case. Frustratingly for Mr C, he had stated as much from the outset and had never indicated his issue was with the neighbours or their ‘behaviour’, but with the laminate flooring.
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            Mr C continued to make noise reports from March 2020 onwards, and the landlord reiterated its position about daily living noise in response. Their suggestions to Mr C included earplugs and changing his shift pattern at work. Mr C’s position remained that the issue was to do with the laminate flooring.
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           It took until October 2020, 11 months later, and Mr C going through the formal complaints procedure, for the landlord to inspect the upstairs property, acknowledge that the laminate flooring should not have been fitted without their consent, and to write to the leaseholders of the property to request the issues be resolved by way of laying rugs, installing carpet with acoustic underlay, or soundproofing.
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           Outcome:
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           Service failure regarding the landlord’s delay in contacting the leaseholder to resolve the issue of the carpets, and also a failure to sufficiently manage Mr C’s expectations. The landlord was ordered to pay Mr C £150 in compensation.
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            The Soundproofing Store receive hundreds of calls from people in a similar situation whereby the person living above has changed their final floor finish from carpet to a hard floor finish and in doing so has greatly increased the amount of unwanted noise which can now be heard below. The below blog goes into more detail:
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           What is the best way to soundproof a ceiling in a rental property?
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            If there is access to the floor above, then the preferred option would be to soundproof the floor above rather than the ceiling. This is because it is always more beneficial to soundproof (especially against impact noise) at the source of the noise before it travels further into the structure of the building.
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           However, if there is no access to the floor above then it is important to consider:
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            Is the noise coming from above impact or airborne noise (or a combination of both)
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            Is the ceiling concrete or timber
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           How to soundproof a timber ceiling with the ReductoClip Ceiling Solution
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           The below blog goes into more detail about how to soundproof both concrete and timber ceilings:
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           Soundproofing rental properties - Summary
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            Although in most cases there is no legal obligation for landlords to soundproof their properties, there are certainly many benefits in doing so.
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           There are a number of extremely effective soundproofing solutions for different structure types with differing performance levels. These different tried and tested soundproofing solutions for walls, floors and ceilings have been highlighted above and to ensure the correct system is used in the correct circumstances, then our advice would be to always speak to an expert. 
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            Should you have any questions, or need any soundproofing help or advice, then please don't hesitate to call the number below and a member of our expert team will be more than happy to help.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <pubDate>Thu, 12 Jan 2023 13:14:44 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/are-landlords-responsible-for-soundproofing</guid>
      <g-custom:tags type="string">tenants,noisy neighbours,benefits of soundproofing,SoundMat,ceilings,impact noise,how to soundproof,floors,Part E Building Regulations,airborne noise,landlords,cost of soundproofing,ReductoClip,soundproofing panel,soundproofing</g-custom:tags>
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    <item>
      <title>How to soundproof a garden shed as a music room?</title>
      <link>https://www.soundproofingstore.co.uk/can-i-soundproof-my-shed-as-a-music-room</link>
      <description>10 key steps to effectively soundproof a wooden structure as a music studio.</description>
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           How to soundproof a garden shed?
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            At
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           The Soundproofing Store
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            we speak to customers on a regular basis who are enquiring and needing advice on how to soundproof a garden shed and turn it into a music studio.
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           The starting point when soundproofing any space and especially important when looking to soundproof a music room or recording studio is 'what is the structure made of'?' If the structure is wood, then this can pose potential problems, the reasons as to why are highlighted below.
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           Why lightweight wooden structures are not good for soundproofing
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           There can be a big variation in 'sheds' and timber structures. A flimsy garden shed is going to be different to a more sturdy garden room or summer house. Any wooden frame with more substance and weight will always be a better starting point than a thinner, more flimsy prefabricated timber structure such as a garden shed.
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           Why a garden shed doesn't make a good starting point for a music studio
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            Airborne noise is blocked by mass and timber structures don't have much mass, especially when compared to concrete or block structures such as garages
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            They are not a strong enough structure to take the weight of soundproofing materials which are very heavy. Usually a garden shed is designed to only take the weight of itself
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            To soundproof a timber structure to the same standard as a solid structure will require a 'room within a room' to be built (at least 10mm away from the existing structure). and a small shed may not have enough room to accommodate this
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            A secondary ceiling is also needed and usually the ceiling height is too low to be able to do this in most garden sheds
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            Most prefabricated garden sheds have flimsy doors and single glazed windows, which are not sealed or airtight. These are a serious weaknesses for noise to travel through
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            A garden shed does not offer a heavy or substantial enough starting point to soundproof and turn into a music studio. More sturdy wooden structures such as garden rooms can be adapted as they are often much more substantial. If you are unsure if your wooden structure (whether it be a shed, shepherds hut, summerhouse or log cabin) is a suitable structure for a music studio, then feel free to send images and dimensions (ceiling height is important) to us and we will happily advise you.
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           How to soundproof wooden garden room: 10 key steps
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           However, we have successfully soundproofed 100's of garden sheds providing that the structure is more substantial than a standard garden timber shed and there is enough head height for a secondary ceiling.
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           There are some key steps to follow when soundproofing a music studio within a timber structure:
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            Remove any internal plasterboard or cladding
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             Insulate the existing frame with acoustic insulation such as mineral wool
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             Build a 'room within a room' (with the
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            ReductoClip System
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             ) A stud frame is built a minimum of 10mm away from the existing structure to decouple the soundproofing layers from the original structure
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            Also insulate the independent stud frame with acoustic mineral wool
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            Add isolation clips and bars such as ReductoClips and Reducto Furring bars to the new timber frame. ReductoClips are designed to absorb sound energy and vibration. They allow the soundproofing layers to flex and add resilience once the acoustic layers are added
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            Add mass. Heavy and dense materials block airborne noise
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            Use a combination of different heavy soundproofing materials (the law of diminishing returns if you simply use more of the same)
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            Attach a recommended build up of acoustic insulation materials such as: acoustic grade plasterboard, FlexiSound and a further layer of acoustic grade plasterboard
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             Upgrade windows and doors. Upgrade to heavy fire doors and install a
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            double door system
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             and install either acoustic triple glazing or two sets of double glazing. (even better have no windows)
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            Use acoustic ventilation which is designed to ventilate and reduce the transference of noise (more details in the acoustic ventilation section below)
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            ReductoClip™ Independent Wall System Build-up
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Buildup-7a0261bf.jpg" alt="ReductoClip Soundproofing solution for walls and ceilings"/&gt;&#xD;
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           The importance of creating a 'room within a room' when soundproofing a music studio
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            For optimum results when soundproofing to the high level required for a music studio it is important to create 'a room within a room'. The new soundproof resilient walls of ReductoClips and high mass and vibration absorbing materials are built in front of the existing wooden structure, along with a suspended ceiling and floating floor above the subfloor. Basically creating a soundproof box. This stops any energy vibration from transferring through the structure of the original wooden building and spreading through the walls, floor and ceiling. This is why it's important to soundproof every surface. e.g if you only soundproof the walls the vibration will just travel through the floor and ceiling.
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           Add Acoustic Mineral Wool Between Joists and Voids
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            Acoustic mineral doesn't block sound, it is used to absorb sound within the cavities of the timber studio structure. The recommendation would be to remove any existing plasterboard or cladding within the timber structure and fill the exposed frame with
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           acoustic mineral wool
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           . This absorbs any sound within this void from amplifying and resonating within the space.
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           Acoustic mineral wool is also added between the independent stud frame, ceiling joists and floor joists. More details on each of these can be found below.
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  &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Mineral+wool+image+timber+studio+2-370330c9.jpg" alt="Acoustic Mineral Wool between Joists"/&gt;&#xD;
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           What is the preferred soundproofing system for a garden shed
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            As highlighted, it isn't possible to soundproof a flimsy garden shed and turn it into a music or recording studio. However, if the shed or wooden structure is more substantial the recommended solution would be to use the
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           ReductoClip Independent System
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           .
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+and+Furring+bar+square-40452742.jpg" alt="ReductoClip Soundproofing solution"/&gt;&#xD;
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/One+Room+Floor+Plan+descriptions+TIMBER+2021.jpg" alt="ReductoClip Room within a room"/&gt;&#xD;
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           Why use the ReductoClip System to soundproof a music studio?
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            The ReductoClip soundproofing solution is an exceptionally high performing system which can be used on the walls and ceilings to soundproof a music studio.
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           Whilst delivering an outstanding performance against excessive noise, there are many benefits to the ReductoClip acoustic solution over and above other clip and bar systems:
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            Slimmest isolation clip system on the market at only 25mm thick - almost half the thickness of other clip and bar systems
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            A more substantial and robust clip compared to other clips to take the weight of heavy soundproofing materials
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            Dual rubber isolation which means the ReductClip can absorb different sound frequencies compared to other clips which have only one type of rubber
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            Wider spacings for the furring bars at 50mm wide mean a much wider fixing plate than alternative furring bars used with other clips. This makes installation much easier and much quicker, as there is more surface area to work with
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            Furring bars have a central middle groove which makes finding the midpoint when butting up acoustic plasterboard much easier
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            High density foam on the back of the ReductoClips which separates the clip from the timber frame allows flex to further absorb sound energy and vibrations. (Very similar to the way the suspension in a car absorbs the impact of a rough road and potholes).
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Wall+and+Ceiling+new-a63c8570.jpg" alt="ReductoClip wall and ceiling soundproofing solution"/&gt;&#xD;
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           Benefits of the ReductoClip compared to other isolation clip systems
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            How to soundproof the floor of a timber structure
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            With concrete floors there is the added benefit of them already having a great deal of mass.
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           The Soundproofing Store
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            have a number of floor solutions which also include thin acoustic solutions to minimise any floor height buildup. However, if the floor is timber then it's a little more complex as the wooden floor doesn't provide the same level of 'natural' soundproofing qualities as that of a heavier floor such as concrete.
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           4 ways to soundproof the timber floor of a music studio:
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             Lift the existing wooden floor and add
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      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        
            acoustic mineral wool
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             between joists
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            Refit the the existing floor over the top of the insulated floor space
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             Add more mass to the floor to help block airborne noise. Our recommendation would be
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            SoundScreed WF28
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        &lt;/span&gt;&#xD;
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             Add a further layer of soundproofing on top of the SoundScreed WF28 to add more mass and to also add resilience to help with impact vibrations. Our recommendation would be to add
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      &lt;a href="/soundmat-3-plus"&gt;&#xD;
        
            SoundMat 3 Plus
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        &lt;span&gt;&#xD;
          
             or
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      &lt;a href="/soundmat-2-plus"&gt;&#xD;
        
            SoundMat 2 Plus
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            Floor soundproofing solutions for a timber floor within a music studio
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  &lt;a href="/soundscreed28"&gt;&#xD;
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           Firstly remove the existing wooden floor and add acoustic mineral wool between the joists. Acoustic mineral wool isn't a soundproofing material, but is important to use as it stops any sound reverberating and amplifying within what will effectively become a mini sealed chamber.
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           Once the acoustic mineral wool has been added and the original wooden floor has been relayed it is important to add a soundproofing product that will add a large amount of mass to the floor.
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           SoundScreed 28 is an overlay board for timber floors and is used for reducing high levels of airborne sound. This is because of the large amount of mass it adds to the original timber floor. SoundScreed WF28 adds 22kg of mass per m2. The equivalent in weight of two cases of beer per m2 (other 24 packs of cans are available!)
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           This addition of mass helps to create a barrier to help block loud levels of airborne noise, such as music:
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           SoundScreed WF28
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           :
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            28mm thick
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            2 layers: top layer is an 18mm dry screed panel bonded to a 10mm wood fibre layer
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            Simple DIY installation
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            Delivers superior sound control for airborne noise
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            Cost effective - cheaper than other timber floor soundproofing solutions
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           Learn more about SoundScreed WF28 as a soundproofing solution for studio timber floors
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           Soundproofing the timber floor of a music studio
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            SoundScreed WF28 is a great solution for the timber floors of music studios when blocking airborne noise. However, the recommendation would be to further upgrade the performance of the timber floor by also adding SoundMat 3 Plus or SoundMat 2 Plus on top of the SoundScreed WF28.
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           Adding one of the SoundMats is beneficial as they add further mass for blocking airborne noise and importantly also add resilience to block impact noise and vibration. 
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           SoundMat 3 Plus
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           :
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            15mm thick
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            3 layers of soundproofing: 3mm Mass loaded vinyl, 9mm closed cell foam and a further 3mm layer of mass loaded vinyl
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             Used to block
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            both high
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             impact noise and loud levels of airborne noise
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            Acts as a luxury carpet underlay
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            Easy DIY installation
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-74d16f30.jpg" alt="SoundMat 3 Plus"/&gt;&#xD;
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           SoundMat 2 Plus
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           :
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            12mm thick
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            2 layers of soundproofing: 3mm Mass loaded vinyl and 9mm closed cell foam
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            Used to block both high impact noise and medium levels of airborne noise
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            Acts as a carpet underlay
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            Easy DIY installation
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            Learn more about SoundMat 3 Plus and SoundMat 2 Plus acoustic floor insulation
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            How to soundproof the ceiling of a timber structure
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           Depending on the ceiling height within the timber structure, there are a couple of options when it comes to soundproofing the ceiling of a music studio and the main principles remain the same:
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            Improve the mass of the ceiling by adding different high mass soundproofing materials such as Tecsound and Acoustic Plasterboard
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             Use high impact clips and bars
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           ReductoClips can be added directly to the joists of the ceiling. However, this depends if the existing timber joists are strong enough to take the weight of the soundproofing which is then added to the ReductoClips and Reducto Furring Channels (similar to the walls solution described at the start).
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           Secondary ceiling joists when soundproofing the ceiling of a timber music studio
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            Acoustic mineral wool is added between the original ceiling joists
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            Secondary jousts are added with an air gap below the existing timber joists. The secondary joists are attached to the top of the timber frame used in the independent wall solution. (The room within a room)
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            Acoustic mineral wool is also added between the secondary joists. The ReductoClips are then attached to the secondary joists
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            The thickness of the timber stud frame needs to be thick enough to take the weight of the secondary joists and the thickness is also determined by the size of the timber room being soundproofed.
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           Upgrade the windows and doors of a music studio
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            Windows and doors will always be a weak point as they contain less mass and therefore don't naturally block noise. In a perfect world there would be just one single width door and no windows at all. However, this often isn't realistic if people want a view and/ or natural light within the studio.
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            If removing windows isn't an option then it is important to double them up. Because of the new soundproofed independent wall on the inside of the timber structure there will be one window on the external structure and another window (secondary glazing on the inside). This will still be a weak point, but this is the best way to minimise this weakness.
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            Recommended double window detail within a music studio
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Studio+Double+Window+Detail.jpg" alt="Double windows within a music studio"/&gt;&#xD;
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            Single entrance doors within a music studio
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            The heavier and more mass a door has, the more sound it will block. As with any windows the preferred option would be to double up the door with one door on the external structure and the other door on the internal soundproof wall. Upgrading to heavier fire doors is also recommended.
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            Double doors when soundproofing a music studio
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  &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-door" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Double+Stud+with+double+door-88f3c321.jpg" alt="Soundproof door"/&gt;&#xD;
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            Acoustic ventilation comparisons for music studios
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            Acoustic ventilation within a music studio is tricky a it's basically the complete opposite of what is trying to be achieved when soundproofing. With the soundproofing described above the objective is to create an airtight room within a room. A barrier of sealed mass to stop air from passing in and out. When air can pass in and out, so can sound. However, when soundproofing a music studio the likelihood is that acoustic ventilation is needed. The practicalities of a musician in an airtight studio working long hours without any airflow, just isn't an option.
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           How to ventilate a music studio
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           How to achieve the best sound reduction whilst also ventilating a music studio:
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             Use the best location to position the vent e.g. if possible, choose an external wall not pointing towards neighbours
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            Absorb the sound by lining the vent with soft absorbent material such as acoustic mineral wool and open cell foam
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            The longer the vent ducting is, with with more turns forcing the sound to bounce off the sound absorbing material, the more sound is absorbed before it leaves the vent
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            Use a baffle box or sound maze which forces the air to turn multiple times and bounce off soft absorbing materials
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            Learn more about acoustic ventilation for music studios
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           ProSound™ Acoustic Vent System
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  &lt;a href="https://soundproofingstore.uk/product/prosound-acoustic-vent-system-55db/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustic+Vent+55dB+Top+SQUARE-0bb23a9f.jpg" alt="ProSound™ Acoustic Vent"/&gt;&#xD;
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           The ProSound Acoustic Ventilation System 55dB is an example of an acoustic ventilation system used in music studios which provides the required ventilation, whilst also reducing the transfer of noise.
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           Is it possible to soundproof a shed as a music room - summary
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           The weaknesses of a wooden structure as a starting point of a music studio have been highlighted. If the wooden structure is more substantial than the likes of a garden shed then the key steps to soundproof a music studio within a timber structure include:
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  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
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             Insulating the existing timber frame with acoustic insulation such as mineral wool
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             Build a 'room within a room'. A stud frame is built a minimum of 10mm away from the existing structure to decouple the soundproofing layers from the original structure
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             Add isolation clips and bars such as
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      &lt;a href="/reducto-clip-system"&gt;&#xD;
        
            ReductoClips
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        &lt;span&gt;&#xD;
          
             and Reducto Furring bars to the new timber frame
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            Add mass. Heavy and dense materials are needed to block airborne noise
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            Use a combination of different heavy soundproofing materials (the law of diminishing returns if you simply use more of the same)
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             Attach a recommended build up of acoustic insulation materials such as: acoustic grade plasterboard,
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            FlexiSound
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             and a further layer of acoustic grade plasterboard
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             Add more mass to the floor to help block airborne noise, such as
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            SoundScreed 28
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             Add a further layer of soundproofing on top of the SoundScreed 28 to add more mass and to also add resilience to help with impact vibration, such as
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            SoundMat 3 Plus
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            Add secondary ceiling joists with an air gap below the existing timber ceiling joists
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            Acoustic mineral wool is also added between the original and secondary joists to stop sound from amplifying and vibrating
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            ReductoClips are then attached to the secondary ceiling joists
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             Upgrade windows and doors. Upgrade to heavy fire doors and double them up
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             Use acoustic ventilation which is designed to ventilate and reduce the transference of noise
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           Should you have any questions, or need any advice on your studio build, please don't hesitate to get in touch with a member of our expert music studio team on (01423) 206208, or via the contact form below.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/garden+shed.jpg" length="43889" type="image/jpeg" />
      <pubDate>Tue, 10 Jan 2023 10:36:55 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/can-i-soundproof-my-shed-as-a-music-room</guid>
      <g-custom:tags type="string">how to soundproof a garden shed,garden shed,FlexiSound,airborne noise,music studio,Soundproofing,ReductoClip,,music room</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/garden+shed.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/28aa4e38/dms3rep/multi/garden+shed.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How Much Does Soundproofing Cost?</title>
      <link>https://www.soundproofingstore.co.uk/how-much-does-soundproofing-cost</link>
      <description>A Guide to soundproofing and acoustic insulation costs for walls, floors and ceilings</description>
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           How Much Does Soundproofing Cost?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Wall+with+Flexi-ebe9bf80.jpg" alt="Room after soundproofing" title=""/&gt;&#xD;
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            When living in the UK, The Duke and Duchess of Sussex reportedly spent £50,000 on soundproofing, (as reported in
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    &lt;a href="https://www.dailymail.co.uk/news/article-6886801/Harry-Meghan-officially-new-Windsor-home.html" target="_top"&gt;&#xD;
      
           The Daily Mail
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            ). Not to block out noise from their son Archie, who was only young at the time, but from Jets at Heathrow - 8 miles away from their former (UK) residence at Frogmore house.
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           Unsurprisingly, one of the most common questions we get asked is - How Much Does Soundproofing Cost?
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           Fear not, you don’t need to be royalty or a millionaire to soundproof your home from noisy neighbours, build a recording studio, create a home cinema room, or soundproof a garden room. The short answer to this question is, it varies, depending on four key factors:
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           4 key factors that affect the cost of soundproofing:
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           1.  What type of structure are you trying to soundproof? Is it a wall, floor, ceiling or studio?
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            2.  What is the noise you are trying to block? (noisy neighbours - TV noise, music, talking, shouting, footsteps, dogs barking) the list can be pretty endless
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             How loud is the noise you are trying to block? e.g low conversational tones or excessive shouting or loud music
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            What type of noise are you trying to block, e.g. impact noise or airborne noise or a combination of both
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             3.  The size of the area that needs soundproofing? A larger space will require more soundproofing materials n potentially take longer to install
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           4. Installation costs. Many standard soundproofing systems can be fitted by a competent DIY or local tradesperson. However, some more complicated systems may need professional installers (e.g. home cinema rooms).
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           Installation costs:
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             Local tradespeople may charge around £300 per day
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             A professional soundproofing installer may charge around £500 per day
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           Below is a useful guide showcasing some of our most common and effective soundproofing systems per meter squared to give you a rough idea of the materials cost (updated September 2024). The systems highlighted all come with comprehensive installation guides and videos and can be installed by a competent DIYer. (Over 80% of Soundproofing Store customers install the soundproofing themselves).
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           How much does it cost to soundproof an existing wall?
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           Solid Walls Soundproofing Cost:
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Alcove+solid+wall.jpg" alt="Soundproofing either side of a chimney breast" title=""/&gt;&#xD;
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            Below are the 3 main
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           solid wall soundproofing
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            solutions and their respective costs (ex VAT) per m2. Each offering a different sound insulation performance. For example, wall soundproofing solutions that are extremely effective at blocking low levels of noise, ranging to those wall soundproofing solutions that are exceptional at blocking excessive noise.
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           The correct system depends on how much sound you want to reduce and how much space can you afford to lose. Generally, the higher performing the system, the more space you will lose.
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            The Top 3 Soundproofing Solutions for Solid Brick Walls
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            1. ReductoClip™ Independent Wall System 
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           Level of Noise:
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            Excessive and high levels of noise across all frequencies. Providing an excellent performance against impact and airborne noise such as loud music, shouting, babies crying, very loud TV noise and impact noise. This system is the highest performing wall soundproofing solution and is also used in recording studios and home cinemas.
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            Solution:
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            ReductoClip™ Independent Stud Wall System
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             (120mm thick)
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            Materials cost:
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             From £69.00 per m² Ex VAT (Based on a wall size of 3.6m x 2.4m)
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            How to soundproof a wall using the ReductoClip™ Independent Wall System
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           2. ReductoClip™ Direct to Wall Soundproofing Solution
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            The ReductoClip™ Direct to Wall System transformed the home of Mr and Mrs Billanie and their young children. They had fallen out of love with their home because of the excessive noise they were experiencing from their noisy neighbours. The ReductoClip™ Direct to Wall System helped to restore peace and quiet within their home and was invaluable in giving them back the privacy and sanctuary they were missing. The cost came in at just over £1,000 (inc VAT) for around 10m2.
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           A full case study on this wall soundproofing project can be found below:
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           Level of Noise:
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            Loud levels of noise, e.g. clear words, music, dogs barking, babies crying and dampening of impact noise. An excellent compromise on performance v's space loss.
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            Solution:
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            ReductoClip™ Direct to Wall System
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             (60mm thick)
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            Materials cost:
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             From £63 per m² Ex VAT (Based on a wall size of 3.6m x 2.4m)
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           How to soundproof a solid wall using the ReductoClip™ Direct to Wall System
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            ReductoClip™ Soundproofing System Product Overview
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           3. SoundBoard 4™ Soundproofing Panel
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            SoundBoard 4 is a direct to wall soundproofing panel and is an excellent soundproofing choice for low mass structures such as internal stud walls.
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            SoundBoard 4 direct to wall soundproofing panels are used on a solid brick walls
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           if space constraints mean the ReductoClip System can't be used. However, the SoundBoard 4 soundproofing panel isn't suitable for impact noise, bass sounds, music, deep voices or snoring. This would also be a limitation for any direct to wall soundproofing board. For these types of sounds and impact vibrations you need a system that decouples from the existing structure, such as the ReductoClip™ System (as highlighted above).
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Solution:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundboard-4"&gt;&#xD;
        
            Pro-Sound™ SoundBoard 4 ™ System
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        
             (30mm thick)
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £47 per m² Ex VAT
             &#xD;
          &lt;br/&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard 4 Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a brick wall against noisy neighbours using
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://my.duda.co/soundboard-4" target="_blank"&gt;&#xD;
      
           SoundBoard4™
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           By using the SoundBoard 4 soundproofing panel, the level of noise was reduced from 64dB of noise (the equivalent of loud TV or loud conversations) to 37dB (a mere 2dB above quiet ambient noise). For a soundproofing cost of less than £500 (not including installation) with the result of blocking nearly all noise coming from noisy neighbours. The level of noise reduction, satisfaction and relief this provided, arguably means that the cost of soundproofing can in fact be priceless.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Stud Walls Soundproofing Costs:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/stud-wall-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Stud+Wall+Page+Hero+square-46d844c6.jpg" alt="Stud wall soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The SoundBoard 4 is a direct to wall soundproofing panel and is an excellent choice for soundproofing an internal stud wall. The below video shows a detailed installation and before and after sound test of SoundBoard 4 installed on a dividing wall separating bedrooms in a hotel. The size of the wall was roughly 12m² and the cost of the soundproofing panel was just under £900 including VAT and delivery. There were no installation costs as the soundproofing panels were installed by the owner of the hotel.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to install soundproofing panels SoundBoard 4 on a stud wall
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How much does it cost to soundproof a floor?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing a floor is an excellent solution to reduce noise from footsteps, furniture movement, and general activity. Whether you live in a multi-story building or want to minimise noise between floors in your home, soundproofing a floor can be an effective way to create a quieter environment. The cost of soundproofing a floor varies depending on the type of soundproofing materials, the size of the space, and whether you choose to hire a professional or do it yourself. let's take a look at 3 floor soundproofing solutions and their costs.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Timber Joist Floors Soundproofing Cost:
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Floor+Page+Hero+square-a17ac09f.jpg" alt="Soundproofing timber joist floors" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The below video highlights 3 tried and tested timber floor soundproofing solutions to help reduce unwanted noise from noisy neighbours. The video highlights the differences between each solution, how they perform against impact and airborne noise and their suitability for different final floor finishes.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Top 3 Soundproofing Solutions for Timber Floors
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The 3 floor solutions mentioned in the above video, plus a further 2 solutions are highlighted below detailing their performance against airborne noise, impact noise, or both. Along with a guide of how much each floor soundproofing solution costs.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Reverso SoundMat Floor Soundproofing Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           1.Level of Noise:
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Loud levels of airborne noise and high impact noise
            &#xD;
        &lt;br/&gt;&#xD;
        
             
             &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Solution:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/reverso-soundmat"&gt;&#xD;
        
            Reverso SoundMat™
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;a href="/soundmat-3-plus" target="_blank"&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £45.76 + VAT per m²
             &#xD;
          &lt;br/&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Reverso SoundMat™ Floor Soundproofing Product Overview
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundMat 3 Plus Floor Soundproofing Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2.Level of Noise:
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Loud levels of airborne noise and high impact noise
            &#xD;
        &lt;br/&gt;&#xD;
        
             
             &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Solution:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundmat-3-plus"&gt;&#xD;
        
            SoundMat™ 3 Plus
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;a href="/soundmat-3-plus"&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £34.68 + VAT per m²
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundMat 3 Plus and SoundMat 2 Plus Floor Soundproofing Overview
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundMat 2 Plus Floor Soundproofing Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3. Level of Noise:
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Medium levels of airborne and high impact noise
            &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Solution:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundmat-2-plus"&gt;&#xD;
        
            SoundMat™ 2 Plus
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;a href="/soundmat-2-plus"&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £23.22 + VAT per m²
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundScreed WF28 Floor Soundproofing Solution
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           4. Level of Noise:
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Excessive levels of airborne noise and low impact noise
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Solution:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundscreed28"&gt;&#xD;
        
            SoundScreed 28mm
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £52.70 + VAT per m²
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundScreed 28 Floor Soundproofing Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ImpactoMat Floor Soundproofing Solution
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           5. Level of Noise:
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Low levels of impact noise only
            &#xD;
        &lt;br/&gt;&#xD;
        
             
             &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Solution:
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/ImpactoMat"&gt;&#xD;
        
            ImpactoMat™ 5mm
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £11.43 + VAT per m²
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ImpactoMat 5mm Floor Soundproofing Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a floor against noisy neighbours using
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat™ 3 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The cost of soundproofing an average floor size of 4m x 4m using SoundMat 3 Plus (as shown in the video) was £949 (inc VAT). This didn't include installation, as the SoundMat 3 Plus is an easy DIY install.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a floor with ProSound™
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundscreed28"&gt;&#xD;
      
           SoundScreed 28
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Concrete Floors Soundproofing Cost:
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/concrete-floor-soundproofing"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Concrete+flooring-d3ce8500.jpg" alt="Concrete flooring soundproofing " title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           1.Level of Noise:
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Low levels of impact / footsteps noise only
            &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Solution:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
              
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/ImpactoMat"&gt;&#xD;
        
            ImpactoMat™ 5mm
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £11.43 + VAT per m²
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How much does it cost to soundproof a ceiling?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Timber Joist Ceilings Soundproofing Cost:
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Timber+Ceiling+Joist.jpg" alt="Soundproofing timber joist ceilings" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           1.Level of Noise:
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
             General conversation and footsteps noise
            &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Solution:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
        
            ReductoClip™ Ceiling System
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Materials cost:
           &#xD;
      &lt;/span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             From £89.00 + VAT per m²
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a timber joisted ceiling using the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip™ Ceiling System
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How much does it cost to soundproof a music room?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Building a soundproof music studio is crucial for producing high-quality recordings and keeping external noise from affecting your work. Crucially it also helps contain sound within the studio, preventing it from disturbing nearby spaces. The cost of soundproofing a music studio can vary significantly based on factors like the size of the space, the level of soundproofing needed, and the materials you choose. As a rough guide, to fully soundproof an existing average sized garage and turn it into a soundproof music studio the materials cost would be about £5,500 ex VAT.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Studios / Soundproof rooms Cost:
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/studio"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/garden+room+image.jpg" alt="How to soundproof a garden room" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof a garden room music studio
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The benefits of investing in soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The cost of soundproofing walls, floors or ceilings within your home have been highlighted within this article and the benefits of investing in soundproofing can have huge benefits.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           People often talk about a 'cost per wear' especially when justifying buying an expensive new item of clothing, or a pair of shoes etc. When applying the same principle to soundproofing within your home, where many, many, many hours are spent every day and night, then this is a sound investment (no pun intended!). Many of the benefits of soundproofing are emotional and the positive difference a quiet living space can have to mental health and wellbeing can make it near impossible to equate a monetary value. Transforming a home which is riddled by unwanted noise (often from noisy neighbours) and then achieving peace and quiet within your home through soundproofing can often be perceived as priceless:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Improved sleep by helping to block out unwanted noise which aids concentration and has many health benefits
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Reduced stress by creating a more peaceful and quiet environment within your home
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Increased privacy. Soundproofing works both ways, so helping to block unwanted noise from neighbours also helps reduce the noise your neighbours may have been hearing from your home
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Increased home value, as soundproofing will be seen as a desirable feature for many buyers
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To learn more about our the award winning soundproofing products from
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , please feel free to call a member of our expert team on 01423 206208.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Alternatively, if you would like to find out the cost of soundproofing a wall, floor, or ceiling you can always 'Request a Quote' as found in the 'Need Help?' section below.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Need Help?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
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      <pubDate>Wed, 21 Dec 2022 01:00:00 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-much-does-soundproofing-cost</guid>
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    </item>
    <item>
      <title>Sound Absorption</title>
      <link>https://www.soundproofingstore.co.uk/sound-absorption1</link>
      <description>Sound absorption solutions for reducing sound reverberation / echo and reduction of noise within a room</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Sound Absorption
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Maximising your Acoustic Environment with Sound Absorption
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/sound-absorption"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/call+centre-1a6ffdc1.jpg" alt="Sound absorption wall panels" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          According to an article in the
          &#xD;
    &lt;a href="https://www.thetimes.co.uk/article/noisy-restaurants-putting-diners-off-their-food-mptvz7b2d" target="_blank"&gt;&#xD;
      
           Sunday Times
          &#xD;
    &lt;/a&gt;&#xD;
    
          some restaurants are so noisy it would be quieter to sit down and eat next to a lawnmower. A minimalist trend in interior such as hard floors and bare walls is a large cause for the amplified noise.
          &#xD;
    &lt;br/&gt;&#xD;
    
          Action on Hearing Loss, a charity for the hard of hearing, measured noise levels in restaurant chains and found one restaurant with levels of noise, measuring a staggering 90db which is the equivalent of beeing sat next to a loud motorbike.  With
          &#xD;
    &lt;a href="http://www.euro.who.int/en/health-topics/environment-and-health/noise" target="_blank"&gt;&#xD;
      
           The World Health Organisation (WHO)
          &#xD;
    &lt;/a&gt;&#xD;
    
          defining excessive noise as a serious health hazard perhaps it is time look at what Sound Absorption is available.
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
    
          In this blog we are going to break down Sound Absorption (it isn't as complicated as some suggest) and highlight sound absorption solutions for walls and celings. Loud restaurants gain a lot of attention when it comes to noise problems, however - noise reverberation, amplification and noise echo can occur in any space; school halls, village and sports halls, studios, meeting rooms and cinemas to mention a few.
          &#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          All of the options we detail below are designed so that they can be installed anywhere. 
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What is Sound Absorption?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Sound Absorption is quite straight forward in that it is designed to reduce the echo of a room and allows for clearer sound, making it easier to hear.
        &#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What is the difference between Sound Absorption and Soundproofing?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;              Sound absorption is the reducing of echo and noise reverberation within a room and in doing so helps to reduce the volume of noise, whilst increasing the clarity. Think of a noisy restaurant where noise energy is being amplified with sound continuously bouncing off the hard surfaces and therefore being magnified throughout the room. It can often be incredibly difficult to hear the person sat opposite, or even next to you.
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    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Soundproofing is the stopping of sound energy in blocking noise from transferring through a structure and into another room. Soundproofing can block noise from entering a room, or block noise from leaving a room.
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The difference between soundproofing and sound absorption
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Echo and Sound Absorption
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    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Echo is sound energy repeating around a room. Sound energy will bounce off smooth, hard surfaces much in the same way a rubber ball bounces off the ground. Although the direction of the sound changes, the echo sounds the same as the original sound. This creates an amplifying effect and makes everything seem very loud, often making conversation in these kind of spaces hard to understand. The louder the source the more energy that sound wave has and therefore the more voices in a space, the louder the noise in that space gets. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The below video shows a simple before and after test highlighted by clapping hands in a room without any acoustic treatment and again in the same room following the installation of ProSound™ Acoustic Wall Panels.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Before acoustic treatment and after acoustic treatment
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How do Sound Absorption Panels work?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/sound-absorption"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Wall+Panel-98ed915f.jpg" alt="Sound absorption panels"/&gt;&#xD;
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         The soft material used in sound panels is designed to absorb sound energy and stop this energy from bouncing around the room and reflecting off the surfaces. Class A panels like the ones available from The Soundproofing Store, are tested to absorb 90-100% of sound energy that hits them. This means you require less panels in an area to achieve good results, compared to lower performing panels. You may have seen panels that look like the image above and these require nearly the whole surface covering to get good results. Plus, aesthetically, they don’t look particularly appealing. 
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           Where would you need to use Room Acoustic sound Absorption?
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  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
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   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
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   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;              Social
spaces such as; restaurants, bars, schools, offices, and large halls would require some degree of
sound absorption. Whenever you have a large space with hard surfaces coupled with noise, such as lots of
voices. The noise will resonate / echo around the room, amplifying the noise resulting in the noise taking longer to dissipate.
&#xD;
    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When wouldn't Room Acoustic Treatment be required?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="375"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          If an airborne or impact noise travels through a ceiling,
wall or floor causing a problem to the neighbour then you would want to block (or Soundproof) the surface against the noise with some effective soundproofing or sound insulation materials.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What is best practice for improving Room Acoustics with sound absorption?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Aim to fill a third of the space with good quality class 'A' sound absorption, such as the ProSound™ Wall Panels, Ceiling Rafts, or Hanging Baffles. It is better to fill a thirdof a space with a quality class 'A' panel than fill a whole space with inferior SoundAbsorption products.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Choosethe right acoustic product for the right room type. With an array ofacoustic products out there all with individual merits, it is important to use productsfit for purpose. For example, if you are trying to dampen noise in a restaurantand the ceiling is high you may want to use something like the
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/acoustic-ceiling-baffles"&gt;&#xD;
        
            ProSound™ Hanging Baffles
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             . Or if you are implementing wall panels on a sports hall then you maywant to consider thicker sound absorption panels able to resist high impact.
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Understand your room space and consider how muchnoise reverberation you require. For example, in a restaurant you don’t want thenoise to drop too flat as you want atmosphere, but equally you want yourcustomers to be able to hear their friends.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Use different types of sound absorption ensuringsound is being absorbed from different parts of the room. Use a mixture of ProSound™ Wall Panels and ProSound™ Ceiling hanging baffles to reduce more echo and sound reverberation.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How many Sound Absorption Panels are needed?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         As a general rule of thumb we look to cover around 30% of the surface area of the room, whilst also placing the absorption panels as close to the source as possible, without interfering with the look of the room.
        &#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What Acoustic Panel options are available for sound absorption?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/sound-absorption-old"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            supply panels in three categories. Wall Panels, Ceiling Rafts and Hanging Baffles. Find out more by watching the below video, or feel free to contact us on 01423 206208, or via email
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="mailto:sales@soundproofingstore.co.uk "&gt;&#xD;
      
           sales@soundproofingstore.co.uk
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Sound Absorption: ProSound™ Ceiling Rafts
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
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           ProSound™ Ceiling Rafts
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            are a high quality sound absorption panel, used to control reverberant noise and echo in rooms and areas with hard surfaces. With high impact resistance, they are also suitable for use in sports areas.
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           The stunning visual effect of acoustic ceiling rafts are also designed to look great, giving you the ability to use panels as part of your internal design and decor. 
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            ProSound™  Ceiling Rafts are available in a range of over 90 colours to suit all designs and are easy to install, without the need of specialist tools.
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           ProSound™ Ceiling Rafts are designed to absorb sound energy from the front and the back making them ideal for high reverberation areas. This isnt the case with ceiling panels that are attached directly to the ceiling, as they aren't able to absorb sound energy on the back side of the panel. Therefore meaning you would need more panels to absorb the same amount of energy than with the ProSound™ Ceiling Rafts.
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           Sound Absorption: ProSound™ Hanging Ceiling Baffles
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           ProSound™Hanging Baffles
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           are used to reduce reverberant noise and echo in areas with hard surfaces. Used in buildings such as studios, lecture theatres, music rooms, offices, boardrooms, sports and community halls, cinemas and interview rooms. They can also be used to meet BB93 regulations for reducing reverberation in school classrooms. ProSound™ baffles transform stark, echoing areas into warmer, quieter and congenial places to work.
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           ProSound™ Hanging Baffles are designed to reduce reverberation and reflected sound within rooms, without taking up valuable wall space and obstructing ceiling furniture such as lighting and air-conditioning.
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           As with the ceiling rafts, the hanging baffles are also available in a variety of colours and sizes. The baffles are easy to install, as they don't require any specialist tools. No additional trims are required, as the ProSound™ baffle fabric is fully wrapped on all 4 edges.
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           ProSound™ ceiling baffles are designed to absorb sound energy from the front and the back, making them ideal for high reverberation areas where space is limited.
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           Sound Absorption: ProSound™ Acoustic Wall Panels
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           ProSound™ Acoustic Wall Panels
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            are high specification acoustic panel systems. These are the most popular aesthetic sound absorbing panels. They are durable, fire rated, visually pleasing and offer excellent acoustic performance. They are the decorative solution to your sound control needs. The panels are used extensively to transform areas such as multi-purpose halls, open-plan offices, conference suites, studios and interview rooms into softer, quieter and workable environments.
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           Panels are finished in high quality acoustic fabrics and are available in a wide range of colours. Are easy to install, without the need of specialist tools and can be installed without any additional edging trims, as the fabric is fully wrapped on all 4 edges. 
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           Specification
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           Panel thickness: 25mm or 40mm
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           Available in multiple colour options
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           For other shapes please contact us
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           Wall surfaces must be flat and level
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           Sound Absorption Summary
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          To conclude, areas of space with hard surfaces allow noise to reverberate, amplify and echo. Consider your space and the purpose of the space and use 'Class A' Sound Absorption solutions to reduce this problem. Remember when considering your space, reduce the noise problem to the right level rather than killing it completely. After all, we all like some ambient background sound in certain locations such as restaurants and bars.
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    &lt;!--StartFragment--&gt;              If you have enjoyed this blog, please have a look at our wall blog -
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            How to soundproof a wall against noisy neighbours
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          .
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         Need Help?
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           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+Absorption+restaurant.jpg" length="23130" type="image/jpeg" />
      <pubDate>Sat, 12 Nov 2022 10:56:21 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/sound-absorption1</guid>
      <g-custom:tags type="string">ceiling,rafts,internal walls,absorption,panels,sound,echo,soundabsorption,baffles,sound absorption,,of,reduction,hanging</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+Absorption+restaurant.jpg">
        <media:description>thumbnail</media:description>
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        <media:description>main image</media:description>
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    </item>
    <item>
      <title>What is flanking noise?</title>
      <link>https://www.soundproofingstore.co.uk/what-is-flanking-noise</link>
      <description>Flanking sound occurs when sound waves find paths of least resistance. Often travelling through, around, or over structures. Learn more about why flanking sound occurs and the best way to treat it.</description>
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           What is flanking noise and how best to stop it?
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           What is flanking sound?
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           Flanking sound, or flanking noise typically refers to the sound that travels around or bypasses a barrier, such as a wall, floor or ceiling. In the context of acoustics and sound transmission, flanking sound occurs when sound waves find paths of least resistance. Often travelling through, around, or over structures. This can lead to sound leakage or transmission through indirect routes, even if the main barrier itself is designed to be soundproof.
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           For example, if you have a soundproof wall between two rooms, flanking sound could occur if sound waves travel through gaps around windows, doors, vents, or other structural elements attached to the wall.
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           Why does flanking sound occur?
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           Flanking noise happens because sound waves can travel through solid materials and structures. When sound encounters an obstacle like a wall, it can continue to be transmitted through the wall itself. In the case of flanking noise, sound waves find a path of least resistance (a sort cut), leading them to travel around or through building elements that are not well-sealed or insulated.
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           Factors that contribute to flanking noise include:
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           Structural Weak Points:
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            If there are gaps, cracks, or poorly sealed joints in walls, floors, or ceilings, then sound can find its way through these openings
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            Flanking walls, floors and ceilings:
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           Vibrations from one area can transmit sound to another through shared structural elements, like studs or beams, creating a flanking noise effect
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           Airborne Sound:
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            Airborne sound waves can enter one space, travel through gaps or openings, and then re-emerge as flanking noise in another space
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           Impact Noise:
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            Footsteps or other impact sounds can generate vibrations that travel through floors and walls. For example, impact noise from footsteps above can produce flanking noise in adjacent areas, such as the walls
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           Voids:
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            Areas such as wall cavities, raised floors and suspended ceilings which create a space for sound to be amplified in creating 'the drum effect'
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           Suspended Ceilings:
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            Are commonly used in commercial buildings and office spaces as well as residential properties. The space created between the original ceiling and secondary ceiling can act as a void
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            for sound to amplify and echo within
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           Ducts and Pipework:
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            When sound travels along pipes and through the buildings structure, this can create a path for noise to enter adjacent spaces
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            Dot and Dab Plasterboard:
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           Creates small gaps behind the plasterboard and the wall which can contribute to flanking noise
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           Chimney Flues:
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           Sound can be transmitted through or around the chimney structure from one area to another. Chimney flues are designed to vent gases and smoke from fireplaces, stoves, or heating appliances safely out of a building. However, they can sometimes transmit sound to different parts of the building
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           Doors:
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            If the wall is well soundproofed then the door will be the weakest point (especially the gaps around the door if it is not airtight)
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            Ceiling holes for lighting:
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           Spotlights and downlights require big holes to be cut out of the ceiling which sound can pass through
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           How to stop flanking
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           noise
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           Stopping or reducing flanking noise involves identifying and addressing the paths through which sound waves can bypass or travel around. Here are some steps you can take to minimise flanking noise:
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             Seal any obvious small gaps and openings. Inspect the area for potential gaps around doors, windows, electrical outlets, and any other openings. Use acoustic door seals and
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      &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
        
            acoustic sealant
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            to close these gaps and prevent sound from leaking through
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             When soundproofing a wall, also use acoustic mineral wool in voids between joists in the floor along the party wall up to about 150cm in from the offending wall
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             Adding
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            Acoustic Mineral Wool
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             also helps to stop sound from travelling round and amplifying in wall, floor and ceiling cavities
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             Decouple Structures: Decoupling involves creating an air gap to prevent vibrations and sound from easily travelling through structural connections. This can be achieved by using tried and tested isolation solutions such as the
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            ReductoClip System
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             for floors and ceilings
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             Address floor and ceiling flanking by using acoustic
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            SoundMats
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             directly to the floor, or resilient
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            ReductoClips
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            to the timber joists of ceilings to isolate these surfaces and minimise the transmission of any flanking sound
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            Sound can travel through ventilation systems. Use acoustic ducting and consider adding baffles or dampening materials within ducts to reduce noise transmission
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            Double glazing for windows: If windows are a source of flanking noise, consider using double glazing (two layers of glass with an air gap in between) to improve sound insulation
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             Choose solid doors: Opt for solid core doors instead of hollow doors, as they offer better sound insulation due to having more mass and use
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      &lt;a href="https://soundproofingstore.uk/product/acoustic-drop-down-door-seal-37db/" target="_blank"&gt;&#xD;
        
            drop down door seals
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             Electric sockets: Can create holes in the wall and gaps for sound to pass through.
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      &lt;a href="https://soundproofingstore.uk/product/acoustic-socket-putty-pads/?_gl=1*1wwtz3r*_ga*OGI1YTdlZTYtZjEyMC00MWQ5LWJiZmItNWU0NjE4MTVjYWZi*_ga_C14W53N9Z3*MTY5MzM5NDI1Mi41Ni4xLjE2OTMzOTgwNDcuNDMuMC4w&amp;amp;_ga=2.113210116.1878173153.1693390599-8b5a7ee6-f120-41d9-bbfb-5e461815cafb" target="_blank"&gt;&#xD;
        
            Soundproof socket box inserts
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             such as
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            acoustic putty pads
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             can be used in this instance
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            Remove dot and dab plasterboard prior to installing soundproofing
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             Soundproof around the chimney breast (as well as the alcoves) if you can hear sound coming through the chimney breast. Learn more about
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      &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-chimney" target="_blank"&gt;&#xD;
        
            how to soundproof a chimney
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             For lighting, when
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            soundproofing a ceiling
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             the recommendation would be to use pendant lights or surface mounted lights
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           Insulating cavity spaces using acoustic mineral wool
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            If I soundproof my wall, will there still be flanking noise?
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           Every building and every structure is different and occasionally even though the sound appears to be coming through the party wall, occasionally it can also be heard through the connecting floor. This flanking noise can occur when timber floor joists run parallel to the treated wall and the cavity space within the joist space below the floorboards acts as a chamber for sound to resonate and amplify within.
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            An easy way to check this is to do a simple ear test and listen to the floor at different points in the room and about 1m from the party wall. If you can still hear some noise, then the best way to treat this is by adding
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           acoustic mineral wool
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            to the void below the floor boards, up to 1.5m into the room from the wall.
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            For any help and advice, or if you are unsure if flanking is an issue in your property, then the recommendation is to always speak to professionals who can provide tailored solutions based on your specific situation.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Flanking+image-39cf9b44.jpg" length="54704" type="image/jpeg" />
      <pubDate>Sun, 23 Oct 2022 10:30:53 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/what-is-flanking-noise</guid>
      <g-custom:tags type="string">flanking path,acoustic mineral wool,SoundMats,sound,sound transmission,vibration,Noisy Neighbours,impact noise,path,transmission,what is flanking noise,flanking,sound proof,FlexiSound,noise,Acoustic insulation,airborne noise,putty pads,Soundproofing,ReductoClip,indirect path,soundproofing</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Flanking+image-39cf9b44.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Flanking+image-39cf9b44.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Changing from carpet to a wood floor in flats</title>
      <link>https://www.soundproofingstore.co.uk/changing-from-carpet-to-a-wood-floor-in-flats</link>
      <description>Acoustic solutions to achieve the same level of soundproofing when changing from carpet to wooden flooring within a leasehold property.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Changing from carpet to a wood floor in flats
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/floor+blog+pic.jpg" alt="Child playing with cars on wooden floor"/&gt;&#xD;
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           How to change from carpet to wooden flooring and achieve the same level of soundproofing
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            Hard floor finishes such as wood are an extremely popular choice for modern living. Benefits can include being easier to maintain and clean, the fact that wood looks good and is often a more practical and durable option for certain rooms within a property compared to other final floor finishes such as carpet. . 
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            If you hold a lease on a flat or apartment it's not always as simple as changing from carpet to wooden flooring as this can increase noise levels and especially impact noise above travelling to the room below. In many instances permission is required to make changes, as the lease may have restricted covenants on floor coverings and freeholder consent may even be required.
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           In some multiple occupancy situations, (such as flats) there can even be a covenant banning the use of wood flooring within the property.
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           Leases with a licence to alter
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            Leases can vary enormously as to what is and isn't allowed when it comes to changing the final floor finish. In some cases some leases require a licence to alter and the freeholder or agent needs to be advised about the flooring type being changed from and to e.g. from carpet to wood, along with stipulating the type and thickness of the proposed acoustic insulation.
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           Within each lease it should state what improvements are permitted and what a licence to alter is needed for. The types of improvements a licence to alter may be required for include alterations such as; changing heating systems, moving or adding internal walls and the focus of this article - changing the flooring type, especially from carpet to a hard floor.
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           Acoustic solutions for wooden floors
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            So what happens if the lease does stipulate that if changes to the flooring from carpet to a hard floor finish are to take place then some level of acoustic insulation or soundproofing also needs to be applied? If you are planning to remove carpet and replace it with a hard floor finish, such as wood, the noise your neighbours will be able to hear below will be increased. This is why it's important to add some kind of acoustic insulation or soundproofing to the floor prior to laying the final floor finish.
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            How far you need to go with regards to the acoustic insulation can often depend on the regulations within the lease. It can range from stipulating the use of:
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           'suitable materials for avoiding transmission of noise, instead of carpets'
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            to needing to comply with
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           Part E Building Regulations
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           . We will go into more details on how each of these are achieved.
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           Why soft floor finishes are better than hard floor finishes for reducing impact vibration
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            The reasons restrictions exist in changes from carpet to hard floor finishes is that the noise heard below you by your neighbours will be increased. This is regardless of the soundproofing or acoustic insulation used. EVERY solution will always be compromised by adding a hard floor finish on top.
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            A recent article in
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    &lt;a href="https://www.thisismoney.co.uk/money/mortgageshome/article-11046929/Our-neighbour-upstairs-removed-carpets-breaching-lease.html?fbclid=IwAR0MntL6bbyCSjH6c4w1wchzlDT4CdVsbg6cNbIleDyTdu4JfgANZE4XLDU" target="_blank"&gt;&#xD;
      
           This is Money
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            highlights the legalities regarding a neighbour removing their carpets and the increase in the noise heard below.
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  &lt;p&gt;&#xD;
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            The increase in noise happens because hard floor finishes will increase the impact noise heard below compared to using a soft finish such as carpet, (which helps to absorb the footfall energy at the source). Once a vibration energy gets into a solid structure it will travel and spread through the structure very easily so is therefore harder to control and reduce. Essentially, the harder the floor finish, the more vibration energy is put into the structure.
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  &lt;p&gt;&#xD;
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            A very public court case came to press when a family living in a luxury London flat were ordered to pay their neighbour below more than £100,000 in damages due to the noise of their young family playing on new wooden floors. The judge ruled that they "did not provide good enough insulation against sound transmission".
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    &lt;a href="https://www.mirror.co.uk/news/uk-news/parents-must-pay-neighbour-100k-13765057?fbclid=IwAR1wuCOZFUGzFncMjkABjs8Igl5fw8X8NpEmISDsmWOFiTa2LveKDtvwpMo" target="_blank"&gt;&#xD;
      
           Read more
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Soundproofing options for wooden final floor finishes
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  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            If you don't need to meet Part E building regulations, but do need to make an effort to reduce footfall noise from above when changing from carpet to wood, our advice would be to go for a a thin and effective soundproofing solution such as the
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    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           ProSound™ SoundMat 3 Plus
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            (15mm thick), or the
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    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           ProSound™ Reverso SoundMat
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (18mm thick).
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Both of these acoustic floor solutions help to reduce impact and airborne noise without excessively raising the height of the floor. The Reverso SoundMat can be installed hard side up and most final hard floor finishes can be laid directly on top (a stabilising board or levelling screed may be required for certain LVT, vinyl's and tiles). With the SoundMat 3 Plus, a 6mm over boarding layer is needed prior to laying a hard final floor finish. The performance and comparison of both acoustic solutions can be found below:
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&lt;div data-rss-type="text"&gt;&#xD;
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           Reverso SoundMat and SoundMat 3 Plus - acoustic solutions for floors
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Learn more about the SoundMat™ 3 Plus
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Easy DIY Installation of SoundMat™ 3 Plus
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           Learn more about the Reverso SoundMat™
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Easy DIY installation of Reverso SoundMat™
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&lt;div data-rss-type="text"&gt;&#xD;
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           How to meet Part E Building Regulations when changing from carpet to wooden floors
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            In some instances the lease may stipulate the meeting of Part E Building Regulations (less than 64dB for impact performance and higher than 43dB for airborne performance).
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           It is important to highlight that this isn't achievable with any single flooring soundproofing solution simply being added directly to the floor.
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            It isn't the single product that achieves the
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    &lt;a href="/how-to-pass-part-e-building-regulations"&gt;&#xD;
      
           Part E Building Regulations
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      &lt;span&gt;&#xD;
        
            , it is the construction of the building. Therefore, to pass Part E, it isn't just the floor, but also the ceiling and the performance of both of them combined which enables the pass. The addition of a thin, direct to floor soundproofing solutions adds to the performance of the structure and other additions will also be needed.
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  &lt;p&gt;&#xD;
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            The SoundMat 3 Plus does pass building regulations when applied to a timber joist floor, however - this is also dependent on adding
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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            between the floor joists and resilient bars and two layers of
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
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            on the ceiling below. Exactly the same build up also applies to the Reverso SoundMat when passing Part E Building Regulations.
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           To pass Part E Building Regulations:
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  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Add soundproofing to the floor to reduce impact noise at the source. Use SoundMat 3 Plus or Reverso SoundMat
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Insulate between the joists with acoustic mineral wool (100mm 60kg)
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Add soundproofing to the ceiling below. Use a suspended 'de-coupled' ceiling system such as the
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
        
            ReductoClip Ceiling System
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      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Summary - achieving the same level of soundproofing when changing from carpet to hard flooring
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When needing to reduce footfall noise by adding acoustic insulation then the Reverso SoundMat and SoundMat 3 Plus will certainly do this. However, there is no magic solution to reduce impact noise with a hard floor finish when swapping from carpet.
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To achieve Part E Building regulations, again this can be achieved with the Reverso SoundMat or SoundMat 3 Plus. However, as highlighted, it requires the correct build-up for the floor and the ceiling below. It can't be achieved by one single product.
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/floor+blog+2.jpg" length="44630" type="image/jpeg" />
      <pubDate>Mon, 15 Aug 2022 15:25:15 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/changing-from-carpet-to-a-wood-floor-in-flats</guid>
      <g-custom:tags type="string">wooden floor,change of flooring,acoustic solution,Reverso SoundMat,SoundMat 3 Plus,acoustic insulation,impact noise,floor soundproofing,,leasehold,Part E Building Regulations,impact vibration,carpet,soundproofing</g-custom:tags>
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    <item>
      <title>Ceiling Soundproofing: Frequently Asked Questions</title>
      <link>https://www.soundproofingstore.co.uk/ceiling-soundproofing-frequently-asked-questions</link>
      <description>Answers to the most commonly asked questions when looking to soundproof a ceiling against noisy neighbours</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ceiling Soundproofing: Frequently Asked Questions
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  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Bedrom+ceiling+pic.jpg" alt="Soundproofed ceiling"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Often, in shared houses, or converted flats, the unwanted noise from neighbours above can be extremely common. A recent article in
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.dailymail.co.uk/money/mortgageshome/article-9667603/My-noisy-upstairs-neighbours-driving-mad-do.html?fbclid=IwAR365f9FixqIgZ7E9HPOZmUerfU4BzalsyEj2UaORjSxJiIFKEiP9HIkfAM" target="_blank"&gt;&#xD;
      
           The Mail Online
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            talks about what to do when living in a converted flat and being able to hear everything your neighbours do upstairs. Within this article, The Mail also called upon the expertise of
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    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for the best soundproofing advice and sound insulation solutions.
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Commonly asked questions and answers when soundproofing a ceiling
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Most Popular Ceiling Soundproofing Solution
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Soundproofing Store's most popular ceiling soundproofing solution is the ReductoClip Ceiling System. The thinnest clip system on the market. The total build up from the bottom of the timber joist to the final layer of plasterboard is an incredibly slim 60mm. The ReductoClip ceiling solution is the perfect sound insulation for reducing airborne and impact noise through ceilings. Suitable for noisy neighbours and in meeting Part E building regulations. This system is used in recording studios as well as domestic properties and the ReductoClips can also used on walls as an outstanding and high performing wall soundproofing solution.
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  &lt;/p&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a timber ceiling with the ReductoClip Ceiling Solution
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Bedrom+ceiling+pic.jpg" length="21445" type="image/jpeg" />
      <pubDate>Tue, 09 Aug 2022 15:19:06 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/ceiling-soundproofing-frequently-asked-questions</guid>
      <g-custom:tags type="string">concrete ceiling,acoustic mineral wool,tecsound,noisy neighbour,impact noise,ceiling soundproofing,timber ceiling,acoustic plasterboard,airborne noise,Acoustic insulation,how to soundproof a ceiling,Soundproofing,ReductoClip,ceiling soundproofing,</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Bedrom+ceiling+pic.jpg">
        <media:description>thumbnail</media:description>
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    </item>
    <item>
      <title>How To Soundproof A Door</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-door</link>
      <description>How to soundproof a door for domestic properties and professional music studios. Including some handy door hacks!</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How To Soundproof A Door
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing Doors for domestic and professional use
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/a68f33e0-17a2-494f-b7bc-0c7c3e981bab.jpg" alt="soundproofing doors" title=""/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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          When it comes to containing sound within a room or blocking unwanted sounds from getting into a room, doors are always a big problem! Whether you are trying to soundproof a room in a household because you don't want to listen to your teenagers playing their music... or if you are building a recording studio... there is no point in soundproofing the walls if all the sound can escape through the door.
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          So what are your options...
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          In this blog i'm going to talk you through a few different options from easy hacks to upgrade your existing door, which doors to buy if you want to upgrade, all the way up to professional studio acoustic doors.
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    &lt;br/&gt;&#xD;
    
          But first we have to look at a couple of basic principles that we need to address.
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    &lt;b&gt;&#xD;
      
           1. Airborne Sound Is Blocked By Mass
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          - Therefore the heavier and more dense a material is, the more sound it blocks. If your door is light weight and hollow, sound will travel through it very easily. A heavy, dense fire door for example will block much more sound.
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    &lt;br/&gt;&#xD;
    &lt;b&gt;&#xD;
      
           2.
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    &lt;b&gt;&#xD;
      
           Sound Can Travel Through Air Gaps
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          - If air can get through a gap, sound can travel through it. Soundproofing needs to be properly sealed to work, and so does your door. If there is a gap between the door and frame, or between the door and floor, sound will just leak out. By installing an acoustic or draught excluding seal to the door or frame, we can minimise this leak.
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    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
    
          So let's break this down into two categories.
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         1) Lower level noise - Domestic/Office
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--StartFragment--&gt;              This is for lower level sound in more domestic applications. For example trying to stop noise getting into your children's bedroom, minimising the noise between rooms in a shared house or student accommodation, or possibly even minimising sound leakage in offices or work spaces. You don't need to block huge decibel levels of sound, but just want to improve the level of soundproofing as much as you can on a budget.
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    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
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           Hollow Core Door vs Solid Core Door
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/5ec35391-471b-424b-948e-97f3d7afb009.jpg" title="" alt="Hollow core door"/&gt;&#xD;
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          Most internal doors are hollow. Mostly built with a wooden frame, a veneer on both sides, and either completely hollow inside or with a cardboard filling to help give the door more strength (as in the picture above).
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           Hollow doors are very light, therefore have very little mass to block sound. Sound will just pass through the door.
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          This leaves us with two options... Change the door to a more expensive, solid door... or ... Try to add more mass to the door you have.
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How To Soundproof Your Door Hack!
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  &lt;p&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            You can upgrade your current hollow door, by adding heavy, dense material to it. One perfect solution is
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . This is a thin 5mm visco-elastic rubber (mass loaded), which has the same density as lead! It is self adhesive on one side and can then be stuck onto the back of your door to add extra mass. We would also recommend adding some good quality draft exclusion material around the perimeter of the door to make it as airtight as possible
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            FlexiSound isn't exactly a good looking final finish, so we would advise to fix a thin layer of ply wood over the top, to give you a more natural wooden finish.
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        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            Let's also be realistic, this isn't suddenly going to block out high levels of sound! Its not going to be the same as a £2,000 acoustic studio door, but it will certainly improve the sound reduction for lower level noise in a household type environment.
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        &lt;br/&gt;&#xD;
        
             
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_blank" href="https://soundproofingstore.uk/product/flexisound-self-adhesive/?_gl=1*1lkw3gf*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIzNjEzNy4yLjEuMTcxOTI0MzM1MC4yOC4wLjA."&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/FlexiSound+5+product+image+square+white+background.jpg" alt="Tecsound SY100" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/?_gl=1*1lkw3gf*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIzNjEzNy4yLjEuMTcxOTI0MzM1MC4yOC4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Internal+Doors-2a5f2182.jpg" alt="Soundproof doors"/&gt;&#xD;
  &lt;/a&gt;&#xD;
  &lt;span&gt;&#xD;
  &lt;/span&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Door+Layers+2.jpg" alt="Side view of soundproof door" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Replacing Your Door
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Probably the easier option is to replace the hollow, light door with a solid core, thick, heavy door. Fire doors are a great option. Fire doors are rated by their burn time, a door rated FD30 or FD60 have a slow burn time and so they will have more mass to block sound. Fire doors are relatively easy to source, and aren't too expensive. You are looking in the region of £100 to £300 for a plain finish FD30 or FD60 door.
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/3c431192-06e2-4c7f-a33a-17d51b22defc.jpg" alt="Solid core fire door" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/86ac78dc-f295-4dd1-9401-1d054a3afe59.jpg" alt="Solid core door" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Seals for domestic level doors
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          As mentioned earlier, we want to minimise the amount of sound that can leak through the air gap around the door. No point in upgrading the door if the sound can still get around it! Cheap draught excluding style seals can be easily sourced and stuck onto the frame quickly and easily. Or a more expensive acoustic seal can be screwed onto the frame.
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/4d74c8ae-2c0d-42f0-a768-51dfede3eb5c.jpg" alt="Easy stick foam door seal" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/cff346ba-5fd0-465a-bf70-13efa2090805.jpg" alt="Installing acoustic door seal" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h2&gt;&#xD;
  
         2) High Decibel Sound / Music Room / Recording Studio / Home Cinema etc...
        &#xD;
&lt;/h2&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          This gets a little trickier and a little more expensive! The same principles apply, we need lots of mass to block sound and a seal to stop sound leakage. However for higher levels of sound we need LOTS of mass, and top quality seals!
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
    
          Like above, upgrading to heavy, solid core fire doors is one option, except for high decibel levels you should double up! Two FD60 solid core fire doors, back to back, one door opening in and the other opening out, with a gap in between will give you a very good result.
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/double+doors.png" alt="Soundproof doors double door system" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           More professional acoustic 'drop down' acoustic seals can sourced to really minimise leakage.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Acoustic drop down door seal
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_blank" href="https://soundproofingstore.uk/product/acoustic-drop-down-door-seal-37db/"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/door+seal+4.jpg" alt="Drop down door seal" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           An acoustic drop down door seal is activated once the door is closed and this means the door threshold remains clear without the need for a high fixed threshold. This high-performance seal provides an effective barrier against noise.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Below is a double stud wall with a double door example
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Double+Stud+with+double+door.jpg" alt="Double stud wall and door soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Professional Acoustic Doors
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The final option is to upgrade to custom built acoustic studio doors. These are hand made by experts, the door, frame and seals are built to your custom specifications and are built to fit perfectly with no gaps. Their are many variables on the doors including things like steel cores, acoustic glazing etc. These doors can perform up to around 55dB! These are great for professional studios with a big budget as you can easily pay £2-3k per door. Also, as they are custom built, you can also expect a long waiting time for them to be manufactured just for you.
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/soundproof-door-in-use.jpg" alt="professional soundproof door" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h2&gt;&#xD;
  
         Conclusion
        &#xD;
&lt;/h2&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           We hope this has been informative and hopefully given you some ideas of what you can achieve with your budget. The bad news is that doors are definitely a weakness that need to be addressed. However, the good news is that there are multiple options to suit different needs and budgets.
           &#xD;
      &lt;br/&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;b&gt;&#xD;
      
           ﻿Enjoyed this blog? Try our
           &#xD;
      &lt;a href="https://www.soundproofingstore.co.uk/soundproofing-a-garden-studio" target="_blank"&gt;&#xD;
        
            Garden Studio
           &#xD;
      &lt;/a&gt;&#xD;
      
            blog.
          &#xD;
    &lt;/b&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Need Help?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundproof-door-in-use.jpg" length="131363" type="image/jpeg" />
      <pubDate>Sat, 09 Jul 2022 13:56:20 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-door</guid>
      <g-custom:tags type="string">studio,door,music,FlexiSound,acoustic,noise,soundproofing</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundproof-door-in-use.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundproof-door-in-use.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to Soundproof awkward areas</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-against-awkward-areas</link>
      <description>A simple guide detailing how to soundproof awkward areas, such as chimney breasts, RSJs and columns, using the ReductoClip™ System</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof awkward areas
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof around awkward areas such as: Chimney Breasts, RSJs, Columns and Boxed in Piping, using the ReductoClip system
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-chimney" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/alcove.jpg" alt="Soundproofing a chimney"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When using the ReductoClip™ Wall System to soundproof around awkward areas, (such as RSJ's, chimney breasts, boxed in piping or electrics) it is important to leave a 5mm gap. This is because each soundproofed surface needs to be isolated from the next and not touching. This ensures that the ReductoClips are able to flex and absorb sound energy. If the finished system on the protruding surface was touching the system on the back wall, then this would mean a rigid build without any room for flexing. The 5mm layers are then filled with acoustic sealant once the remaining layers of the ReductoClip System have been installed, prior to the final layer of plasterboard being installed.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           For the front layer, this needs to stick out by 35mm, so that the final build up on either side makes for a flush finish.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Below are diagrams showing the spacings needed based on soundproofing a brick column using the ReductoClip System. This would be the same whether using the ReductoClip Independent or ReductoClip Direct to Wall System. The same principle also applies when soundproofing any two right angles.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How To Soundproof Around A Chimney Using The ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Overhead View:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Leave a 5mm gap between side layers and alcove layers
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Leave a 5mm gap between side layers and front layers
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Plasterboard and FlexiSound layers on the front should stick out 35mm from the front of the furring channel on the sides. Ensuring the front layer will end square with the front of the side layers
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing a chimney showing the first layer of the ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Jarred+Alcove+over+head+with+numbers+%28no+description%29.jpg" alt="ReductoClip System first layers on a chimney breast"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing a chimney showing final layers of the ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Jarred+Alcove+over+head+2+numbered+%28no+descrition%29-66a6c607.jpg" alt="Soundproofing a chimney with the ReductoClip System"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof a chimney using the ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Side view:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Showing the attachment of the ReductoClips and Furring Bars to a brick chimney.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+around+chimney+breast+3.jpg" alt="How to soundproof a chimney with ReductoClips and Furring Bars"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Notice the overhang of the first layer of plasterboard (circled in red). Once the additional layers of the ReductoClip System are added, this will then become flush with the overhang.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+around+chimney+breast+overhangs+highlighted+.jpg" alt="How to soundproof a chimney"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Fully Soundproofed brick chimney showing all layers of the ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The completed installation showing how the front layer ends square with the front of the side layers.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Jarred+Alcove+over+head+with+sealant+tag.jpg" alt="How to soundproof a chimney with the ReductoClip System"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Jarred+Alcove+over+head+4.jpg" length="176497" type="image/jpeg" />
      <pubDate>Fri, 10 Jun 2022 15:49:15 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-against-awkward-areas</guid>
      <g-custom:tags type="string">how to soundproof awkward areas,wall soundproofing,chimney breast,columns,noisy neighbours,RSJs,knowledge hub walls,boxed in electrics,boxed in piping,soundproof wall,FlexiSound,Soundproofing,ReductoClip,wall</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Jarred+Alcove+over+head+4.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/28aa4e38/dms3rep/multi/Jarred+Alcove+over+head+4.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to soundproof a chimney</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-chimney</link>
      <description>How to soundproof a chimney. The most effective soundproofing solutions and sound insulation, depending on the level of noise and type of fireplace.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof a chimney
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Chimney breast soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/logburner+chimney.jpg" alt="Log burner fire after soundproofing"/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When soundproofing the alcoves of a wall, in most cases the chimney breast doesn't need the same level of sound insulation. Effective soundproofing is all about adding mass, so to soundproof a wall, heavy and dense materials are added to the wall. Chimney breasts are normally constructed of a double layer of fire bricks which are far heavier and denser than standard bricks (normally) used in the alcoves. More often than not, there is also a small air gap behind and then the same double layer of fire bricks on your neighbours' side. This extra mass (more so than the rest of the wall) naturally makes the chimney more soundproof than the alcoves.
           &#xD;
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           Therefore, in nine out of ten cases, it is only the alcoves that require soundproofing.
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      &lt;br/&gt;&#xD;
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           However, there are exceptions, such as:
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  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
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            Your neighbour has removed the chimney breast on their side
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      &lt;span&gt;&#xD;
        
            The flue has eroded over time and sound is passing through from your neighbours (through small gaps in their flue into your flue) 
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The current chimney may not be an original construction and may have been added at some point in the build's history
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            The chimney may have been widened to accommodate a stove (involving removal of some of the fire bricks)
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  &lt;h2&gt;&#xD;
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           How to soundproof the alcoves of a chimney
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           To soundproof the alcoves of a chimney, there are 3 key areas to address:
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           1. Improve the mass of the wall. This is usually achieved by adding different high mass / density products.
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           2. Improve the ability of the wall to absorb sound energy and vibrations. Without this, the addition of any mass will have very little impact.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3. Use different materials of high mass, as different materials perform better for different sound frequencies. Therefore, using a combination of high mass materials will always perform better than simply using more of the same material.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Below are the three most popular wall soundproofing solutions when looking at effective sound insulation for chimney alcoves. Think about how much sound you want to reduce, i.e. how loud and what type of noise you are trying to block and how much space you can afford to lose. Generally, the higher performing the system, the more space it takes up.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
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           1. ReductoClip™ Independent Wall System (120mm)
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            The highest performing system for party walls which is used not only in households with excessive noise problems, but also in high decibel situations, such as recording studios and home cinemas. The ReductoClip Independent System is completely de-coupled from the offending alcove wall, making it extremely difficult for vibration energy to travel through. The system also adds a lot of extra mass to the alcove walls to reduce airborne sound.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This is the ideal sound insulation for walls and all noise problems, including excessive noises such as very loud music from noisy neighbours, shouting, babies crying and very loud TV noise and impact noises.
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-8b7e1aa3.jpg" alt="ReductoClip Independent Wall System "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof alcoves using the ReductoClip Independent Wall System
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2. ReductoClip™ Direct To Wall System (60mm)
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you don’t have 120mm of space and need a slimmer sound insulation system within your alcoves, then the same ReductoClip system as above can be used. This time installed directly onto the alcove walls, (without using the independent frame in front of the wall). This will reduce space loss within the alcoves to an incredibly slim 60mm, and still maintain a good reduction in both airborne and impact sound performance. Although a step down in performance from the full 120mm version, the system offers an excellent soundproofing compromise on space loss v’s performance.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+Build+Up+SQUARE+flexisound-fccd2280.jpg" alt="ReductoClip Direct to Wall System "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof alcoves using the ReductoClip Direct to Wall System
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           3. SoundBoard4™ (30mm)
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4
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            offers a good performance for standard household noise. This direct to existing wall system is very easy to install, taking up just 30mm of space. The different layers that make up SoundBoard4 work by adding mass to the wall and by improving the walls ability to absorb sound energy. The final layer is an acoustic grade plasterboard meaning after installation there is a plaster board finish ready to add a skim coat of plaster to and decorate.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Unlike the ReductoClip soundproofing solutions above, the SoundBoard 4 isn't suitable for impact noise, or bass sounds from music, TV's with speaker systems, deep voices or snoring.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This system is designed for people with space limitations and lower levels of airborne sound. For just 30mm of space loss, there is no better sound insulation system on the market. 
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  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-3fd1d647.jpg" alt="ProSound SoundBoard4"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof alcove walls using SoundBoard4
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&lt;h3&gt;&#xD;
  
         How to check if a chimney needs soundproofing?
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Top tip - if you are unsure if the chimney breast needs soundproofing, put your ear up against the alcove wall and do a simple ear test. Next time you hear noise next door, put your ear against the alcove wall and get a good sense of what you can hear. Then put your ear against the chimney breast and compare. In most cases you will find you don't actually hear the sound coming through. If however you can hear noise through the chimney breast, fear not, simply read on!
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&lt;h3&gt;&#xD;
  
         Why does a chimney need soundproofing?
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Every now and again, especially in older properties, weaknesses can form which allow the sound to get into the flu. This then acts like a chamber for the sound to resonate and amplify in (not dissimilar to shouting down a cardboard tube). Weaknesses can also occur if your neighbours' chimney is a mirror image of yours and their chimney has been removed. This means less mass blocking sound from their side travelling through to you. Weaknesses can also occur when old brickwork and render has become damaged over time, as soundproofing is much like waterproofing and any gaps act as a weakness for sound to travel through. 
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           If your chimney needs soundproofing and you have done the ear test and can hear noise coming through the chimney breast, then depending on the type of fire you have, there are different chimney sound insulation solutions.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing a chimney without a fire
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/fireplace+no+fire+.jpg" alt="Chimney breast without a fire"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If the fireplace exists, but with no fire, then you can soundproof the entire chimney breast. The chimney walls and also (if required) the inside of the chimney (fireplace) with the
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           ProSound™ SoundBoard4™
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundBoard4 offers a practical solution to soundproof the chimney, even if the ReductoClip system has been used for the alcove walls.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            In this instance, where there is no fire in situ, the recommendation would also be to fill the flu with
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           Acoustic Mineral Wool
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
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      &lt;span&gt;&#xD;
        
            Designed
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           to offer the highest level of sound absorption in cavity spaces within walls, floors and ceilings. Acoustic mineral wool will also effectively absorb airborne noise within chimney flues. 
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    &lt;span&gt;&#xD;
      
           Think back to shouting down an empty cardboard tube and then stuffing it with cotton wool, shouting again and noticing the considerable difference.
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&lt;h3&gt;&#xD;
  
         Soundproofing a chimney with a log burner
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&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/log+burner+and+chimney+breast.jpg" alt="Chimney with log burner fire before soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            As with the chimney above, the recommendation would be to soundproof the external chimney breast with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4
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    &lt;span&gt;&#xD;
      
           . The SoundBoard 4 can also be fitted behind the log burner, or stove and then importantly, a fire-retardant board must then be attached on top of the SoundBoard 4. The log burner would need to be removed to fit the SoundBoard4 and fire-retardant board behind the fire.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you can hear noise coming through the chimney and it's not possible to soundproof behind the log burner then potentially you will have a weak point where sound can still come through and you may not achieve the full level of soundproofing required.
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing a chimney with an open fire 
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/open+fire.jpg" alt="Open fire in soundproofed chimney breast"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In the case of an open fire, again soundproofing the entire chimney breast with
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard4
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      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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           is the most effective way of stopping the transference of noise from noisy neighbours through the chimney breast. Because it is an open fire, there is no option of attaching any soundproofing materials behind the fire, as can be done with the log burner. This is the same for gas fires, unless they are the design of the log burner/stove styles, whereby the above log burner example would also apply.
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing a chimney when the chimney has been removed on your neighbours side
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If the chimney on your neighbours side has been removed then it won't have the same amount of mass as a normal configuration of a chimney on both sides. Also, when a chimney breast is removed the original wall can be damaged. This will result in a lower than expected soundproofing performance for the chimney breast and we may have to recommend adding additional soundproofing to address this weak point.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/contact"&gt;&#xD;
      
           Contact us for more information
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Summary
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&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Following a simple ear test, in most cases the chimney breast does not require soundproofing. However, on the odd occasion it does, then the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-soundboard-4/" target="_blank"&gt;&#xD;
      
           SoundBoard4
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           would be the most practical solution.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            For further insight on how to soundproof walls, have a look at our
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    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours" target="_blank"&gt;&#xD;
      
           noisy neighbour
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            blog. 
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an expert 
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    &lt;span&gt;&#xD;
      
           overnight
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , that’s what we’re here for."
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/chimney+with+alcoves+pic.jpg" length="17420" type="image/jpeg" />
      <pubDate>Fri, 22 Apr 2022 14:24:26 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-chimney</guid>
      <g-custom:tags type="string">chimney,alcoves,wool,logburner,sound,fireplace,soundboard4,soundproof,reductoclip,airborne,noise,fire,mineral,soundproofing,a,wall soundproofing,impact,acoustic,neighbours,noisy,insulation,knowledge hub walls,How,to,wall</g-custom:tags>
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        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/chimney+with+alcoves+pic.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>9 ways to soundproof an existing internal wall</title>
      <link>https://www.soundproofingstore.co.uk/9-ways-to-soundproof-an-existing-internal-wall</link>
      <description>9 ways to effectively soundproof an existing wall. 1. Add mass  2. Decouple from the existing wall. Learn more about the other key points when soundproofing an existing wall.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           9 ways to soundproof an existing internal wall
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    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Cross+section+noisy+neighbours+2.jpg" alt="Noisy Neighbours"/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The best way to soundproof an existing wall is to:
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Add mass to the existing structure to block airborne sound
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Add different types of mass. Simply adding more of the same won't double the performance
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Decouple the soundproofing from the existing wall
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Build a stud or metal frame in front of the existing wall
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
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             Add insulation to stud walls
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        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Don't use acoustic panels designed for sound absorption
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      &lt;span&gt;&#xD;
        
            Install the soundproofing correctly, without any gaps or holes
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Choose the correct system for the level and type of noise needing to be blocked
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Use a proven and tested soundproofing solution like the
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/reducto-clip-system"&gt;&#xD;
        
            ProSound™ ReductoClip™
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing a wall is like baking a cake
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/bowl+of+flour.jpg" alt="Bowl of flower"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Think of soundproofing an existing wall like making a cake.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To bake the perfect cake you need lots of different ingredients. Once you have the ingredients it's important to add the right amount of ingredient in the correct order. A bowl of flour on its own, regardless of how much you use, will only ever be a bowl of flour, it will never be a cake. Key soundproofing materials like FlexiSound, acoustic plasterboard, mass loaded vinyl, are all brilliant ingredients, but they need to be used in the right combination in the right quantities to become an effective soundproofing solution. The Soundproofing Store have created the perfect soundproofing solutions (like the perfect ready made recipe), simply follow the instructions of our tried and tested systems and voila!
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            1. Add mass to existing internal walls
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    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/second+layer+of+acoustic+plasterboard+.jpg" alt="Acoustic Plasterboard"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            If your existing wall is a brick party wall between you and your neighbour or a stud wall within your own home one of the key elements of soundproofing is to add mass to the wall. Adding mass is key to blocking airborne noise such as voices, and TV noise. This is why the majority of acoustic soundproofing panels are made from
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            rather than standard plasterboard. Acoustic plasterboard has a higher density core than standard plasterboard and therefore adds more mass to a wall which makes it harder for sound to travel through. Adding mass to an existing wall works particularly well for higher frequencies. However, lower bass frequencies will need to be blocked by more than just mass. Using acoustic plasterboard rather than standard plasterboard will help increase the mass of the wall, but isn't a soundproofing solution in itself. Think back to the cake analogy - there are some other key ingredients which also need to be added.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Learn more about why simply adding acoustic plasterboard to an existing wall is not the most effective way to soundproof a wall:
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            2. Add different types of mass to soundproof an existing wall
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When adding mass to an existing wall to block airborne noise, to further improve the results it is more effective to add different types of mass., rather than just more of the same. There are diminishing returns for each additional layer of simply adding more of the same material.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This is because different materials block different types of sound waves. Heavy materials which are good at blocking noise include; mass loaded vinyl, acoustic plasterboard and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3. Decouple soundproofing from the existing internal wall
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    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/tin+ca+experiment.jpg" alt="Tin cans and string experiment "/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The best way to stop sound vibrations from passing through an existing wall is to decouple any soundproofing from the original structure, as sound vibrations travel more easily through two surfaces that touch.
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    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Did you ever do the experiment at school with two baked bean cans and a piece of string which acts like a very basic telephone? Sound waves travel through the string and the vibrations from the first can continue down the string producing sound waves meaning the second person can hear what the first person is saying. If the string is cut, there is nowhere for the sound to travel from one can to another, basically the pathway for the sound waves has been decoupled and the vibrations are stopped.
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      &lt;/span&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In soundproofing decoupling from the existing wall can be done with the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           ReductoClip and furring bar system
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . More details below..
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           4. Build a stud or metal frame in front of the existing wall
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/main+Reducto+Clip+SQU.jpg" alt="ReductoClip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           We know it's important to decouple soundproofing from the existing wall, as this helps to eliminate impact noises and reduce airborne noise. So, how is this done and what is the most effective way of doing it?
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            There are various clip and bar soundproofing solutions on the market and our recommendation would be to use the market leading
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           .
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The ReductoClip System can be applied directly to an existing brick wall, or to further enhance the performance, attached to an independent stud frame, which is built a minimum of 10mm in front of the existing wall. The stud frame attaches to the ceiling, floor and side walls, but doesn't touch the offending wall (the one needing to be soundproofed).
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This increases the performance of the soundproofing as it provides an air gap between the offending wall and the soundproofing which makes it harder for the sound to pass through.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClips and furring bars are then attached to the stud frame, which further isolates the soundproofing from the existing wall. This is the highest level of soundproofing and this independent system is also used in music studios and to block excessive levels of noise in domestic homes. 
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            works by isolating existing walls which reduces the transference of sound vibration energy:
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A timber stud frame is built a minimum of 10mm in front of the existing wall
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="/reducto-clip-system"&gt;&#xD;
        
            ReductoClips
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             and furring bars are attached to the stud frame which decouple the layers of soundproofing
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        
            Acoustic mineral wool
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             is added in between the stud frame battens which absorbs airborne sound in the cavity between the soundproofing and the existing wall
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        
            Acoustic plasterboard
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             is attached to the furing bars, which is 50% denser than standard plasterboard and adds much more mass to the existing wall
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             A layer of
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
        
            FlexiSound
           &#xD;
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      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             is added to the acoustic plasterboard, which again adds a huge amount of mass
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             A second layer of acoustic plasterboard is added sandwiching the FlexiSound in between
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Back to the cake analogy, above is the correct ingredients, added in the correct order, to achieve the highest levels of soundproofing on an existing wall.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Learn more about the ReductoClip System v's other clip systems
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Installing the ReductoClip Independent Wall System
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    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           5. Add insulation when soundproofing a stud wall
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Stud+Build+Up+SQUARE-31b51b10.jpg" alt="SoundBoard 4 on a stud wall"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If the existing wall you are wanting to soundproof is a stud wall, rather than a solid brick wall, then it is important to firstly insulate the cavity. The recommendation would be to remove the plasterboard on one side of the existing wall and fill the exposed frame with acoustic mineral wool, this absorbs any sound which gets inside and stops the sound from resonating and amplifying in the void.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Plasterboard is then added back onto the wall. The next stage follows the same principle as when soundproofing a solid existing wall, which is to add mass and different types of mass. The Soundproofing Store have an award winning direct to wall acoustic solution called the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , which adds a great deal of mass to block airborne sound, whilst the closed cell foam within the acoustic board also helps to absorb vibrations.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundBoard 4 is only 30mm thick and is attached directly to the existing wall. The soundproofing panel is made up of 4 layers (4 ingredients, of the correct quantities, in the correct order):
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            15mm Acoustic Plasterboard
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3mm Mass Loaded Vinyl
           &#xD;
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    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            9mm Closed Cell Foam
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    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             3mm Mass Loaded Vinyl
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Why acoustic mineral wool is used in soundproofing
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           The 3 best ways to soundproof a stud wall
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof an existing internal stud wall
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           6. Soundproofing an internal wall with acoustic panels
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           There can often be a crossover in terminology when looking at soundproofing and sound absorption. Often acoustic panels are a sound absorption product, but sometimes come under the overall heading of soundproofing.
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Most commonly
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/acoustic-wall-panels"&gt;&#xD;
      
           acoustic panels
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            are used in sound absorption. Sound absorption uses acoustic wall and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/ProSound-Acoustic-Ceiling-Rafts"&gt;&#xD;
      
           ceiling panels
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to absorb sound energy to reduce echo and reverberation within a room
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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           Soundproofing is different to sound absorption because soundproofing is designed to stop sound energy from travelling through one structure into another. Soundproofing can block sound from entering a room and at the same time block it from leaving a room.
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           If you are experiencing echo and noise in a communal area such as an office, school, village hall or restaurant, then to help with the echo and levels of noise within the room you would be looking at sound absorption.
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           If, however you have the unwanted noise from noisy neighbours through a party wall, floor or ceiling and you want to block that unwanted noise, then you would be looking at soundproofing.  
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           The difference between soundproofing and sound absorption
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            7. Install soundproofing correctly 
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            The beauty of the soundproofing solutions available at The Soundproofing Store is that they can all be installed by a competent DIYer. Over 80% of customers install soundproofing to an existing wall themselves. Detailed videos and installation guides are readily available and our technical team are on hand to answer any questions. For customers who don't feel confident installing soundproofing themselves, then it is very easy to ask a recommended local trades person, who will have no difficulty in installing the acoustic solutions.
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           Installing soundproofing isn't a trained skill, so anyone with experience of fitting plasterboard will find installing soundproofing solutions relatively easy.
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           When installing soundproofing it is important to think of it like waterproofing. Any weaknesses in the installation, or gaps will allow sound to leak out.
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            8. Choose the correct solution for your noise issue
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            There are different soundproofing solutions depending on the type of noise and level of noise you are trying to block. Sometimes there can be other considerations, such as how much space you have to lose. For example, the
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           ReductoClip Independent System
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            takes up 120mm and is the highest performing system. This is the equivalent of a soft drinks can laid on its side. There are occasions when this system simply isn't viable and a slimmer system is required. In this instance the
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           ReductoClip Direct to wall solution
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            can be used. The same as the ReductoClip Independent System, but without the stud frame, ReductoClips are attached directly to the wall, which still delivers a high level of soundproofing, but not as high performing as the independent system. Space loss is only 60mm and for performance v's space loss then this is an excellent solution.
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            There are many direct to existing wall solutions, including the
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           SoundBoard 4
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            , which is only 30mm thick. These acoustic boards are great on stud walls, where there is already little mass and the wall is naturally performing badly at blocking sound. Adding the SoundBoard 4 will give a good improvement against airborne noise. Direct to wall boards are effective at blocking higher frequency airborne sounds, however, because they don't decouple from the original structure like the ReductoClips do, then the direct to wall boards panels should not be used in instances where impact vibrations, or loud levels of noise need to be blocked. Impact vibrations include not only loud music and bass tones, but also the likes of snoring, or deep voices. If there is any doubt as to whether the system you are considering will perform to your expectations and block the unwanted noise you are experiencing, then it is always best to speak to an expert.
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            Acoustic soundproofing panels overview
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            The below video highlights the features of the
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           SoundBoard 4
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            direct to existing wall soundproofing panel. It also highlights the instances it shouldn't be used in. Such as blocking impact vibrations, loud noise and low bass frequencies. If these are the types of noises being heard through an existing wall, then a higher performing solution such as the
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           ReductoClip System
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            will be required.
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            9. Use a proven and tested soundproofing solution
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           Cheap alternatives exist under the 'soundproofing' umbrella. We speak to many customers who have purchased an inferior solution elsewhere, or installed a solution which isn't designed to block the level of sound they are needing to block. Our advice would be to do it once and do it right. Using cheaper alternatives, making up your own system, or only using part of a system usually ends up with customers having to spend more in the long run. The cake analogy comes back to play here, you need the right and different types of soundproofing materials, the correct quantity of materials, in the right order and installed in the right way. 
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            if there is any doubt as to which soundproofing solution should be used for your individual noise issue when soundproofing an existing wall, then our recommendation would be to always speak to an expert. 
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Cross+section+noisy+neighbours+2.jpg" length="27288" type="image/jpeg" />
      <pubDate>Wed, 13 Apr 2022 08:25:27 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/9-ways-to-soundproof-an-existing-internal-wall</guid>
      <g-custom:tags type="string">SoundBoard4,internal walls,stud wall,noisy neighbours,add mass,soundproof an existing wall,decouple,structure,acoustic panels,9 ways,How to;,acoustic plasterboard,Acoustic insulation,sound absorption,FlexiSound,,soundproofing walls,stud frame,Soundproofing,ReductoClip</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Cross+section+noisy+neighbours+2.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/28aa4e38/dms3rep/multi/Cross+section+noisy+neighbours+2.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Why just adding Acoustic Plasterboard directly to a wall is not an effective way to Soundproof a Wall</title>
      <link>https://www.soundproofingstore.co.uk/why-is-adding-plasterboard-to-plasterboard-not-an-effective-way-to-soundproof-a-wall</link>
      <description>Simply adding acoustic plasterboard to a existing wall will not work for soundproofing. Learn more about why this is the case</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Can I soundproof a wall by just adding Acoustic Plasterboard?
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  &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/15mm+Acoustic+plasterboard+squ.jpg" alt="Acoustic plasterboard"/&gt;&#xD;
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           We often receive customers calls asking us whether they can just add one or two layers of Acoustic Plasterboard to the wall between them and their neighbours for a good cheap wall soundproofing solution .
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            Unfortunately we probably receive 2 to 5 calls a week from customers whereby their builders have done exactly this and the reason they are contacting us is because
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           it has not worked
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           .
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           So why does this not work? After all it says Acoustic Plasterboard on the product so it must be good soundproofing. Right?
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           Unfortunately acoustic plasterboard is only part of a system and is not a solution in its own right.
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           When we soundproof a wall with any of our systems we always apply the three main principles of good soundproofing:
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             Improve the mass of the wall
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            - This is normally achieved by adding different high mass/density products
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            Use different high mass materials
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            . Different types of mass perform better for different sound frequencies, so using a combination of high mass materials will always perform better than simply using more of the same material
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            Improve the ability of the wall to absorb sound energy and vibrations
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             through dampening or decoupling. Without this, the addition of the mass will have very little impact
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            So, fixing a flat plasterboard to a flat existing wall is increasing the mass of the wall, however it will not stop the sound energy and the vibration that sound makes from travelling through (point three is not achieved). Noise can still pass through relativity easily (particularly the lower base frequencies).
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           Think about double glazing, two layers of glass with an air gap performs far higher than one piece of glass that is twice as thick.
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           Secondly, plasterboard is commonly fixed with dot and dab adhesive which can also reduce the walls performance, as it creates a small cavity where sound can resonate and amplify. see our blog on
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    &lt;a href="/why-is-dot-and-dab-plasterboard-bad-for-soundproofing"&gt;&#xD;
      
           Dot and Dab Plasterboard
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           .
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  &lt;h3&gt;&#xD;
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           Can't I just add more Acoustic Plasterboard to the Wall?
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           Unfortunately it is not as simple as simply adding more and more of the same type of mass material. Doing this will give you next to no benefit because of the law of diminishing returns, (i.e 2 + 2 does not equal 4 you will only achieve 2.5).
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  &lt;h3&gt;&#xD;
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           What is The Law of Diminishing Returns?
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           The Law of Diminishing Returns is a fundamental principle of Economics, the same theory can also be applied to Sound and Soundproofing.
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           If one type of material keeps getting added on top of each other (e.g. Plasterboard in this case), there comes a point where it will become less productive and therefore there will eventually be a decrease in the amount of noise that is blocked through a wall. Another way of putting it is that if the first layer of plasterboard blocks the frequencies that it is good at blocking,  this will leave next to nothing for the second layer to block and a third layer will have next to no benefit at all.
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            So to summarise - every time we add another layer of the same material, each layer gets less effective (Law of Diminishing Returns). This is because it’s letting through the same frequencies of sound that the first layer let through, and blocking the same frequencies of sound that the first layer blocked.
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           How do you avoid this?
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            An example of where you will see a build up utilising different materials with different properties and masses is with our
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    &lt;a href="https://www.soundproofingstore.co.uk/reducto-clip-system" target="_blank"&gt;&#xD;
      
           ReductoClip Systems
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            . Attached to the ReductoClips and Furring Bars we sandwich
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           FlexiSound 5
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            between the two 15mm Acoustic Grade Plasterboard layers. (FlexiSound is an excellent and cost effective alternative to Tecsound).
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           This mixes different mass layers that block different frequencies, working together to block a wider range of frequencies when used in conjunction. This build up also provides a plasterboard finish which can be decorated like a normal plasterboard wall.
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  &lt;a href="https://soundproofingstore.uk/product/tecsound-sy100/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Plasterboard+Tecsound+Plasterboard+VS+Two+Plasterboards-aaaee2f3.png" alt="Tecsound and acoustic plasterboard"/&gt;&#xD;
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  &lt;h3&gt;&#xD;
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           In Conclusion
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           To conclude, on the surface it may seem like just adding acoustic plasterboard to a wall will be a cheap alternative. However, in reality it actually makes very little difference to your soundproofing and adding a second layer on top is normally a waste of money.
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            You are much better off going with a tried and tested system for your wall like the
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
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           , that will give you real and noticeable results.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/15mm+Acoustic+plasterboard+squ.jpg" length="3234" type="image/jpeg" />
      <pubDate>Thu, 31 Mar 2022 15:38:26 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/why-is-adding-plasterboard-to-plasterboard-not-an-effective-way-to-soundproof-a-wall</guid>
      <g-custom:tags type="string">acoustic platerboard;,soundproof;,wall soundproofing,mass;,neighbour,diminishing;,noisy;,knowledge hub walls,walls,soundproofing;,TecSound;,FlexiSound,sound energy,returns,ReductoClip,wall,vibrations</g-custom:tags>
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    <item>
      <title>The importance of a flat, even floor prior to soundproofing</title>
      <link>https://www.soundproofingstore.co.uk/the-importance-of-a-flat-even-floor-prior-to-soundproofing</link>
      <description>Why a flat and level base floor is important (especially for hard final floor finishes). How to achieve this and what happens if you don't.</description>
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           The importance of a flat, even subfloor prior to soundproofing
          
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            When soundproofing a floor to help block the unwanted noise of impact and airborne noise above travelling to the room below, or in blocking airborne noise in the room below travelling to the room above there are a number of options. These acoustic options depend on the level and type of noise needing to be blocked.
           
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           The Soundproofing Store
          
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            offers flooring solutions such as
           
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           The SoundMat 2 Plus
          
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            ,
           
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           SoundMat 3 Plus
          
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            and
           
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           Reverso SoundMat
          
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           . The benefit of these noise insulation solutions for floors is in not only in their performance, but also in the incredibly easy installation and versatility to be used alongside any final floor finish.
          
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            An overview of SoundMat acoustic flooring solutions
           
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           Why the base floor should be flat and level
          
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           Prior to laying any SoundMats it is important that the base or subfloor is smooth, flat and level. Any irregularities with subfloors usually fall into two categories - general sloping that affects the entire floor and irregularities that interrupt the floor without affecting how level it is overall. There are several ways a DIYer can fix minor irregularities, whilst larger sloping issues might require a professional.
          
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           Before laying any soundproofing, it is important to:
          
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            Replace any damaged floorboards
           
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            Make sure to fill any gaps in the subfloor with acoustic sealant
           
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            Ensure the subfloor is flat to provide a stable base for the acoustic flooring to be laid
           
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           It might be tempting to think that laying soundproofing will magically rectify an uneven and damaged subfloor. Afterall, the final floor finish will be installed on top of the soundproofing right? Wrong! It is vitally important that the subfloor is level and flat. If the subfloor is uneven with any dips and rises, then there are a number of issues which can potentially arise:
          
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            Potential failing of the final floor finish. Especially with the likes of ceramic tiles, which will probably see cracking in the grout or even broken tiles
           
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            The final floor won't sit flat and any raised edges can be unsightly and also be a potential tripping hazard
           
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           Tips on how to ensure a flat and even subfloor
          
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            It's worth pointing out that a flat and even subfloor is an important requirement prior to laying any kind of hard floor final finish, such as tiles, wood and laminate, regardless of whether you are installing any soundproofing.
           
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           Tips to level a subfloor:
          
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            Install a thick layer of tongue and groove over the top of the subfloor to make it more stable and then install the soundproofing
           
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             Use a shallow self levelling screed. A plyboard or waterproof membrane is added on top of the subfloor and a wet screed is added. Due to it being a liquid, it levels into a flat even surface. A benefit of this is that is also adds more mass to the subfloor further helping to block airborne noise, whilst also sealing any gaps and resulting in a level subfloor. This is an ideal solution to be used on timber floors and is en effective solution as it achieves a great result with minimum height loss. Again any soundproofing, such as the SoundMats are then added on top of the dry screed.
            
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           Do carpets need an even subfloor?
          
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            In a perfect world, the recommendation would always be to have a flat and even subfloor. As mentioned, this is vitally important for hard final floor finishes. However, when it comes to carpet, it is less of an issue as SoundMats act as a luxury carpet underlay and the carpet will follow any minor undulations without cracking, or breaking.
           
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           What about an even base on top of the soundproofing
          
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           What happens if the subfloor has been made flat and level, floor soundproofing has been installed and you are ready to install the final floor finish? Carpets can be installed directly on top of the SoundMats, as they act like a luxury carper underlay, but what happens if you are installing a hard floor final finish., such as engineered wood, laminate, vinyl or tiles?
          
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           Below are examples of acoustic floor solutions which offer a different performance depending on the type and level of noise needing to be soundproofed. Let's find out which of them require overboarding?
          
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             The most popular solution for loud levels of airborne noise and loud levels of impact noise for carpet final finishes would be the SoundMat 3 Plus.
            
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            For loud levels of airborne and loud levels of impact noise with a hard final floor finish it would be the Reverso SoundMat. This is because when installed hard side up, the Reverso SoundMat does not require any form of over boarding prior to laying most hard floor finishes. (Neither does SoundScreed 28, which is a perfect solution when airborne noise is an issue but not impact noise).
           
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             For SoundMat 2 Plus, SoundMat 3 Plus and ImpactoMat a 6mm over boarding layer needs to be installed on top of the soundproofing prior to laying a hard floor final finish.
            
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           Popular and proven floor soundproofing solutions
          
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            Soundproofing and over boarding  
           
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           As a rule of thumb, if you have laid soundproofing and the top of the soundproofing is playable (such as mass loaded vinyl) then you will need a stabilising / overboarding layer prior to installing hard floor finishes. If this doesn't happen, then it can create problems such as:
          
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            An unstable base when walking
           
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            Movement in the final floor finish
           
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            Warping and cracking of the final hard floor finish
           
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Warped+overboard+problem.jpg" alt="Warped over boarding on top of soundproofing"/&gt;&#xD;
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           Final checklist
          
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            Always ensure a flat, even subfloor prior to laying soundproofing. Especially important for hard floor final finishes
           
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            Choose the most suitable acoustic insulation depending on the level and type of noise you are trying to block, and be mindful of the final floor finish
           
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            Check if the soundproofing requires an overboarding layer (important for all hard final floor finishes) prior to laying the final finish
           
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            If you have any questions at all, the best advice is to 'do it once and do it right'' and speak to an expert.
           
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/floor+boards+image+2.jpg" length="5764" type="image/jpeg" />
      <pubDate>Thu, 17 Mar 2022 12:49:50 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/the-importance-of-a-flat-even-floor-prior-to-soundproofing</guid>
      <g-custom:tags type="string">carpets,noise;,laminate,level,subfloor,impact,acoustic,Reverso SoundMat,neighbours,Knowlede hub floors,SoundMat;,floor soundproofing,insulation,noisy;,tiles,floors,airborne,DIY,flat,final,finish,wood,floor;,soundproofing</g-custom:tags>
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    </item>
    <item>
      <title>How to pass Part E1 Building Regulations</title>
      <link>https://www.soundproofingstore.co.uk/how-to-pass-part-e-building-regulations</link>
      <description>A comprehensive guide to passing Part E building regulations, featuring effective soundproofing solutions for walls, floors, and ceilings.</description>
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           How to pass Part E1 building regulations
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           What are Soundproofing Building Regulations Part E1?
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  &lt;a href="/part-e-building-regulation"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/diagnosing-noise-problems.jpg" alt="Cross section of a house before soundproofing"/&gt;&#xD;
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           Anyone who has experienced noisy neighbours and the associated stress which can come hand in hand with unwanted noise within their own home, will appreciate the importance of Part E in its aim to reduce noise transmission between neighbouring homes as well as between internal spaces. This article will highlight the most effective soundproofing solutions for walls, floors and ceilings which all pass soundproofing building regulations Part E. 
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           The building regulations Approved Document E, Resistance to the passage of sound (England and Wales only) sets out the soundproofing standards for new homes and those undergoing refurbishment or conversion from a different use. Applicable to all dwellings, attached houses, flats and rooms for residential use, along with also looking at the passage of sound within common areas such as flats and schools.
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           The Regulations also divide sound into airborne sound and impact sound:
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           The aim of the regulation is to protect residents from the noise of activities in other rooms or adjoining properties. This has been highlighted as a major cause of tension between residents.
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           Once buildings or conversions are completed you have to provide building control with proof of meeting part E building regulation or the building will not be pass building regulations, so it always best to plan soundproofing at the start of the project.
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           What are Building Regulations Part E?
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           Noise control in buildings for residential use in England and Wales is regulated using Approved Document E. This Building Regulation now applies to any kind of building used as a dwelling, including houses and apartments; and rooms for residential purposes, such as students and nurses accommodation, nursing homes and hotels. It also applies to dwellings that have been created as a result of a conversion or material change of use. 
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           The aim of the regulation is to protect residents from the noise of activities in other rooms or adjoining properties. This has been highlighted as a major cause of tension between residents.
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           Performance ratings for Internal Constructions
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           The onus is on the builders of the constructions to demonstrate that the required levels of sound insulation have been achieved through executing Pre-Completion Testing of the built constructions on site. Approved Document E requires that 1 in 10 constructions be tested.
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           Control of Sound Reverberation
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           Approved Document E also makes provisions for ensuring that common circulation areas of residential buildings, e.g. corridors and stairwells in apartment buildings and hotels must have sound absorptive treatments to control noise reverberation
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           Part E Building Regulations
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  &lt;a target="_blank" href="https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/468870/ADE_LOCKED.pdf"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/partE.jpg" alt="Resistance to the passage of sound Part E building regs"/&gt;&#xD;
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           You may also need to consider Part E2 and Part E3 Requirements
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           Part E 1 – Provides protection against sound from separating walls and floors from other parts of the same building and adjoining buildings.
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           Part E 2 – Provides protection against sound internally within a dwelling-house, for example internal walls between a bedroom or a room containing a water closet and other rooms, and internal floors.
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           Part E 3 – Provides protection against reverberation sound in the common internal parts of buildings containing flats or rooms for residential purposes.
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           England and Wales Target Figures
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/building+regs.png" alt="part E Building Regs"/&gt;&#xD;
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           How are Part E building regulation tests carried out?
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           Part E building regulation tests can be carried out in two ways. Via Pre-completion testing and Robust Details.
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           Pre-completion testing has applied to rooms for residential purposes, houses and flats formed by conversion of other buildings since 1st July 2003 and to new houses and flats from 1st July 2004. Also introduced as of the 1st July 2004, was Robust Details in new houses and flats as an alternative to Pre-completion testing.
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           What is Pre-completion testing (PCT)?
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           Pre-completion testing (PCT) is the usual way of showing how soundproof a building is by testing for sound insulation as a means of complying to Part E Building Regs. 
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            To pass, sound insulation tests must meet the required airborne and impact noise insulation levels. Sound tests are carried out on both airborne noise (sounds transmitted through the air, such as talking and TV noise) and impact noise on floors (structurally borne noise, such a footsteps and moving furniture). To read more about airborne and impact noise,
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    &lt;a href="https://www.soundproofingstore.co.uk/whats-the-difference-between-impact-and-airborne-noise" target="_blank"&gt;&#xD;
      
           click here
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            .
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           Failure to meet Part E building regulations can be extremely costly and will result in any sound insulation needing to be improved and re-tested. Test failure is an area we will discuss later within the article.
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           The following video comes from Adrian James Acoustics providing an introduction to sound insulation testing and demonstrating compliance with Part E of the Building Regulations (Resistance to the Passage of Sound):
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           What are Part E Robust Details?
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  &lt;a target="_blank" href="https://www.robustdetails.com/"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Robust+details.jpg" alt="Part E Robust Details"/&gt;&#xD;
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           Robust Details Ltd  was formed in response to the housebuilding industry and their request for an alternative to pre-completion sound testing to meet Part E building regulations. The Robust Details scheme is used for new adjoined dwellings, (not for conversions, home extensions, or building refurbishments).
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           Robust details are high performance separating wall and floor constructions (with associated construction details) that are expected to be sufficiently reliable not to need the check provided by pre-completion testing.
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           Developers choose details from The Robust Details handbook, register their plots prior to starting work on site and build by following their specifications.
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           How to pass Part E soundproofing building regs
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            Property type and construction can vary dramatically from building to building, therefore it would be virtually impossible to write an article covering off every single variation of build and every possible Part E building regs pass solution for every scenario.
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           This article covers examples of the most effective soundproofing products in passing Part E building regs for walls, floors and ceilings based on the most common build of brick party walls, timber stud walls and timber and concrete floors.
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            ﻿
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            The Soundproofing Store offer expert advice across all types of construction and how to pass soundproofing building regulations (Part E). It is always recommended to speak to a professional, (like
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           The Soundproofing Store
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            ) before any Part E regs work is undertaken. Failing Part E can be very expensive and in our experience, avoidable had the right advice been sought at the start. 
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           How to pass Part E building regulations for party walls? 
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           Highlighted below are three wall soundproofing solutions all of which pass Part E Building Regulations based on a brick party wall and timber stud wall.  The key to effective soundproofing against airborne noise is all about adding mass to block any unwanted noise. Effective soundproofing solutions also contain different types of materials. Simply adding more of the same material results in less efficient soundproofing than a combination of different materials. This is because different materials offer different soundproofing capabilities against different types of sounds.
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           Our Most Common Soundproofing Solutions:
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           Solid Wall Soundproofing: ProSound™ SoundBoard3 
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  &lt;a href="/soundboard-3"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB3+hero+square-8170b75b.jpg" alt="SoundBoard3 wall soundproofing for Part E building regs"/&gt;&#xD;
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           The ProSound™ SoundBoard3 is a direct to wall soundproofing solution made up of 3 layers of high mass soundproofing materials and ideal for low levels of noise. At only 27mm thick, this is The Soundproofing Store's thinnest direct to wall soundproofing solution to pass Part E building regulations. 
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           Using soundproofing acoustic boards direct to a brick party wall will ensure that separating walls meet the required sound levels, without compromising living space. When using soundproofing boards on stud walls, (separating walls between rooms and walls between dwellings and communal areas) a combination of the soundboards with acoustic plasterboard and acoustic insulation is required (see below).
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           Brick party wall
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           Direct to wall
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           44dB
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           Timber stud wall
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            Build-up of: 50mm stud frame with 15mm
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
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            on both sides and 50mm
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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            and
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           SoundBoard3
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            on one side only.
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           43dB
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           All results data has come from independent laboratory tests and therefore it's important to be aware that performance will vary with different structural make-ups.
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           Passing soundproofing building regulations (Part E) for walls with SoundBoard3 
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  &lt;a href="/soundboard-3"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB3+building+reg+figs.jpg" alt="Part E building regulation pass with SoundBoard3"/&gt;&#xD;
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           Solid Wall Soundproofing: ProSound™ SoundBoard4 
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&lt;/div&gt;&#xD;
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  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-3d1e30ff.jpg" alt="SoundBoard4 wall soundproofing"/&gt;&#xD;
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            The
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           ProSound™ Soundboard4
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           is also a direct to wall soundproofing solution, but made up of 4 layers of different high pass soundproofing materials and ideal for medium levels of noise such as normal conversation, music and TV noise. The SoundBoard4 can be easily applied to a brick or timber stud wall, with minimal loss of space to pass Part E Building Regulations. For timber stud walls, using the SoundBoard4 would also result in a pass for Part E Building Regulations (with the following build-up).
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           Brick party wall
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           Direct to wall
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            48dB
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           Timber stud wall
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            Build-up of: 50mm stud frame with 15mm
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
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            on both sides and 50mm
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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            and
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard4
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            on one side only.
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           47dB
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           Performance and product overview of the SoundBoard 4™
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           Passing Part E building regulations for walls with SoundBoard4
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&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+building+regs+.jpg" alt="Part E building regulations pass for walls with SoundBoard4"/&gt;&#xD;
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           How to soundproof a wall using SoundBoard 3 or SoundBoard 4 
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            How to soundproof a stud wall using SoundBoard 4
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           Wall Soundproofing for Stud walls: ReductoClip System
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Solid+Wall+Build+Up+With+Labels.png" alt="IsoMax Clip system for walls"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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           The 
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip system
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      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is the highest performing wall soundproofing solution. Used in domestic solutions to achieve exceptional performance against noisy neighbours and as the perfect solution for soundproofing music studios. The ReductoClip system creates a room within a room which is then isolated from the existing structure. Outperforming resilient bars by up to 7dB and not only meeting Part E Building Regulations, but exceeding them. More and more often we are receiving calls from contractors whereby local councils are insisting on higher airborne dB levels (up to 55dB) and the most effective way for this to be achieved is by using the ReductoClip system for walls.
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    &lt;span&gt;&#xD;
      
            
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           Brick party wall
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      &lt;span&gt;&#xD;
        
            65dB results (as shown below) are based on a solid wall, 10mm air gap, timber stud frame,
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           Acoustic Mineral Wool
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            between studs,
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClips
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            ,
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    &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-3m-furring-bar/" target="_blank"&gt;&#xD;
      
           furring channels
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            , 2 layers of
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           15mm acoustic grade plasterboard
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      &lt;span&gt;&#xD;
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            with
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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            sandwiched between boards. It's worth noting, as previously mentioned, that performance will vary with different structural make-ups.
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           Timber stud wall
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           60dB results (as shown below) are based on a stud wall, with 15mm acoustic grade plasterboard on one side, timber stud frame, 50mm Acoustic Mineral Wool, ReductoClips, furring channels, 2 layers of 15mm acoustic grade plasterboard and Tecsound SY100 sandwiched between boards.
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           (Independently tested at a WAS certified acoustic test laboratory)
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      &lt;br/&gt;&#xD;
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            Learn more about the exceptional performance of the ReductoClip™ System
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Passing soundproofing building regulations (Part E) for walls with the ReductoClip system
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Ind+Part+E.png" alt="Passing Part E builing regs with ReductoClip System"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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           Highlighted above are 3 different wall soundproofing solutions which all pass Part E Building Regulations (when used with the build-ups specified). Next we will discuss the best performing soundproofing solutions for floors in order to pass soundproofing Part E Building regulations.
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  &lt;h2&gt;&#xD;
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           Floor Soundproofing Solutions
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           How to pass soundproofing Part E building regulations for floors
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           The two most common floor types when soundproofing floors to meet Part E Building Regulations are wooden timber beams and concrete floors. As with walls, the most effective way of soundproofing a floor is by improving the mass of the floor by adding high density soundproofing mats on top (to combat airborne noise) and by improving the ability of the floor to absorb sound energy and vibration (to combat impact noise).
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           ProSound™ SoundMat™ 3 Plus floor soundproofing
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    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-f3b7e42f.jpg" alt="SoundMat 3 Plus for Part E building regulations"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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            Unlike alternative soundproofing mats, the
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat 3 Plus
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           features an innovative 3 layer design of soundproofing technology, making it the highest performing soundproofing mat in the industry. With direct to floor installation (no adhesive) SoundMat3 Plus is easy to work with (cut) and install. Offering soundproof insulation by blocking impact and airborne noise whilst exceeding Part E Building Regulations. The SoundMat 3 Plus is ideal for loud levels of noise from above, such as clear conversation, TV noise and heavy footsteps.
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      &lt;span&gt;&#xD;
        
            SoundMat™ 3 Plus Product Overview
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Passing soundproofing building regulations (Part E) for floors with the ProSound™ SoundMat™ 3 Plus
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+Plus+Part+E+building+regs.png" alt="SoundMat 3 Plus Floor build up for Part E Building Regulations pass"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
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           How to soundproof a floor with SoundMat 3 Plus
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           SoundMat 3 Plus delivers a pass for Part E building regulations against impact and airborne noise with the correct build-up (as highlighted above). An alternative soundproofing solution used to pass Part E building regulations for impact and airborne noise on timber floors is the Reverso SoundMat™ which is discussed in more detail below.
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           ProSound™ Reverso SoundMat™ floor soundproofing
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    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+hero+square-4f25c964.jpg" alt="Reverso SoundMat floor soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            An alternative sound insulation option when soundproofing a floor to pass Part E building regs, is to use the
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    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           Reverso SoundMat
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    &lt;span&gt;&#xD;
      
           . This high performing acoustic floor panel offers an exceptional performance to height ratio of only 18mm thick.
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            With a similar performance to the SoundMat 3 Plus, but with the added benefit of being reversible. Soft side up for soft carpet final floor finishes and hard side up for hard floor final finishes. No underlay is required when installing carpet and uniquely, unlike other floor soundproofing solutions, there is no over boarding layer required prior to most hard floor finishes. (Which would be the case with other soundmats on the market). This unique, dual purpose soundproofing solution means soft and hard floor finishes are at the exact same height. Perfect for soundproofing floors with multiple final floor finishes throughout.
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           Reverso SoundMat™ Product Overview and Benefits
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           Passing Part E building regulations for floors with the Reverso SoundMat
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  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+SoundMat+part+e.png" alt="Reverso SoundMat for Part E building regs build up"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            How to soundproof a floor with the Reverso SoundMat™
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&lt;div data-rss-type="text"&gt;&#xD;
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           Timber Floor Soundproofing: ImpactoMat 5mm (Impact noise only)
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ImpactoMat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ImpactoMat+hero+square-830fb2dc.jpg" alt="ImpactoMat for passing Part E building regulations"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Another floor solution when looking to pass Part E building regs is ImpactoMat 5mm. A cost effective choice in reducing noise at the source and particularly suited to reducing impact noise from travelling down through the floor to the room below (on timber joisted floors). Where space is at a premium and where part E building regulations need to be met. At only 5mm thick ImpactoMat 5mm offers the ideal solution (Must also be used with a resilient bar and two layers of plasterboard on the ceiling below).
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            ImpactoMat™ Product Overview
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           Passing Part E building regulations for timber floors with ImpactoMat 5mm
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           ImpactoMat is a high performance material that has been acoustically tested at a WAS certified independent acoustic test laboratory and passes Part E building regulations with the following build-up:
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           Example build up on a timber floor:
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           18mm subfloor, 100mm acoustic mineral wool and two layers of acoustic grade plasterboard on resilient bars on the ceiling.
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  &lt;p&gt;&#xD;
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           50dB for impact noise (Pass for Part E building regulations).
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&lt;div&gt;&#xD;
  &lt;a href="/ImpactoMat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ImpactoMat+5mm.jpg" alt="Part E building regs pass build up with ImpactoMat 5mm"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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           Concrete Floor Soundproofing: ImpactoMat (Impact noise only)
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           How to pass Part E building regulations for ceilings 
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&lt;div data-rss-type="text"&gt;&#xD;
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            When looking to pass Part E for ceilings, this usually falls under the flooring umbrella. As mentioned above when passing soundproofing building regulations Part E for floors, the
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat 3 Plus
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    &lt;span&gt;&#xD;
      
           , resilient bars and two layers of acoustic plasterboard on the ceiling below and the 100mm 60kg Acoustic Mineral Wool between the joists would result in a soundproofing regulations Part E pass.
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           This is because absorbing impact noise at the source, (before it has chance to enter the structure of a building) is much more effective. Soundproofing the floor to pass Part E would always be our recommendation, rather than trying to absorb the vibration from the ceiling below.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            However, occasionally there are circumstances when the ceiling itself needs to be soundproofed to pass Part E. For example, a flat above a shop, whereby the flat has already been converted and doesn't need to comply to Part E building regulations. To convert the shop below into a dwelling means that it will need to pass Part E building regulations. To learn more about how to soundproof a ceiling to pass Part E by using the ReductoClip System for soundproofing ceilings,
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    &lt;/span&gt;&#xD;
    &lt;a href="/part-e-building-regulation"&gt;&#xD;
      
           click here
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           Causes of test failure in meeting Part E building regulations?
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           One of the common causes of Part E building regulation failures comes down to a poor system. Often not enough money has been spent on an effective soundproofing system in the first place. Soundproofing is very similar to waterproofing and sound will always look for the weakest point in order to make its escape and limit the acoustic performance of the products. In our experience, if an effective soundproofing system has been successfully installed and the building still doesn't pass Part E building regulations, then this can be due to flanking sound transmission.
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&lt;div data-rss-type="text"&gt;&#xD;
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           How does flanking sound effect Part E building regs sound insulation?
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           Sound doesn't always travel through the building element you are looking to soundproof. If the wall or floor has effective sound reducing capabilities, then similarly to the water example above, sound will find an alternative path. This is called flanking and occurs when sound travels along materials shared by adjacent structures. If sound can't go through the e.g. wall, then it will travel up, over, or around the side. Flanking is a common cause of sound test failure in meeting Part E building regulations. 
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           Sound can travel through air pockets, within the likes of stud and ceiling joist cavities and also along rigid surfaces like pipes, concrete and glass. Think of the films you have watched where inmates communicate with each other by banging pipes in non-adjoining cells.
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           How to combat flanking sound
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            Flanking sounds can be dealt with by using the likes of
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/store/Isolation-strip-self-adhesive-p68099024"&gt;&#xD;
      
           isolation strips
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           around the perimeter edge of floors and walls and beneath all types of wall partitions and on top of timber joists to provide a very simple and effective way to reduce structure borne flanking noise. In refurbishment projects isolation strips are typically used to isolate the partition / floating floor from the sub-base / joists below. 
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The use of
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    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/store/Soundproof-Acoustic-Sealant-p52901182"&gt;&#xD;
      
           soundproof acoustic sealant
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is also effective in helping to seal perimeter gaps where sound can escape and in dampening vibration around perimeters to reduce flanking vibration. It can also be used to fill and seal any holes during installation.
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           Summary
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           Highlighted in this article are The Soundproofing Stores recommendations for passing Part E for walls and floors, based on 
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           common build up examples. 
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           Ceilings have also been included, (should the situation arise where the floor can't be soundproofed to pass Part E).
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           As previously mentioned, every situation and building make up is different when looking to pass Part E, so our best advice would be to always speak to a professional. Our specialist team are available from Monday - Friday, 9am-5pm to advise on any Part E building regulation questions you might have.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/partE.jpg" length="24651" type="image/jpeg" />
      <pubDate>Mon, 28 Feb 2022 11:16:09 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-pass-part-e-building-regulations</guid>
      <g-custom:tags type="string">SoundBoard4,SoundBoard3,ReversoSoundMat,wall soundproofing,SoundDeck23,acoustic experts,PartEBuildingregulations,failed partE,regs,part E,ReductoClipSystem,SoundMat3Plus,book a free consultation,buildingregulations,ReductoClip,partywalls,pass part E,soundproofing</g-custom:tags>
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    <item>
      <title>How to manage different floor heights when soundproofing floors</title>
      <link>https://www.soundproofingstore.co.uk/how-to-manage-different-floor-heights-when-soundproofing-floors</link>
      <description>When soundproofing a floor, the transition between different final floor finishes and heights from room to room is extremely simple to address.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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            How to manage different floor heights when soundproofing floors
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Joining+plates+2-99c4ba50.jpg" alt="Transitioning between different floor finishes "/&gt;&#xD;
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           How to transition between final floor finishes and heights when soundproofing a floor
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            When soundproofing a floor, a common question we often get asked, is 'what do I do about the difference in floor height?'
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           How to install a door threshold between rooms
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            A door threshold plate will sit at the bottom of the doorway and provide the transition space between one room and another over the soundproofed floor.
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            Once installed, a threshold plate will provide a seamless transition between different floor heights and types.
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            There are an abundance of different types to choose from depending on the final floor finish and personal preference e.g. wood, aluminium and varying colours to tie in with specific room decor. The recommendation would be to always check with the final flooring manufacturer to make sure the correct one is used.
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           How to install a door threshold between rooms
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           If you have installed your floor soundproofing in one room and the difference in the final floor finish occurs between a doorway then the below video shows joining a carpet to another carpet. However, the exact same principle also works with all types of floor covering. The door will line up and sit directly over the top of the threshold with means you shouldn't be able to see the joining strip from either room when the door is closed.
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            Step 1: After installing the floor soundproofing. If using one of
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           The Soundproofing Store's
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            SoundMats, such as the
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           SoundMat 3 Plus
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            ,
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           SoundMat 2 Plus
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            or
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           Reverso SoundMat
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           , then these acoustic solutions act a a luxury carpet underlay and no further carpet underlay is required
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            Step 2: If using carpet gripper rods, then firstly use a carpet
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           gripper rod riser
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            at the opening of the door
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           Step 3: Place the gripper rods over the riser
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           Step 4: Lay the carpet over the gripper rods
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           Step 5: Add the cover plate, or threshold strip and screw it down
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           Don't
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            drill into the floor soundproofing as this will create a weakness in the system.
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           How to transition between different final floor finishes on a soundproofed floor
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            With many people opting for modern open plan living, it is not uncommon for a floor to be soundproofed which needs a dual purpose final floor finish. For example the practicality of a hard floor finish in the kitchen area, such as wood and laminate and a carpet finish in the living area. Again, there are a number of transition options available depending on which final floor finish needs to be joined and it is always worth checking with the flooring manufacturer as to the correct one to use.
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            The image below shows the
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           Reverso SoundMat
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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           which is the ideal floor soundproofing solution for multiple final floor finishes. The Reverso SoundMat is installed soft side up for carpet finishes and hard side up for hard floor finishes, which maintains the soundproofed subfloor height throughout. To transition between the two, the recommendation would be to use a Z style threshold bar to transition between (for example), a laminate hard final floor finish and soft carpet finish as shown below.
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  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+SoundMat+Laminate+to+Carpet+Transition+Z+bar+Detail+colour.jpg" alt="Z threshold bar used with laminate and carpet on top of the Reverso SoundMat"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/threshold+strip+carpet+and+laminate2.jpg" length="93534" type="image/jpeg" />
      <pubDate>Mon, 14 Feb 2022 16:07:45 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-manage-different-floor-heights-when-soundproofing-floors</guid>
      <g-custom:tags type="string">transition strip,gripper rod risers,acoustic flooring,threshold cover,Reverso SoundMat,SoundMat 3 Plus,Knowlede hub floors,floor soundproofing,carpet,threshold plate,gripper rods,Soundproofing,SoundMat 2 Plus,threshold bar,how to join final floor finishes when soundproofing a floor,floor transition</g-custom:tags>
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    <item>
      <title>How to Soundproof a Home Cinema</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-cinema</link>
      <description>4 key steps to effectively soundproof a home cinema room. 1. Build a 'room within a room'. 2. Add mass. 3. Add resilience. 4. Upgrade windows and doors. Learn more about the most effective soundproofing solutions to use when soundproofing a home cinema.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How to soundproof a home cinema
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/home+cinema+5.jpg" alt="Home cinema soundproofing"/&gt;&#xD;
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           What is the best way to soundproof a home cinema?
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            The
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    &lt;a href="https://www.seenit.co.uk/hisense-reveals-how-brits-have-invested-in-home-cinemas/" target="_blank"&gt;&#xD;
      
           latest research by TV manufacturer Hisense
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            shows that 3.6 million Brits have invested in their home viewing experience over the last 12 months, with the purchase of new TV's, sound systems and projectors. With a further 9.2 million households considering creating a cinema in their homes. 
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           The Entertainment Retailers Association report that two thirds of UK audiences name film and TV as their favourite form of entertainment and this combined with the launch of extra-large screen TV's all helps to create the same magic of the cinema at home. Therefore it is no surprise that early forecasts suggest that 2022 may be the biggest year on record for Home Entertainment. Liz Bales, Chief Executive, BASE said: “Throughout the pandemic, entertainment at home was the refuge that many chose to take from an uncertain world. Continuing to serve audiences the content they love is driving a new, innovative world of Home Entertainment."
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           How to Soundproof a home cinema room?
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           Soundproofing a home theatre room isn't as complicated a you might think. It is really no different to soundproofing any room within the home. What is important is using the correct soundproofing solution for they type of room being converted, e.g. is it a ground floor room, a detached room, a timber joist floor, or concrete floor? Other considerations will be how much height can be lost from soundproofing the ceiling? These are some of the important questions which need to be answered before soundproofing a home cinema or theatre room. We offer different levels of soundproofing as every home cinema is different and unique. If there is any doubt about which is the best soundproofing system for your own home cinema, then always speak to an expert.
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            One of the main problems with home cinema room soundproofing is the base frequency created by the sub-woofers as this can easily transfer into the structure of the building and travel up walls, through ceilings and floors.
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           4 key steps when soundproofing a home cinema
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           Blocking the sound from home cinemas
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            It is no surprise that the sounds needing to be blocked from a home cinema are loud and of varying frequency. Often with loud levels of bass frequencies.
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            Sound travels in waves and when they encounter a solid object some of these sound waves will be absorbed, but the rest will continue to travel as vibrations through the solid object. e.g. the wall, ceiling and floor.
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            The deeper the frequency, the more chance it has of travelling through solid objects, hence why a high level of soundproofing is required to effectively soundproof a home cinema or theatre room from the low bass frequencies often heard in films. This sound is amplified further by the viewing experience of high volume and modern speaker systems.
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           How to soundproof the walls of a home cinema
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            To soundproof the walls of a home cinema and achieve the 'room within a room' mentioned above, the recommended solution is the ReductoClip Independent Wall Solution. Unlike traditional resilient bar soundproofing systems, the
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           ReductoClip Independent System
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            is easier to fit and offers the slimmest independent wall solution on the market delivering the highest level of soundproofing for home cinemas and theatre rooms.
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&lt;/div&gt;&#xD;
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-ba3a1c28.jpg" alt="ReductoClip"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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           Outstanding performance of the ReductoClip Solution and how it compares to other clip systems
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           How to soundproof home cinema walls with the ReductoClip Independent System
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&lt;/div&gt;&#xD;
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-1d1c17c9.jpg" alt="ReductoClip Independent Solution for Home Cinemas"/&gt;&#xD;
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            A stud frame is built a minimum of 50mm from the original wall. This stud frame is then isolated with Isolation Strip
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             60kg Acoustic Mineral wool is added to fill the frame
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            ReductoClips are fixed to the front of the frame and Reducto Furring Channels are attached to the clips
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            15mm Acoustic plasterboard is attached to the now independent wall
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A layer of FlexiSound 5 is added to the acoustic plasterboard
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Another layer of acoustic plasterboard is then added to the FlexiSound
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof the floor of a home cinema
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing the floor of a home cinema or theatre room depends where in the house the home cinema room is going to be, e.g. is the home cinema room in a detached construction, e.g. a garage or garden room, or within the main house and where in the main house? A bedroom, ground floor etc. What is also an important factor when determining the best soundproofing for the floor of the home cinema room is also the construction of the floor. e.g. is it timber joist or concrete?
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a concrete floor of a home cinema
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-2-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundMat+2+Concrete-286cc8ab.jpg" alt="SoundMat 2 Plus Concrete Floor Home Cinema Soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            With a concrete ground floor there is already a great deal of mass which will naturally do a good job of blocking airborne noise. In this instance it is important to use a floor soundproofing solution which will absorb the vibration and energy of the sound.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Three key points to consider when soundproofing a concrete floor of a home cinema:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Reduce Impact Vibration:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The use of different types and thicknesses of high impact absorption (such as foam and rubber) will help to reduce different levels of vibration noise.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Mass of the floor:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            As mentioned above, concrete is naturally high in mass and more effective than a timber floor at blocking airborne noise. However, there are certain (very occasional) situations when the concrete floor doesn't perform as expected against airborne noise. This is explained in more detail below.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           A proven floor acoustic solution when soundproofing the concrete floor of a home cinema:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Add
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/ImpactoMat"&gt;&#xD;
        
            ImpactoMat 5
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             or
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundmat-2-plus"&gt;&#xD;
        
            SoundMat 2 Plus
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             (12mm) directly to the concrete floor. With the SoundMat 2 Plus, this also acts as a luxury carpet underlay and carpet can be installed directly on top. With the ImpactoMat 5, the recommendation would be to lay a carpet underlay first.
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Carpet final floor finishes are always going to be the recommendation as the final floor finish for home cinemas (over and above hard floor finishes). This is because hard floor finishes do not absorb sound the same as soft floor finishes do, such as carpet.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Thickness of this solution: Only 12mm for SoundMat 2 Plus and 5mm for ImpactoMat 5 (not including underlay).
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to soundproof a timber floor of a home cinema
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundMat+3+Plus-4888fb05.jpg" alt="SoundMat 3 Plus timber floor home cinema soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Three key points to consider when soundproofing a timber floor of a home cinema:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Improve the mass of the floor:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To achieve this, it is important to add high mass / density products.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Use high impact absorption foam:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Different types and thickness of foam perform better for different levels of impact noise.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Fill all cavities between joists with acoustic mineral wool:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This will prevent any sound resonating and amplifying within this sealed chamber.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           An example of an acoustic floor solution when soundproofing the timber floor of a home cinema:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Fill joists with
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        
            60kg acoustic mineral wool
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Board the joists using
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundscreed-25-direct-to-joist"&gt;&#xD;
        
            25mm SoundScreed direct to joist board
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             Overlay
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="/soundmat-3-plus"&gt;&#xD;
        
            SoundMat 3 Plus
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Thickness of this solution: Only 40mm from the top of the floor joists.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundMat 3 Plus Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundScreed 25 Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof the ceiling of a home cinema
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+to+ceiling+flexisound-f1d6b505.jpg" alt="Home Cinema Ceiling Soundproofing with the ReductoClip Ceiling Solution"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When soundproofing the ceiling of a home cinema room, it is important to add mass and use a resilient clip system, such as the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip Ceiling System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            It is essential to use an acoustic ceiling system that will absorb the large amounts of vibration energy, especially the vibrations of loud, lower bass frequencies found within a home cinema room.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The soundproofing solutions for the ceiling of a home cinema or theatre room also depends on how much space there is to lose from the height of the ceiling within the home cinema room.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Three key points to consider when soundproofing the ceiling of a home cinema:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Improve the mass of the ceiling:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Adding different high mass/density products helps to block airborne noise.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Use high impact absorption ReductoClip and bars:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            It is important to absorb vibration and sound energy. Without this, simply adding mass will make little or no difference when blocking impact noise and vibration energy. 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Fill ceiling cavities with acoustic mineral wool:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Adding acoustic mineral wool to the cavity between the ceiling and the floor above will prevent sound resonating and amplifying within this sealed chamber. Think about shouting down a cardboard tube and then filling the cardboard tube with cotton wool and doing the same again.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip™ Independent Ceiling Solution for Home Cinema Ceilings
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Similar to the independent stud frame for walls, secondary ceiling joists are built below the existing ceiling and the ReductoClip ceiling solution is then added to the secondary joists. If the independent stud frame of the walls are thick enough, the ceiling joists can sit on top of them.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             An independent ceiling is built creating secondary joists
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             The ceiling joists are filled with
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        
            60kg acoustic mineral wool
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
        
            ReductoClips
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             and
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-3m-furring-bar/" target="_blank"&gt;&#xD;
        
            Reducto Furring Bars
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             are fixed to the bottom of the independent joists
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             15mm
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        
            acoustic grade plasterboard
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             is added
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
        
            FlexiSound 5
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             is added to the plasterboard layer
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             A final layer of 15mm
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
      &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
        
            acoustic grade plasterboard
           &#xD;
      &lt;/a&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             then sandwiches the FlexiSound in between the first layer of acoustic plasterboard and the final layer
            &#xD;
        &lt;/span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Designed to minimise ceiling height loss within a home cinema.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           The ReductoClip Ceiling Solution
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is the thinnest ceiling clip system on the market. A total ceiling height loss of only 60mm from the bottom of the secondary joist to the final layer of plasterboard. The total buildup depends on the size of the joists and the size of the joists is dependent on the width of the room. The bigger the room, the wider the joists will need to be. An average size garage home cinema conversion will usually work to 100mm stud frames for the walls and ceiling.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To minimise the loss of height to the room, there is also the option to attach the ReductoClip ceiling solution directly to the existing joists, rather than building the secondary joists. The space loss doing it this way would be 60mm from the bottom of the existing joists to the final layer of plasterboard, without any additional loss from the secondary joists.
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            The performance will be higher using the secondary joist system, especially in domestic situations whereby it is important to minimise the unwanted noise in a living space above the home cinema room. However this isn't always feasible when space loss is an issue.
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           Internal acoustics of a home cinema
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            Once soundproofed a good cinema room will also need acoustic treatment. Sound absorption solutions work by reducing the echo and reverberation within the home cinema room. This can be achieved by using acoustic solutions like
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           ProSound™ Wall Panels
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            , which are easily fixed directly to the soundproofed walls of the home cinema room. A selection of styles and colours are also available to complement the final decor of the home cinema room.
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            Plug sockets and lighting when soundproofing a home cinema
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           When soundproofing a home cinema room you want as few holes in the walls and ceiling as possible, as any unnecessary holes can act as a weakness for sound to travel through. The recommendation would be to use surface mounted sockets, and surface mounted or free standing lighting fixtures.
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           How to soundproof the door of a home cinema
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            Mass blocks airborne noise, therefore the heavier the door, the more mass it will have and the more sound it will block. Upgrading to heavier, more solid fire doors is a good option for home cinema rooms. To further improve their soundproofing capabilities, the recommendation would be to double up the doors. One door on the existing external wall and one on the internal soundproofed wall.
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           How to soundproof windows within a home cinema
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            Windows and doors will always be a weak point as they have far less mass than the walls. In a perfect world there would be no windows within the home cinema room and while this is possible in some cases, it isn't always practical.
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            If removing windows and bricking them up isn't an option, then double them up! With a 'room within a room' there is the existing window on the external wall and another window (secondary glazing) can then be added on the inside wall.  
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           Ventilation when soundproofing a home cinema
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustic+Vent+55dB+Top+SQUARE-442829c9.jpg" alt="ProSound Acoustic Vent for Home Cinemas"/&gt;&#xD;
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            A well soundproofed home cinema room will be highly insulated and air tight, i.e. warm and with little to no natural air flow. Therefore, the correct ventilation is an important part of the build when creating a soundproof home cinema room. Options can include air conditioning units and digital ventilation. However, a standard passive vent with a built in baffle box to attenuate some of the sound as the air passes through is a really good choice, such as the
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           ProSound Acoustic Vent.
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           Soundproofing a home cinema - DIY
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            The soundproofing solutions provided by
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           The Soundproofing Store
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            can be installed by a competent DIYer. Due to the importance of adding mass and the heavy nature of materials it is always advisable to have a minimum of two people to do the installation. However, if the thought of soundproofing your own home cinema fills you with dread, then rest assured that any local tradesperson will easily have the necessary skills to install it for you. Soundproofing a home cinema room need not be cost prohibitive by using a more expensive supply and fit service.
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            How to Soundproof a Home Cinema Summary
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           Home cinema soundproofing solutions such as the ReductoClip wall and ceiling solution isolate the original structure of the home cinema room, providing the highest level of soundproofing. Adding mass to the structure and being mindful of unnecessary weaknesses such as lights, windows and doors have all been highlighted. As has the importance of ventilation.
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           Every potential home cinema room is different and The Soundproofing Store have soundproofing solutions for every eventuality. Feel free to call a member of the home cinema team on 01423 206208 and they will happily advise on the best acoustic solution for your home cinema room.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/home+cinema+5.jpg" length="141011" type="image/jpeg" />
      <pubDate>Wed, 26 Jan 2022 11:48:27 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-cinema</guid>
      <g-custom:tags type="string">mass,SoundMat 3 Plus,vibration,ReductoClip,,theatre,reductoclip,how,music,floors,walls,installation,noise,cinema,resilience,room within a room,acoustic doors,soundproofing,How to soundproof a home cinema room,films,flexiSound,,windows,room,home,ceilings,bass,escessive</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/home+cinema+5.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/home+cinema+5.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to soundproof a loft</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-loft</link>
      <description>How to soundproof a loft. The most effective soundproofing solutions for soundproofing the walls, floor and ceiling of a loft or attic.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How to soundproof a loft
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         If you're looking for a practical solution for adding more space to your home, then turning a cluttered attic or loft into a usable living space can provide a more economical option than adding an extension, or moving. A
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          ccording to a recent survey by
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    &lt;a href="http://sellhousefast.uk" target="_blank"&gt;&#xD;
      
           sellhousefast.uk
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          , a loft conversion adds an average of £23,754.57 to the value of your property. 
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           Potential problems with noise 
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         Noise problems within a loft to soundproofing against, often include reducing internal noise from travelling from the loft down to the rooms below. Noise travelling from below into the converted loft space. Noise travelling through any party walls and external noises such as traffic, airplanes and even pigeons! 
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           Does (roof/ceiling) loft insulation reduce noise?
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           No, usually insulation is ineffective at reducing noise. Most lofts and attics will already include Celotex or an equivalent as part of the loft insulation. Often t
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           he term 'insulation' is used to mean thermal, keeping attics and loft spaces warm in winter and cool in summer. The term acoustic insulation and soundproofing are often used when looking at ways in which to block the passage of sound. This article focuses on soundproofing a loft, rather than insulating a loft.
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            Learn more about
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           acoustic insulation
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            .
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           How to soundproof a loft floor
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         To soundproof the floor of a loft, or attic, you need to block impact noise (footsteps, moving furniture etc) and airborne noise (talking, music, TV etc).
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          4 point soundproofing checklist:
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           1. Improve the mass of the floor. Soundproofing is all about adding mass, so adding high density products to the floor is crucial.
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           2. Improve the ability of the floor to absorb sound energy and vibration. Without this, the addition of mass will have minimal effect on reducing impact noise.
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           3. Use acoustic insulation between the timber joists to eliminate sound resonating and amplifying in this sealed chamber.
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           4. Use a combination of different high mass materials. This is because different materials perform better at blocking different sound frequencies. Therefore simply using more layers of the same material will result in a poorer performance than soundproofing solutions which combine different high mass materials.
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  &lt;a target="_blank" href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/?_gl=1*jv719j*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIzMTY3Ni4xNi4wLjA."&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/loft+floor-9a8021ba.jpg" alt="Loft floor and wall before soundproofing"/&gt;&#xD;
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            Firstly lay
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           acoustic mineral wool
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           within the cavity of the floor joists. Acoustic grade mineral wool is designed to offer the highest level of sound absorption in the cavity partitions of timber floor joists (and partitions of timber and metal party walls).
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            Acoustic mineral wool is used within loft floors for soundproofing as it effectively absorbs airborne sounds, significantly improving acoustic performance and reducing reverberation. When acoustic mineral wool is used in conjunction with other acoustic materials, it also helps to bring separating floors and walls into compliance with Part E building regulations. (Find out more about how to pass
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           Part E building regulations
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            ).
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           After laying the acoustic mineral wool, fit an 18mm - 22mm chipboard floor as a sub floor, followed by a 5mm barrier mat to the sub floor of the loft, which then provides a base for a soundproofing sound mat acoustic underlay solution. The different SoundMat solutions are highlighted below:
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           What is the best soundproofing material for the floor of a loft?
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            Once the acoustic mineral wool has been added to the timber joists, the final floor finish of choice can determine the best floor soundproofing insulation to use. If a hard final floor finish is the final finish of choice (such as vinyl, laminate, engineered wood and tiles) then the
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           Reverso SoundMat™
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            is an excellent acoustic floor solution, as it doesn't (in most instances) require a further over boarding layer before the final hard floor finish. The Reverso SoundMat can also be reversed with the soft side up for soft finishes such as carpet. Without the need of any kind of underlay.
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           An alternative to the Reverso SoundMat would be the SoundMat 3 Plus and SoundMat 2 Plus. As with the Reverso SoundMat,
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           SoundMats
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           can be added by simply laying them on top of the existing floorboards. They are constructed from layers of mass loaded vinyl for blocking airborne noise and closed cell foam to absorb impact vibration. Final floor finishes (like carpet) can then be installed directly on top, as the SoundMat act like a luxury carpet underlay. If using carpet gripper rods, then carpet gripper rod risers need to be used under the carpet gripper rods. 
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           Laminate, tile, wooden or vinyl flooring can all be installed on top of the SoundMats. However, unlike with the Reverso SoundMat, (depending on the flooring choice) an over boarding layer is required. A 6mm bonded layer of MDF is added on top of the SoundMat for vinyl and bonded carpet finishes to give the floor a stable base. A min 9mm layer of MDF for tiles, (with 12mm being the standard).
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            Our recommendation would be to use the
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    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           Reverso SoundMat
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           for hard finishes and the
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           SoundMat™ 3 Plus
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            for soft final floor finishes. Both the Reverso SoundMat and SoundMat 3 Plus block loud levels of airborne and high impact noise. They are an extremely easy DIY instal and also offer an exceptional soundproofing performance, exceeding the new Building Regulations Part E target when used as part of a system. 
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           Soundproofing a loft floor with the Reverso SoundMat (18mm)
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  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+hero+square-4f25c964.jpg" alt="Reverso SoundMat"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            The Reverso SoundMat is ideal for loud levels of airborne and high impact noise, such as clear conversation, TV noise and heavy footsteps. Suitable for all final floor finishes, without the need for an over boarding layer for most hard finishes and also acts as a luxury carpet underlay for soft carpet finishes. Only 18mm thick and is an easy DIY install, without the need for adhesive.
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           Innovative 3 layer reversible design:
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            6mm Fibre cement board  - which provides a flat, stable base for hard final floor finishes. The mass of the board is 9.7kg per m2 which allows for the blocking of airborne noise.
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            9mm closed cell acoustic foam - provides a high level of impact absorption and unlike open cell or recycled chip foam, will not absorb water, should there be any cases of water damage in the future.
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            3mm mass loaded vinyl - offers a soft finish for carpet and also has a mass of 7.5kg per m2 to block airborne noise
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&lt;div data-rss-type="text"&gt;&#xD;
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           Soundproofing a loft floor with SoundMat 3 Plus (15mm)
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-f3b7e42f.jpg" alt="SoundMat 3 Plus floor soundproofing"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            The
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           ProSound™ SoundMat™ 3 Plus
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    &lt;span&gt;&#xD;
      
           is ideal for loud levels of noise from above, such as clear conversation, TV noise and heavy footsteps. 
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          SoundMat 3 Plus uses a specially developed innovative 3 layer design, and at only 15mm thick, means it saves space within your loft and with an easy DIY install results in minimal disruption to your home. 
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           The innovative 3 layer design features:
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           1. An outer layer of 3mm mass loaded vinyl (7.5kg per m2) designed to replace lead in soundproofing. The 3mm mass loaded vinyl has the same mass and soundproofing qualities as lead, but with improved sound absorbing qualities. 
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           2. The second and middle layer is a 9mm acoustic, closed cell foam designed to dampen and absorb impact energy (such as footsteps) from transferring through the loft floor. The foam doesn't degrade over time, is water resistant and acts as a luxury carpet underlay. The SoundMat 3 Plus also delivers a higher load capacity than standard mats meaning the internal foam layer doesn't compress as easily as the foam layer in other soundproofing mats, which compromises performance ability.
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           3. The third and final layer is an extra 3mm layer (7.5kg per m2) of mass loaded vinyl offering further airborne noise blocking capabilities. 
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Soundproofing a loft floor with SoundMat 2 Plus (12mm)
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-2-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM2+hero+square-d589c492.jpg" alt="ProSound SoundMat3 loft floor soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            Depending on the level of noise you are trying to soundproof against within a loft, the
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    &lt;a href="/soundmat-2-plus"&gt;&#xD;
      
           ProSound™ SoundMat 2
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             offers an alternative to SoundMat 3 Plus and is another extremely effective floor soundproofing solution for lofts and attics.SoundMat 2 is ideal for loud levels of airborne noise and medium levels of impact noise (such as muffled conversation, TV noise and footsteps). 
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           SoundMat 2 is a thin floor soundproofing mat (12mm), with 2 layers of two different soundproofing technologies laminated together for easy installation. 
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           1. The top layer uses a specially developed thin 10kg per m2 soundproofing material of mass loaded vinyl, originally developed to replace lead in soundproofing, due to the associated health risks and with improved sound absorbing capabilities. 
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           2. The second (middle) layer is a 9mm acoustic open cell foam designed to dampen and absorb impact energy from transferring through the base floor of the loft or attic. The 9mm soundproof foam does not degrade over time and also acts as a carpet underlay. 
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Floor build up using SoundMat 3 Plus and Reverso SoundMat to pass Part E building regulations
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           How to soundproof a party wall within a loft
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Stud+Build+Up+SQUARE+flexisound-2b0f9b00.jpg" alt="ReductoClip Independent Wall System "/&gt;&#xD;
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           We have so far concentrated on soundproofing the floor within a loft or attic and now we will look at the best wall soundproofing solutions for a loft.
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           The most effective wall soundproofing solution for lofts depends on what the wall make up is. A solid party wall, or stud wall? 
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           Next, what are the levels and types of noise you are trying to soundproof your loft wall against? Is it airborne noise (conversation, TV, music) or impact noise (footsteps, doors banging, scraping of furniture) or both? Also, what are the levels of noise? Muffled conversation, footsteps, up to and including excessive airborne and impact noise.
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  &lt;h2&gt;&#xD;
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           Soundproofing a loft wall
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           When soundproofing a loft wall, (similarly to soundproofing the floor of a loft) there are 4 main points to consider:
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           1. The need to improve the mass of the wall. Achieved by adding high mass/density products.
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           2. Improve the ability of the wall to absorb sound energy and vibration. Without this, the addition of any mass will have very little impact.
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           3. Add acoustic insulation between timber battens (for stud walls only) to eliminate any sound reverberation.
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            4. The use of different high mass materials. Different materials perform better against different sound frequencies, so using a combination of high mass materials will perform better than simply using more of the same material. 
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
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           Soundproofing a loft wall with the ReductoClip Independent System
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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           The 
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip Independent System
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           is the highest performing wall soundproofing system, delivering exceptional levels of soundproofing for loft walls. This system is so exceptional at blocking noise, that it is also used for recording studios. 
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           The ReductoClip system works by creating a room within a room, which is isolated from the existing structure meaning it absorbs high levels of sound vibration energy. The ReductoClip system is suitable for use on both solid and timber stud walls.
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Solid+Wall+Build+Up+With+Labels.png" alt="ReductoClip Independent Stud Wall system"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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            The
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    &lt;a href="/solid-party-wall-soundproofing"&gt;&#xD;
      
           ReductoClip Independent System
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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            offers an exceptional soundproofing performance for loft walls, by creating a room within a room. The system involves building a timber stud frame in front of the existing loft wall, insulating inside of the frame with
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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             and then attaching the ReductoClips and furring channels to the frame. Finally, a new wall layer is added, with two layers of 15mm
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic grade plasterboard
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            sandwiching a specialist material called
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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            .
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           This works by adding more mass to the loft wall to block airborne noise. When the FlexiSound is bonded to the acoustic grade plasterboard its viscoelasticity properties also reduce the sound resonance / vibration of impact noise.The total build up of the ReductoClip system is 120mm.
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           The completed ReductoClip system works in two ways:
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           1. The new wall layer (plasterboard and FlexiSound) are very heavy and dense and (as previously highlighted) therefore add a great deal of mass to block airborne sound travelling through the loft wall. 
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           2. Because these layers are fixed onto the ReductoClips and furring channels, instead of directly to the frame, this means that the new layers are completely de-coupled from the structure of the building. The ReductoClip act like shock absorbers and absorb the vibration energy, stopping any vibration from continuing into the new wall layers.
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            How the ReductoClip Independent Clip System Works
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            How to soundproof a wall with the ReductoClip Independent Wall Solution
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&lt;div data-rss-type="text"&gt;&#xD;
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           How to soundproof a loft wall with the ReductoClip Direct to Wall Solution
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-8600e148.jpg" alt="ReductoClip Direct to Wall"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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            It may not always be an option to lose the space of 120mm within your loft (that the ReductoClip Independent system requires). Therefore an alternative would be attach the ReductoClips Directly to the attic or loft wall (without building the stud frame) meaning space loss would only be 60mm. This method delivers an excellent sound insulation compromise on space loss v's performance.
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&lt;div data-rss-type="text"&gt;&#xD;
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           How to soundproof a wall using the ReductoClip direct to wall solution
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&lt;div data-rss-type="text"&gt;&#xD;
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           How to soundproof a loft wall with SoundBoard4
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-3d1e30ff.jpg" alt="ProSound SoundBoard4 wall soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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            If the space loss of the higher performing ReductoClip wall soundproofing solutions (either 120mm, or 60mm) are still too much to lose on the attic wall, then there is another option, that of the
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           ProSound™ SoundBoard 4™
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           which is only 30mm thick.
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            The SoundBoard4 is a direct to existing wall system, is an easy DIY install and takes up just 30mm of space. The SoundBoard4 is ideal for blocking standard household noise, such as clear voices and TV. However, the SoundBoard 4 wouldn't be suitable for impact noise, bass sounds from music, deep voices and snoring. To block these kinds of noises, then the ReductoClip solutions mentioned above would be the only viable option.
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           The SoundBoard 4 delivers an airborne performance of 52dB direct to a solid wall and 54dB (for airborne noise), direct to a stud wall. In human terms it would mean a good halving of the noise. Further information on how sound is measured and
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    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/decibels-explained" target="_blank"&gt;&#xD;
      
           decibels
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            . 
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           The 4 different layers that make up the SoundBoard4 work by adding different high mass soundproofing materials to block a wider range of sound frequencies and by improving the walls ability to absorb sound energy. 
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           The 4 different layers of SoundBoard4:
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           1. 15mm acoustic plasterboard finish. M
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           eaning that after installation, the SoundBoard4 is ready for a skim coat of plaster and ready to decorate.
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           2. 3mm mass loaded vinyl, designed to replace lead in soundproofing.
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           3. 9mm closed cell foam, which dampens sound energy and vibrations.
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           4. 3mm a further layer of mass loaded vinyl, offering greater soundproofing qualities.
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           Take a look at the below videos which use the same principles as those when soundproofing a solid party wall of a loft.
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           How to soundproof a solid wall using SoundBoard4
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           How to soundproof a stud wall with SoundBoard4
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           Soundproofing a loft wall with SoundBoard3
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB3+hero+square-8170b75b.jpg" alt="ProSound SoundBoard3"/&gt;&#xD;
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            So far we have discussed loft wall soundproofing using the ReductoClip Independent Solution, ReductoClip Direct to Wall Solution and the SoundBoard 4. The final acoustic soundproofing solution for soundproofing a loft wall would be the
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           ProSound™ SoundBoard 3
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            . The SoundBoard 3 is a solution for soundproofing loft walls against low levels of noise, such as muffled conversation, background music and TV noise and is particularly suited to the application of stud walls (more so than solid walls). At only 27mm thick the SoundBoard3 is
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           The Soundproofing Stores
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           thinnest direct-to-wall soundproofing board. The SoundBoard 3 features 3 layers of different high mass materials.
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           The 3 layers of SoundBoard3:
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           1. 15mm acoustic plasterboard finish, ready for standard plasterboard decoration.
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           2. 3mm mass loaded vinyl, designed to replace lead in soundproofing.
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           3. 9mm closed cell foam, dampens sound energy and vibrations.
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           How to soundproof the plug sockets on a loft wall
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  &lt;a href="https://soundproofingstore.uk/product/acoustic-socket-putty-pads/?_gl=1*1n2ff13*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIzMTY3Ni4xNi4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/download-02a3a85a.jpg" alt="Acoustic socket putty pads"/&gt;&#xD;
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           Quick tip: Soundproofing is like waterproofing and is only as good as the weakest point. For example, if you are in a car and the window is only slightly open, you can normally hear all the sound outside perfectly clearly. When you close the window fully and the car becomes more soundproofed, all sounds are reduced to a quiet muffle. This illustrates how much sound can travel through any small gaps or weaknesses.
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           There isn't any point taking the time to soundproof a loft wall and then have gaps in the soundproofing where the plug sockets are. There are a few options in dealing with this.
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            Option 1. The most effective solution is to fit the SoundBoard across the whole wall and make a small hole in the soundboard and pull the cable for the socket through and then fill it with
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           acoustic sealant
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            . The socket would then be refitted as a surface mounted socket (so it would stick out).
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            Option 2: Is to fit the soundboard around the socket and fit a
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           socket putty pad
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            in the back of the socket.
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           Option 3: If the faceplate of the socket needs to fit as a regular fitting, then the back box will need to move forward 30mm by packing the wall behind the back box with a piece of wood and then remounting it. Again, a putty pad would need to be fitted at the back of this before refitting the faceplate. 
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           How to soundproof the ceiling of a loft
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           Celotex will more often that not be present within your loft ceiling. This doesn't offer any soundproofing capabilities, so the loft soundproofing solutions highlighted below include the Celotex, plus the soundproofing solutions. 
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           When soundproofing a loft or attic ceiling, due to there being no one above making impact noise (such as footsteps, or moving furniture) the noise being soundproofed against within an attic ceiling is usually airborne noise. Also, the loft ceiling isn't going to be made of concrete, it's going to be a timber joist ceiling, so this automatically means a focus on the best soundproofing solution for a timber joist ceiling to block airborne noise. Noises needing to be blocked from a loft ceiling can include voices from outside, traffic, airplanes and pigeons! 
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           Airborne noise is only blocked by mass, (as mentioned previously) and mass comes from heavy, dense materials. Therefore to soundproof the ceiling of a loft or attic, soundproofing materials need to be added which are high mass and will improve the ability of the ceiling to block noise.
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           4 main points to consider when soundproofing a ceiling:
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            1.
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           Adding mass
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            and high density materials to the ceiling to block airborne noise. Using soundproofing materials such as
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           FlexiSound
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            and
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           acoustic plasterboard
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            . 
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            2.
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           Dampening vibrations
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            . e.g. the noise of Airplanes through the ceiling of a loft can be a combination of both airborne noise and can also create a vibration.
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            3.
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           Sound absorption
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            , to reduce the sound echoing and amplifying in-between the timber joists. This is also known as the drum effect. 
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           Soundproofing the ceiling of a loft with the ReductoClip ceiling system
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Timber+Ceiling+buiold+up+with+labels-613820d9.png" alt="ReductoClip ceiling system"/&gt;&#xD;
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           The most effective soundproofing system for blocking high levels of noise within an attic ceiling, such as airplanes, trains, loud levels of shouting and any vibrations would be the
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           ReductoClip System
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           for ceilings
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            . This would involve removing the current plasterboard ceiling, exposing the timber joists and adding
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           acoustic mineral wool
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            into the void space. 
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           The ReductoClips are then fixed onto the bottom of the timber joists. Long metal furring bars are then run across the ceiling fixed into the ReductoClips. The ceiling is then rebuilt, by fixing the plasterboard layers onto the furring bars instead of them being fixed directly to the timber joists. This de-couples the ceiling and any vibrations travelling down from above will be absorbed by the ReductoClips. (Like sound shock absorbers).
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            The ceiling is built with 2 layers of 15mm acoustic grade plasterboard, sandwiching a layer of
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           FlexiSound 5
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           in between. these layers are very high in mass and will block a high level of airborne noise. The total loss of space when using the ReductoClip system for ceilings is 60mm as there is no need to build a separate stud frame, as with the ReductoClip system for walls.
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           How to soundproof a ceiling with the ReductoClip System 
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           How to soundproof the ceiling of a loft with SoundBoard 4
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            If there isn't the space within the attic to lose 60mm from the ceiling, then an alternative solution would be to use the
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           SoundBoard4
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           . 
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            SoundBoard4 is usually used on walls to block airborne noise. Therefore, depending on the type and level of noise needing to be blocked from the loft ceiling, SoundBoard4 can be applied to the ceiling of an attic or loft. This is because, generally there will be no impact noise needing to be soundproofed against, due to no footsteps, moving furniture etc coming from above. 
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            Firstly add acoustic mineral wool to the ceiling cavity in between the timber joists, as this significantly improves the acoustic performance by effectively absorbing airborne sound.
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           Acoustic plasterboard
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            then needs to be fitted and the SoundBoard4 can then be applied directly to the plasterboard on the ceiling. The SoundBoard4 is very easy to install and takes up just 30mm of space. It is ideal for medium levels of noise such as normal conversation, normal music levels and TV noise, resulting in a good halving of this noise.
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           The different layers that make up the soundboard work be adding mass to the ceiling of the loft and by improving its ability to absorb sound energy. The final layer is an acoustic grade plasterboard meaning after installation there is a plasterboard ready to add a skim coat of plaster to and then to decorate.
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           What is the best lighting to use within a soundproofed ceiling
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           Smart, flush spotlights inside a soundproofed loft ceiling can aesthetically look great, however they require multiple holes to be cut out. Once you have soundproofed the loft ceiling, the recommendation is to use surface mounted spotlights, or single pendant type lighting, which require just a small hole for one cable. The last thing you want to do is go to the lengths of soundproofing your ceiling and then put lots of holes in it for lighting. There should be no weaknesses in soundproofing and the addition of any holes for lighting simply creates a gap for noise to travel through.
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           We've mentioned it before... Soundproofing is like waterproofing. It is only as good as the weakest point. 
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           How to soundproof the under eaves storage within a loft
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            Depending on whether under the eaves are used for storage, or if the space is closed off, depends on the best solution. If access is required to the eaves, then
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           SoundBarrier mat
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           (also referred to as mass loaded vinyl) should be applied to the floor, within the void storage area. 
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            SoundBarrier Mat is used to combat airborne noise in floor, ceiling and wall constructions.
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           Acoustic sealant
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            is then applied around the perimeter to prevent any flanking vibration and seal any air gaps.
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            If the area under the loft is sealed with plasterboard and doesn't need to be accessed for storage, then in this instance
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           SoundBoard4
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            can be fixed directly onto the plasterboard stud frame therefore blocking the noise at this point rather than on the floor in the void.
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           Summary 
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           Highlighted in this article are examples of the different and most effective soundproofing solutions when soundproofing the walls, floors or ceilings within loft and attic conversions.
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           The main principles being that, adding mass is crucial to soundproofing. Also, using different layers of mass is more effective than more layers of the same material. Finally, ensuring the use of soundproofing solutions and materials to improve the ability of the loft (wall, ceiling, or floor) to absorb sound energy and vibration. 
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/loft4.jpg" length="28394" type="image/jpeg" />
      <pubDate>Sat, 18 Dec 2021 14:02:19 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-loft</guid>
      <g-custom:tags type="string">soundproofing,sound,insulation,airborne,impact,soundboard4,reductoclip,noisereduction,soundreduction,soundboard3,soundmat3plus,loft,wall,attic,ceiling,floor,how,to,soundproof,conversion,</g-custom:tags>
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      <title>How to Soundproof a Concrete Floor Against Airborne Noise</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-concrete-floor</link>
      <description>Learn more about how to soundproof a concrete floor and the best performing acoustic floor solutions. Also, the three main reasons as to why airborne noise can be heard through a concrete floor.</description>
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           How to soundproof a concrete floor
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           Concrete floors and unwanted noise
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            Concrete floors naturally contain much more mass than timber floors and are therefore (usually) good at blocking airborne noise. TV and conversation noise ordinarily does not transfer between the floors of buildings with concrete floors. The usual issue with unwanted noise and concrete floors is impact noise, the likes of footfall and movement of furniture. If you've even been on holiday and stayed in an apartment with concrete floors and no carpet, every time the person staying above drags their chair to sit down, the sound can be heard in your apartment below. 
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           Airborne noise and concrete floors
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           So, what if the noise being heard is indeed airborne noise? We've already highlighted that concrete floors usually perform well at blocking the transference of airborne noise, however there can be exceptions.The 3 main reasons why airborne noise can be heard through a concrete floor are highlighted below.
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           3 reasons why airborne noise can be heard through a concrete floor:
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            1.
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           Weak points
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            within the concrete that airborne sound is passing through. e.g radiator pipes, or cracks within the concrete itself
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            2. Flanking noise
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           transferring into other parts of the building, e.g. travelling down the wall. Flanking can occur when there is direct connection between the surface of the wall and the floor. This is often the case with concrete and steel structures and can be common in purpose built blocks of flats where there are lots of adjoining structures within a single building
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           3. Poor performing concrete structure
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           . It could be that the concrete itself isn't a solid 200mm, but is a hollow concrete slab. e.g. hollowcore, which is often used in the construction of flats. Because of the large holes and air gaps, (which create a weakness for airborne noise to pass through), the concrete floor needs to be treated in the same way as a timber floor. Therefore a combination of high mass materials need adding to the existing concrete floor.
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           How to check if a concrete floor needs soundproofing?
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            If you can hear airborne noise through a concrete floor, the likelihood is that it's due to one or more of the above reasons. You might be thinking, how do I know if it's because of a weak point, flanking noise, or the poor structural performance of my concrete floor?
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           The easiest way to narrow down why airborne noise can be heard through a concrete floor is to do a simple ear test. When you can hear the noise, put your ear to any gaps or holes, e.g. where there might be radiator pipes and listen to hear how loud the noise is. Put your ear to another part of the floor and compare how loud the noise is in different areas of the floor. 
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            To check for flanking noise, when you can hear the airborne noise, put your ear to the walls, listen again and compare.
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           It is difficult to know if the reason for hearing airborne noise is because of the concrete structure itself. In most cases you won't be digging up your concrete floor to check if hollowcore has been used. Access to builders and architect plans may help to answer this question. However, (by again) doing a simple ear test to the floor and moving to different positions across the floor will help ascertain if it is the structure itself. If you can hear airborne noise when doing an ear test to the floor in multiple positions then the likelihood is that it could be due to the poor performance of the concrete floor itself.
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           How to soundproof a concrete floor against airborne noise
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            If airborne noise can be heard through a concrete floor, then it is important to treat it as if it were a timber floor. Therefore, to soundproof a concrete floor effectively against airborne noise, it is important to add more mass to the floor. This is achieved by adding a combination of high mass / density products to the existing concrete floor.
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           The Soundproofing Store
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           '
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           s
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            acoustic underlays feature this combination of high density products within their flooring solutions. The top performing floor soundproofing solutions for airborne noise are listed below.
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            How to soundproof a concrete floor against impact noise
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            We have so far focused on how to soundproof a concrete floor against airborne noise. To soundproof a concrete floor against impact noise, then it is important to use high impact absorption foam. A combination of different types and thicknesses of soundproofing foam perform better for different levels of impact noise.
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           A resilient layer is added over the concrete and below the final floor finish. The correct concrete floor soundproofing solution depends on factors such as the floor height and what the final floor finish will be. The highest performing floor insulation products for concrete floors for both impact and airborne noise can be found below.
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            Soundproofing solutions for concrete floors
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           How to soundproof a concrete floor against airborne noise - Summary
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            Concrete floors don't always perform as well at blocking unwanted airborne noise as they should. Occasionally unwanted airborne noise can travel down to the room below. Highlighted in this article are the three main reasons as to why this can happen, along with the best floor soundproofing solutions for both airborne and impact noise on a concrete floor.
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            If a concrete floor is poor at blocking airborne noise, then treat is like a timber floor and add more mass of high density products to the existing concrete floor before laying the final floor finish.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Concrete+Floor+ImpactoMat+mobile.jpg" length="33234" type="image/jpeg" />
      <pubDate>Wed, 15 Dec 2021 15:47:24 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-concrete-floor</guid>
      <g-custom:tags type="string">concrete,how to,Soundproof,acoustic solution,impact,acoustic,Reverso SoundMat,SoundMat 3 Plus,Knowlede hub floors,underlay,floor soundproofing,ImpactoMat,SoundScreed,noisy neighbour,airborne,noise,Acoustic insulation,floor,SoundMat 2 Plus</g-custom:tags>
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      <title>Soundproofing Kitchen Floors</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-kitchen-floors</link>
      <description>The most effective soundproofing solutions for kitchen floors. Taking into consideration the unwanted noise issue and the final floor finish.</description>
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           Soundproofing Kitchen Floors
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           Which soundproofing products to use and how they are used with different kitchen floor finishes
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            For most people with their own home and a ground floor kitchen, soundproofing kitchen floors would never be something you need to think about. However, for those living in apartments and such, kitchens can be a very noisy place and can be a problem with your neighbours below.
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             The main issue with soundproofing kitchen floors is to combat footfall. With a nice soft carpet this would be minimised, but in the kitchen we tend to use much noisier
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           Vinyl, Lino's, Laminates,
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           Hard Wood Floors
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            or even
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           Tiles.
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            These floor finishes do not absorb the impact of your footfall and to make things worse, airborne sound reflects off these smooth surfaces and resonates.
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            So ... the big question...
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           'can I install your soundproofing systems in my kitchen, and can I have my lino on top?'
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            These floor finishes require a solid, stable base underneath, and most of our floor soundproofing systems are soft to absorb impact.
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             The first option is to use our
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           ImpactoMat 5mm
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            which is especially suited to reducing impact noise on concrete kitchen floors.
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            ImpactoMat™ Product Overview
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           ImpactoMat 5mm
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            is designed specifically to combat impact noise only, but with it's recycled rubber construction, it is also stable and therefore your kitchen floor finish can be installed directly on top. Unfortunately, ImpactoMat 5mm does not combat airborne noise, only impact.
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           'What if I need protection from airborne noise as well?'
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           We have a couple of simple solutions.
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            Reverso SoundMat Product Overview
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           The Reverso SoundMat is a totally unique and specially engineered dual purpose soundproofing mat suitable for both hard or soft floor finishes. A slim and effective floor soundproofing solution designed to reduce unwanted impact and airborne noise, helping you achieve peace and quiet in your home.
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           Different soundproofing layers of mass coupled with an impact dampening layer are cleverly combined in one easy to install product which greatly improves the soundproofing capabilities of timber kitchen floors.
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           The built in stabilising layer makes the Reverso SoundMat particularly suited to hard floor final finishes, as the majority of all hard floor finishes can be installed on top. This removes the need of a stabilising layer, which reduces time and costs.
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           SoundMat™ 3 Plus and SoundMat™ 2 Plus Product Overview
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           SoundMats are designed to reduce unwanted impact and airborne noise.
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           Different layers of mass are cleverly combined in one easy to install product which greatly improves the soundproofing capabilities of existing timber or concrete floors.
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           Whether you require peace and quiet from noisy neighbours living above or below, or privacy between floors within your own home, then SoundMats offer an excellent solution.
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            Our
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           SoundMat 2 Plus
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            and
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           SoundMat 3 Plus
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            systems combat both airborne and impact noise and are particularly suited to carpet final floor finishes.
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            However, (if not using the Reverso SoundMat for hard floor final finishes) they can also be used, but with the addition of a stabilising layer. If you install a layer of Ply / Chipboard / MDF on top of these mats, it
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           does not
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            effect their performance, but
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           does
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            give you a stable base for your kitchen floor finish.
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            For Vinyl, Laminate, Lino, and wood floors, a 6mm ply base should be stable enough. If using tiles, then a 12mm layer would be ideal.
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           Kitchen Floor Soundproofing Top Tip:
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            You don't need to pull out all of your kitchen cupboards to get soundproofing underneath, just use our system up to the cupboards. If you want to add extra soundproofing protection for the cupboard area, you can use our
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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            underneath through the front panel. It's only 5mm thick and blocks airborne sound very well. As there is no footfall you don't need impact protection!
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  &lt;h3&gt;&#xD;
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           Compare the range of soundproofing solutions for kitchen floors
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           Need Help?
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ImpactoMat+5mm+SQUARE.jpg" length="111918" type="image/jpeg" />
      <pubDate>Mon, 15 Nov 2021 10:57:04 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-kitchen-floors</guid>
      <g-custom:tags type="string">3,SoundMat 2 Plus,,FlexiSound,SoundMat 3 Plus,kitchen,floor,Noisy Neighbours,ImpactoMat,soundmat,plus,soundproofing</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundMat+3+Plus+SQUARE-1f21a879.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ImpactoMat+5mm+SQUARE.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to Soundproof Against External Noise</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-against-external-noise</link>
      <description>The most effective ways to soundproof against external noise.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How to Soundproof Against External Noise
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           What do we mean by "External Noise"?
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            We often get people enquiring about soundproofing against external noise, such as car noise or shouting travelling into their properties.
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           When focusing on external noise, we would point you towards addressing your windows and doors to start with.
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            Many people contact us thinking that it is the wall itself that needs soundproofing. However in most cases it is the windows that are the weakest point as external walls are normally constructed of very high mass materials with insulation and normally perform very well for soundproofing.
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           Even if you have standard double glazing this can often not perform well enough for loud noises. (There is standard double glazing and good quality double glazing).
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           How to Soundproof a Window
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           The best way to fix sound issues of this nature would be to upgrade your windows and frames surrounding them. You should consider replacing the window with better performing double or even triple glazed windows. The addition of acoustic glass will make a huge difference to you. If the existing window is already in a good condition and changing to triple glazing is not a option then you can add secondary double gazing, (two sets of double glazing).
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           Finally, please make sure that all the frames fit the window opening correctly and that there are no small gaps which are sometimes just filled with a small amount of spray foam. This can then be a weak point where all the sound can leak through.
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           Do Soundproof Curtains work?
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           We have a number of people contact us about the use of “Soundproof Curtains” or “Blackout Curtains”, and whether we sell them/ if they work. The simple answer is soundproof curtains will only give you a small improvement at best. Therefore, we do not sell curtains, as their performance is not good enough to be called 'soundproofing'.
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            To successfully soundproof a surface, we must apply the following principles:
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            Improve the mass of the surface - This is normally achieved by adding different high mass/density products.
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              2. Improve the ability of the surface to absorb sound energy and vibrations. Without this, the addition of the mass will have very little impact.
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              3. Use different materials of high mass. Different materials perform better for different sound frequencies, so using a combination of high mass materials will always perform better than simply using more of the same material.
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           Another key thing to consider is that sound travels like water, and soundproofing is very much like waterproofing. Therefore it is only as good as its weakest point. With this being the case the entire surface being soundproofed must be completely sealed for it to work, or sound will just leak in through any gaps left. This is simply impractical with curtains as they are designed to open to let light in, and there is always a gap between the curtain and the window.
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           You are indeed adding mass to an area in front of a window with the view to block sound, but as curtains are hung up usually on a pole they are unlikely to have the high level of mass required to make much of a noticeable difference for louder levels of noise. After all, curtains are expected to be light enough to open and not pull down the pole due to their weight!
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    &lt;img src="https://irp-cdn.multiscreensite.com/md/unsplash/dms3rep/multi/photo-1593201464348-5e2fefebc4e7.jpg" alt="Soundproof Curtains don't exist"/&gt;&#xD;
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           Do Window Plugs work?
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           The answer to this question is very similar to the one regarding curtains.
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           A window plug can be a permanent, or removable object that sits on the inside of a window. They can make a little bit of difference, but not much and are generally very impractical. This is for a couple of reasons, in more detail:
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            Mass blocks sound, and this adds weight, so the heavier a material is the more airborne sound it blocks. Following this principle, anything heavy enough to really make a difference will be difficult for you to lift and put in your window every night and pull out every morning. We generally say our materials need two people to lift them, so in reality this just isn’t practical. Therefore you would need something lightweight, which then won’t add enough mass to block much sound.
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        &lt;span&gt;&#xD;
          
             Going back to the waterproofing analogy, soundproofing is only as good as the weakest point. Like waterproofing, you need to make sure everything is sealed and airtight, or the sound will just leak through the gaps. If you are wanting a plug to pull in and out regularly, it would not be properly sealed.
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           Next time you hear noise, do a quick ear test and compare the noise coming through your closed window, then place your ear near a point on the wall away from the window and see what the difference is.
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           Your Next Steps
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            Windows are not something that we specialise in. In our honest opinion we would recommend speaking to a glazing company and changing your windows for acoustic glazing and if possible even put in secondary glazing too, (as this is sealed and would greatly improve sound reduction). Aesthetically it would also look much better and keep your natural light, whilst still complying with safety and fire regulations etc. You will spend your money on a solution which will work far better!
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            Our blog on how to
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-door" target="_blank"&gt;&#xD;
      
           soundproof doors
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            may also be of some use to you.
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  &lt;p&gt;&#xD;
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           You are more than welcome to have a go at making / designing your own plug, feel free to browse the website for high mass materials. Below are a couple of suggestions for you:
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           ProSound™ SoundBoard 4
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            You could then combine that with
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           acoustic mineral wool
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            on the inside (against the window) so that you don’t create a cavity for sound to resonate in.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/External+noise.jpg" length="50530" type="image/jpeg" />
      <pubDate>Tue, 09 Nov 2021 14:49:15 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-against-external-noise</guid>
      <g-custom:tags type="string">Soundproof,glass,internal,double,acoustic,shouting,noisyneighbour,soundproof glass,doors,external,walls,triple,noise,glazing,Soundproofing</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/External+noise.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/External+noise.jpg">
        <media:description>main image</media:description>
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    </item>
    <item>
      <title>How To Soundproof A Bedroom Wall</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-bedroom-wall</link>
      <description>The best soundproofing and sound insulation solutions when soundproofing a bedroom wall from unwanted noise and noisy neighbours</description>
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            How to soundproof a bedroom wall
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           How do I soundproof my bedroom wall against noisy neighbours?
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            Bedrooms are often a sanctuary within our homes where we go for peace and quiet. Often to unwind after a busy day and with the aim of getting a good nights sleep. This can often be blighted by the unwanted noise from noisy neighbours and these unwanted sounds can in time lead to a range of mental health effects.
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           Anxiety and stress can often be triggered as a result of a frequent or loud noise. With continued exposure to unwanted noise, a person’s sensitivity to stress increases. People living with noise pollution may feel irritable, on edge, frustrated, or angry. If a person feels they cannot control the amount of noise in their environment, its impact on their mental health intensifies.
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           Soundproofing your bedroom walls may be the only way to help reduce unwanted noise, especially if relations with your neighbours are strained and your requests for e.g. music to be turned down late at night have been ignored. The below article will take you through the top sound insulation solutions when looking to soundproof a bedroom wall.
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           Why noises at night appear louder
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           Firstly, we need to establish the level of noise coming through the bedroom wall. It is worth mentioning that any noises heard at night can often seem even louder. Without the background noise and distractions heard during the daytime, when it is dark and quiet around us at night we are more sensitive to noise (e.g you can hear a pin drop at night but would not notice this during the day time). Also, once a noise is heard, we tend to listen out for it more, which can also make the noise seem louder.
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           Learn more about why it is important to consider an individuals noise perception when soundproofing a bedroom
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            .
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           3 points to consider before soundproofing a solid bedroom wall
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            How loud is the noise coming through the bedroom wall? e.g. Is it shouting and loud music, or quieter conversation. The answer to this will determine the right wall sound insulation system for your bedroom wall.
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            What types of noise are being heard? Is the noise airborne (e.g. voices and music) or impact (e.g. footsteps, banging doors) or a combination of the two. Again, the types of noise being heard will also determine which is the correct soundproofing solution for your bedroom wall.
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            How susceptible to noise are you? As previously highlighted, at night peoples sensitivity to noise can be heightened. If you naturally have a high sensitivity to noise, then a higher performing bedroom wall soundproofing solution will be required.
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           Soundproofing a bedroom wall checklist
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            Check the wall for weak points, such as gaps as this will be a weak point for sound to escape through. Treat the walls like waterproofing, it will only be as good as the weakest point
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             Improve the walls ability to block airborne noise by adding mass/weight to the existing wall. By adding weight and density, you are making it harder for airborne sounds to travel through the bedroom wall
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            Improve the walls ability to absorb the vibration energy (impact noise) by adding resilience to the bedroom wall
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            For stud walls dividing bedrooms, use acoustic mineral wool to absorb and prevent any sound from resonating and amplifying between the timber/stud frame
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            Using different layers of acoustic grade mass will perform better for different types of sound
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             What if my bedroom wall has a chimney? As a general rule, normally it is only the alcoves within the bedroom wall which need soundproofing, not the fireplace. See our blog on
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            Soundproofing Chimneys
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            if you also have noise coming through the chimney.
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            3 Proven Soundproofing Solutions when Soundproofing a Bedroom Wall
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           Answers to the questions above will determine the correct sound insulation solution for your bedroom wall.
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            For instance, if you are experiencing excessive noises such as very loud music, shouting, babies crying, snoring, very loud TV noise and impact noise you will need a bedroom wall soundproofing solution which can block these excessive noise levels.
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            Using a lesser performing system against excessive noises, or if the noise you are experiencing isn't excessive, but you are extremely susceptible to noise, will result in a poor performance and disappointing results. Our advice in this instance would be to use the
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           ReductoClip Independent Wall Solution
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            which is our highest performing wall solution and achieves excellent results when soundproofing a bedroom wall. The ReductoClip Independent wall Solution is also used in the soundproofing of music studios.
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           Below are 3 bedroom wall soundproofing solutions in order of performance when looking to soundproof the solid party wall of a bedroom.
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           Option 1: The ProSound™ ReductoClip™ Independent Wall System
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/main+Reducto+Clip+on+its+own.jpg" alt="ReductoClip Independent Clip Solution"/&gt;&#xD;
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           The ProSound™ ReductoClip™ Independent Wall System
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            - Is the ideal wall soundproofing solution for all noise problems. This acoustic bedroom wall solution delivers an exceptional performance against excessive noises such as shouting, very loud music, TV noise and impact noises.
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           The ReductoClip Independent Wall System is extremely effective against loud or excessive noises and will address both airborne and impact noises. This system really is the ultimate bedroom wall soundproofing solution and is based around the proven system of building a room within a room.
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           The ReductoClip Independent Wall Soundproofing System is designed to completely isolate the bedroom wall. By firstly building a stud frame, (a minimum of 10mm away from the party wall). Attaching the ReductoClips and Reducto Furring Bars to the new stud frame decouples the addition of high mass wall layers from the original bedroom wall. This greatly reduces the transference of sound vibration energy from the adjoining room into the bedroom and vice versa. The addition of high mass wall layers also block airborne noise.
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           ReductoClip Independent Wall Solution - Key Features
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             The new stud frame decouples the new wall from the existing bedroom wall to limit vibration transfer of sound energy
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            Ideal for blocking excessive noises through a bedroom wall, such as very loud music, snoring, shouting, babies crying and very loud TV noise and impact noise
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             Highest performing soundproofing solution for a bedroom walls and also used for homes cinemas and recording studios
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            Adds a high level of mass to the wall, made up of difference densities of material to block a wider range of sound frequencies
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            The ReductoClips and furring bars further help to absorb sound energy by working like shock absorbers to “decouple” and absorb sound energy as it passes through the structure
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            The ReductoClip independent system offers the thinnest independent clipsolution on the market (120mm thick)
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            DIY installation, or anyone with experience of fitting plasterboard can easily install the system
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            The final layer of acoustic plasterboard needs a simple skim finish and the bedroom wall is then ready for decoration as normal
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           ReductoClip product overview
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           Installation of the ReductoClip™ Independent Wall System
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           Option 2: 
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           The ProSound™ ReductoClip™ Direct to Wall System
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-ba3a1c28.jpg" alt="ReductoClip Direct to Wall solution for a bedroom wall"/&gt;&#xD;
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            An alternative to building a stud frame, as per the ReductoClip Independent Wall Solution above, is The
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           ReductoClip Direct to Wall
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            System. There are certain situations whereby the 120mm build up (although the thinnest on the market) is still too much to lose from the bedroom wall.
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           Therefore, an alternative option is to bypass the process of building the independent stud frame in front of the bedroom wall you are soundproofing and add the ReductoClips directly to the bedroom wall. This brings the total build up of the ReductoClip direct to wall system to only 60mm.
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           Although not as high a performing solution as the ReductoClip Independent System, The ReductoClip direct to wall system is still an excellent solution for loud noises such as music, clear conversation, babies crying and clear TV noise and is the perfect compromise on performance v's loss of space within the bedroom. 
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           ReductoClip Direct to Wall Solution - Key Features
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            Excellent solution for all noise problems. Loud noises such as music, clear conversation, babies crying, clear TV noise and dampening of impact noises
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            If you don’t have 120mm of space, you can install directly onto the bedroom wall, reducing space loss to an incredibly slim 60mm, still maintaining a good reduction in both airborne and impact sound performance
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            Although a step down in performance from the full 120mm version, the system offers an excellent compromise on space loss v’s performance
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            Adds a high level of mass to the wall, made up of difference densities of material to block a wider range of sound frequencies
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            The ReductoClips and furring bars further help to absorb sound energy by working like shock absorbers to “decouple” and absorb sound energy as it passes through the structure
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            DIY installation, or anyone with experience of fitting plasterboard can easily install the system
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            The final layer of acoustic plasterboard needs a simple skim finish and the bedroom wall is then ready for decoration as normal
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  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+build+up+with+labels.png" alt="ReductoClip Direct To Bedroom Wall"/&gt;&#xD;
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  &lt;h2&gt;&#xD;
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           Installation of the ReductoClip™ Direct to Wall System
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           Option 3: The ProSound™ SoundBoard 4™
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&lt;/div&gt;&#xD;
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-d51894b6.jpg" alt="ProSound SoundBoard 4"/&gt;&#xD;
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            The
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           Pro-Sound™ SoundBoard 4
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           ™
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            System is a thin direct to wall solution, at only 30mm thick. SoundBoard 4 is a good solution where space is at a premium within the bedroom and where the ReductoClip Independent or ReductoClip Direct to Wall Solutions can't be used.
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  &lt;p&gt;&#xD;
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           SoundBoard 4 is a good solution for blocking airborne noise, such as clear voices and TV. However, the SoundBoard 4 isn't suitable for impact noise, or bass sounds e.g. bass music, deep voices or snoring.
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            The Pro-Sound™ SoundBoard 4 utilises 4 layers of three different Soundproofing technologies all laminated together for easy installation.
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            The outer facing layer is a 15mm acoustic grade plasterboard which is 50% denser than standard plasterboard
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            The second layer is a 3mm high density mass loaded vinyl which was designed to replace lead in soundproofing. This mass loaded vinyl performs differently to the mass in the plasterboard due to the different construction helping to block a fuller range of sound frequencies
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             The third layer is a 9mm acoustic closed cell foam designed to dampen and reduce sound vibrations from transferring through the board.
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            On top of that is a second 3mm layer of high density mass loaded vinyl.
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           SoundBoard 4 Key Features
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            Only 30mm thick and ideal for reducing standard household noise (that is not excessive) from noisy neighbours. Not suitable for bass heavy music or bassey tones e.g snoring through a bedroom wall
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            Fixed directly to your existing wall (no stud frame or clips)
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            Minimal disruption to your home - very easy DIY installation with 9 screws per board
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             One installed the SoundBoard 4 is ready for a standard plasterboard finish, e.g. skim, or heavy duty backing paper and the bedroom wall can be decorated as normal
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           Installation of the SoundBoard 4™ Direct to Wall System
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           How to soundproof an internal bedroom (stud) wall?
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           So far we have concentrated on the best way to soundproof a solid party bedroom wall, which is usually between neighbouring properties.
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           However, there are instances when the bedroom wall needing to be soundproofed is to stop noise transferring between internal bedroom walls within the same property, rather than the neighbouring property.
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            In this instance, the internal wall will be a stud wall. The same principles apply as above with a solid party wall, however the recommendation when soundproofing a stud wall within a bedroom, would be to also add 50mm
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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            between the stud frame.
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           The 3 best ways to soundproof an internal stud wall
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           How to soundproof an internal stud wall separating bedrooms
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           Soundproofing a bedroom stud wall
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           Thinking about the answers to the following questions will help with the correct sound insulation for the stud wall of a bedroom:
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            What type of noise are you trying to soundproof against? Airborne, impact noise, or both?
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            How loud is the noise between the stud wall of the bedroom?
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            How susceptible to noise are you?
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           The most effective way to soundproof a stud bedroom wall is to:
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            Improve the mass of the bedroom wall, by adding high mass products
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            Use different high mass products, as different types of mass perform better for different sound frequencies. Therefore, using a combination of high mass materials will always perform better than using more of the same material
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            Dampen, or decouple the stud wall to improve the ability of the stud wall to absorb the unwanted sound energy and vibrations
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             Add
            &#xD;
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      &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
        
            acoustic mineral wool
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             between the stud frame which absorbs any sound from getting inside and stops the sound from resonating and amplifying within the void
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           The best soundproofing options for a bedroom stud wall
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            Option 1:
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           The ReductoClip Independent Wall Solution is the highest performing solution, as detailed in the video above
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            Option 2:
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           The second option, if space for the independent system doesn't allow, would be the ReductoClip Direct to Wall Solution
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            Option 3:
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            SoundBoard 4 is a good performing direct to wall soundproofing panel providing a good performance and slim profile for stud walls
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  &lt;h2&gt;&#xD;
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           How to Soundproof a Stud Wall Within a Bedroom
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           How to Soundproof a Bedroom Wall Summary
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    &lt;span&gt;&#xD;
      
           Highlighted are the main points to consider before soundproofing a bedroom wall and answers to these key points and questions then form the basis of which sound insulation solution should be used.
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  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            The top 3 performing bedroom wall soundproofing solutions have then been discussed for both solid and stud bedroom walls.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Should you require any further information, help or advice on the correct soundproofing solution for your bedroom wall, then please don't hesitate to get in touch.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/noisy+bedroom+small.jpg" length="111107" type="image/jpeg" />
      <pubDate>Mon, 08 Nov 2021 14:40:43 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-bedroom-wall</guid>
      <g-custom:tags type="string">Soundproof,SoundBoard4,solid,wall soundproofing,stud,impact,neighbours,noisy,bedroom,How,airborne,snoring,Soundproofing,wall,ReductoClip</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/noisy+bedroom+small.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/noisy+bedroom+small.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Why consider an individuals noise perception when Soundproofing?</title>
      <link>https://www.soundproofingstore.co.uk/why-consider-an-individuals-noise-perception-when-soundproofing</link>
      <description>Why it is important to consider peoples individual susceptibility to sound, when choosing the right soundproofing solution.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Why consider an individuals noise perception when soundproofing a room?
          
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Too+noisy.jpg" alt="Too noisy fingers in ears" title=""/&gt;&#xD;
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            When talking about soundproofing, barely mentioned anywhere is the subject of hearing perception or auditory perception. There can often be a vast difference from one person to the next when it comes to an individuals susceptibility to noise or different frequencies.
            
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            It is not uncommon to come across people sharing a living space, who have different opinions about the same noise problem. That's why an important question to ask prior to choosing the right soundproofing solution is
           
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      &lt;span&gt;&#xD;
        
                        
            'how susceptible to noise are you'?
           
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            For individuals who are extremely sensitive to noise, then they will need to install the highest performing soundproofing solution. This is also the case for those people living together where one person isn't as bothered by the unwanted noise as the other person. It is always important to soundproof based on the person who is more susceptible to the unwanted noise.
           
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           Why do sounds appear louder at certain times of the day?
          
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/sleep+disturbance+at+night.jpg" alt="Sleep disturbances at night"/&gt;&#xD;
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            Dr Bill Budd from the University of Newcastle highlights how hearing isn't like other senses. 'If a light is too bright, we can always close our eyes, or turn away, whereas our hearing is always 'on' even when we are sleeping'. This further highlights the recommendation to also install the best possible soundproofing system if the unwanted noise is being heard in a bedroom.
           
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            This is because at night peoples sensitivity to noise can also be heightened. Night time often means there is less distraction and ambient noise around us, so we tend to hear even the smallest of sounds and they can also appear louder than usual. When you hear a noise at night, you tend to focus on that noise which also makes the noise sound louder.
           
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            The other aspect that we have to take into account is that we as humans are very good at ignoring background noise, I.E if you move to a new house next to a noisy road you will notice the noise for the first week or so but then our brains learn to ignore the noise over time.
           
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            Finally we all have different types of hearing. I.E young people can hear higher frequencies far better than older people and different people are susceptible to different sound frequencies.
           
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           Of course, there are also instances when noise is most definitely louder at night, e.g. your noisy neighbours play loud music at 2am!
          
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           Why we can hear certain sounds more clearly than others?
          
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            Some people are more sensitive to certain aspects of sound, but not all sounds. For example, they might be able to hear very soft sounds, or sounds at high frequencies, but not a combination of all sounds. Hearing is extremely complex, with even the left and right ears processing sounds differently.
           
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            Scientists have discovered that the right ear responds more to speech and logic, while the left ear is tuned in to music, emotion and intuition.
           
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           Why are we affected by noise in different ways?
          
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            Researchers from University College London and the University of London conducted a piece of research which found the more extrovert the individual, the less they were affected by noise. According to one theory, extroverts are inherently 'understimulated', so seek out situations to increase their level of arousal, such as noisy environments. Personality traits are therefore a consideration in how we perceive differences in sounds.
           
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           This partly explains why some people like to hear background noise, or listen to music whilst they are working, helping them to concentrate, whereas for others this is an unwelcome distraction.
          
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           Sound frequencies
          
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            Sounds are what we hear when something causes the air to vibrate. The human ear can hear vibrations as sound when they vibrate between 20 and 20,000 hertz. To put that into perspective, a dog can hear up to 45,000 and a cat up to 65,000 hertz.
           
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            The outer ear (pinna) acts like a satellite dish to collect sounds from our environment and funnel's it to the inner ear
           
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            When the inner ear receives sounds, it triggers a reaction from the brain cells responsible for transmitting information to the brain, translating the sound into electrical impulses and sending it along the auditory nerve
           
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            Once the electrical impulses reach the brain, it interprets them into recognisable sounds
           
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            This 'triggering' forms different types of patterns, that in turn touch different parts of the brain, which explains why certain sounds are often associated with strong memories and feelings.
           
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           The University of Oxford researched how the mechanics might be the same, but individuals still experience sounds differently from each other.
          
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           Differences in the vibrations we hear
          
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            Research by the Acoustical Society of America explored how the shape of peoples skulls and variations in bone structure is likely to have something to do with why individuals hear the same noise in a slightly different way.
           
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            When sound bounces off the structures of the inner ear, it reflects off the ear and off the bones in the head. Their research shows that even the slightest differences in things like shape and bone density can make a huge difference in the vibrations heard. Interestingly women's skulls tend to vibrate faster than the skulls of males. Which could answer why in general women have greater hearing sensitivity than men and also greater susceptibility to noise exposure at higher frequencies.
           
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           I'm extremely sensitive to noise, which soundproofing should I use?
          
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            The below links highlight the different soundproofing solutions for walls, floors and ceilings. Depending on your noise issue and sensitivity to noise, our advice would always be to go with the highest performing acoustic solution.
           
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           Noise perception and soundproofing summary
          
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           The differences in the perception of sound and an individuals response to different frequencies of sound can differ greatly from person to person.  We are all affected by noise in different ways and therefore when looking to soundproof the walls, floor or ceiling in a home of someone who is susceptible to sound, it would always be wise to go for the highest possible performance when it comes to choosing the correct soundproofing solution.
          
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Too+noisy.jpg" length="63142" type="image/jpeg" />
      <pubDate>Wed, 20 Oct 2021 10:30:55 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/why-consider-an-individuals-noise-perception-when-soundproofing</guid>
      <g-custom:tags type="string">ceiling soundproofing,knowledge hub walls,sounds,wall soundproofing,auditory,sound,noise,hearing,floor soundproofing,Soundproofing,frequencies,perception</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Too+noisy.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/28aa4e38/dms3rep/multi/Too+noisy.jpg">
        <media:description>main image</media:description>
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    </item>
    <item>
      <title>Which Wall Soundproofing System Should I Choose?</title>
      <link>https://www.soundproofingstore.co.uk/which-wall-soundproofing-system-should-i-choose</link>
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           Which Wall Soundproofing System Should I Choose?
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           Helping You Choose Between Our Selection Of Wall Soundproofing Options
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            The most common enquiry we receive at
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           The Soundproofing Store
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            is about reducing noise from neighbours on the other side of a solid party wall. When trying to solve this problem we offer three main solutions:
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             Independent ReductoClip™ System (120mm) Highest performing soundproofing solution
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            Direct to Wall ReductoClip™ System (60mm) Excellent performance with a slim profile
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            SoundBoard 4™ System (30mm) For tight spaces
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           This leads customers to the following questions;
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           Which system is best for MY situation?
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           Why should I use the ReductoClip Systems over the thinner, cheaper SoundBoard 4?
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           To help you in your decision, have a think through the information below.
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           Soundproofing is not a one size fits all solution
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           When trying to decide on the best wall insulation system for you, you must bear in mind that soundproofing systems are designed to deal with different levels of sound and different types of sound. Just because a material or system is for soundproofing, it does not necessarily mean it’s going to be effective for your specific construction and noise problem.
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           A common misunderstanding is thinking that any and all soundproofing systems will work. Effective acoustic wall solutions will reduce the noise, but at varying levels and how effective the performance, depends on the below factors.
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           Generally, a more expensive system will reduce the volume considerably. However,  thinking a cheaper system will still offer a good reduction is unfortunately not the case. For particular wall types and noise problems, some systems will be completely ineffective. This doesn’t mean they don’t work or are no good, they are just not designed for that specific situation.
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           A silly analogy to make the point would be like saying tomato ketchup is a perfectly nice condiment to put on your hotdog, but you wouldn’t want to put it on your chocolate cake.
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           What Factors To Consider When Choosing Your Wall System?
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           1. The construction of the wall i.e is the wall a plasterboard stud wall, a single brick wall, a thick stone wall, a double skin cavity wall?
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           Sound reduction can be affected by a law of diminishing returns. In other words, the better the wall is to begin with, the better system you need to add to make a significant difference.
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           For example, if you have a very light weight plasterboard wall that is very low in mass, just adding a little extra mass such as a layer or two of plasterboard will already make a noticeable difference. A solid brick wall that is higher in mass will get no noticeable difference from just adding a couple of layers of plasterboard as this is very little extra mass in context to how much mass the wall already has. Therefore a better system is needed. A very good wall such as a cavity wall, will need a really good system to make any noticeable difference because it’s already doing such a good job already.
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           2. The type of sound i.e Airborne or Impact
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           Airborne sound is sound that is projected into the air such as voices, coughing, snoring, music etc.
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           Impact sound is physical impact on the structure such as banging doors and cupboards, dragging furniture, hoovers hitting skirting boards, footfall on stairs etc. This creates a strong vibration energy in the structure that can easily spread.
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           Airborne sound is predominantly blocked by mass. The more weight and density you add to the wall the more mass it will have and the harder it is for sound to travel through. At the same time, sound is also an energy, so it is important to add some resilience to the wall to dampen that energy. This will give a good sound reduction.
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            Impact noise is trickier to deal with as we have to stop the strong energy and vibration of the impact from getting to your side of the wall. The best way to do this is to completely de-couple the soundproofing from the structure to break the route between the neighbours side and yours. Or alternatively, isolate the soundproofing using a shock absorbing suspension system to dampen high levels of vibration (such as the
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           ReductoClip Independent Wall System
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            ).
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           3. The pitch or frequency of the sound
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           Sound covers a wide spectrum of pitch / frequencies from very low bass to very high treble.
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           The lower the pitch of sound the stronger the vibration energy. Higher pitched sounds such as female voices etc will be more reduced by just adding mass, whereas lower frequencies such as bass in music need to be treated more like impact by stopping the energy.
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           4. The clarity of the sound
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           This ties in with the frequency and pitch. Clarity comes from the higher frequencies of sound. For example, if you can hear conversation from next door and can hear the words of the conversation clearly as if you were in the same room, then the higher frequencies of sound are getting through the wall. If the conversation sounds muffled so you can hear voices but not specific words, then the wall is already doing a good job at reducing the higher pitch sounds but is letting through the lower pitch sounds making it muffled.
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           5. The volume of the sound
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           This is an obvious one. If the sound is extremely loud and disruptive a system that reduces the volume by say 50% will have made a big difference, but even the 50% that remains will still be loud. In which case, you really need a high performing system that can offer much higher reductions. If the sound is very quiet, then a lower performing system may be enough to solve the problem.
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           6. Your sensitivity to the sound
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           We get a big mix of customers calling us from people who are not too fussed about the noise and get on very well with their neighbours, but think it would be nice to get a little reduction to make things even better. Alongside extremely emotional customers whose lives are being severely disrupted by anti-social neighbours keeping them awake all night and creating a very stressful environment.
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           In the first case a small reduction is fine so a lower performing system might be suitable. For the emotional customer, just reducing the sound a little bit is not going to solve their problem and bring peace to their lives, so they will need to use the highest performing system they possibly can, to reduce the unwanted noise as much as possible.
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            Summary: Which wall soundproofing system should I use
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           There are a number of important factors to consider when choosing the correct wall soundproofing system, which have been highlighted above.
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           Our recommendation would be to always speak to a soundproofing expert, who will firstly ask questions about your individual situation. Only then can the they advise on the best performing acoustic wall solution.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/how-to-noisy-neighbors-shanghai.jpg" length="152031" type="image/jpeg" />
      <pubDate>Thu, 23 Sep 2021 12:47:05 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/which-wall-soundproofing-system-should-i-choose</guid>
      <g-custom:tags type="string" />
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        <media:description>main image</media:description>
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    </item>
    <item>
      <title>What’s the difference between Impact and Airborne noise?</title>
      <link>https://www.soundproofingstore.co.uk/whats-the-difference-between-impact-and-airborne-noise</link>
      <description>How to effectively soundproof a wall, floor and ceiling against unwanted impact and airborne noise</description>
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           What’s the difference between Impact and Airborne noise?
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         Airborne and Impact noise
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/airborne+noise+from+a+family.jpg" alt="Family watching TV creating airborne noise" title=""/&gt;&#xD;
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           Sound is broken down between airborne and impact noise.
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           Airborne noise
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            is transmitted through the air and atmosphere and experienced through the likes of people talking, TV noise, dogs barking etc. When sound waves travel through the air and reach a building element they hit it and cause it to vibrate. These vibrations travel through the structure or building and are radiated out the other side albeit at a reduced volume.
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           Impact noise
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            is the physical impact on buildings or solid materials. Examples being footfall, doorsbanging, walking and furniture moving. Impact sound occurs because the impact causes both sides of the building element to vibrate, generating sound waves. This can often be the hardest to isolate as impact vibrations are stronger and travel further through dense materials.
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           Most of us at some point will have experienced impact and airborne noise, or a combination of the two. Most commonly airborne and impact noise will be experienced via noisy neighbours in terraced houses or flats and in extreme cases, can make day-to-day living in your own home nothing short of a nightmare.
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           How to tell if you are affected by airborne or impact noise?
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           The simplest test for walls is to put your hand on the wall and if you can feel a vibration, then it's impact noise. If you can't feel a vibration but can still hear the noise, then it's airborne noise.
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            For ceilings you can normally tell by the type of noise such as foot steps, furniture being moved etc, which is impact noise. Music, TV's and people talking is airborne noise.
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         How does sound travel?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+waves+Matt-249ff106.png" alt="How Sound travels " title=""/&gt;&#xD;
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           When sound waves come into contact with a solid material some sound is reflected back into the room, some sound is absorbed by the wall and finally the sound energy / vibration travels through the wall by vibrating it and then passes through to the other side.
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            Sound also travels by direct and in-direct means. An example of direct sound would be hearing your neighbours TV through the wall, no surprise the noise is travelling directly through the wall. When sound travels indirectly,think of it much like water, it will always find a path, often via indirect methods. Travelling around, under and over any obstacles in its path. Noise which reaches a room in this way is also referred to as
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           flanking noise.
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           Indirect sound can be harder to treat, as sometimes it’s harder to define where the flanking sound is coming from. It could be the space between floorboards, or cavities in a wall you didn’t even know existed. The good news is, The Soundproofing Store offers expert advice and professional soundproofing solutions to combat Airborne, Impact and flanking noise.
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         How to soundproof against airborne
noise?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/wall+of+speakers.jpg" alt="airborne noise" title=""/&gt;&#xD;
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           Firstly, where is the noise coming from? Once this has been established it’s all about the best way to stop sound, which is having mass, an air gap and mass again. This ensures that the sound waves have a difficult time penetrating through that space and continuing into your home.
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           As an example, let’s look at a common problem with noisy neighbours. You can hear noise coming through the wall from your neighbour. You can hear their TV and muffled voices and the wall in your room is a solid wall.
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           You know the sound is airborne noise as the voices are coming directly through the wall. The soundproofing solution (as mentioned above) is all about adding mass and dampening materials or decoupling to prevent the sound energy passing through. This is achieved by adding different high mass/density products. This is important, as using different materials of high mass perform better for different sound frequencies so using a combination of high mass materials will always perform better than simply using more of the same material
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           The best products in this instance would be:
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            How to soundproof a wall against standard (airborne) household noise
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   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      &lt;b&gt;&#xD;
        
            ProSound™
           &#xD;
      &lt;/b&gt;&#xD;
      &lt;b&gt;&#xD;
        
            SoundBoard 4
           &#xD;
      &lt;/b&gt;&#xD;
      &lt;b&gt;&#xD;
        
            ™
           &#xD;
      &lt;/b&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundboard-4" target="_blank"&gt;&#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Utilising 4 different soundproofing technologies laminated together (only 30mm thick) for easy installation. The SoundBoard 4 offers a good solution for standard household noise. e.g. clear voices and TV. However, the SoundBoard 4 isn't suitable for impact noise, bass sounds from music, deep voices, or snoring.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundBoard 4 passes Part E Building Regulations when applied to a brick or block wall and also passes Part E Building Regulations when added to a stud frame (as part of a system).
            &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard 4™ A Useful Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof a wall against loud airborne and impact noise
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-8600e148.jpg" alt="ReductoClip™ Wall Soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If the noise levels being experienced are louder than muffled conversation and TV noise, then you would need a higher performing wall soundproofing system. For excessive levels of airborne noise,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/reducto-clip-system" target="_blank"&gt;&#xD;
      
           The ReductoClip™ Independent Stud Wall System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            offers the slimmest independent wall solution with the highest levels of soundproofing. (This system is also used when soundproofing music studios). 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           With this system you create a room within a room, which is isolated from the existing structure. This does mean a space loss of 120mm from the original wall.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Many people in domestic properties don't want to lose 120mm from their walls, so often opt for the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           ReductoClip™ Direct to Wall System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , which doesn't include a separate independent stud frame. This direct to wall soundproofing system still offers a very high level of soundproofing against airborne noise and noisy neighbours, with a space loss of only 60mm from the original walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            A useful overview of the high performing ReductoClip™ System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Excessive airborne noise wall soundproofing using the ReductoClip™ Independent Stud Wall System 
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to install the ReductoClip Independent Wall System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Loud levels of airborne noise soundproofing with the ReductoClip™ Direct to Wall System
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to install the ReductoClip Direct to Wall System
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How to soundproof against impact
noise on the floor above?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/floors"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Moving+sofa+furniture-bf7dfd53.jpg" alt="Sofa impact noise" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Firstly establish where the noise is coming from. Once this has been ascertained, it is now about dampening the vibration and absorbing at source, before it can enter the structure or decoupling the structure from the vibration. (Think either covering the floor with bubble wrap or building a new floor above your existing floor with an air gap in between).
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Let’s say you live in a flat and can hear a large amount of noise in the form of footsteps coming from the floor above. It’s always important to establish where the noise is coming from and treat it at the source if possible. Therefore, if you had access to your neighbours floor this would be ideal.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The best products in this instance would be:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Floor soundproofing solutions for impact and airborne noise
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;a href="/reverso-soundmat"&gt;&#xD;
      
           ProSound™ Reverso SoundMat™
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+hero+square-4f25c964.jpg" alt="Reverso SoundMat"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ideal for loud levels of impact noise, (such as footsteps) and loud levels of airborne noise (such as conversation and TV noise).
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           At 18mm thick, the ProSound Reverso SoundMat 3 Plus offers the industry's highest performing reversible soundproofing mat with a mass of 17.50kg per m2.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The unique nature of the Reverso SoundMat is that it can be used for any soft or hard floor finish, without the need of an over boarding layer for hard floor finishes.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Reverso SoundMat™ for Airborne and Impact Noise - No overboarding required for most hard final floor finishes
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           ProSound SoundMat3 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-f3b7e42f.jpg" alt="ProSound SoundMat3 Plus" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundMat™ 3 Plus for Airborne and Impact Noise - Ideal for Carpet Finishes, or Hard Floor Finishes (with overboarding)
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ideal for loud levels of impact noise, (such as footsteps) and loud levels of airborne noise (such as conversation and TV noise).
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           At just 15mm thick, the ProSound SoundMat 3 Plus offers the industry's highest performing soundproofing mat with a mass of 16kg per m2.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Soundproofing a floor with SoundMat 3 Plus
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How to soundproof against impact noise on the ceiling below?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            With the same scenario as above, but without having access to source, i.e. your neighbours floor above, then the best solution is to create a suspended ceiling below the actual ceiling on specialist anti vibration hangers and furring bars. The best product in this instance would be:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--StartFragment--&gt;    &lt;b&gt;&#xD;
      &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
        
            ReductoClip Ceiling system
           &#xD;
      &lt;/a&gt;&#xD;
    &lt;/b&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/isomax-clip-system-for-ceilings"&gt;&#xD;
    &lt;/a&gt;&#xD;
    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/timber-joist-ceiling-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Timber+Ceiling+buiold+up+with+labels-613820d9.png" alt="ReductoClip Timber Ceiling build-up"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Our highest performing
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip ceiling soundproofing system
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (only 60mm loss of space). Offering the highest performing soundproofing system within the industry. Designed to reduce sound transmission and vibrations through walls and ceilings. Offering higher dB levels than standard resilient bars.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How
to combat flanking noise?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             
            &#xD;
        &lt;br/&gt;&#xD;
        
            The solutionwhere possible, is to use
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/"&gt;&#xD;
      
           acoustic mineral wool
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            in any voids between joists and fill any gaps with an
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/"&gt;&#xD;
      
           acoustic sealant
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
            &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            One of the most common instances of flanking occurs when hardwood floors directly touch walls. Vibrations can travel from the floor and through the wall. This can be rectified by leaving a gap between the floor and wall and using a
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/deck-perimeter-edging-strip/"&gt;&#xD;
      
           perimeter edging strip
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
           &#xD;
      &lt;/span&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Does soundproofing against impact and
airborne noise work?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Absolutely, yes it does, however it’s also important to have realistic expectations. Soundproofing is a widely used term. However - the reality is, that for a room to be completely ‘soundproof’ and blocking all airborne, impact and flanking noise, you would essentially be creating a room, within a room, within a room. For it to be completely soundproof, you would be creating an uninhabitable, airtight container!
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Time to create your quiet space?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To learn more about how our market leading soundproofing products can provide a solution to airborne and/or impact noise problems, visit
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/" target="_top"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            or use the contact details below.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/dog+airborne+and+imapct+noise.jpg" length="14764" type="image/jpeg" />
      <pubDate>Fri, 17 Sep 2021 13:20:35 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/whats-the-difference-between-impact-and-airborne-noise</guid>
      <g-custom:tags type="string">impact,acoustic,neighbours,knowledge hub floors,noisy,underlay,ceilings,insulation,airborne,walls,floors,noise,difference,to,How to soundproof a floor and keep existing floorboards,Soundproofing,compaired,soundproofing</g-custom:tags>
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        <media:description>thumbnail</media:description>
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      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/dog+airborne+and+imapct+noise.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to Soundproof a Floor and keep your original Floorboards</title>
      <link>https://www.soundproofingstore.co.uk/reusing-original-floorboards</link>
      <description>Many people want to soundproof their floor and also keep their original floorboards. Find out the pros and cons of acoustic floor insulation and keeping the original flooring</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
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           How to Soundproof a Floor and keep your original Floorboards
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           Can I reuse my old floorboards?
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            Here at The Soundproofing Store we get asked this question a few times throughout the week. The Vintage Look in houses seems to be on trend at the moment, whilst an article by
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           Good Housekeeping
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            regarding home decor trends listed
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           Vintage Accents as one of the top trends of the year.
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           A lot of enquiries are from people wanting to keep their old floorboards (sometimes Victorian) on display as they look fantastic when polished and add a rustic feel to a home.
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           How does this work though if there is a noise issue, or if the neighbour downstairs is complaining about noise travelling down to them or vice versa? Are you able to keep your vintage floorboards or not? The reality is that it isn't always possible to soundproof a floor and reuse old floorboards, due to a number of reasons which are highlighted below.
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            Why We Don't Recommend Reusing Your Old Floorboards
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            Bare and old floorboards are unfortunately a
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           massive red flag for us
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            , especially for impact noise travelling down the floor and to any neighbours below, as they offer no resilience against the impact vibrations and can actually amplify the noise.
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           They are also likely to have holes, damaged areas and weaknesses which could also lead to airborne noise transmission being an issue.
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           This is why our advice from the start is when you are looking into adding soundproofing to your floor, don’t reuse original floorboards.
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           The reasons for not reusing old, original floorboards are not simply a performance one (when it comes to soundproofing) but also a practical one.
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           The practicalities of soundproofing a floor and reusing the original floorboards
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           Original floorboards can look beautiful and contain their own history of people and their footsteps from over the years. As they have been in place for so long, often in excess of 100 years, they have settled and moulded to the structure of the building and joists. Over time these have settled and moved and when it comes to removing them (with the intention of reusing them), there can be a number of difficulties:
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            Removing old and original floor boards without damaging them is extremely difficult. Because they have been nailed down, taking them up without damage is near impossible
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            Removing them and labelling them in such a way that they can be reused is no mean feat. They need to be put back exactly as they have been removed
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            Often when removing original floorboards they are no longer flat, they have warped and bowed over time. Fixing them back once the floor has been soundproofed so they lay flat is extremely difficult, without drilling or nailing. This in turn can split and damage the old boards and weaken the soundproofing
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           Fundamentals of Soundproofing a Floor
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            When soundproofing a timber joisted floor, there are three issues to consider.
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             Firstly Airborne Noise (voices, tv, music etc). The only thing that blocks airborne noise is mass, so we need to add as much mass to the floor as we can. Mass is weight, so by adding very heavy, dense materials to the floor we can raise the amount of mass.
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            The second problem is Impact Vibration (footfall, dragging furniture, dropping items etc). To stop impact vibration travelling into the structure, we need a resilient layer on the floor, which can absorb the impact at the source and stop the vibration from getting into the floorboards and transferring down to the ceiling below.
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             The final problem is the Void Space underneath your floor, between the joists. When sound gets into this void, it echoes, resonates, and amplifies becoming louder. This is why sometimes footfall on the floor above doesn’t sound very loud, but below sounds like a heard of elephants! It is a bit like shouting down a cardboard tube and is called the drum effect. To stop this, we suggest installing
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            Acoustic Mineral Wool Insulation
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             between the joists. This absorbs the sound and stops it from resonating into the void. This can add an additional 10% to the overall reduction achieved.
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            It is also recommended that before buying materials and installing them, it is important to get any damaged/squeaky floor boards within the subfloor replaced and repaired first and securely screwed down. We then recommend filling all gaps in the floor with acoustic sealant to ensure the subfloor is flat and provides a stable base for the acoustic flooring to be laid.
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            3 Soundproofing Solutions for Timber Floors
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            The Best Way To Soundproof The Floor And Then Re-lay Your Original Floorboards
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            It is technically possibly to reuse your old floorboards, however in reality it is by no means a simple or thin solution.
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            The first step would be to take up the original floor boards. As highlighted above, this in itself can be very difficult in making sure they are removed without damage and are suitable to be reused. Many old floorboards will have had very large old nails in the wood holding them in place. In addition to this, any tongue &amp;amp; groove boards may snap, rendering them unusable.
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             At this stage whilst they are exposed, we would suggest installing
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            Acoustic Mineral Wool Insulation
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             between the joists to help absorb sound, and stop it from resonating into the void.
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             You would then need to purchase a new subfloor. For the new subfloor we would recommend an 18mm tongue and groove board fixed directly to the joists.
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             Then lay the
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            Reverso SoundMat™
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             (hard side up) which is the ideal sound insulation for loud levels of airborne noise and high levels of impact noise.
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             The Reverso SoundMat is 18mm thick and the fibre cement board layer provides a flat, stable base for most hard floor final finishes, such as floorboards (without the need for over boarding). The original floorboards can then be glued to the Reverso SoundMat. They can't be nailed, as this will short circuit the Reverso SoundMats. Soundproofing is very similar to waterproofing and drilling or nailing holes into the soundproofing provides a weakness for sound to travel through.
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            The new total floor build up is 18mm T&amp;amp;G board, 18mm Reverso Soundmat = 36mm increase in height.
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             An alternative to the Reverso SoundMat is the SoundMat 3 Plus, or SoundMat 2 Plus. Both perform exceptionally well against impact noise. With the SoundMat 3 Plus also performing well against airborne noise (unlike the SoundMat 2 Plus). With the SoundMats an over boarding layer would be needed prior to fitting the final floorboards
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             Another alternative is the
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            SoundDeck 32mm
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            , however - this does not offer the same acoustic performance without a soundproof ceiling below
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            The best solution would be to use a new engineered wooden flooring on top of the Reverso SoundMat, or SoundMats. If the new engineered wood flooring is 18mm or thicker then it can also be be applied directly on top of any of the SoundMat's (SoundMat 3 Plus and SoundMat 2 Plus). For anything less than 18mm, an over boarding layer is required prior to the final floor finish. The Reverso SoundMat is unique in that whatever the final hard floor finish is, there is no need for over boarding.
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           Reverso SoundMat™ Floor Soundproofing Solution
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            SoundMat™ 3 Plus Floor Soundproofing
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            SoundMat™ 2 Plus Acoustic Insulation For Floors
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           Soundproofing a floor and reusing the original floorboards - Summary
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            As highlighted, there are a number of practical issues when looking to reuse old floorboards and soundproof a floor. The question often comes down to one of 'Do you want to soundproof your floor, OR keep your original floorboards?' The practicality of doing both is somewhat hindered by the very real potential issues discussed above.
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           The answer to this question often depends on the levels and types of noise being soundproofed against. Many customers will sacrifice their original floorboards in favour of a room they can once again enjoy, without the unwanted noise from noisy neighbours.
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            The quality of engineered flooring is now such that it can offer a practical and aesthetic alternative to original floorboards. When it comes to effectively soundproofing a floor and keeping the look of original floorboards, then replacing them with a new sold or engineered floor is definitely the preferred option.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <pubDate>Wed, 15 Sep 2021 11:01:21 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/reusing-original-floorboards</guid>
      <g-custom:tags type="string">soundmat 2 plus,acoustic flooring,impactnoise,impact,neighbours,Knowlede hub floors,existing,Noisy,sounddeck37,floors,airborne,noisyneighbours,airbornenoise,How to soundproof a floor and keep existing floorboards,Soundproofing,soundmat 3 plus</g-custom:tags>
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    <item>
      <title>How to soundproof a floor against noisy neighbours</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-floor-against-noisy-neighbours</link>
      <description>How to soundproof floors from noisy neighbours by reducing unwanted airborne and impact noise, with the Soundproofing Store's range of acoustic floor insulation</description>
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           How to soundproof a floor against noisy neighbours
          
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           The BBC News
          
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            published an article stating that more than a quarter of UK adults have had a problem with nuisance neighbours, with noisy neighbours topping the nuisance list. A survey by Which? highlighted the most common noise annoyances such as loud voices, shouting, loud TV noise and music. It's no surprise that
           
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           The Soundproofing Store
          
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            continue to receive more and more requests for floor sound insulation due to the unwanted noise from noisy neighbours living above and/or below.
           
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           How to soundproof a floor in flats to block impact and airborne noise
          
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            This article looks at how to soundproof floors from the unwanted airborne and/ or impact noise from noisy neighbours. Looking at how to reduce unwanted airborne and impact noise between floors by improving the sound insulation between timber floors and highlighting the best soundproofing materials for timber and concrete floor soundproofing.
           
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           Featuring different acoustic floor soundproofing systems suitable for domestic properties, contractors and developers. The solutions below highlight the best ways to soundproof a floor against noisy neighbours and the best way to soundproofing a floor to meet Part E Building Regulations.
          
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            Soundproof Flooring for upstairs - Considerations
          
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           Before you research the best soundproofing for a floor, firstly you need to consider the below questions.
          
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           1: Where is the noise coming from? 
          
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            Are you trying to block noise from above travelling down into your property?  Or noise from below travelling up into your property?
           
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           2: What is the floor constructed of that you are trying to soundproof?
          
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           There are two main types of floor construction, timber joisted floors (floorboards on timber joists and plasterboard below) and concrete/solid floors (i.e solid 6 inch concrete floors with a screed finish)
          
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           3: What type of noise are you hearing?
          
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           There are two main types of noise Arborne noise and Impact noise
          
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            Airborne noise being the likes of TV, music, people talking etc. 
           
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            Impact noise being footsteps, furniture moving etc.
           
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           4: How loud is the noise you are trying to block?
          
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           Different levels of noise will require different levels of floor soundproofing. i.e low levels of noise such as muffled conversation will need less floor soundproofing compared to loud levels of noise. Impact only noise will need different floor soundproofing compared to just airborne noise.
          
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           Best floor Soundproofing for a timber floor from impact and airborne noise
          
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            Firstly we will focus on how to soundproof a floor for
           
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           impact and airborne noise
          
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            from above, travelling down to the room below, through a timber joisted floor.
           
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            For any noise you can hear from above you, then ideally we would recommend soundproofing the floor above (at the source of the noise) if possible.
           
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           However, you would need access to the floor above to do this, which isn't always possible. If soundproofing the floor above isn't an option, then you could consider soundproofing your ceiling instead. To learn more about ceiling soundproofing, take a look at our
          
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           soundproofing ceiling solutions
          
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           , or alternatively, take a look at the How to Soundproof a Ceiling Blog below:
           
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            At
           
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           The Soundproofing Store
          
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           , the most common request for floor soundproofing is from above on timber joisted floors as these generally perform terribly for airborne noise and worse for impact noise. Especially if there is a hard final floor finish and no insulation under the floorboards between the joists.
          
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           Soundproof flooring solutions for both impact and airborne noise
          
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            When looking to soundproof a timber floor against both impact and airborne noise, The Soundproofing store have a unique, reversible floor soundproofing product - The
           
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           Reverso™ SoundMat
          
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           ™
          
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           The Reverso SoundMat (18mm) is the only high performing soundproofing mat, ideal for loud levels of both airborne and impact noise, with a unique, reversible design. The Reverso SoundMat can be used for both hard and soft floor finishes, without the need of an underlay for soft floor finishes (e.g. carpets), or an over boarding layer for most hard floor finishes (e.g. wood, vinyl, laminates and tiles). With a similar soundproofing performance to our best selling acoustic floor matting, the SoundMat 3 Plus (impact noise 42dB and airborne noise 54dB), but with the added benefit of a reversible fibre cement board layer which provides a stable base for all hard final floor finishes.
          
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           Reverso SoundMat™ Product Overview
          
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            Our other tried and tested floor soundproofing solution is the
           
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           SoundMat 3 Plus (15mm)
          
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            system, with
           
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           acoustic mineral wool
          
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            between floor joists.
           
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           Unlike standard floor soundproofing mats, the SoundMat 3 Plus features an innovative 3 layer design, helping to tackle the unwanted noise of everyday living or meeting Part 'E' Building Regulations.
          
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           Soundmat 3 Plus uses three layers of soundproofing material, the top and bottom layers add a high degree of mass to combat airborne noise, and the middle layer of 9mm closed cell foam absorbs impact vibrations at source preventing vibrations entering the floor.
          
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           Adding acoustic insulation between the joists prevents sound form echoing and amplifying within this sealed chamber (we call this the drum effect).
           
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           SoundMat™ 3 Plus Product Overview
          
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           How to Soundproof a timber floor
          
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           For Impact noise only (footstep noise) on a timber joisted floor we need to absorb the impact vibration before it transfers into the structural floor.
          
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            When looking to soundproof a timber joisted floor from the unwanted impact noise from noisy neighbours above travelling down to the room below, then
           
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           The Soundproofing Store
          
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           '
          
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           s
          
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            best performing floor soundproofing for this unwanted impact noise would be one of the following solutions:
           
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            SoundMat 2 Plus
           
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             (*42dB Impact noise)
            
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           *The lower the dB figure, the better the performance
          
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           SoundMat 2 Plus offers the thinnest floor soundproofing solution compared to other soundproofing mats at only 12mm thick.
          
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           Featuring 2 layers of soundproofing technology (3mm mass loaded vinyl, designed to replace lead in soundproofing and a 9mm closed cell foam to further soundproof against impact noise, such as the unwanted footstep vibrations from noisy neighbours.
            
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            2.
           
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           ImpactoMat™ 5mm
          
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           (*50dB Impact noise) ImpactoMat is not suitable for airborne noise
          
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           *The lower the dB figure, the better the performance
          
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           Unlike other timber floor soundproofing solutions, ImpactoMat 5mm is the most cost effective choice in reducing impact noise at the source. At only 5mm thick, ImpactoMat 5mm is the ideal solution where space in the home is at a premium (offering up to 23dB impact improvement).
          
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            With both floor soundproofing solutions above, the addition of acoustic insulation (such as
           
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           acoustic mineral wool
          
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           ) between the joists prevents sound form echoing and amplifying within this sealed chamber (we call this the drum effect).
           
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            ImpactoMat™ 5mm Product Overview
           
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            How to Soundproof a timber floor for
           
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           airborne noise
          
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           When soundproofing against the unwanted airborne (only) noise from noisy neighbours above, travelling down to the room below. Or, alternatively, unwanted airborne noise from below, travelling to the room above, through a timber joisted floor, it is important to improve the mass of the floor to effectively soundproof the floor against noisy neighbours.
            
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            Depending on the level of the airborne noise,
           
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           The Soundproofing Store
          
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            offers two levels of soundproofing:
           
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             Medium levels of noise e.g. Muffled conversation:
            
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            12mm SoundMat 2 Plus
           
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             Loud levels of noise: e.g. Clear speech: 15mm
            
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            SoundMat 3 Plus
           
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            SoundMat 3 Plus (15mm thick) and SoundMat 2 Plus (12mm thick) both perform well and to the same level against impact noise. However, SoundMat 3 Plus outperforms SoundMat 2 Plus against airborne noise.
           
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            When using either the floor soundproofing solution of the SoundMat 3 Plus, or SoundMat 2 Plus, adding acoustic insulation, (such as
           
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
                      
           acoustic mineral wool
          
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           ) between the joists prevents sound form echoing and amplifying within this sealed chamber (we call this the drum effect).
           
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            Floor Soundproofing, for
           
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           impact noise only
          
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            from above travelling down to the room below, through a Concrete Floor
           
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           To soundproof a concrete floor we are normally only concerned with impact noise (footsteps) as concrete floors already have a high level of mass to block airborne noise, however high mass materials perform worse for impact noise.
          
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            Our best tried and tested system for impact noise on a concrete floor is our
           
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           ImpactoMat 5mm Under Screed
          
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           ImpactoMat 5mm Under Screed is a tough, resilient, acoustic underlay manufactured from recycled rubber granules bonded with cold cure PUR and is ideally suited to meet Part E building regulations.
          
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           How to Soundproof a Floor against noisy neighbours- Summary
          
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            No matter what floor type you have, whether concrete or a wood timber floor, noise will always find a way to travel through unless it is stopped in its tracks. Once you have identified the type of noise and the loudness of the noise problem, you can then decide which floor soundproofing insulation option is right for you. Fundamentally, to reduce airborne noises you need to block it with a high dense mass material and if you want to reduce impact noises, then you need to use a system that will absorb it. In the majority of cases it is a mixture of both. 
           
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             ﻿
            
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            If you have enjoyed this blog, please have a look at our wall blog -
           
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           How to soundproof a wall against noisy neighbours
          
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         Need Help? 
        
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    &lt;!--StartFragment--&gt;                                  I hope this has helped to answered some of your questions about soundproofing a floor against noisy neighbours. If you are looking for expert advice and would like to speak to a professional, we are happy to talk you through any problems or answer any questions.
          
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           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
          
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/bowling+balls.jpg" length="36990" type="image/jpeg" />
      <pubDate>Sat, 04 Sep 2021 00:00:00 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-floor-against-noisy-neighbours</guid>
      <g-custom:tags type="string">loud,furnituremoving,laminate,impact,sound,acoustic,Knowlede hub floors,talking,vibration,ImpactoMat,footsteps,insulation,soundproof,ReductoClip system for ceilings,reversomat,tiles,airborne,noisyneighbours,engineeredwoodenfloor,carpet,noise,soundinsulation,floor,soundproofing</g-custom:tags>
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        <media:description>main image</media:description>
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    </item>
    <item>
      <title>How to Soundproof a studio window</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-studio-window</link>
      <description>The most effective way to soundproof the windows within a music studio, or band practice room</description>
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           How to Soundproof a studio window
          
                    
                    
                    
                    
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            Here at
           
                      
                      
                      
                      
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           The Soundproofing Store
          
                    
                    
                    
                    
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            we are very experienced in the design and supply of soundproofing systems for Recording Studios and Practice Rooms from home studios to professional studios. In this blog we talk about the best solutions for soundproofing the windows within your music studio.
           
                      
                      
                      
                      
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           How to soundproof the windows within a music studio?
          
                    
                    
                    
                    
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            One thing that comes up on a regular basis is how do I soundproof the windows in my studio?
           
                      
                      
                      
                      
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           Windows will always be the weak link as they have far less mass than the walls. In a perfect world we would have just one single width door and no windows at all, to get the best results. However, we appreciate that a lot of people like to have some natural light in the room.
          
                    
                    
                    
                    
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           This is why it is important to address your windows correctly, as you do not want to spend a lot of money on your project soundproofing the walls, floors and ceiling of your music studio to find that your windows are hindering the performance of your soundproofing.
          
                    
                    
                    
                    
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           The key steps to soundproofing a studio:
          
                    
                    
                    
                    
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            Build A "Room Within A Room"
           
                      
                      
                      
                      
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             - To contain the airborne sound and sound energy / vibration internally and stop it getting to the structure of the building.
            
                        
                        
                        
                        
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            Add Mass
           
                      
                      
                      
                      
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             - Airborne sound is blocked by mass. The heavier and more dense the surfaces of your inner room are, the more sound it will block.
            
                        
                        
                        
                        
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            Add Resilience
           
                      
                      
                      
                      
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             - The rooms ability to absorb sound energy and vibration. The surfaces need to be able to flex rather than being rigid.
            
                        
                        
                        
                        
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             - These are the biggest weak points of the room with far less mass than the surfaces. Upgrade and Double Up!
            
                        
                        
                        
                        
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            For more information on How to Soundproof a Studio, see our
           
                      
                      
                      
                      
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           External Windows in a Studio
          
                    
                    
                    
                    
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           Our best advice is to either remove windows and large doors and brick them up, or double them up. Because you are building a new soundproof wall on the inside you can have one window on the external wall and another window (secondary glazing) on the inside. This will still be weaker than the rest of the wall, but it will be a minimal weak point now and you can keep your natural light. By adding secondary glazing you would be adding more mass and decoupling the new window from the existing which means you are maintaining your room within a room build, therefore giving better results.
          
                    
                    
                    
                    
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           What do I need to consider if installing windows within my studio?
          
                    
                    
                    
                    
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           If you are looking at soundproofing windows, then the main thing to consider is airtightness as well as adding mass. Ideally your windows need to have maximum air tightness i.e. compression on the gaskets to minimise air as well as sound permeability / transmission.
          
                    
                    
                    
                    
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           The best way to ensure maximum levels of soundproofing would be to use glass of different thickness’ to block out a wider range of sound frequencies on the Hertz spectrum.
          
                    
                    
                    
                    
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           It would be most effective to use a thicker glass closer to the source of the sound energy i.e. internally within the studio space and if possible, use secondary glazing internally and then upgrade the double glazed units in your external window which is currently in-situ.
          
                    
                    
                    
                    
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           For secondary glazing we would advise for them to be ideally installed 150-200mm away from the external frame.
          
                    
                    
                    
                    
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           What if I want to keep my original windows, how do I build the room within a room?
          
                    
                    
                    
                    
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            Although secondary glazing is the best option, not everyone wants to go down this route. Therefore, how do you build a room within a room using the existing windows? This is a question that comes up on a regular basis, because the ReductoClip system creates an air gap behind which needs to be fully joined up to another surface otherwise you have an open air gap where sound can easily travel into.
           
                      
                      
                      
                      
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            Therefore you would need to build your stud frame just short of the window recess to allow for a build up of two 15mm acoustic plasterboards with FlexiSound 5 sandwiched between, this would need to be screwed directly into the side of the stud frame. Although this is something we wouldn't usually recommend (plasterboards screwed directly to the stud frame), this would be the only way to seal up the ReductoClip system and it would add a lot of mass to these weaker points.
           
                      
                      
                      
                      
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           Windows between a control room/live room
          
                    
                    
                    
                    
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           With internal windows between rooms in a studio, our advice would be to create a double stud wall as you would for doors between rooms. One window on each stud wall (secondary glazing) to help make these weak points between internal studio rooms as minimal as possible.
          
                    
                    
                    
                    
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           Being soundproofing specialists, we do not sell acoustic glass or windows so you would need to contact a glazing company for further information and prices. One company we could recommend would be:
          
                    
                    
                    
                    
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           Granada Glazing
          
                    
                    
                    
                    
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           info@granadaglazing.com
          
                    
                    
                    
                    
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           In summary, windows will always be a weak point as they have less mass than the walls, ceiling and floor. The best way to to minimise them as weak points is to upgrade them and install secondary glazing.
          
                    
                    
                    
                    
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           If you are serious about soundproofing your home studio or practice room and have any questions or would like help putting together a costing, please get in touch with our dedicated studio team by calling 
          
                    
                    
                    
                    
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           or book a free 45 mins online appointment with one of our expert consultants to discuss your studio project.
          
                    
                    
                    
                    
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          
                    
                    
                    
                    
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/md/unsplash/dms3rep/multi/photo-1551524163-d00af9f12253.jpg" length="135127" type="image/jpeg" />
      <pubDate>Thu, 05 Aug 2021 16:00:08 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-studio-window</guid>
      <g-custom:tags type="string">glazing,,music,,soundproof,,secondary,,windows,,soundproofing,,studio,,how to,</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/md/unsplash/dms3rep/multi/photo-1551524163-d00af9f12253.jpg">
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        <media:description>main image</media:description>
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    <item>
      <title>Levelling Uneven Ceiling Joists Before Soundproofing</title>
      <link>https://www.soundproofingstore.co.uk/how-to-address-uneven-ceiling-joists</link>
      <description>How to address uneven ceiling joists before soundproofing ceilings</description>
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           Levelling Uneven Ceiling Joists Before Soundproofing
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           How to Level Uneven Ceiling Joists Prior to Soundproofing
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           It is common for us to hear from people who are experiencing noise from the floor of the property above them and would like to soundproof their ceiling from either neighbours upstairs or the upstairs in their own property.
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           Sound is usually broken down into two categories:
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            Airborne Noise - people's voices and TV noise
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            Impact and Vibration Noise - footsteps, doors banging and vibrations from appliances such as washing machines
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           Impact &amp;amp; Airborne Noise Learn More 
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            Our recommended system, if you are only able to soundproof from the ceiling side is our
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           ReductoClip Ceiling System
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            . Our blog on
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           How to soundproof a ceiling against noisy neighbours
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            summarises the ReductoClip System for you.
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           How to soundproof a timber joist ceiling
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           How do I Level my Uneven Joists?
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            We often get calls from customers who live in older properties that would like to soundproof their ceilings either to reduce sound transmission from their neighbours living above them or alternatively to reduce the sound which they are creating from rising into the property above and causing a disturbance.
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            As you can imagine, these scenarios can be a little more complicated than dealing with ceilings within modern properties. Some of the issues in the past have included bowed ceilings or uneven joists which could have warped from thermal expansion and contraction or have sagged over time.
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           There are a variety of different ways you can address uneven joists so that they become the same height. The ceiling is then ready to install the ReductoClip System on to, creating a flush ceiling. Below are a couple of ideas for you to consider:
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           Option 1: Install Secondary Joists to the Side of your Existing Joists
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            A commonly used solution, and one that can save space is to install a strip of timber to the side of your existing joist.
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            Simply bolt these through the side of the joists to give a level height to work off.
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            Option 2: Install Packers between the Joists and the ReductoClips
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           A 2nd option is to install a packer in between the Joist and ReductoClip. You can do this where joists are sitting too high to lower the joist for the ReductoClip to be installed on to.You can also use small squares of plywood for this, which might be handy if you have any off cuts to use up.
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           This will mean that the ReductoClips will sit lower down on the joists that require them to sit lower.
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           Option 3: Second Set of Joists below the Existing Joists
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            The 3rd option for you would be to look at installing a second set of joists, which run the other way to the existing joists.
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           This will take up far more space, but you may also get an improvement in performance if they are suspended away from the existing joists, which will in turn separate the new ceiling from the existing ceiling.
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           Other Considerations
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           A main concern with older properties is the structure of them and how much extra weight they are able to take. If the ceilings are bowing, what is the cause of this and will they be able to take the weight of the ReductoClip System?
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           You may need to consult with a local builder or structural engineer before commencing any work of this nature to avoid any potential issues before you start your project.
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            You may find our
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling-against-noisy-neighbours" target="_blank"&gt;&#xD;
      
           Ceiling Soundproofing Blog
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            useful for further information regarding how to soundproof your ceiling and more information on our ReductoClip System for Timber Joisted Ceilings.
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            If you are looking specifically for soundproofing within older properties, our blog regarding
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           Original Floorboards
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            may also be relevant to you. Especially if you are able to also install soundproofing on the floor side of the build up.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sagging+Ceiling+Joists.jpg" length="40049" type="image/jpeg" />
      <pubDate>Thu, 29 Jul 2021 13:51:30 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-address-uneven-ceiling-joists</guid>
      <g-custom:tags type="string">ceiling soundproofing,ceiling,joists,ReductoClip system for ceilings,ceiling joists,timber joist ceiling,soundproofing ceilings,uneven joists,Soundproofing,uneven ceiling,levelling joists,sound insulation</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sagging+Ceiling+Joists.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/28aa4e38/dms3rep/multi/Sagging+Ceiling+Joists.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Soundproofing A Drum Room</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-a-drum-room</link>
      <description>How to soundproof a drum room</description>
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           Soundproofing A Drum Room
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/c78a92d2-07fb-407f-a734-6e9e9ae1694a.jpg" alt="drum room soundproofing" title=""/&gt;&#xD;
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            Here at the Soundproofing Store we receive many enquiries about music rehearsal rooms and recording studios. One of the mos popular enquiries is for drum rooms. Due to the nature of an acoustic drum kit, they tend to create a lot of airborne noise and also a lot of vibration due to the kick drum.
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             So...if you are a drummer, or maybe have a child or family member that has taken up playing drums at home or maybe you are a school music department with a drum room, how do you reduce the amount of noise that escapes the drum room and disturbs other people?
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             Well, there are a few things to consider, but I will guide you through the important points.
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             First, here are the main
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           fundamental physics
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            we need to consider.
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            1.
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             Airborne Sound (voices, music etc) is only blocked by mass. To block airborne sound, we need to add as much mass as we can to the walls, ceiling and floor. Mass is a complex thing to get into, but at the simplest level, the heavier and more dense a material is, the more mass it will have. i.e concrete has more mass than wood.
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            2.
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             When sound hits a surface it becomes a vibration energy which can transfer through solid materials and surfaces very easily. Bass and kick drums will also create a lot of vibration energy. For a high standard of soundproofing, we need to absorb or decouple this vibration to stop it from transferring into the structure of the building. To do this we use the
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            "Room Within A Room"
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             technique. There will be more on this later.
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            3.
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             Soundproofing is like waterproofing - To contain the sound within the studio, you will need to soundproof all the walls, ceiling and floor. All weaknesses such as windows, doors and air vents need to be considered, and any air gaps need to be sealed, as sound will always find the weak point and still get through.
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           "Room within a room?"
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              For live music levels of noise we need to build a "
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           room within a room
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            ", with the inner room decoupled or isolated from the outer room. We do this by using a system such as our
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           ReductoClip system
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            . These are fixed to the solid wall and ceiling joists, we can then build new wall and ceiling layers (creating the inner room), by fixing these layers onto the ReductoClip rather than being fixed directly to the wall. The ReductoClip act like shock absorbers, so when sound hits the new wall layers and turns into a vibration energy, the ReductoClip   
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           absorb this energy stopping it from transferring into the structure.
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           We then need to add high mass materials such as two layers of 15mm acoustic grade plasterboard
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            which has a higher mass than standard plasterboard. You can also improve the performance by adding different materials (different types of mass block different sound frequencies better than others). These include
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           FlexiSound 5
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            .
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           On Solid Walls
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            - We get the highest performance by building a timber frame 10mm in front of the existing wall, isolating the frame from the surrounding surfaces using
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           isolation strip
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            . We then fill the frame with
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           acoustic mineral wool
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             and then fix the ReductoClips and furring channels to the frame.
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           On Stud Walls
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            - We remove the plasterboard layer of the wall to expose the timber frame inside. We then fill the frame with acoustic mineral wool and add our
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           ReductoClips
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            to the frame.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+With+Labels-b93ea1ad.jpg" alt="ReductoClip system for walls soundproofing" title=""/&gt;&#xD;
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           Fully Isolated Clip and Bar System (120mm Thick):
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            1. Independent Stud Frame -
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           10mm air gap isolates the soundproofing from the offending wall for best possible sound reduction performance
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           2. Isolation Strip -
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            isolates from surrounding surfaces to reduce flanking vibration
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            3. ReductoClips -
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           decouple the mass layers from the frame and act like a shock absorbing suspension system to dampen high levels of sound energy and vibration
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            4. ReductoClip Furring Channels -
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           extra wide to make fixing acoustic plasterboards quicker and easier
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            5. Acoustic Mineral Wool -
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            dampens sound within the frame cavity to stop sound amplifying
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            6. Acoustic Plasterboard -
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           (2 layers) to increase the mass of the wall. More mass and density than standard plasterboard but with the same finishing and decorating techniques
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            7. FlexiSound 5 -
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           Anti-Vibration membrane to add further mass to the wall. A different type of mass to reduce different sound frequencies to the other layers. FlexiSound also helps to dampen sound energy and vibration
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           Ceilings
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          We use the same technique on the ceiling to block sound travelling above.
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           On a Timber Joist Ceiling -
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          We remove the current plasterboard layer exposing the timber joists. We fill between the joists with acoustic mineral wool and add the
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           ReductoClips
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          to the bottom of the joists.
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           On a Concrete Ceiling
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          - We can fix the
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           ReductoClips
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          directly to the ceiling.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Timber+Ceiling+buiold+up+with+labels-613820d9.png" alt="ReductoClip ceiling soundproofing" title=""/&gt;&#xD;
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         Garage Conversion By YouTuber Levi Clay
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         A series of videos following Levi Clay, in converting his garage to a fully soundproofed room for video blogging and for guitar playing lessons.
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           Floors
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            If the drum room is situated in a house or building with rooms below, then there are a couple stages. Firstly, we need to add acoustic mineral wool under the floorboards to stop sound resonating in the void space below the floor. We then need to add mass to the floor to block the airborne sound, and a resilient layer to absorb the vibration from the kick drum. I would recommend one of our SoundMat solutions, preferably the
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           SoundMat 3 Plus
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            for the highest performance.
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            If the drum room is on the ground floor with a solid, concrete floor, then you will just need to add a mat that will absorb the vibration and stop it from transferring into the structure. I would recommend our
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           ImpactoMat 5mm
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            .
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           Doors and Windows
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             These are the biggest weak spots. Ideally, if you can get away with not having any windows, this will give you the best performance. If you need natural light then use triple glazed or specialist acoustic glazing. This needs to be well fitted with no gaps between the frame and the wall.
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             Regarding Doors, again you need high mass material, so a heavy, dense fire door, or even a double door system would be best. Or you can add mass to your existing door by adding a layer of
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           mass loaded vinyl
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            to the door. Again making sure there are no air gaps between the door and frame by adding a good seal or draught excluding material. You can also purchase custom made
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           acoustic doors
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            which are very high performing, but these can be expensive.
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           Ventilation
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            For ventilation we suggest using a high quality
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           acoustic vent system
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            .
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    &lt;!--StartFragment--&gt;              I hope this has covered most questions, as always if you want the best advice, speak to a professional. We are happy to talk you though any problems or answer any questions.
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          You can call us Monday to Friday, Nine to Five on 01423 206 208 or contact us using the page below.
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    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/drum+room+3-1b089542.jpg" length="386534" type="image/jpeg" />
      <pubDate>Wed, 14 Jul 2021 11:37:17 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-a-drum-room</guid>
      <g-custom:tags type="string">drum,room,soundproofing,drums,sound,proof</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/drum+room+3-1b089542.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/drum+room+3-1b089542.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to soundproof a room</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-room</link>
      <description>A guide on how to soundproof a room. The best acoustic solutions for different areas of a room. Sound insulation for walls, ceilings and floors.</description>
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            How to soundproof a room 
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           Can you fully soundproof a room?
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Microsoft+quietest+room.jpg+use+this+one.jpg" alt="Inside Microsoft's soundproof chamber" title=""/&gt;&#xD;
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            The quietest room in the world can be found at Microsoft's headquarters in Washington. Granted, with three 'rooms within a room' (each isolated from one another) it's unlikely you are trying to replicate your very own 'anechoic' chamber within your own home. The prospect of hearing your own heartbeat, or bones grinding when you move probably doesn't sound overly appealing (or achievable!). As reported in 
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           The Mail
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             this room's deafening silence makes for a rare sensory experience, with many people only able to stay in there for a few seconds at a time......
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            You might not need a soundproof chamber, but are you one of the many people suffering from unwanted noise within your own home? Rest assured this doesn’t have to be the case. Simple,cost effective room soundproofing solutions are only a phone call, or website
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           click
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             away.
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           Firstly, you need to figure out where the noise is coming from? Is it coming from noisy neighbours through a wall, or from above, or from below? Alternatively, is the noise coming from within your own home and are you wanting to fully soundproof a room, e.g. a cinema room, or music room?
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           Depending on the answer to the above and the level of noise, and if the noise is Impact noise (e.g. footsteps, doors banging) or Airborne noise (people talking, TV’s, dogs barking etc), will mean a different soundproofing solution for your room.
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            Learn more about the difference between
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           Impact and Airborne noise
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            .
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           The science behind soundproofing a room
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           Soundproofing a room whether this be a lounge, dining room or kitchen follows the below principles:
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            Adding mass
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             - high mass blocks noise. By adding mass to a structure, e.g. to a wall, this reduces the ability of the noise to pass through it
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            Dampening or decoupling the building
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             - when sound hits a wall or floor it becomes a vibration that travels through the structure. To prevent this vibration travelling through, you need to dampen the vibration, or in a perfect world decouple the structure and then add mass - thus preventing the sound energy from passing through
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            Sound Absorption
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             - sound can be absorbed by soft materials, the likes of soft furnishings; carpets, cushions and curtains. Different furnishings will be better than others at sound absorption. For example a leather sofa won't be as effective at absorbing sound as a fabric sofa. Adding cushions and throws to leather sofas will increase its ability to absorb sound better. Not as widely used in peoples homes, but used within rooms with hard surfaces, there are sound absorbing products, such as
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      &lt;a href="https://www.soundproofingstore.co.uk/store/-p66201092" target="_top"&gt;&#xD;
        
            ProSound Wall Panels
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             and
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            ProSound Ceiling Panels
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            which can be used for the sound proofing of offices, schools, village halls and restaurants. These specialist sound absorption panels minimise the amount of reverberation of sound within a room.
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           Easy ways to soundproof your room and myths
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  &lt;a href="/top-12-soundproofing-myths"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/egg+boxes.jpg" alt="Soundproofing myths egg cartons" title=""/&gt;&#xD;
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            We will discuss the top performing products for effective room soundproofing. There are soundproofing hacks which can be used, such as adding cushions, carpets to wooden floors and bookcases to alcoves etc which can improve your soundproofing to a small degree.
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             In this blog we are going to list the top performing soundproofing solutions for walls, floors, ceilings, garden rooms and music studios.
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             To find out about the effectiveness of soundproof myths such as egg boxes, soundproof wallpaper, soundproof paint and the likes of noise absorbing glue,
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    &lt;a href="https://www.soundproofingstore.co.uk/top-12-soundproofing-myths" target="_top"&gt;&#xD;
      
           click here
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         How to soundproof a wall
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           Before deciding the best soundproofing solution for your wall, do a quick checklist:
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            Where is the noise coming from? Do an ear test to the wall to check it's definitely coming through the wall and not from elsewhere
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            What type of noise is it? Airborne (talking, TV etc) or vibration, or a combination of the two?
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            How loud is the sound you are trying to block?
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            What is the wall made of? Is it a solid wall or stud wall?
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           Below we will highlight the best performing soundproofing solutions for walls.
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    
          ReductoClip
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         ™ Independent Wall System for soundproofing walls
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Solid+Wall+Build+Up+With+Labels.png" alt="ReductoClip Independent Wall System soundproofing build-up"/&gt;&#xD;
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            Creating a room within a room   (think back to Microsoft's soundproof chamber, on a much lesser scale)   whereby a new structure is isolated from the existing structure, will give the highest level of soundproofing. An extremely high performing room soundproofing system, which can offer high levels of soundproofing within residential properties to block out the noise from noisy neighbours, as well as being used for recording studios, band practice rooms and home cinemas, is the ReductoClip system.
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             Independently tested on a single brick wall, the ReductoClip system achieves a massive 65dB total sound reduction, blocking excessive levels of noise.
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            To learn more about the
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           ReductoClip
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            ™ Independent wall system for room soundproofing,
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           click here
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           .
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           ReductoClip™ Soundproofing Solution Overview
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           How to soundproof a wall using the ReductoClip Independent Wall Solution
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           ReductoClip™ Direct To Wall System
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+build+up+with+labels.png" alt="ReductoClip Direct To Wall System dB figures"/&gt;&#xD;
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         The ReductoClip™ Independent Wall System mentioned above, means a loss of space of 120mm, due to creating a 'room within a room'. This system is by far the best performing wall soundproofing system, often used for superior soundproofing in studio builds. The loss of 120mm is the slimmest independent wall solution (other independent systems require a greater loss of space then the ReductoClip™) on the market.
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          However,  many domestic properties can't always take the 120mm hit on space loss, so the best alternative would be the ReductoClip™ Direct To Wall System. The clips are applied directly to the wall, rather than the stud frame, which means a loss of space of only 60mm, whilst still allowing for an outstanding performance in noise reduction against noisy neighbours.
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         ReductoClip™ Direct To Wall Installation Video
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           ProSound™ Soundboard 4™ wall soundproofing
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-3d1e30ff.jpg" alt="ProSound™ SoundBoard 4™ showing all 4 soundproofing layers" title=""/&gt;&#xD;
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          If you are wanting even less space loss than the ReductoClip™ Direct to wall system, then the next best performing product to soundproof walls within a room, (at a thickness of ony 30mm) would be the
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      &lt;a href="/soundboard-4"&gt;&#xD;
        
            ProSound™
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            SoundBoard 4
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            ™
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          . This market leading soundproofing product for walls is a simple direct to wall installation and uses four different soundproofing layers, laminated together. The completed board offers exceptional performance against medium to loud levels of noise, such a clear TV, conversation or music noise. The Soundboard 4 ™ also exceeds the new
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    &lt;a href="https://www.soundproofingstore.co.uk/PART-E-Regs" target="_top"&gt;&#xD;
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            Building Regulations Part E
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          target of 43dB by 15% when applied to a brick or block wall. The loss of space is only 30mm with
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            SoundBoard 4
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           .
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           Find out more about the
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            SoundBoard 4
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            ™
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           .
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          For further wall soundproofing solutions which take up even less space and offer different levels of soundproofing,
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             click here
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           .
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            SoundBoard 4 Product Overview
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           How to Soundproof a party wall against noisy neighbours using the ProSound™ SoundBoard 4™
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            How to soundproof a stud wall with SoundBoard 4
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           How to soundproof a floor within a room
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  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/timber+floor+with+dog.jpg" alt="Wooden floor ready for soundproofing" title=""/&gt;&#xD;
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           Unlike most walls and ceilings where airborne noise is most prominent, with floors the noise made and heard is usually down to impact noise (moving objects, footfall etc).
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            When it comes to soundproofing the floor within your room, it depends what the floor is made of. Different soundproofing solutions work better depending on whether the floor is timber or concrete.
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            To soundproof a floor effectively, you need to follow the below 4 principles:
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            1. Improve the mass of the floor - mass blocks sound, so high mass/density products need to be added
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            2. Improve the ability of the floor to absorb sound energy and vibration (footsteps). This is critical, as without using soundproofing solutions to absorb sound energy, the adding of any mass will have very little effect on impact noise
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            3. Within the timber joists, use acoustic insulation to eliminate sound resonating and amplifying in this sealed chamber
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            4. When adding high mass products, make sure it's different materials of high mass. A combination of different materials perform better for different sound frequencies and perform much better at soundproofing than simply using more of the same high mass material
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           Video of how to soundproof a timber floor
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           ProSound™ Reverso SoundMat - floor soundproofing solution
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  &lt;a href="/reverso-soundmat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reverso+hero+square-4f25c964.jpg" alt="Reverso SoundMat"/&gt;&#xD;
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            The only high performing, reversible soundproofing mat designed for both hard and soft floor finishes. The Reverso SoundMat is only 18mm thick and its unique design means that it doesn't require an over boarding layer for most hard floor finishes. It also acts as a luxury carpet underlay for soft floor finishes.
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           The Reverso SoundMat is an excellent acoustic underlay, as it performs exceptionally well against loud levels of airborne noise and high impact noise.
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           Reverso SoundMat Product Overview
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           How to soundproof a floor with the Reverso SoundMat™
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           ProSound™ SoundMat 3 Plus - floor soundproofing solution
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  &lt;a href="/soundmat-3-plus" target="_top"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-78978401.jpg" alt="ProSound™ SoundMat 3 Plus showing the 3 layers for effective soundproofing" title=""/&gt;&#xD;
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            One of the best selling sound mats for floor soundproofing within a room. As with the Reverso SoundMat, the SoundMat 3 Plus is Ideal for loud levels of airborne and loud impact noise, such as clear conversation, TV noise and heavy footsteps.
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            Resulting in up to 54dB of airborne noise reduction and 49dB of impact noise reduction.
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             The
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           ProSound™ SoundMat 3 Plus
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           has been designed with two different soundproofing technologies laminated together for easy installation and suitable for all floor finishes. The completed floor offers exceptional performance and exceeds the new
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      &lt;span&gt;&#xD;
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    &lt;/span&gt;&#xD;
    &lt;a href="/PART-E-Regs"&gt;&#xD;
      
           Building Regulations Part E
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            target of 43dB when used as part of a full system. The system can be fitted to any level flat surface, without the need of any adhesive. Find out more about the
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat 3 Plus
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            .
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&lt;h2&gt;&#xD;
  
         Soundproofing for concrete floors
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  &lt;a href="/concrete-floor-soundproofing"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Concrete+floor-f82f35f5.jpg" alt="Concrete floor ready for soundproofing" title=""/&gt;&#xD;
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            When soundproofing a concrete floor within a room, airborne noise is usually less of an issue in this instance, as you already have the mass of the concrete for blocking airborne noise. Often it's only impact noise which needs to be soundproofed against. The
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-soundmat-2-plus/" target="_blank"&gt;&#xD;
      
           ProSound™ SoundMat 2
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             is our best performing product for both impact and airborne noise on a concrete floor.
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&lt;h3&gt;&#xD;
  
         ProSound™ SoundMat 2 Plus for concrete floors
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&lt;div&gt;&#xD;
  &lt;a target="_top" href="/soundmat-2-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM2+hero+square-d589c492.jpg" alt="ProSound™ SoundMat 2 showing 2 layers of soundproofing material for floors " title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
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      &lt;b&gt;&#xD;
        
            ProSound™ SoundMat 2
           &#xD;
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          provides a high level of soundproofing for impact noise and airborne noise, offering the industry’s highest performing 12mm soundproofing mat.
          &#xD;
    &lt;br/&gt;&#xD;
    
          Resulting in up to 47dB of airborne sound reduction and 53dB of impact sound reduction.
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          Ideal for medium levels of airborne and impact noise, such as muffled conversation, music, TV noise and footsteps.
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          Other effective soundproofing solutions for concrete floors can be found by
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      &lt;a href="https://www.soundproofingstore.co.uk/concrete-floor-soundproofing" target="_top"&gt;&#xD;
        
            clicking here.
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         How to soundproof a ceiling
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/living+room+ceiling-84ad74c9.jpg" alt="Ceiling with soundproofing" title=""/&gt;&#xD;
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             Designed to completely isolate ceilings,  the
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           ReductoClip system
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            is a high performing sound reduction system. We mentioned above how the system is successful for wall soundproofing and below is a video showing how to soundproof a ceiling using the ReductoClip system.
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             By attaching the
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           ReductoClip
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           to timber joists, this simply and easily secures the furring channel and decouples the new high mass wall layers from the structure, greatly reducing the transference of sound vibration energy. The addition of high mass wall layers also blocks airborne noise, perfect for soundproofing recording studios, band practice rooms or soundproofing against noisy neighbours.
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            The ReductoClip ceiling system results in a sound reduction of up to 49dB for airborne noise and 55db for impact noise.
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            If the part of your room you are looking to soundproof is your ceiling, there is a dedicated blog which discusses how to soundproof a ceiling, both for concrete and timber joist ceilings. To read more about ceiling soundproofing, please
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-ceiling" target="_top"&gt;&#xD;
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           click here
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           .
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         How to soundproof a garden room or music studio
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           We've touched upon some of the best performing room soundproofing solutions for different areas of a room; walls, floors and ceilings. The obvious room soundproofing solution we haven't yet discussed is soundproofing the whole room. To read more about how to soundproof a room within a room;   
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           Music room
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            ,
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           garden room
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            ,
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           home cinema room
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           or
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           garage
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            . To soundproof any of these rooms, it does use the concept of building a room within a room, as we mentioned at the start of this blog. A case study is also available on how to
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           soundproof a basement music studio.
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            Building a room within a room helps absorb or decouple vibrations. This is critical for stopping noise vibrations (such as music) from transferring into the structure of the building and is crucial in soundproofing the rooms listed above.
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            Top Tip - Soundproofing is like waterproofing, in that any weaknesses and it will find a way through. Doors, windows and air vents need to be considered and any air gaps need to be sealed.
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         Next steps
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           Hopefully this blog has helped to answered your questions on soundproofing a room, building a room within a room, or soundproofing part of a room. Our expert team are only a phone call away should you wish to discuss any soundproofing solutions in more detail, or alternatively,   
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           The Soundproofing Store
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              website contains lots of product and installation downloads, which we hope you will find useful.
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             If you were wondering about the cost of soundproofing, why not read our blog on 
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           How much does soundproofing cost?
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/lounge+3-94689a39.jpg" length="31564" type="image/jpeg" />
      <pubDate>Sun, 11 Jul 2021 10:03:57 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-room</guid>
      <g-custom:tags type="string">How,to,soundproof,a,room,home,walls,ceilings,floors,soundproofing,noisy,neighbours,noise,impact,airborne,acoustic,reductoclip,system,wall,ceiling,prosound,soundboard4,soundmat3plus,soundmat2,</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/lounge+3-94689a39.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/lounge+3-94689a39.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How To determine what type of party wall you have</title>
      <link>https://www.soundproofingstore.co.uk/how-to-determine-what-type-of-party-wall-you-have</link>
      <description>A helpful guide on how to determine what your walls are constructed of, to aid with the correct choice of wall soundproofing. All types of walls from a stud frame to a rubble wall.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How To determine what type of party wall you have
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/dot+and+dab+-+how+to+determine+what+type+of+wall.png" alt="Checking if your wall is a dot a dab system"/&gt;&#xD;
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            Here at
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           The Soundproofing Store
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            the most common question we ask when speaking to our customers is “what are the walls made of?” by asking this question we can estimate how well your existing wall is performing against noise and this in turn helps us specify the correct level of soundproofing needed to be added to the wall to give you peace and quiet on your side of the wall.
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            As most people simply see a solid decorated wall, they normally have no idea what the wall is constructed off unless they have had to drill the wall at some point.
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            However, most solid party walls are mainly made of brick or breeze block with a plaster finish
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           however some walls have plasterboard either fixed with dot and dab or onto timber battens and if this is the case then we may need to address this type of construction as they can be part of the problem as to why your wall does not perform well against noise.
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            Tips to identify what your wall is constructed of
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           Try tapping on the wall in different places and if it feels solid everywhere you probably have a skim plaster finish to your wall which is good news.
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           If when you tap on the wall it sounds hollow in some areas you either have timber battens or dot and dab adhesive fixings behind a plasterboard, which is not good news.
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           What is Dot and Dab plasterboard?
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           Dot and Dab is made of a dot adhesive which is applied to the walls in random piles with the plasterboard pushed against it. This is a modern technique which has become more common in newer houses. A simple way to tell if you have a dot and dab wall is to tap the wall moving your hand around. You will hear the wall is hollow in some parts and hard in other parts where the dab adhesive will be (this will be different from timber battens as the solid feeling areas will not be in a straight line)
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            What are timber battens and plasterboard?
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           Timber batten and plasterboard walls are usually made from timber battens screwed to the original wall which have regular vertical intervals of 400mm to 600mm and are used to eliminate any unevenness or poor condition in the existing wall. Again, by tapping along the wall will indicate that it is hollow and solid in regular areas.
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           Other ways to determine what your wall is constructed of
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           By removing either a plug socket or light switch and pulling it forward (making sure you have isolated the area first) you will be able to shine a torch inside the wall, this will help determine if the wall is either a stud wall or a dot and dab system. Another way is to drill a small hole in to the wall in a place that wont be noticed, this will help you determine what your wall is constructed of.
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           Why are Dot and Dab walls or timber batten walls not good for soundproofing..
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           Because of these methods of fixing the plasterboard to the wall a cavity is created in between the wall and the board.Cavities are a big red flag for soundproofing as the sound can become trapped in the space where it will resonate and amplify before passing through the plasterboard into your room. Think of how an acoustic guitar works, when the strings are plucked the sound is amplified by the soundbox, which is basically a cavity designed to do just that.
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           Other types of walls to consider..
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           In some instances you may find that the wall you are wanting to soundproof will be made up of a rubble mix. In this circumstance the materials can become lose through time, resulting in some areas being hard and other areas sounding hollow when tapping along the wall. When soundproofing this type of wall, we would recommend decoupling from the wall, this will ensure that you are not putting the soundproofing system on to any weak points on the offending wall.
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           On rare occasions you may also find that you have a wall that sounds completely solid and then you will come to a section on that wall which sounds hollow. This hollow space in the wall may be a door, especially if the hollow void is central on that wall. In this circumstance, where the door will have been you will tend to find that the door will have been replaced with a stud frame built in its place, boarded up and then skimmed over to give the appearance of the wall being solid throughout that structure.
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           How to Soundproof Unused Doors (soundproofingstore.co.uk)
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <pubDate>Thu, 08 Jul 2021 14:09:56 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-determine-what-type-of-party-wall-you-have</guid>
      <g-custom:tags type="string">breeze block,Soundproofing wall panels,solid,wall soundproofing,timber battens,stud,ReductoClip Direct to Wall,knowledge hub walls,walls,plasterboard,Soundproofing,dot and dab,acoustic wall panels,wall,partywalls,frame</g-custom:tags>
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      <title>How to Soundproof Unused Doors</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-unused-doors</link>
      <description>How to Soundproof unused single doors or double doors not in use anymore. Soundproofing unused doors between rooms.</description>
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           How to Soundproof Unused Doors
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           What can I do to Soundproof my Unused Door?
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           The Soundproofing Store often get asked what the recommendation would be for blocking up a doorway, or what to do with unused doors. We also get asked about how we get a door to perform the same as the walls around it. A typical scenario where this might come up is where someone is running a Bed and Breakfast and the guest area is attached to the main house. This can cause obvious soundproofing issues, with people on one side can causing noise issues for the people on the other side of the wall.
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            We know that doors are a huge problem when it comes to soundproofing, as they are essentially just large holes in your walls! This coupled with the fact that standard doors tend to be thin and hollow or constructed out of very low dense materials, means they are a nightmare when it comes to sound transfer between rooms. Please take a look at our
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           How To Soundproof A Door
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            Blog for more information on soundproofing the door itself.
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           The Principles of Soundproofing a Door
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           1.     Airborne Sound Is Blocked By Mass
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            - Therefore the heavier and more dense a material is, the more sound it blocks. If your door is light weight and hollow, sound will travel through it very easily. A heavy, dense fire door for example will block much more sound.
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           2.      Sound Can Travel Through Air Gaps
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            - If air can get through a gap, sound can travel through it. Soundproofing needs to be properly sealed to work, and so does your door. If there is a gap between the door and frame, or between the door and floor, sound will just leak out. By installing an acoustic or draught excluding seal to the door or frame, we can minimise this leak.
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            If you want to keep your Doorway
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           Our recommendation if you wish to keep a doorway is to replace the existing door with 2 solid fireproof doors and use a double stud system for the wall. Then seal round the gaps and floors, and use good draft exclusion materials. This will give you a similar result to the walls either side of the doorway. Please see our 
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           Soundproofing Doors
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            blog for some more information specifically regarding doors.
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           If you do not want to keep your Doorway
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           If you do not want access to your door anymore, there are a few options for you:
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           Option 1
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            If you are able to create a wall the whole way across, we recommend using a double stud system, with two 50mm stud frames, with a 10mm minimum gap between frames, floating on
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           isolation strip
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            . Fill both frames with
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           60kg acoustic mineral wool
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            .
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            To finish it off we would recommend two layers of 15mm acoustic grade plasterboard fixed to studs. 15mm
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           Acoustic Grade Plasterboard
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            adds far more mass and weight per m2 when compared to a standard 12mm Plasterboard, and it is this extra mass which helps to block airborne noise.
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           Option 2
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            For even better results, you could use the
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           120mm ReductoClip Independent Stud Frame system
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            installed on both sides to give maximum isolation between rooms. (Two 100mm stud frames with a minimum 10mm gap between).
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           Option 3
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           The third option is to remove the door, and fill up the empty void with the material that the wall is constructed from. For example if your wall is built with breeze blocks, you can fill the void with breeze blocks to create a uniform wall all the way across.
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            In conclusion, effectively soundproofing doors is crucial, especially in settings such as Bed and Breakfast establishments where noise transfer between guest areas can lead to disturbances.
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           Standard doors often pose significant challenges due to their thin, hollow construction and low-density materials. Addressing these issues as outlined above can help ensure that doors perform more effectively at blocking sound.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <pubDate>Mon, 28 Jun 2021 14:26:25 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-unused-doors</guid>
      <g-custom:tags type="string">doors,double doors,existing doors,unused doors,block doors,walls,wall soundproofing,door soundproofing,single doors,Soundproofing</g-custom:tags>
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      <title>Floor Sound Insulation for Building Regulations Part 'E'</title>
      <link>https://www.soundproofingstore.co.uk/sound-insulation-for-building-regulations-part-e</link>
      <description>How to soundproof a wooden timber joist floor to exceed building regulations part 'E'</description>
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           Floor Sound Insulation for Building Regulations Part 'E'
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           A closer look at Soundproofing a standard timber floor to meet Building Regulations Part 'E'.
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           Introduced in July 1st 2003 the building regulations for Soundproofing were included to improve sound insulation in buildings, between homes or in rooms used for residential purposes. These building regulations apply to both new build and refurbishment or conversion projects on all types of dwellings including flats and apartments,semi-detached, terraced housing, hotels, hostels, nursing homes and student accommodation.It applies to the separating walls, floors and ceilings between different dwellings only and not those within the same dwelling.
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          Click on the link below to see the full publication:
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           https://www.gov.uk/government/publications/resistance-to-sound-approved-document-e
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           There are many aspects and scenarios to meeting building regulations,so I will write a series or blogs to cover the most common scenarios.
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           In this blog I am going to cover the most common scenario that we come across – Converting a standard house into multi occupancy dwellings.
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           Usually in this scenario the main point of focus is the dividing floors between the dwellings and that is the point we need to apply soundproofing. Commonly in this scenario the floors are standard timber joists with floorboards laid on top no insulation between joists and a standard 12.5mm plasterboard on the ceiling below.
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           To meet the Part ‘E’ building regulations in this scenario you need to achieve the following dB figures and the test is based upon both Airborne noise and Impact noise:
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           Minimum Airborne Sound Transmission – 43dB (the higher the figure the better)
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           Minimum Impact Sound Transmission – 64dB (the lower the figure the better)
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           (Please note when trying to improve upon dB ratings for both types of noise, the higher the Airborne noise figure the better and the lower the impact noise the better).
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           If you would like a detailed explanation on how dB is measured, then please read the relevant section on our website:
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           https://www.soundproofingstore.co.uk/PART-E-Regs
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           We have many flooring and ceiling solutions at The Soundproofing Store but when we need to make a recommendation to meet building regulations as in the scenario above then our go to solution is our SoundMat 3 plus system, as any slight compromise in the soundproofing system applied could mean the difference between passing and failing the sound test.
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         To achieve a soundproofing pass on a standard timber floor with joists.
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         1 - Apply SoundMat 3 plus to the floor above.
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           SoundMat 3 Plus
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            is our highest performing thin floor soundproofing mat, which provides a high level of soundproofing for impact noise and airborne noise. Having undergone many design improvements since 2009, when it revolutionised the industry with the bonding of different materials together. The current version offers the industries highest performing 15mm soundproofing mat with a mass of 19kg per mat.
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         2 - 60KG Acoustic Mineral Wool Slabs Applied between the timber joists
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            This acoustic grade mineral wool slab absorbs airborne sound in the cavity between the floor above and the ceiling below by preventing sound from echoing and amplifying in this sealed chamber (think shouting down a cardboard tube or how a drum works)
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         3 - Resilient Bars Applied to the underside of the timber joists
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           Resilient Bars are a cost effective ceiling solution. Specially designed to de-couple your soundproof ceiling from the existing structure to stop sound vibration (i.e. foot step noise) from travelling through. This in effect creates a "floating Ceiling". When combined with other materials as part of a full system, Resilient Bars will significantly reduce airborne noise levels and impact vibrations.
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         4 - Two layers of 15mm acoustic graded plasterboard (applied directly to the Resilient Bars).
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            Acoustic plasterboard's have a higher density core than standard plasterboard and are designed for use in ceiling lining, where greater levels of sound insulation are required. The higher density also offers higher fire resistance.
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           Using this combination will achieve standard results of 49dB for Impact and 54dB for Airborne noise on a standard timber joist floor.
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           An example of compromising on this recommendation would be to not use the acoustic mineral wool between joists and resilient bars attached to the joists, leaving you with SoundMat 3 plus on the floor and 2 layers of 15mm acoustic plasterboard and this could achieve a pass but the figures are very borderline and could equally achieve a fail so I would strongly advise against.
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         In Summary
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           Approved Document E was introduced to improve the quality of sound insulation or soundproofing in buildings to make sure residents live comfortably and not suffer from neighboring noise problems. The standards are set quite high and any compromise will result in failed sound tests for both Airborne and Impact noises. Follow this guide for the recommended timber floor solution and you will comfortably pass building regulation part 'E' for sound insulation between a standard timber joist floor.
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           If you found this blog helpful then please do read the following floor blog:
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    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-floor-against-noisy-neighbours"&gt;&#xD;
      
           https://www.soundproofingstore.co.uk/how-to-soundproof-a-floor-against-noisy-neighbours
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         Need Help?
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            I hope this has covered most questions, as always if you want the best advice, speak to a professional. We are happy to talk you though any problems or answer any questions.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Part+E.jpg" length="34329" type="image/jpeg" />
      <pubDate>Sun, 13 Jun 2021 10:15:09 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/sound-insulation-for-building-regulations-part-e</guid>
      <g-custom:tags type="string">soundproblem,wool,floorsoundproofing,sound,acoustic,Knowlede hub floors,part'E',insulation,soundproof,buildingregulations,noise,noiseproblem,mineral</g-custom:tags>
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      <title>Why is Dot and Dab Plasterboard Bad for Soundproofing?</title>
      <link>https://www.soundproofingstore.co.uk/why-is-dot-and-dab-plasterboard-bad-for-soundproofing</link>
      <description>How to soundproof a solid wall with dot and dab plasterboard</description>
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           Why is Dot and Dab Plasterboard Bad for Soundproofing?
          
                    
                    
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           Whenever we receive an enquiry for soundproofing a wall we will always ask what the construction is. More often than not walls are brick  or block built and then plastered using a traditional wet plaster. However, sometimes our customers will say that they believe their wall is a stud wall because it sounds hollow, indicating a Dot and Dab wall.Dot and Dab is increasingly common with modern construction techniques designed to save time and money when building new houses, and used to quickly plaster over uneven wall surfaces. So...
          
                    
                    
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           What is Dot and Dab Plasterboard?
          
                    
                    
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           Dot and Dab Plasterboard (Drylining) is the technique of attaching plasterboard to a wall using dots and dabs of adhesive at various points across a wall surface. This is used as a quick and effective way to plaster a wall and to cover uneven areas, without using wet plaster mixes, thus saving time waiting for plaster to dry out, it also means the walls  can be decorated quickly and is considerably less messy.
          
                    
                    
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           How can I tell if I have Dot and Dab Plasterboard?
          
                    
                    
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           Because of the techniques used to install Dot and Dab Plasterboard a cavity is left behind the plasterboard, with only the dots and dabs of adhesive providing any solid connection points. Simply tapping on the wall at various points it will sound hollow in most areas but there will be some more solid sounding areas, this would indicate that you have Dot and Dab Plasterboard. If you are still unsure if the plasterboard is installed using Dot and Dab it can be helpful to remove a plug socket or light switch and shining a torch into the hole which could help to understand the construction of the plasterboard wall.
          
                    
                    
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           How does Dot and Dab Plasterboard affect noise issues?
          
                    
                    
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            Because of the method of fixing the plasterboard to the wall a cavity is created in between the wall and the board.Cavities are a big red flag for soundproofing as the sound can become trapped in the space where it will resonate and amplify before passing through the plasterboard into your room. Think of how an acoustic guitar works, when the strings are plucked the sound is amplified by the soundbox, which is basically a cavity designed to do just that.
           
                      
                      
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           How can I soundproof my Dot and Dab Plasterboard wall?
          
                    
                    
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           The simple answer to this is that any Dot and Dab Plasterboard should be removed prior to any soundproofing installation. The very nature of this type of plasterboard construction is contrary to any proficient installation of soundproofing and may result in either a poor performance or in some cases in the soundproofing not working at all. It is also worth noting that as soundproofing often takes up some space into your rooms, removing the Dot and Dab plasterboard will help to reduce this space take up by up to 20-25mm, giving you a substantially improved wall with less space impact as a result. We have a range of Direct to Wall Soundproofing solutions which can significantly improve the performance of walls against noise disturbances from your neighbours. The ReductoClip Direct to Wall system is already the slimmest clip and bar system available at only 60mm, and with the removal of Dot and Dab plasterboard will take up as little as 40mm of space into your room.
          
                    
                    
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          
                    
                    
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/dotanddab.jpg" length="44621" type="image/jpeg" />
      <pubDate>Fri, 11 Jun 2021 14:04:51 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/why-is-dot-and-dab-plasterboard-bad-for-soundproofing</guid>
      <g-custom:tags type="string">knowledge hub walls,wall soundproofing,plasterboard,party wall,Soundproofing,how to soundproof a wall,dot and dab,wall</g-custom:tags>
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      <title>Floor Soundproofing: Frequently Asked Questions</title>
      <link>https://www.soundproofingstore.co.uk/floor-soundproofing-frequently-asked-questions</link>
      <description>The most frequently asked questions when looking at soundproofing a floor from the unwanted impact and airborne noise from noisy neighbours</description>
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           Floor Soundproofing: Frequently Asked Questions
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           The most commonly asked questions when looking to soundproof a floor
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            A survey by
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            reports that noisy neighbours are the most off-putting thing when buying a new home. More so than buying a property with signs of damp, cracks in the walls, or even having been the scene of a murder! 85% of people surveyed said that noisy neighbours would be their biggest worry when buying a new home.
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            It is no surprise that the majority of calls
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           The Soundproofing Store
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            receive are because of noisy neighbour complaints, with customers fed up of listening to the unwanted noise their neighbours are making.
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            This article focuses on soundproofing floors and looks to answer common questions people often ask when looking to soundproof floors, to decrease the unwanted noise they can hear above or below them.
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           Top 5 Floor Soundproofing Solutions
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           The four most common and effective floor soundproofing solutions are:
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            Reverso SoundMat (18mm)
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            SoundMat 3 Plus 15mm
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            SoundMat 2 Plus 12mm
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            SoundScreed 28mm
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            ImpactoMat 5mm
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           The correct acoustic floor soundproofing system depends on the makeup of the floor (concrete or timber). The levels and types of noise being soundproofed against (e.g. airborne or impact noise) and the final floor finish (carpet, laminate, tiles etc).
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            Should you require any assistance in choosing the right sound insulation system, then don't hesitate to visit
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           The Soundproofing Store
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           , or contact us using the form, or number below.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/floors6.jpg" length="36284" type="image/jpeg" />
      <pubDate>Thu, 27 May 2021 13:59:26 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/floor-soundproofing-frequently-asked-questions</guid>
      <g-custom:tags type="string">how to,flooring,laminate,noisy neighbours,questions,frequently asked questions,Knowlede hub floors,floor soundproofing,soundmat2plus,impact noise,tiles,floors,SoundMat3Plus,carpet,airborne noise,Acoustic insulation,Soundproofing</g-custom:tags>
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    </item>
    <item>
      <title>Soundproofing A Garden Studio Room</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-a-garden-studio</link>
      <description>How to soundproof a garden room studio</description>
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           Soundproofing A Garden Studio Room
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           ReductoClip System
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            Installed Direct To Timber Studs - With mineral wool between studs, two layers of 15mm acoustic plasterboard and Acoustic membrane FlexiSound 5
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           ReductoClip System
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            for solid walls, Installed with an independent stud frame  10mm  away form the existing wall - With mineral wool between studs, two 15mm acoustic plasterboards and an acoustic membrane FlexiSound 5
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            We get many enquiries from musicians wanting to either build a music studio in their garden, or to convert an existing out building, garage or shed into a music studio. So we thought we would address this in more detail in this blog.
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           First off, just to mention, there is a lot of mis information on the internet about soundproofing and it is very easy to get confused by contradicting opinions or to be led down the wrong path (excuse the garden pun), by incorrect information. I will try to address some of these things and explain the real science behind soundproofing, so please bear with me.
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           The Fundamental Physics - Very Important!
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            There are three important things to address when soundproofing for high decibel, potentially amplified music levels.
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            1.
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             Airborne Sound (voices, music etc) is only blocked by mass. To block airborne sound, the structure of the building needs to contain a high level of mass. Mass is a complex thing to get into, but at the simplest level, the heavier and more dense a material is, the more mass it will have. i.e concrete has more mass than wood.
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             When sound hits a surface it becomes a vibration energy which can transfer through solid materials and surfaces very easily. Bass and kick drums will also create a lot of vibration energy. For a high standard of soundproofing, we need to absorb or decouple this vibration to stop it from transferring into the structure of the building. To do this we use the
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            "Room Within A Room"
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             technique. There will be more on this later.
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            3.
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             Soundproofing is like waterproofing - To contain the sound within the studio, you will need to soundproof all the walls, ceiling and floor. All weaknesses such as windows, doors and air vents need to be considered, and any air gaps need to be sealed, as sound will always find the weak point and still get through.
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           What Should I Build My Studio Out Of?
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            Ideally you want to start by building your structure with high mass materials. Using two layers of high density breeze block with a cavity in between structure is a ideal perfect world solution and will perform far better than a lighter wooden construction. The structure will then block a lot of sound naturally before even adding any soundproofing to it. Then after installing a high performing soundproofing system such as our ReductoClip system on the inside, you will get a very high level of sound reduction that should block even high levels of live music.
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           Can I Use My Wooden Garden Shed?
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            Unfortunately wooden constructions are the hardest to soundproof. As you are starting with a structure that has very little mass and natural ability to block sound. To soundproof a timber construction you will need to install a high performing soundproofing system such as our ReductoClip system on the inside. This will upgrade a standard timber construction to achieve a good reduction in noise levels. However don't expect to achieve a 100% noise reduction, think more 75%.
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            The other issue with garden sheds is the size, as any soundproofing system will reduce the internal size of the construction by up to 120mm per wall.
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           How Do I Soundproof The Inside?
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             For live music levels of noise we need to build a "
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           room within a room
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            ", with the inner room decoupled or isolated from the outer room. We do this by using a system such as our
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           ReductoClip
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            or resilient bars. These are fixed to the solid wall and ceiling joists, we can then build new wall and ceiling layers (creating the inner room), by fixing these layers onto the ReductoClip rather than being fixed directly to the wall. The ReductoClips act like shock absorbers, so when sound hits the new wall layers and turns into a vibration energy, the 
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           ReductoClip
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            absorb this energy stopping it from transferring into the structure.
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             We then need to add high mass materials such as two layers of 15mm acoustic grade plasterboard which has a higher in mass than standard plasterboard. You can also improve the performance by adding different materials (different types of mass block different sound frequencies better than others). These include
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           FlexiSound 5
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            and
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           Mass Loaded Vinyl
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            .
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          We can improve this system further by installing the
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           ReductoClips
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          on an insulated timber frame in front of the solid wall (as seen above). This will isolate the system even further by having less contact with the structure. The absorbing quality of acoustic mineral wool within the frame will also improve the performance of the system.
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           Why the ReductoClip™ System Outperforms other Clip Systems
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            How to soundproof a wall with the ReductoClip™ system
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           The same system is used on the ceiling as below.
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           FAQ's
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           Can't I Just Stick Foam Panels On The Wall?
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          This is one of the biggest misconceptions in soundproofing. The foam panels you seen in recording studios are designed for acoustic treatment NOT soundproofing. They have NO soundproofing properties. They are designed to reduce the reverberation within a space to "clean" the acoustics and get a better, cleaner, dryer sound within the room. They do not block the sound from leaving the room.
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           What About The Floor?
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          If it is a garden studio, you will have nobody below you to worry about and your structure will probably be on a concrete base. So you shouldn't need to block any sound from travelling below unless you have a raised structure with a void below building. (if the floor need soundproofing you can use our SoundMat 3 and mineral wool in any void areas) What you do need to do is absorb the vibration from drums and bass. You can use a mat that is designed to absorb vibration, such as our
          &#xD;
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      &lt;a href="/ImpactoMat"&gt;&#xD;
        
            ImpactoMat 5mm
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          . 
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           What Do I Do With Windows And Doors?
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          These are the biggest weak spots. Ideally, if you can get away with not having any windows, this will give you the best performance. If you need natural light then use triple glazed or specialist acoustic glazing. This needs to be well fitted with no gaps between the frame and the wall.
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          Regarding Doors, again you need high mass material, so a heavy, dense fire door, or even a double door system would be best. Or you can add mass to your existing door by adding a layer of mass loaded vinyl to the door. Again making sure there are no air gaps between the door and frame by adding a good seal or draught excluding material. You can also purchase custom made acoustic doors which are very high performing, but these can be expensive.
          &#xD;
    &lt;br/&gt;&#xD;
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          Find out more about soundproofing doors here -
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-door" target="_blank"&gt;&#xD;
      
           https://www.soundproofingstore.co.uk/how-to-soundproof-a-door
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           What do I do for Ventilation if the room is airtight?
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          For ventilation we suggest using a high quality acoustic vent system.
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&lt;h3&gt;&#xD;
  
         Garage Conversion By YouTuber Levi Clay
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&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         A series of videos following Levi Clay, in converting his garage to a fully soundproofed room for video blogging and for guitar playing lessons.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          I hope this has covered most questions, as always if you want the best advice, speak to a professional. We are happy to talk you though any problems or answer any questions.
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
    
          You can call us Monday to Friday, Nine to Five on 01423 206 208 or contact us using the form below.
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/garden+room+1-2166d756.jpg" length="195708" type="image/jpeg" />
      <pubDate>Sun, 23 May 2021 11:52:07 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-a-garden-studio</guid>
      <g-custom:tags type="string">garden,studio,shed,room,sound,proof,soundproofing</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/garden+room+1-2166d756.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/garden+room+1-2166d756.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Top 12 Soundproofing Myths</title>
      <link>https://www.soundproofingstore.co.uk/top-12-soundproofing-myths</link>
      <description>We uncover the top soundproofing myths and give you the science behind Soundproofing</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
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           Top 12 Soundproofing Myths
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  &lt;p&gt;&#xD;
    &lt;a href="https://www.express.co.uk/news/uk/693958/Noisy-nuisance-neighbours-complaint-rising-affects-millions-Brits" target="_blank"&gt;&#xD;
      
           With a reportedly two thirds of UK homeowners saying that their lives are being blighted by the actions of those next door
          &#xD;
    &lt;/a&gt;&#xD;
    
          it is no wonder that many people go in search for cheap soundproofing options. Unfortunately when people scour the internet they inevitably come across some confusing advice and I just want to clear up a couple of common soundproofing myths.
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  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/myths+2.jpg" alt="soundproofing myths" title=""/&gt;&#xD;
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&lt;h3&gt;&#xD;
  
         1 - Sound Absorption vs Soundproofing
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           The two are completely different yet people seem to usematerials designed for sound absorption to soundproof their homes and viceversa.
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           Sound absorption is a technique that uses sound dampening materials to reduce noise from resonating, echoing and amplifying within a room. Specialist rooms such as a recording studios require sound absorption panels to be fitted and these come in all different sizes, shapes and colours. Large halls and restaurants are typical venues for producing reverberated sounds and you may find that in the home when you remove furniture for example you can notice the sound resonate, echo and amplify.
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            Soundproofing is used to isolate or block sound inside a room or to keep sound from outside, entering the room. In a terraced house it is typical of noise travelling through a party wall and therefore you would opt to soundproof the party wall with something like the Pro-Sound™
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundboard-4" target="_top"&gt;&#xD;
      
           SoundBoard4
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            . By applying a heavy mass to the wall, you are blocking that sound travelling through. You may live in an apartment with a noisy neighbour below and you want to block loud TV noises from disturbing you, so you would block this by using something like the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
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    &lt;span&gt;&#xD;
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            . Where the term absorption can be a little mis-leading or confusing is when you are trying to address impact, noises travelling through a structure. Impact noise is a vibration and foams or clips such as the IsomaxClip will absorb this vibration but don’t confuse it with reducing echo reverberation in aroom.
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           2 - Acoustic Mineral Wool = Sound Insulation?
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            We hear builders and general DIY novices that have heard from a friend of a friend that if they create a new stud timber frame next to their party wall and fill the newly created void with some
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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             and then finish it with some plasterboard they will create a good noise reduction from their noisy neighbour.
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           This is not true.
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            To reduce an airborne noise, you need to apply heavy mass to the wall such as the
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           Pro-Sound™
          &#xD;
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      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             and to reduce impact noise you need to absorb the vibration. When you are dealing with extreme sounds such as loud music with a deep base then you need to look at soundproofing options that take on board the concept of ‘building a room within a room’. In a residential setting this is difficult due to the amount of space lost so it is common practice to address the offending party wall or ceiling in this manner. Take the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip
          &#xD;
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      &lt;span&gt;&#xD;
        
            System for example. You would build a new party wall, purposely leaving a minimum of a 10mm gap between party wall and the new stud wall. In this case you have created a sealed void so it is necessary to fill that void with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             to prevent noise getting trapped and then resonating, echoing and amplifying. The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClips
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            are then applied to the frame to absorb vibration and layers of mass are applied to block the airborne noise (2 x layers of acoustic graded plasterboard and 1 layer of
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
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    &lt;span&gt;&#xD;
      
           ).
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            In this scenario
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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             was introduced to the created void to prevent the trapped noise from resonating, echoing and amplifying. Sound Insulation material prevents this from occurring and it is also commonly used between joists in the floor for this very reason.
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&lt;h3&gt;&#xD;
  
         3 - Noise Absorbing Coloured Glue
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            At the Soundproofing Store we have heard on many occasions that a certain glue has been used as a measure to block airborne and impact noises transferring from the next-door neighbour. Typically, the glue is applied as a layer between some
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           plasterboard
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            and not surprisingly we then hear that it did nothing to prevent airborne noise. And any slight reduction has been made by the plasterboard itself.
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           This glue will only help dampen very small amounts of vibration created by the airborne noise travelling between two plasterboard's when it meets the wall. It won’t help to block any general impact noises and does not add any mass to the wall.
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&lt;h3&gt;&#xD;
  
         4 – Can I use egg boxes to soundproof my wall?
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/egg+boxes.jpg" alt="Egg boxes as soundproofing" title=""/&gt;&#xD;
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            This question is an example of Sound Absorption Vs Soundproofing when the difference between the two is unknown. Egg Boxes in theory should help when you want to reduce an echo in a room and controlling how sound reacts and bounces round the room, in a similar way to how
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    &lt;a href="https://soundproofingstore.uk/product-category/sound-absorption/" target="_blank"&gt;&#xD;
      
           Sound Absorption panels
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            work. To what extent, I do not know as we have never tested them. They will in no way shape or form soundproof a party wall when you have a noisy neighbour because airborne noise needs mass to block it and egg boxes have very little mass - see the
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           Pro-Sound™
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      &lt;/span&gt;&#xD;
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    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard4
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            . My top tip, store your eggs in the egg box and use specialist acoustic panels to reduce echo.
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&lt;h3&gt;&#xD;
  
         5- Will laying a thick carpet or rug help soundproof my
floor?
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  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="375"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
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   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
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   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
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   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
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   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
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   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
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   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
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   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
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   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
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   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
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   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
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   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
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   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
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 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We often hear this question been asked. If you are creating
impact and airborne noises that are affecting your neighbour below, then you
will need to use something like the
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
      
           SoundMat3 plus
          &#xD;
    &lt;/a&gt;&#xD;
    
          as it contains two layers of
mass loaded vinyl to block airborne noises and contains a middle layer of
specialist acoustic sealed foam to reduce impact noise. Laying a thick carpet or rug may absorb some of
the impact but not very much and may help reduce sound reverberation within a room, so reduce a little echo.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         6- Does Soundproof paint work?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundproof+paint.jpg" alt="Soundproof paint" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  &lt;w:View&gt;Normal&lt;/w:View&gt;
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  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
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  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
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   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="375"&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
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   Name="index 1"&gt;&lt;/w:LsdException&gt;
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   Name="index 2"&gt;&lt;/w:LsdException&gt;
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   Name="index 3"&gt;&lt;/w:LsdException&gt;
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   Name="index 4"&gt;&lt;/w:LsdException&gt;
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   Name="index 5"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
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   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
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   Name="Date"&gt;&lt;/w:LsdException&gt;
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   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
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   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
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   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
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   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
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   Name="Block Text"&gt;&lt;/w:LsdException&gt;
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   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
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   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
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  &lt;p&gt;&#xD;
    
          Physics dictates that to block an airborne noise you need to
put a very heavy dense mass in front of it, the heavier the mass the more sound
it may block. A 1-2 mm layer of paint is going to do very little in terms of blocking an airborne noise or absorbing impact vibration and I can't see it helping with noise reverberation within the room either.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         7 – Does Soundproofing wallpaper work?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/wallpaper.jpg" alt="Soundproof wallpaper" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            My answer is the same as the Soundproof Paint. The nearest you are going to get to Soundproofing wallpaper is
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/tecsound-sy100/" target="_blank"&gt;&#xD;
      
           TecSoundSY100
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . It is a visco elastic 5mm layer of heavy mass and is self-adhesive so can be applied directly to a surface. Due to its nature you will need to put a layer of Knauf Soundshield plus 15mm plaster board over the top to finish your wall off.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         8 – Can putting foam rubber on my wall help Soundproof?
        &#xD;
&lt;/h3&gt;&#xD;
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  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          There are many different types of foam and rubber and it is
likely that if you do put a piece of rubber foam up it isn’t dense enough to
block any airborne noises and isn’t the correct foam to absorb any vibration
travelling through the wall. It will however help absorb some of the echo noise
within the room. If you want to block noises coming through your wall I suggest
looking at something like the
          &#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           Pro-Sound™
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundboard-4" target="_blank"&gt;&#xD;
      
           SoundBoard4
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           .
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         9- Can I put either carpet, mattress or pillows on the wall to
soundproof?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/pillows.jpg" alt="Pillows on a wall"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Again, you need to determine what you are trying to achieve. None of these materials contain heavy mass so if you are attempting to block noise coming through the wall from a noisy neighbour and their loud TV then these will do nothing. You need to look at either the
          &#xD;
    &lt;a href="/soundboard-3"&gt;&#xD;
      
           Pro-Sound™
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="/soundboard-3"&gt;&#xD;
      
           SoundBoard3
          &#xD;
    &lt;/a&gt;&#xD;
    
          or
          &#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           Pro-Sound™
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard4
          &#xD;
    &lt;/a&gt;&#xD;
    
          . If you are looking to reduce noise reverberation within the room itself then these methods could help.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         10 –  Can using
heavier curtains Soundproof the bedroom?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
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  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="375"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
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   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
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   Name="List"&gt;&lt;/w:LsdException&gt;
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   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
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   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
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  &lt;p&gt;&#xD;
    
          This goes back to understanding the correct definitions between
Soundproofing Vs Sound absorption. What do you want to achieve? If you are attempting
to block a noise coming in from a neighbour or a noise from outside, then it won’t
work because you need heavy dense materials to block the noise. Also, a curtain
has a gap – think about when you are in your car and you think you have wound
your window fully up, but you know you haven’t because there is still a noise.
Once you wind it up fully by 1mm the noise disappears. However, if you want to
reduce noise reverberation within a room then they may be an option.
         &#xD;
  &lt;/p&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         11 –
Can I soundproof my wall by adding multiple layers of acoustic graded
plasterboard?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_blank" href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/15mm+Acoustic+plasterboard+squ-ff959157.jpg" alt="Acoustic graded plasterboard" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Adding two layers of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic graded 15mm plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to the wall will give you a small reduction in noise, however just adding mas on its own will not give you the best performance. you also need to absorb the sound energy/vibrations that sound creates when it hits a solid, which is why in our Soundboards we use a 6mm foam layer to absorb this vibration.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Also, adding more and more of the same type of mass will not give you the best results, as different types of mass block different sound frequencies better than others - so using a combination of high mas materials will always give you a better result.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           (Adding one layer of plaster board will give you a certain reduction, adding a second layer will only give you a small improvement and adding a third layer will have no added benefit at all. This is because the first layer will block most of the sound frequencies that this type of mass is good at blocking, leaving very little for the second layer to block and nothing for the final layer).
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            So rather than add more additional layers of the same mass, I would look at some other mass options. We know that by adding mass to the wall it will block certain levels of noise and we also know that using a combination of different types of mass will work even better because you are blocking a larger range of sound frequencies.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           The Pro-Sound™ SoundBoard4
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is made up of a layer of 15mm acoustic graded plasterboard, a layer of heavy mass loaded vinyl, a layer of specialist foam and another layer of heavy mass loaded vinyl and that combination will easily remove a loud conversation when applied to a standard brick or block wall.
            &#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         12 – Will sand help to soundproof?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="375"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
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  &lt;p&gt;&#xD;
    
          This is often heard and often thought of as a myth but in
actual fact sand can help to soundproof. Sand is heavy and because it is made
up of small grains it doesn’t leave any gaps so therefore will block airborne
noises. It was often used in Victorian times in the floors and we do still come
across this from time to time but it is a very messy system to install,
especially if you want to remove it and it is also prone to settling in lower areas giving a varied performance across the floor. I would suggest using the
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/store/-p79483154" target="_blank"&gt;&#xD;
      
           SoundMat3plus
          &#xD;
    &lt;/a&gt;&#xD;
    
          instead as there is no mess, it is simple to install and delivers much better
results.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--StartFragment--&gt;              If you have enjoyed this blog, please have a look at our wall blog - How to soundproof a wall against noisy neighbours?
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours"&gt;&#xD;
      
           https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What is the best way to soundproof a wall?
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&lt;h3&gt;&#xD;
  
         Need Help?
        &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--StartFragment--&gt;              I hope this has covered most questions, as always if you want the best advice, speak to a professional. We are happy to talk you though any problems or answer any questions. 
         &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/myths+2.jpg" length="8773" type="image/jpeg" />
      <pubDate>Mon, 17 May 2021 16:00:29 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/top-12-soundproofing-myths</guid>
      <g-custom:tags type="string">soundproofing,noise,noiseproblem,soundproofingmyths,noisyneighbour,greenglue,rockwool,acoustic,soundinsulation,dampensound,soundabsorption,plasterboard,acousticplasterboard,soundproofingpaint,soundproofingwallpaper,soundproofingeggbox,carpet,rugs,foam,rubber,airbornenoise,impactnoise</g-custom:tags>
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        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/myths+2.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How To Soundproof Walls , Floors or Ceilings</title>
      <link>https://www.soundproofingstore.co.uk/how-soundproofing-works</link>
      <description>Soundproofing solutions explained for walls, floors, ceilings, studios</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How To Soundproof Walls, Floors or Ceilings
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            Whether it's loud music, barking dogs, snoring or screaming rows, noise from next door is an issue for one in three UK households according to The
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    &lt;a href="https://www.independent.co.uk/property/house-and-home/loathe-thy-neighbour-885891.html"&gt;&#xD;
      
           Independent
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            and the Citizens Advice Bureau received more than 39,000 enquiries relating to noise problems in 2006. So apart from moving to a remote location, what can you do to restore peace and quiet?
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           What is noise?
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           Firstly, we are all subject to noise on a constant basis,from normal background noise such as wind, traffic, electrical hums and people talking. We as humans are particularly good at ignoring these low levels of noise and it is only when sound increases above a background noise levels that we perceive it as a problem.
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           Secondly, we need to understand what sound is, and how sound travels. Fundamentally, sound comes from the energy that is produced when an object vibrates, creating waves in the air around it. The sensitive membrane in our ears, the eardrum, detects these vibrations in the air and registers this information in the brain as different types of sound. There are two main types of noise Airborne noise such as music, people talking and TV noise and the second is vibration or impact noise such as footsteps and banging doors.
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           How do you soundproof to block noise ?
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-c37a8a03.jpg" alt="ReductoClip Independent Wall System " title=""/&gt;&#xD;
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           The first step in any soundproofing is to make sure the structure is as airtight as possible. As soundproofing is a little like waterproofing and is only as good as the weakest point (think about when you are in your car and if you wind down your window just a very small amount you can hear everything outside perfectly clearly, close this small gap and your car will become muffled and soundproofed) this illustrates the amount of noise that can come through a small gap.
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           There are three main principles for blocking noise and soundproofing
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           1: Add mass to the structure.
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           The fundamental physics of soundproofing is that mass blocks noise. High mass structures like external walls work well for blocking noise (a standard external wall will have two dense layers of brick or stone and blockwork with a cavity between) however, party walls between properties can,in some occasions, only have a single brick between them, or in the worst case justa light weight stud wall with two layers of plasterboard, offering far less mass to block the noise and are therefore, far less effective.
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           2: Dampen or de-couple the structure
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           When sound hits a wall or floor it becomes a vibration that travels through the structure, to prevent this vibration travelling through a structure we can either dampen the vibration or in a perfect world de-couple the structure and then add mass, thus preventing the sound energy from passing through.
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           Bass (with long wavelengths) and treble (with short wavelengths) are affected differently by the materials they contact; Bass frequencies are harder to control because they are not absorbed as effectively by soft materials. In addition, big flat surfaces such as walls and floors tend to resonate more with bass sounds, effectively transferring these sounds.
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           (Think about banging one end of a wooden table and the vibration created will travel to the far side of the table very easily, then if you were to cut the table in half and leave a small air gap and then bang on the table again, the air gap will prevent the vibration from travelling through to the other side of the table).
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           3: Sound Absorption
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            Sound can also be absorbed by soft materials. (The best example I can give is imagine someone shouting at you and then placing a pillow over your ears, the sound energy they produce is absorbed by the soft porous materials and then gets converted into heat). All materials absorb sound but the harder they are the less they can absorb so soft materials like carpets, curtains and soft furnishings can make a huge difference to a room. Or alternatively you can add specialist materials to rooms with hard surfaces like restaurants ,village halls and offices where sound echoes and amplifies creating loud volumes of noise such as
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    &lt;a href="/acoustic-wall-panels"&gt;&#xD;
      
           ProSound Wall Panels
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            or
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    &lt;a href="/ProSound-Acoustic-Ceiling-Rafts"&gt;&#xD;
      
           ProSound Ceiling Rafts
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           . These will reduce the amount of echo and reverberation in a room giving you much clearer clarity of sound.
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           Sound resonating in sealed chambers
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/large+cone.jpg" alt="Sound resonates and amplifys in a seald chamber" title=""/&gt;&#xD;
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           We also need to consider that when sound enters a sealed chamber it will resonate and amplify (think of shouting down a cardboard tube it always comes out louder, or if you have ever heard a bunch of children running around on the floor above it can sound like a heard of elephants below because of this drum affect).
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            Sealed chambers like under floor boards and between stud walls will need to be addressed by adding sound absorption materials such as
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/"&gt;&#xD;
      
           acoustic mineral wool
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            (think about filling the cardboard tube example above with cotton wool, then shouting down it again and this would stop sound amplifying).
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         Finally,
how loud is the noise you want to block
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           This is a good question as we all perceive noise differently and have different tolerances. (A good example is a Mother will typically hear her child cry before the Father meaning she is far more sensitive to noise.) However, we do need to consider the level of noise so we can apply the correct level of soundproofing.
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            If you are unsure about the level of noise you can download a
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    &lt;a href="https://www.soundproofingstore.co.uk/decibels-explained?_gl=1*ikpl2o*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIzNjEzNy4yLjEuMTcxOTI0MTI2MS41Mi4wLjA."&gt;&#xD;
      
           decibel app
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            for a smartphone then take a reading when the room is quiet and a second reading when you can hear the noise and the difference will be how much needs to be blocked. For example a normal quiet room is around 35dB and anything above this can be perceived as a loud noise (i.e. normal conversations around 55dB) a standard brick wall will block an average of 40dB and a stud wall will only block 30dB leaving 15dB to 20dB to be blocked respectfully, to give you a good level of peace and quiet.
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           How Loud is too Loud?
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  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/o-RELAX-SLEEP-facebook-2000x1000.jpg" alt="soundproofing offers peace and quiet at home" title=""/&gt;&#xD;
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            The British government has since 2004 implemented
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    &lt;a href="https://www.soundproofingstore.co.uk/PART-E-Regs"&gt;&#xD;
      
           Part E building regulations
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            for new builds and conversions and has a minimum target for airborne noise of blocking of 45dB or higher and for impact noise (footsteps) of 62dB orlower. (
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    &lt;a href="https://www.soundproofingstore.co.uk/decibels-explained"&gt;&#xD;
      
           see our full explanation of decibels explained here
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            )
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           In my experience this is a minimum level and you should always aim higher to combat modern day to day noises.
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           Need Help with Soundproofing ?
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    &lt;span&gt;&#xD;
      
           The Soundproofing Store offer the largest range of soundproofing products to soundproof walls, floors and ceilings in homes, offices, studios and hotels. Our acoustic insulation systems exceed building regulations and can help eliminate unwanted noise from noisy neighbours and can be fitted by any good local tradesman or professional commercial contractors or good DIYers.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/loud+1.jpg" length="153141" type="image/jpeg" />
      <pubDate>Fri, 09 Apr 2021 13:37:36 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-soundproofing-works</guid>
      <g-custom:tags type="string">soundproofing,sound,proofing,acoustic,reducing,noise,block</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/loud+1.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/loud+1.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How To Soundproof Stairs And Walls With Staircases</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-stairs</link>
      <description>The best soundproofing solutions when needing to soundproofing staircases and walls where stairs are present</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How To Soundproof Stairs And Walls With Staircases
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&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/office+under+stairs.jpg" alt="There is a desk under the stairs with a laptop on it."/&gt;&#xD;
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  &lt;p&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            There are 4 main scenarios when it comes to soundproofing stairs and soundproofing the walls where stairs are present.
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  &lt;ol&gt;&#xD;
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            Soundproofing a party wall against noise from your neighbours stairs which are adjacent to your wall
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            Soundproofing a party wall which has your stairs against it and soundproofing this wall against unwanted noise from next door
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    &lt;li&gt;&#xD;
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            Soundproofing the stairs themselves
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            Soundproofing under stairs
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  &lt;h2&gt;&#xD;
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           How to soundproof a party wall against noise from your neighbours staircase
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           If you are experiencing noise coming through the party wall from your neighbour's property, where they have a staircase located on the adjacent side of the wall, it is likely that sound energy is occurring from the impact created through footfall when your neighbour's are walking up and down the stairs. This impact energy will cause vibrations to travel along the surface of the stairs and transfer into the party wall, where this can then be heard on your side of the property coming through the dividing wall.
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            In this instance in might be that you can also hear airborne noise, for example, your neighbours talking as they are walking and running up and down the stairs.
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            Because this vibration energy is a much stronger type of sound energy than most airborne sounds, a higher level of resilience and de-coupling is needed in order to achieve the maximum possible performance.
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            Therefore, when looking to soundproof a flat wall from the unwanted noise of your neighbours stairs on the other side of the wall, the best solution would be to look at the
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip™ Independent Wall System
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    &lt;span&gt;&#xD;
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            (120mm thick), which will not only add a high level of mass for reducing airborne sound transmission, but also add a high level of resilience, which will significantly help to absorb and dampen down the vibrational energy.
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  &lt;p&gt;&#xD;
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            The
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    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           ReductoClip™ Direct to Wall
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           (60mm) system could also be used, (without the stud frame) if there are space limitations.
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  &lt;h3&gt;&#xD;
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           How to soundproof walls running alongside stairs
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  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/areas-oak-painted-staircase-renovation-design-refurbishment.jpg" alt="Soundproofed wall with staircase"/&gt;&#xD;
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            If you are trying to soundproof a wall against impact and airborne noise, which has a staircase running alongside it, then the
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip™ Independent Wall System
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            would offer the best possible solution.
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            However, depending on the width of the stairs, the full 120mm Independent ReductoClip™ System with a stud frame, can often take up too much space in terms of reducing the width of your stairs, making them too narrow. An alternative would be to use the
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    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           ReductoClip™ Direct to Wall
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            option (60mm) if the stair strings are wide enough to take the 60mm system.
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            For lower levels of airborne noise rather than vibrational energy from footfall on the adjacent staircase, then the
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    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4™
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      &lt;span&gt;&#xD;
        
            direct to wall system would offer a practical option whilst minimising space loss (30mm thick).
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  &lt;p&gt;&#xD;
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            SoundBoard 4 is a good solution for soundproofing against standard household noise, such as TV and voices. To upgrade the system further, to help with impact noise, we would suggest adding a layer of
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound
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            , which is extremely heavy and can help to upgrade existing systems. The FlexiSound adds extra mass to to the wall, increasing its soundproofing capabilities.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
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            The visco-elastic properties of FlexiSound also mean that when it is used alongside SoundBoard 4, it also helps to reduce vibrational energy.
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  &lt;p&gt;&#xD;
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           SoundBoard 4 also offers a simple installation process, especially when having to follow the angle of the skirting boards which run up alongside the treads and risers.
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproofing stair treads and risers
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_blank" href="https://soundproofingstore.uk/?s=gripper+rod&amp;amp;post_type=product"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Stairs+side+profile+with+ceiling.jpg" alt="Soundproofing stair treads and risers"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
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            If you are in a situation where the underside of a communal or shared staircase is visible within your room, it is likely that you will be experiencing a high level of impact noise which is transferring directly into your living space from the heavy footfall of people walking up and down the stairs above. In this scenario, we would need to look at utilising a system on top of the stair treads to absorb the impact at the source, before the high level of vibrational energy can travel into the structure and transfer down into your wall and ceiling space. This can be achieved by either using the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-2-plus"&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (12mm) for medium levels of airborne noise and footsteps or
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat 3 Plus
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      &lt;span&gt;&#xD;
        
            (15mm) system, which also decreases loud levels of impact noise and is more effective at reducing louder levels of airborne noise.
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  &lt;p&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
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            Once the chosen system has been installed on both the treads as well as the stairs risers (as per the illustration above) and the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/?s=gripper+rod&amp;amp;post_type=product" target="_blank"&gt;&#xD;
      
           gripper rod risers
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            and gripper rods have been fixed down to the timber surface, you would then be able to install the carpet final floor layer over the top.
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
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            You can also, as an additional soundproofing measure, install a layer of 15mm thick
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to the face of the current plasterboard, underneath the stairs to add some extra mass to the structure which will also help with reducing any airborne sounds such as talking and shouting.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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            More information on
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-stairsd6858593" target="_blank"&gt;&#xD;
      
           How to Soundproof Stairs
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof under stairs
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you live in a flat and there is unwanted noise coming from your neighbours stairs and they are reluctant to allow access to soundproof the stairs at the source of the noise, then there is another alternative.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_blank" href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Y85mxL3Btt6qHRZsJyu76F-1200-80-9daaea4f.jpg" alt="Soundproofing under stairs"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
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            On the underside of the stairs, add
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           mineral wool
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and install a layer of 15mm thick
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to the face of the current plasterboard, which will add extra mass to the structure and help with reducing any unwanted airborne sounds such as talking and shouting. This would need skimming over and decorating afterwards.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            However, the recommendation would be to soundproof the stairs themselves, at the source of the impact noise, as detailed above.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Under stairs soundproofing
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/under+stairs+detail.jpg" alt="How to soundproof under stairs"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           For any further help or advice on how to soundproof against the unwanted noise from stairs, feel free to call a member of The Soundproofing Store team on 01423 206208, or contact us using the form below.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/areas-oak-painted-staircase-renovation-design-refurbishment.jpg" length="114021" type="image/jpeg" />
      <pubDate>Thu, 01 Apr 2021 08:34:03 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-stairs</guid>
      <g-custom:tags type="string">how to,acoustic mineral wool,airbore nosie,noisy neighbours,impact,stairs,soundmat2plus,footsteps,how to soundproof stairs,staircases,SoundMat3Plus,flats,soundboard 4,acoustic plasterboard,noise,party wall,Soundproofing,ReductoClip</g-custom:tags>
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        <media:description>thumbnail</media:description>
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    <item>
      <title>How to soundproof stairs in communal areas</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-communal-stairs</link>
      <description>The most effective ways to soundproof stairs from the unwanted impact noise of footfall within a communal stairwell</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof stairs in communal areas
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  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Noisy neighbours are sparking complaints every 80 seconds a study by the insurer Churchill has found.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.mirror.co.uk/news/uk-news/families-complain-noisy-neighbours-every-22179154" target="_blank"&gt;&#xD;
      
           The Mirror
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            also reports that 'more than one in ten of these complaints are for domestic noise such as footsteps on wooden stairs'.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof stairs against impact and airborne noise
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/communal+starirs+4.jpg" alt="Communal staircase"/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When it comes to soundproofing stairs, this is usually because of unwanted impact noise created when people are walking and running up and down the stairs. This unwanted noise is often more prevalent in multi-occupied flats and houses with a shared stairwell.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           There will also be occasions when airborne noise proves a problem on stairways. It could be the unwanted voices of people talking and shouting whilst they are moving up and down the stairs.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Therefore, it is sensible to use a product to soundproof your stairs that is effective at blocking both impact and airborne noise.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you are experiencing the unwanted impact and airborne noise of people walking up and down stairs within an area of increased footfall (such as a communal area) and are trying to reduce the transference of this vibration from entering your own living space, then soundproofing needs to be added directly to the stair treads and stair risers.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What are the best soundproofing solutions to use on stairs?
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  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing Stairs: A How to guide
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 1: Secure stairs against unwanted noise
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    &lt;/span&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/fixing+stairs.jpg" alt="Securing stairs before soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you are experiencing the unwanted structure born noise, of squeaking and creaking stairs, then it is important to fix these, by replacing any worn out stair treads before commencing any soundproofing.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Step 2: Add Gripper rod risers to the stairs
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Stairs+Gripper+Riser+2.jpg" alt="Gripper rod risers when soundproofing stairs"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Remove any carpet and install
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/?s=gripper+rod&amp;amp;post_type=product" target="_blank"&gt;&#xD;
      
           gripper rod risers
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to the stairs by nailing them in place. Gripper rods are constructed with a mass loaded vinyl layer, to improve soundproofing around the perimeter. Plus a wooden layer to fix carpet griper rods to and a foam edge to make the gripper rods airtight with the steps. There are different sized gripper rod risers depending if SoundMat 2 Plus, or SoundMat 3 Plus are being used to soundproof the stairs:
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundMat 2 Pus use 6mm gripper rod risers
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundMat 3 Plus use 9mm gripper rod risers
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_blank" href="https://soundproofingstore.uk/?s=gripper+rod&amp;amp;post_type=product"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/9mm-Gripper-Riser-600x600.jpg" alt="Gripper Rod Soundproofing Riser"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 3: Install the SoundMat to the stair tread
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Stairs+Gripper+Riser+3.jpg" alt="Soundproofing stairs using SoundMat 3 Plus"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Cut SoundMat panels to the right size and bond the SoundMat to the tread of the stairs using floor
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/isobond-rubber-adhesive-12kg-30m2-coverage/" target="_blank"&gt;&#xD;
      
           impact adhesive
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 4: Install the SoundMat to the stair risers
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Stairs+Gripper+Riser+4.jpg" alt="Soundproofing the tread and risers of a staircase"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Again cut the SoundMats to the correct size and bond to the riser. The recommendation would be to soundproofing both the tread and the riser, to limit the transference of impact noise.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 5: Install carpet gripper to the risers
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Stairs+side+profile+close.jpg" alt="Stair gripper rod risers"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Make sure the carpet grippers are the correct height to take the carpet.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 6: Soundproof the remainder of the stairs
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Stairs+Close+4.jpg" alt="Soundproofing Stairs with SoundMats and carpet grippers"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Where nosing detail is required, install a section of MDF, the same thickness as the SoundMat.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Stairs+example.jpg" alt="Soundproof stairs with SoundMat 3 Plus"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Step 7: Lay carpet on top of the Soundproof Mat underlay
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/carpeted+stairs+3-313230d8.jpg" alt="Carpet on stairs after laying soundproofing mats"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The SoundMats act as a luxury underlay, so carpet can be installed directly on top. When soundproofing stairs against the unwanted impact noise of footfall, it would always be the best option to soundproof the stairs and use carpet as a final finish. Adding a hard surface such as laminate or wood, will only produce more of the unwanted impact vibrations.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/communal+stairs+2.jpg" length="31410" type="image/jpeg" />
      <pubDate>Wed, 31 Mar 2021 15:51:07 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-communal-stairs</guid>
      <g-custom:tags type="string">airborne,SoundMat3Plus,flats,impact,noise,stairwell,stairway,gripper rod riser,noisyneighbour,soundmat2plus,how to soundproof stairs,communal</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/communal+stairs+2.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/28aa4e38/dms3rep/multi/communal+stairs.jpg">
        <media:description>main image</media:description>
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    </item>
    <item>
      <title>Noisy pump or boiler needs soundproofing?</title>
      <link>https://www.soundproofingstore.co.uk/noisy-pump-or-boiler-needs-soundproofing</link>
      <description>How to soundproof a noisy pump</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Noisy pump or boiler needs soundproofing?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/grundfos_pump__61977_zoom-400x400.jpg" alt="Pump soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Older or poorly fitted pumps can cause loud noises, especially in enclosed areas such as airing cupboards, causing noise problems in people's homes.
            &#xD;
      &lt;br/&gt;&#xD;
      &lt;br/&gt;&#xD;
      
            Pumps can create two types of noise.
           &#xD;
      &lt;br/&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The first is vibration noise.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If the pump is vibrating into a floor or wall this can be amplified by hollow / enclosed spaces, either in walls or floors. To combat this we would recommend refitting the pump with
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/10m-isolation-strip-self-adhesive/" target="_blank"&gt;&#xD;
      
           isolation strips
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            in between the structure and the pump to prevent the vibration entering the structure at source.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The second is airborne noise of the pump mechanism / motor.
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
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             To block airborne noise you will need to add mass to the existing structure, depending on the level of noise we recommend our
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           5mm
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           FlexiSound 5
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            , for low levels of noise or for loud pumps we recommend our
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           Pro-Sound™ SoundBoard 3 system
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           The benefits and uses of FlexiSound 5
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           You may also consider using acoustic mineral wool around the pump to absorb sound and to prevent noise echoing and amplifying in enclosed areas.
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            Finally, you may also need to address the door, as these are normally the weakest point, particularly the small gaps between the frame and the door.
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            To upgrade doors you can add 5mm
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           FlexiSound
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            to the back of the door, and then apply some good quality draft exclusion material to the door frame to seal any small gaps.
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           How to Soundproof a Hot Tub pump
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           The Soundproofing Store are receiving more and more enquiries on how to soundproof hot tub pumps.
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           It is no surprise that the motor of the hot tub can be loud and be the cause of complaints from neighbours. If possible, keeping the pump on the opposite side of any neighbours will help, as the mass from the hot tub itself will act as a slight sound barrier.
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           When soundproofing a pump it is important to maintain ventilation around any motors. The soundproofing material shouldn't go right up against any part of the motor, as it could be a hazard when it gets hot. Airflow needs to be maintained to prevent the pumps from overheating. However, with this comes an issue as to the effectiveness of soundproofing, as where there is airflow, there is also a weak point for sound to escape.
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           Enclosing the hot tub as much as possible can also help to reduce any unwanted noise. A barrier, fence or bushes will help to reduce the spread of airborne noise, including the voices of people when they are in the hot tub.
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           Add mass to soundproof a hot tub pump
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            As with soundproofing noisy pumps (above) mass needs to be added to the structure containing the hot tub pump, whilst isolating the pump from the boxing if possible.
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           FlexiSound
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           , (as previously mentioned) is a popular option, as it is extremely heavy and is also waterproof, so is suitable for use outdoor use.
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         Need Help?
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           "We don’t expect you to become an overnight expert in sound absorption, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/grundfos_pump__61977_zoom-400x400.jpg" length="18522" type="image/jpeg" />
      <pubDate>Sun, 28 Mar 2021 11:39:17 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/noisy-pump-or-boiler-needs-soundproofing</guid>
      <g-custom:tags type="string">Noisy,Pump,soundproofing</g-custom:tags>
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        <media:description>main image</media:description>
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    </item>
    <item>
      <title>How much does it cost to soundproof a wall?</title>
      <link>https://www.soundproofingstore.co.uk/how-much-does-it-cost-to-soundproof-a-wall</link>
      <description>The cost to soundproof a wall within a home and the most effective direct to wall and indpendent wall soundproofing solutions available</description>
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           How much does it cost to soundproof a wall?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-968f6b3e.jpg" alt="Wall soundproofing SoundBoard 4" title=""/&gt;&#xD;
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            We all deserve peace and quiet in our homes, however noise form neighbours or even from our own adjoining rooms can be a nuisance and affect our quality of life. The
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           World Health Organisation
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            links environmental noise exposure to a range of health effects, including sleep disturbance, stress and heart disease. The good news is that effective wall soundproofing products are available to soundproof walls and add sound insulation to existing walls, helping to restore peace and quiet to your home. Importantly, the cost of wall soundproofing doesn't have to cost the earth. 
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         Wall Soundproofing Costs
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            The cost of soundproofing one standard wall (4m width x 2.3m height) would be between £700 to £1200 for materials, plus £200 to £300 for installation to complete the job. Prices are dependent on the chosen wall soundproofing system, as the higher performing soundproofing systems include more layers of soundproofing materials and are therefore more expensive than the direct to wall systems.
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            It's worth noting that the wall soundproofing solutions supplied by
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           The Soundproofing Store
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            are suitable for a DIY install, therefore reducing any installation costs. The above cost estimates for wall soundproofing solutions do not include any costs for modifying any existing structures or surfaces.
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            All factors considered, most homeowners pay between £900 to £1,400 in total, depending on the chosen wall soundproofing solution.
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             While the above wall soundproofing estimates will give homeowners a good idea of what they can expect to pay to soundproof a wall, the actual price will vary based on several factors. The quality of the soundproofing materials, the experience of the installers and the location of the project can all affect the price. The complexity of the project and the size of the project can affect the price as well. Homeowners should be sure to receive a full estimate in advance of any wall soundproofing, (in writing) before work on the project begins so that there are no pricing surprises down the road.
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            The cost of the soundproofing wall materials depends on the type of soundproofing materials used, but it is generally measured in terms of length, or number of pieces. For example, different pieces may be sold by roll or by the sheet. The cost of labour is generally calculated per day, though there may be a minimum requirement.
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           Types of Wall Soundproofing
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           The majority of wall soundproofing systems can be broken down into two variations:
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            1. Thin, direct to wall soundproofing 
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           2. Independent stud wall / clip soundproofing systems 
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           Direct to wall soundproofing systems:
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             These should include high mass materials and importantly, a combination of high mass materials. A combination will always perform better, due to different types of mass blocking different sound frequencies better than others.
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            Secondly, there needs to be a layer to dampen the sound energy/vibrations from travelling through the high mass materials. For example, two plasterboard's fixed directly to a wall will only give a small improvement due to only one type of mass and no layer to dampen the sound vibrations. (This can be achieved with acoustic foam or vibration dampening materials).
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            Direct to wall systems are often used for blocking normal levels of airborne domestic noise problems such as people talking, and low levels of TV. They wouldn't be as effective at blocking lower bass noises such as music, dogs barking and snoring and wouldn't work against impact noise, such as footsteps.
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           Soundproofing A Party Wall With ProSound™ SoundBoard 4™
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           Independent Stud Wall and ProSound™ ReductoClip™ System
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           Independent stud wall soundproofing systems:
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            Independent stud wall and clip systems perform better than direct to wall soundproofing systems and are normally recommended for louder and more excessive levels of noise (also used for music studios). Due to their construction being decoupled from the existing wall means vibrations can not pass into the new soundproofing structure. (However, there is a loss of space - up to 150mm), or 120mm if using the slimmest independent wall soundproofing solution available - the
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           ReductoClip System
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           .
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           You can then apply traditional resilient bars or the higher performing ReductoClip and furring bars (which offer up to an extra 9dB improvement over traditional resilient bars).
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           These systems are normally recommended for excessive levels of noise such as home cinemas, recording studios and live musical instruments.
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           Direct To Wall ProSound™ ReductoClip™ System
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            If 120mm is too much space to lose from the wall, then the ReductoClip Direct to Wall System offers an excellent middle ground in between the ReductoClip Independent System and the direct to wall SoundBoard 4. The ReductoClips, are attached directly to the wall, decoupling from the original structure, therefore offering a higher performance compared to other direct to wall solutions. They deliver a space saving option, (only 60mm thick), whilst still delivering an excellent performance against noisy neighbours. In domestic situations the ReductoClip Direct to Wall solution is excellent at blocking loud levels of noise such as music, clear conversation, babies crying and clear TV noise.
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           The Cost Of Wall Soundproofing Materials
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           To find the costs of wall soundproofing solutions, click on the solid or stud wall images below:
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           How Much Does It Cost To Soundproof A Wall - Summary
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            As discussed, there are different performing wall soundproofing systems at varying prices, depending on the type and level of noise needing to be soundproofed against and depending on the size of the wall.
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            Beware of cheaper alternatives that won't soundproof walls effectively and in the long run will simply be a waste of money. It is worth taking the time to speak to an expert so they can discuss your individual noise issue in more detail and provide the correct advice and most appropriate soundproofing system. Not doing so may well result in a disappointing result and unwanted expense.
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            If you'd like a more detailed breakdown of the cost to soundproof walls, floors and ceilings, take a look at the below blog. One thing is for sure, soundproofing is definitely a cheaper option than moving house!
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    &lt;!--StartFragment--&gt;              If you found this blog useful, you may be interested in reading our blog on 
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours" target="_blank"&gt;&#xD;
      &lt;b&gt;&#xD;
        
            How to Soundproof a Wall Against Noisy Neighbours
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          :
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-267f1b7c.jpg" length="68881" type="image/jpeg" />
      <pubDate>Tue, 02 Mar 2021 16:20:08 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-much-does-it-cost-to-soundproof-a-wall</guid>
      <g-custom:tags type="string">wall,soundproofing,cost,how,much,one,room,soundproof,solutions,sound,insulation</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SoundBoard+4+Build+Up+SQUARE-267f1b7c.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
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        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How to soundproof around noisy pipework</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-around-exposed-pipework</link>
      <description>Exposed pipes and radiator pipes can cause a noisy disturbance within your home. Learn the best ways to soundproof against noisy pipework.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           How to soundproof around noisy pipework
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&lt;div data-rss-type="text"&gt;&#xD;
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           If you have exposed pipework such as waste downpipes or radiator pipes within your home, this can cause a noisy disturbance as well as look unsightly within your room. As an example, if your water pressure is set too high as it moves into your home, it can cause your pipes to vibrate. This vibration often makes a humming sound in your pipes.
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    &lt;/span&gt;&#xD;
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&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Pipe-Sprinkler-Boxing-B28P5734-300dpi-1.jpg" alt="Soundproofing pipes"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The best way to soundproof these types of pipework would be to firstly wrap a layer of our 5mm thick self-adhesive
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
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            around the external face of the pipes, this will not only add a high level of mass to reduce the level of airborne sound transmission within the room but will also help to absorb the resonance of the structure of the pipe, therefore dampening down the vibrations at the source of where the vibrational energy is created.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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    &lt;/span&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Once the
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            layer has been applied, you will need to create a timber frame or bulkhead around the pipework, completely concealing the area, this empty space is then to be filled with our highly dense
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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      &lt;span&gt;&#xD;
        
            to minimise the level of echoing and amplification, also known as the drum effect, within the hollow boxed area.
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      &lt;span&gt;&#xD;
        
            To add a substantial amount of mass, and to finish off the timber boxed area, we would suggest fixing two layers of
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            onto the face of the timber frameworkor
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            for a higher performance. Please ensure that this is as well sealed as possible with our acoustic sealant gun (filling any joints), to alleviate having any potential weak points where sound energy can easily leak through.
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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      &lt;br/&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Pipework.jpg" length="16065" type="image/jpeg" />
      <pubDate>Wed, 03 Feb 2021 11:21:13 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-around-exposed-pipework</guid>
      <g-custom:tags type="string">how to,Soundproof,noisypipework,plasterboard,pipework,acoustic,noise,tecsound,noisy,Soundproofing,radiators,pipes</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Pipework.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Pipework.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Wall Soundproofing: Frequently Asked Questions</title>
      <link>https://www.soundproofingstore.co.uk/wall-soundproofing-frequently-asked-questions</link>
      <description>Answers to the most common and frequently asked questions when looking to soundproof a wall.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Wall Soundproofing: Frequently Asked Questions
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The most commonly asked questions when looking to soundproof a wall
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/alcoves+tv+2.jpg" alt="Soundproofed wall"/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            With two thirds of Brits being plagued by noisy neighbours, it is no surprise
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            speak to hundreds of customers every week, advising them on the best way to solve their noise issues and supplying them with the correct soundproofing solution for their situation.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            According to
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://asbhelp.co.uk/noisy-neighbours-noise/" target="_blank"&gt;&#xD;
      
           ASB He
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           l
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://asbhelp.co.uk/noisy-neighbours-noise/" target="_blank"&gt;&#xD;
      
           p
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (a registered charity in England and Wales helping to provide advice and support to those people who are the victims of anti-social behaviour). "Noise disturbance is by far the most common ant-social behaviour reported to the police, local authorities and housing associations. This includes loud music, DIY and anything you consider unreasonable and affecting your life."
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This article focuses on the most common type of soundproofing we are contacted about - that of soundproofing a party wall to help with the unwanted noise from noisy neighbours. You may need to soundproof your wall for a number of reasons. It could be that you are a musician and you don't want to disturb your neighbours (what a thoughtful neighbour you are!). It might be you need to soundproof the internal walls within your house to create a home office and somewhere you can work without being disturbed by your own family. However, it is probably of little surprise to know that the majority of customers we help are those looking to soundproof their party walls against their noisy neighbours.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Here we take a look at some common questions people often want the answers to when looking to soundproofing their walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Wall Soundproofing Frequently asked Questions
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Top 3 Wall Soundproofing Solutions
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The three most common and effective wall soundproofing solutions are:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ol&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip™ Independent Wall Solution
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip™ Direct to Wall Solution
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundBoard4™ Direct to wall soundboard
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ol&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The right wall soundproofing system depends on the level and type of noise you are trying to block. It also depends on the amount of space you can lose. The ReductoClip™ systems provide the thinnest clip system on the market. With exceptional performance at only a thickness of 120mm and 60mm. However, even this can sometimes be too much when space is of an absolute premium. The space saving choice for blocking medium levels of airborne noise in this instance would be the SoundBoard4™ (voted Best UK Wall Soundproofing Product of the Year 2020) at only 30mm thick.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Top 3 Soundproofing Solutions for Walls
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/lounge+3.jpg" length="29254" type="image/jpeg" />
      <pubDate>Mon, 01 Feb 2021 10:33:42 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/wall-soundproofing-frequently-asked-questions</guid>
      <g-custom:tags type="string">do I need to soundproof my chimney,wall soundproofing,does soundproofing work,how much does soundproofing cost,frequently asked questions,can I install soundproofing myself,noisyneighbour,how to soundproof a wall,partywalls</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/lounge+3.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/lounge+3.jpg">
        <media:description>main image</media:description>
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    </item>
    <item>
      <title>Noisy Neighbour Wall Soundproofing Success Story</title>
      <link>https://www.soundproofingstore.co.uk/noisy-neighbour-success-soundproofing-story</link>
      <description>Soundproofing a wall against noisy neighbours</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Noisy Neighbour Wall Soundproofing Success Story
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Customer refuses to have another sleepless night and installs the ReductoClip System.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/logo-stage-2+crop.jpg" alt="The Soundproofing Store Logo" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
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   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
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   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
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   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
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   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
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   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
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   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
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   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
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   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
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   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
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   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
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   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
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   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
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   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
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   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
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   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
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   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
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  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Soundproofing a straightforward solid wall seems to be a
very common theme at the moment as The Soundproofing Store has been inundated with this type of
query over the past couple of months or so.
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Just sitting here and reflecting on the month I figured it
would be good time to share one of my most memorable solid wall problems and I
will highlight what solution was used for that scenario.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;b&gt;&#xD;
      
           The Scenario
          &#xD;
    &lt;/b&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          A customer called and sounded desperate about soundproofing his
bedroom wall and explained the problem to us in full detail.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Students had recently moved into the house next door and the person residing in the bedroom adjacent to the customers bedroom unfortunately liked to play music late into the night and sometimes into
the early hours. This was affecting the sleep of the customer and essentially
affecting his performance at work, so he was desperate to do something about
it.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          After exploring the sound types further, we determined that
the sound heard was a mixture of airborne and vibration noise. Impact noise is
commonly caused by vibrations arriving from the music bass, whilst the airborne
noise combines to cause the noise problems.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;br/&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Title_%C2%A0Too-20much-20noiseArtist_%C2%A0Primoz-20Zorko.gif" alt="noisy neighbours" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In this scenario there are two systems that we can look at which will significantly reduce the noise problem through a party wall. However, given that the customer was hearing excessive bass noise, and the noise was made up of a mixture of airborne and vibration noise (due to the high levels of noise) we ruled out our standard Pro-Sound™
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           4
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             system and focused on the higher performing
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           The ReductoClip System
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           To put the ReductoClip system into simple words, it is a newly built isolated stud wall system that incorporates vibration absorption technology with a combination of high density materials to block airborne noise.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Build a new frame (standard 50mm x 50mm is what we performed our testing on), but feel free to use a thicker frame. This is created 10mm away from the existing wall and on the outside edge of the frame a self-adhesive Isolation Strip is applied. It is important that you allow the 10mm gap, so don’t fix the frame to the wall but instead attach it to the ceiling, floor and adjoining walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The next stage is to fill between the timber batons with acoustic mineral wool (this is used to stop sound echoing and resonating in the newly created sealed chamber). As you can imagine, leaving a void will allow sound to echo, resonate and amplify noise, so imagine shouting down a cardboard tube at this point and the sound escaping can be much louder. The acoustic mineral wool will put a stop to the majority of this occurring. For example, fill your cardboard tube with cotton wool and then try to shout down it and this will stop sound amplifying.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip Wall Soundproofing Solution - Overview
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof a wall with the ReductoClip Independent Wall Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
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  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;p&gt;&#xD;
    
          ReductoClips are then fitted directly to the frame at specific spacing's. Then attach the Reducto Furring Bars into the ReductoClips and lay them across
horizontally to finish the frame. Any vibrations that manage to cross into the
wall are stopped at this point by the ReductoClips (front line troops).
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/IMG00062.jpg" alt="noisy neighbours" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The final stage is to add mass to reduce the airborne sound.The trick here is to mix and match the dense materials. Sound travels at different frequencies, so where one material may be fantastic at reducing a certain frequency it may be poor with others. To get maximum density and noise reduction The Soundproofing Store will recommend fixing a layer of Acoustic PlasterBoard (standard plasterboard doesn’t contain enough mass) to the newly installed ReductoClip frame and then add a layer of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            which is a specialist self-adhesive visco elastic material, designed to replace lead. To finish off we would then add another layer of Acoustic Plaster Board. The diagram below shows a cross section of the system, so you can view the layers.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+With+Labels-b93ea1ad.jpg" alt="ReductoClip Independent wall system" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Fully Isolated Clip and Bar System (120mm Thick):
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1. Independent Stud Frame -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           10mm air gap isolates the soundproofing from the offending wall for best possible sound reduction performance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2. Isolation Strip -
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            isolates from surrounding surfaces to reduce flanking vibration
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3. ReductoClips -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           decouple the mass layers from the frame and act like a shock absorbing suspension system to dampen high levels of sound energy and vibration
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            4. ReductoClip Furring Channels -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           extra wide to make fixing acoustic plasterboards quicker and easier
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            5. Acoustic Mineral Wool -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            dampens sound within the frame cavity to stop sound amplifying
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            6. Acoustic Plasterboard -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           (2 layers) to increase the mass of the wall. More mass and density than standard plasterboard but with the same finishing and decorating techniques
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            7. FlexiSound 5 -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Anti-Vibration membrane to add further mass to the wall. A different type of mass to reduce different sound frequencies to the other layers. FlexiSound also helps to dampen sound energy and vibration
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--StartFragment--&gt;    &lt;br/&gt;&#xD;
    
          The customer in this case used his own contractor as the
system is fairly straight forward to install and after a successful
installation went on to enjoy his sleep again, even buying me a case of beer as
a way of saying thank you!
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
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      <pubDate>Mon, 30 Nov 2020 17:00:35 GMT</pubDate>
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    <item>
      <title>How to soundproof a shipping container</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-shipping-container</link>
      <description>How to soundproof a shipping container to be used as a soundproofed music studio and recording studio</description>
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           How to soundproof a shipping container
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           Shipping containers as music studios
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         Shipping containers can be used in a variety of innovative ways, from restaurants, workspaces, homes, portable toilets and even schools. You may have seen the shipping container house revisited in a recent episode of Grand Designs, which first aired in 2014 and featured within 
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           The Mail Online
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          .  
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         Subsequently, this famous shipping container home also made made the shortlist as one of Kevin McClouds all time favourite builds
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         Here at The Soundproofing Store we are receiving more and more enquiries on how to soundproof a shipping container for use as a recording studio, or music rehearsal room. 
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           Are Soundproof containers a good idea?
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         It may seem like a good idea and investment, as shipping containers are easily purchased for a relatively small amount of money and provide a watertight structure. However due to the high levels of noise and sound vibrations created by live levels of music the question is c
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          an thin metal panels block this level of noise effectively.
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         Unfortunately, no. Simply put, shipping containers are not soundproof. You have to consider that the starting point of a sea container which is very poor in terms of soundproofing. It is made of a very thin layer of light corrugated sheet metal which has very little mass for blocking noise and will resonate (vibrate) allowing sound to pass through very easily. 
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           If you stand inside a cargo container when it rains it is very loud as when the rain hits the container it causes the metal to vibrate and resonate. This sound then bounces around the inside of the container and amplifies.
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             So not only are we looking at soundproofing the inside of the freight container to contain the sound produced by musical instruments, but we are also needing to stop outside noise from travelling into the recording space. Do you want to spend hours on a recording to hear the noise of rain drops in the background of the recording? 
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              In an ideal world we would advise our customers to go for a solid high-density brick structure with a heavy, dense block and beam ceiling as a starting point. Then add the separated internal walls and soundproofing which will give your recording studio a better overall result. To read more about soundproofing a recording studio in this way 
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                click here
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              However, an advantage of a container studio and building your music space inside a shipping container is that it can be moved and creates a cool environment for artists to record and practice in.  
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              A standard shipping container is 2.43 meters wide and 2.59 meters high and available in a variety of different lengths (usually 6.10 meters or 12.2 meters). Internal dimensions though are 2.34 meters wide and 2.39 meters high due to the corrugated nature of the side walls. Space is of a premium, yet we still need to add mass to this space to effectively soundproof the container. 
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         How to block sound? 
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         To Soundproof a structure effectively, (whether it be a building or shipping container) we need to consider some fundamental physics of how sound is blocked. 
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           1.	Airborne sound such as music, voices and live instruments, are projected into the air as a soundwaves. To effectively block airborne sound, we need to add as much mass to the surface the sound is hitting as possible. Simply put, the heavier and denser a material is the more mass that material will have. An example of this would be concrete having more mass than paper. 
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           2.	When the airborne sound hits a surface, it turns in to a vibration energy which can travel through solid, rigid surfaces very easily. Bass frequencies carry more energy than high frequencies and will therefore create more vibration energy when hitting a surface. To soundproof effectively and stop this energy from travelling out of our shipping container we need to absorb the energy and decouple the surface (internal wall) from the external wall. (In this instance, a thin metal sea container). This is known as creating a “Room within a room.”
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           3.	Finally, we need to address the fact that sound is omnidirectional and will travel in all directions. This means we need to soundproof the walls, ceiling and floor as well as addressing any weak points such as windows, doors and air vents. We recommend you think about your soundproofing situation a little bit like waterproofing. 
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         How to soundproof a shipping container for louder live music levels?
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Solid+Wall+Build+Up+With+Labels.png" alt="IsoMax Clip System for Walls"/&gt;&#xD;
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            The soundproofing store’s
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           ReductoClip wall
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           and
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           ReductoClip ceiling system
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           is our tried and tested solution in this situation as it offers the industry highest performing soundproofing, designed to reduce sound vibration and transmission through a surface. 
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            As standard we build this system to take up 120mm of space per surface by using a 50mm isolated stud frame set 10mm off the original wall. Given that an ISO container has such a thin wall to begin with we would suggest, (if space allows) going with a thicker 100mm isolated timber frame to add more mass and a thicker layer of the
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           acoustic mineral wool
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            to help absorb as much sound energy as possible.
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            To minimize the amount of contact between the stud frames and the container we isolate the frames around the perimeter with a
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           5mm isolation strip
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           The isolation strip is designed to separate the frame and decouple it from all surfaces, whilst absorbing sound energy. This prevents sound energy from travelling through the frame and getting into the external structure. Using the isolation strip means the only solid contact point between the internal surfaces and the shipping container are the screws holding the frames in place. The amount of vibration that can travel through the screws is minimal (basically negligent). 
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            ReductoClip™ Soundproofing Solution for Walls and Ceilings - Overview
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         How to soundproof a ceiling in a shipping container? 
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         When it comes to the ceiling it gets a bit tricky as there are no existing ceiling joists to use and the ceiling is doubled up as the roof of the container. 
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          For the ceilings we need to add timber batons/joists to be able to fix the ReductoClips to and to support the weight of the soundproofing. 50mm timber would be a minimum thickness.
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          We also need to make sure that where the fixings go through the container roof they are sealed and weatherproofed. You can get self-drilling screws that have a nylon washer fitted to them so that when you drill through the container this washer seals the screw head against the container and helps to prevent water from leaking through the hole you have just created.
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         Creating a floating ceiling within a shipping container
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           The alternative option is to make the joists sit on top of the stud frame walls for support and re-enforce them with noggins to make a floating ceiling. This needs to be very sturdy to support the weight of the ReductoClip system and also has the advantage of not being fixed into the roof of the container, so therefore you won’t have any issues with weatherproofing the fixings. 
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            We would also advise applying
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           isolation strip
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            along the top of the ceiling joist to prevent any flanking noise from transferring from the joist to the roof of the container.
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            If budget allows, we would also recommend fixing a layer of
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           FlexiSound 5
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            to the roof and walls of the container first. The thin sheet metal of the roof will vibrate a lot when it rains, creating a lot of impact vibration noise inside the studio. By fitting the FlexiSound to the inside of the container first this will reduce the ability of the metal to resonate and stop it from vibrating when it rains. 
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           "If you have ever been inside an industrial warehouse when it rains, then you will understand how loud this can be"
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         How to soundproof corners? 
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         Corners are often asked about at The Soundproofing Store when we are looking at studio builds and are the most complicated part in the stud frame build. This is because one frame is meeting another frame on the adjoining wall and we need to do this without creating any flanking issues. 
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          For an ISO container build we would look at using the corner design that gives the strongest support due to the frame needing to also support the ceiling joists. This involves using a single baton with isolation strip on two sides of it and fixing this to both container walls that meet in the corner of the container. You then have a baton to fix your stud frames to, making sure the frame also has isolation strip around it.
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         How to soundproof windows and doors?
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         Obviously, we need to look at the walls, floor and ceiling in terms of soundproofing but weak points in studio builds are windows and doors. 
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          Ideally if you can get away with not having any windows this will give you the best results. Alternatively, a triple glazed acoustic window can be fitted but these are very expensive. If your site cabin is fitted with a good double-glazed window already, you could look at fitting a second double glazed window on the stud frame internally. This will give you a “Double” double-glazed window system. 
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           With regards to the door we would recommend the same solution, using heavy dense fire doors. 
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             Check out The Soundproofing Stores blog dedicated to door soundproofing,
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               click here
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             . 
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           For a container you could get rid of the doors completely or after opening the container doors you could then be presented with the first of your doors in the double door system. One thing you could do is build the double stud work a couple of meters inside the container from the container doors to allow for some storage space.
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         How to soundproof the floor of a shipping container?
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           Finally, we do need to look at the floor of the shipping container. We need to improve the floors ability to absorb vibration, as when sound hits a solid it becomes a vibration and can travel through the structure and underneath our nicely soundproofed walls.
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            Also, shipping container floors are often lifted up above the base of the container itself meaning sound energy can get into the space below and out. If there is a cavity below your floor, we would recommend lifting this floor first and fitting
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            into the joist below. 
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      &lt;span&gt;&#xD;
        
            Same as with the walls, when sound gets into this cavity it will resonate and amplify in the cavity. We would then look at fitting our
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           ProSound SoundMat 3 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to the floor. This is a 15mm thick dense mat designed to absorb vibration energy and block airborne noise. It is very high performing and perfect for tight spaces as it doubles up as a luxury underlay for carpet floor finishes. 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            SoundMat 3 Plus Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to install SoundMat 3 Plus
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Summary
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Hopefully this has covered most questions on how to soundproof a shipping container.
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          As always, if you require the best advice, speak to a professional. We are happy to talk you though any problems or answer any questions. You can call us Monday to Friday, 9am - 5pm on 01423 206 208 or contact us using the form below.
         &#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/container+pic-e1cb9535.jpg" length="33104" type="image/jpeg" />
      <pubDate>Fri, 27 Nov 2020 16:19:11 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-shipping-container</guid>
      <g-custom:tags type="string">container,studio,door,soundproofed,rehearsal,How to,,sound,impact,recording,room,reductoclip,music,SoundMat3Plus,floors,walls,airborne,shipping,noise,Soundproofing</g-custom:tags>
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        <media:description>thumbnail</media:description>
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    </item>
    <item>
      <title>Award-Winning Soundproofing</title>
      <link>https://www.soundproofingstore.co.uk/award-winning-soundproofing</link>
      <description>The Soundproofing Store was voted Best Soundproofing Company 2020 &amp; Most Outstanding Soundproofing Company 2021. Learn more about award winning soundproofing solutions.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Award-Winning Soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Outperforming the competition with award-winning soundproofing solutions
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/BUILD+awards+poster.png" alt="The Soundproofing Store's Awards"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           A big thank you to The Soundproofing Store's customers
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Soundproofing Store are proud to have picked up the award for 'Most Outstanding Soundproofing Company 2021,' from the Global Business Insight Awards.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            In 2020 The Soundproofing Store were also delighted to win a number of prestigious awards and are grateful to all of our customers who put their trust in our expertise and award-winning soundproofing products.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            From those customers looking for soundproofing solutions to help combat the noise from
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours" target="_blank"&gt;&#xD;
      
           noisy neighbours
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to the professional and nonprofessional musicians who the studio team have advised and supplied
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/studio-soundproofing"&gt;&#xD;
      
           music studio soundproofing solutions
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            to.
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      &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Plus the contractors and specifiers we have worked alongside to advise and help them in
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-pass-part-e-building-regulations" target="_blank"&gt;&#xD;
      
           meeting Part 'E' Building Regulations
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , it's a pleasure advising and supplying the soundproofing solutions to help achieve the quiet spaces you were looking for.
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Most Outstanding Soundproofing Company 2021
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            As one of the largest online retailers of Soundproofing materials in the UK,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            has experienced consecutive year-on-year growth since its launch in 2015.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Global Business Insights Awards 2021 have awarded The Soundproofing Store with the highest accolade within our sector of 'Most Outstanding Soundproofing Company 2021'
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Soundproofing Store - voted Best UK Soundproofing Company 2020
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           One of the areas of success highlighted by the judging panel was the wealth of information across the website readily available to customers.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This includes details of each soundproofing solution, alongside comprehensive installation guides and videos. The Soundproofing Store's ‘How to soundproof a party wall’ video has (to date) over 747,000 views on YouTube.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           New soundproofing technologies
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The sourcing of new soundproofing technologies has been instrumental in the success of the The Soundproofing Store and in the winning of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Best Soundproofing Company 2020
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . Last year saw the launch of an exclusive brand-new soundproofing product (The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip™ System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ). This is the thinnest soundproofing independent clip system on the market, which The Soundproofing Store brought to market and has since received rave reviews by our customers. The focus on research and innovative product development within the market means The Soundproofing Store continues to pave the way in making and selling world-leading soundproofing products for our customers.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip Wall &amp;amp; Ceiling Soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Thinnest and highest performing clip system on the market
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-4a8b6320.jpg" alt="ReductoClip "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Award winning soundproofing - ProSound™ SoundBoard4™
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The ProSound™ SoundBoard 4™ direct to wall soundproofing solution won
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Best UK Wall Soundproofing Product of the year 2020
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            (BUILD Construction &amp;amp; Engineering Awards). The
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/soundboard-4"&gt;&#xD;
      
           SoundBoard 4
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is a unique direct to wall soundproofing system. Designed to decrease airborne noise, with minimal space loss and disruption within the home and extremely effective at soundproofing internal stud walls.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundboard-4"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SB4+hero+square-f683df3e.jpg" alt="SoundBoard 4 "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Soundproofing Store is here to help
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The expert team at The Soundproofing Store advise hundreds of customers every week, talking through customers specific soundproofing problems, with no obligation to buy. Customers recognise The Soundproofing Store as a trusted and specialist partner in helping them to achieve peace and quiet in their homes. This is highlighted through The Soundproofing Store's 5.00 5-star customer rating of ‘Excellent’ on
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.trustedshops.co.uk/buyerrating/info_X9881A44E2285DD055D19BD2DA0F00A81.html" target="_blank"&gt;&#xD;
      
           Trusted Shops
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Should you need any help and advice on any soundproofing issue, or more details on the Soundproofing Store's award winning soundproofing solutions, then please do get in touch.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/winning+trophy.jpg" length="54966" type="image/jpeg" />
      <pubDate>Mon, 23 Nov 2020 13:00:24 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/award-winning-soundproofing</guid>
      <g-custom:tags type="string">SoundBoard4,product,winning,neighbour,noisy,ceilings,award,floors,walls,awards,award-winning,customers,music studio,Soundproofing,ReductoClip</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/winning+trophy.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/winning+trophy.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Home Cinema Soundproofing</title>
      <link>https://www.soundproofingstore.co.uk/home cinema soundproofing</link>
      <description>How to soundproof a home cinema</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Home Cinema Soundproofing
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Great feedback from the ATI group. Home Cinema Room
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/81FbpBg3Rci3iaCdDWGQ_home%20cinima%20square.jpg" alt="home cinima soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           We were contacted by the ATI group to help soundproof a Home Cinema room refurbishment for their client. The existing room soundproofing only offered minimal improvement and noise could be clearly heard above, below and through the joining walls.
           &#xD;
      &lt;br/&gt;&#xD;
      
           After lengthy discussions our ReductoClip independent wall system was specified for the walls and ceiling and SoundMat 3 plus on the floor.
           &#xD;
      &lt;br/&gt;&#xD;
      
            After completion we received a call thanking us for our advice and time from the ATI group and most importantly, to let us know how effective the soundproofing system was and that their customer was very happy with the level of soundproofing achieved
            &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         ReductoClip wall soundproofing
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+With+Labels-b93ea1ad.jpg" alt="ReductoClip Home cinema wall soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Fully Isolated Clip and Bar System (120mm Thick):
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1. Independent Stud Frame -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           10mm air gap isolates the soundproofing from the offending wall for best possible sound reduction performance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2. Isolation Strip -
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            isolates from surrounding surfaces to reduce flanking vibration
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3. ReductoClips -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           decouple the mass layers from the frame and act like a shock absorbing suspension system to dampen high levels of sound energy and vibration
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            4. ReductoClip Furring Channels -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           extra wide to make fixing acoustic plasterboards quicker and easier
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            5. Acoustic Mineral Wool -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            dampens sound within the frame cavity to stop sound amplifying
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            6. Acoustic Plasterboard -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           (2 layers) to increase the mass of the wall. More mass and density than standard plasterboard but with the same finishing and decorating techniques
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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            7. FlexiSound 5 -
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           Anti-Vibration membrane to add further mass to the wall. A different type of mass to reduce different sound frequencies to the other layers. FlexiSound also helps to dampen sound energy and vibration
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         ReductoClip Ceiling system
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           Direct To Joist Clip And Bar System (Only 60mm Thick):
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            1. ReductoClips -
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           decouple the mass layers from the frame and acts like a shock absorbing suspension system to dampen high levels of sound energy and vibration
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            2. ReductoClip Furring Channels -
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           extra wide to make fixing acoustic plasterboards quicker and easier
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            3. Acoustic Mineral Wool -
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           dampens sound within the cavity to stop sound amplifying
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            4. Acoustic Plasterboard -
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           (2 layers) to increase the mass of the ceiling. More mass and density than standard plasterboard but with the same finishing and decorating techniques
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           5. FlexiSound 5 -
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            Anti-Vibration membrane to add further mass to the ceiling. A different type of mass to reduce different sound frequencies to the other layers. FlexiSound also helps to dampen sound energy and vibration
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            For help and advice on soundproofing a home cinema room, please visit
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           www.soundproofingstore.co.uk
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             or contact us via the form below.
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            ﻿
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/home+cinema+5.jpg" length="141011" type="image/jpeg" />
      <pubDate>Wed, 11 Nov 2020 12:30:04 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/home cinema soundproofing</guid>
      <g-custom:tags type="string">Home,cinema,soundproofing,sound,proofing,cinema,room</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/home+cinema+5.jpg">
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    </item>
    <item>
      <title>How to soundproof a home office</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-office</link>
      <description>How to soundproof a home office to create a quiet place to work. Highlighting 5 ways to soundproof the walls, floor and ceiling of a home office.</description>
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           How to soundproof a home office
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           Effective ways to soundproof your home office
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           March 2020 saw more than 60% of the adult population working from home during the Coronavirus lockdown. It was therefore no surprise that as people were confined to their homes, here at The Soundproofing Store we were busier than ever as customers adapted to their new workspace and found the noise from noisy neighbours extremely distracting.
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           A further announcement in September again asked workers who had previously been encouraged back into the office in August, to now work from home 'where possible'. With no specific timeframe other than being prepared to do so for at least the next 6 months. This 'new normal' way of working has seen some companies completely changing and adapting, siting colleagues working from home being a more permanent strategy and a long-term ambition. The
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           BBC reports that a third of people will still be working from home
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           , even after Coronavirus restrictions are lifted in the future, with the
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           Guardian reporting 88% of people who worked from home during the lockdown wanting to retain some sort of capacity for doing so
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            .
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           The dial is certainly set to homeworking remaining a constant for many and in doing so means a productive, noise free working environment becomes ever more important.
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           One of the things about noise is that it affects more than our ability to concentrate and do our jobs from home, it can also have serious effects on our mental health and wellbeing.
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            To help create a quiet space in your home to live and work, there are a number of soundproofing solutions available. The correct home office soundproofing solution depends on the type and level of noise being experienced. However, there are 5 main points to achieve when soundproofing the walls of a home office, which are highlighted below.
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           5 ways to soundproof home office walls
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            Improve the mass of the wall by adding high mass / density soundproofing products
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            Improve the walls ability to absorb sound energy and vibration
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            For stud walls, add mineral wool acoustic insulation between the timber battens to eliminate any reverberation of sound
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            Use different materials of high mass. Simply adding more of the same material will have very little impact on increasing the effectiveness of soundproofing the wall. Different materials perform better at blocking different sound frequencies
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            Top Tip - treat soundproofing like waterproofing, and be sure to seal any gaps with acoustic sealant.
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           Soundproofing solutions for home office walls
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           4 ways to soundproof a home office floor
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           If you are living and working in a flat with noisy neighbours above, or below, then you need to add soundproofing to the floor or ceiling to create a soundproofed home office.
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           It is always more effective to soundproof at the source of the noise. Are you experiencing loud noise coming from above? Is the noise impact noise, (such as footsteps or banging) and / or airborne noise (talking, TV, music)? The best way to soundproof the floor of a home office, or indeed a quiet space within the home in which to work would be to soundproof the floor above. If this isn't an option, then you would need to soundproof the ceiling.
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            Improve the mass of the floor by adding heavy high mass / density products
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            Improve the ability of the floor to absorb sound energy (airborne noise) and vibration / footsteps (impact noise)
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            Use acoustic insulation between the timber joists to eliminate sound from resonating and amplifying
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            Use different materials of high mass. Different materials perform better for different sound frequencies. It is not effective soundproofing to simply add more of the same material, or 'double up' materials thinking it will double the effectiveness of the soundproofing. A combination of high mass materials will achieve a superior soundproofing result for your home office or workspace.
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           Soundproofing solutions for home office floors
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           3 ways to soundproof a home office ceiling
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           If you are experiencing noisy neighbours above and it is not possible to soundproof the floor above (which is the preferred option) then the only option would be to soundproof the ceiling of the home office.
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            Add mass to the ceiling to block airborne noise (talking, TV, music)
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            Dampen vibration energy to stop it travelling through the structure from above
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            Add sound absorption to stop the sound echoing and amplifying in any sealed chambers, such as between the timber joists of the ceiling. This decreases the 'drum effect' and can be easily achieved by adding acoustic mineral wool between the timber joists of the ceiling.
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           Soundproofing solutions for home office ceilings
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           3 ways to soundproofing a home office door
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            If you are working from home and the unwanted noise is coming from your own family rather than noisy neighbours, then upweighting existing doors can be a good place to start.
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             Add mass to the door. If the door is lightweight and hollow, then sound will travel through it extremely easily. An easy solution to help reduce the unwanted internal noise when working from home is to upgrade your current door. Simply add a heavy dense material like
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            FlexiSound 5
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             (a thin visco-elastic rubber which has the same density as lead). It is self-adhesive on one side and can be easily stuck onto the back of doors to add extra mass
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             Sound can travel through gaps. If there are any gaps, e.g. between the door and the frame, or gaps between the door and the floor, then sound will travel through these gaps. After upgrading the door with
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            FlexiSound 5
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             also adding some good quality draft exclusion material around the perimeter will help to ensure the door is as airtight as possible
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            The other option when soundproofing the door of a home office, bedroom, kitchen or living room (as many people don't have the luxury of a home office) is to replace the door. Fire doors are a great option as they contain more mass and are heavier than hollow, light doors and will block more sound.
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           Soundproofing solutions for home office doors
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           Create a quiet place to work
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            Soundproofing solutions can help create a quiet place to work by effectively soundproofing home offices. Soundproofing can take place within any room of the house, to help limit the unwanted noise from noisy neighbours and to help create a quiet place to work. If you are currently finding it difficult to work from home because of unwanted noise, then The Soundproofing Store is an award-winning soundproofing company and is here to help. Don't be one of the
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    &lt;a href="https://www.msn.com/en-gb/money/other/coronavirus-millions-of-brits-resort-to-working-in-cars/ar-BB19pRDV?ocid=msedgntp"&gt;&#xD;
      
           millions of Brits who are reportedly forced to work from their cars
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            , due to 'unsuitable' environments making working from home practically impossible.
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/home+office.jpg" length="62103" type="image/jpeg" />
      <pubDate>Thu, 01 Oct 2020 10:17:33 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-office</guid>
      <g-custom:tags type="string">SoundBoard4,work,sound,neighbours,office,concentrate,Noisy,How,SoundMat3Plus,homeoffice,noise,working,quiet,Soundproofing,Home,ReductoClip</g-custom:tags>
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      <title>How to install a TV or radiator onto a soundproofed wall</title>
      <link>https://www.soundproofingstore.co.uk/how-to-install-a-tv-or-radiator-onto-the-reductoclip-systems</link>
      <description>How to install a television or radiator on a soundproofed wall. A simple solution which utilises extra ReductoClips and furring channels</description>
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           How to install a TV or radiator onto a soundproofed wall
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/TV+Wall+mount+pic.png" alt="TV mounted onto a soundproofed wall"/&gt;&#xD;
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            When looking to install a television on either the ReductoClip™ Direct to Wall, or ReductoClip™ Independent Wall soundproofing system, there is a simple solution which utilises extra clips and furring channels.
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           By using the extra ReductoClips, their design means they can carry the weight of the T.V. and bracket (not exceeding a combined weight of 60kg). This is to ensure you are not overloading the clips and bars which will be holding the weight of the system.
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           T.V. Installation guide for the ReductoClip™ Direct to Wall System
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            We would advise installing two extra horizontal furring channels between the two standard furring channels to accommodate the TV wall mount. Please make a note of the location of your two extra furring channels by marking on the returning walls and the ceiling so that they are easily identifiable. Further in the process, they will be concealed with the plasterboard and
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    &lt;a href="/store/#!/~/product/id=52900688"&gt;&#xD;
      
           Tecsound
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            layers.
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            Once your two extra furring channels and four ReductoClips have been installed, please proceed with fixing on the two layers of acoustic plasterboard with Tecsound sandwiched in between (following the
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           ReductoClip System installation instructions
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           ). Ensure that you are not suspending these layers onto the furring channels which are designed to take the weight of the Television only.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Picture3.png" alt="Marking the positions of the ReductoClip furring channels onto plasterboard"/&gt;&#xD;
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           When the final layers of the system have all been completed, please hold up the wall mount and position this in accordance with the concealed furring channels. Then fix the wall mount into these channels using stainless steel self drilling screws, ensuring a strong secure connection.
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           T.V. Installation guide for the ReductoClip™ Independent Wall System
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            We would advise running two extra horizontal furring channels between the two standard furring channels to accommodate the TV wall mount. If there is limited space there may be a need to offset the ReductoClips as shown by adding an extra two timber verticals as fixing points. Please make a note of the location of your two extra furring channels by marking on the returning walls and the ceiling so that they are easily identifiable, as further in the process, they will be concealed with the plasterboard and
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           Tecsound
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            layers.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Picture5.png" alt="Installing a TV using the ReductoClip Independent Wall System"/&gt;&#xD;
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            Once your extra two furring channels and four ReductoClips have been installed, please proceed with fixing on your two layers of acoustic plasterboard with Tecsound sandwiched in between (following the
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           ReductoClip System Independent Wall installation instructions
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           ), ensuring you are not suspending these layers on to the furring channels which are designed to take the weight of the Television only.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Picture6.png" alt="Marking plasterboard to find the position of ReductoClip furring bars"/&gt;&#xD;
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           When the final layers of the system have all been completed, hold up the wall mount and position this in accordance with the concealed furring channels. Then fix the wall mount into these channels using stainless steel self drilling screws, ensuring a strong secure connection.
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           T.V. Installation guide for the ReductoClip™ Systems
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           The television can now be fixed onto the wall mount system using the fixing kit provided by the manufacturer. If you are planning on installing a soundbar below your tv then the same process applies, however just using one furring channel with two ReductoClips.
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           Installing a Radiator on the ReductoClip™ Systems
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           The same process can be used if you are looking to install a radiator system on the wall (using two extra horizontal furring channels).
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Picture11.png" alt="Installing a radiator onto a soundproofed wall using the ReductoClip wall soundproofing system"/&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/TV+Wall+mount+pic.png" length="52868" type="image/png" />
      <pubDate>Fri, 25 Sep 2020 08:41:33 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-install-a-tv-or-radiator-onto-the-reductoclip-systems</guid>
      <g-custom:tags type="string">tv,wall soundproofing,neighbour,noisy,knowledge hub walls,ReductoClipSystem,airborne,solution,radiator,installation,noise,Soundproofing,wall,ReductoClip</g-custom:tags>
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      <title>How to Soundproof around an RSJ</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-around-an-rsj</link>
      <description>How to soundproof round steel joists (RSJ)</description>
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           How to Soundproof around an RSJ
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         With current trends of open plan living becoming more popular over the more traditional idea of separate rooms for every household activity in terms of maximising and optimising space, this changes how structures need to be constructed in order to support the upper floors of properties seeing as though load-bearing walls will be removed, therefore this often presents us with a ceiling which includes an exposed RSJ.
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           What is an RSJ?
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           A rolled steel joist (RSJ) is a common type of structural steel beam which is often used in construction, It is also known and typically referred to as a ‘H beam’ or an  'I-beam' due to their cross sectional shape, they can come in a variety of standard sizes and wall thickness’ dependant on their application and strength requirements.
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           What is the purpose of an RSJ?
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           When a supporting wall is removed, you will need something in its place. In this instance you may need to put in its place a rolled steel joist (RSJ) beam. This will then be able to support the floor area above. A qualified builder or structural engineer would be able to advise further from the initial design process to installation.
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           Our Suggested Build Up to Soundproof your RSJ
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            We would suggest using a boxing-in method to soundproof your RSJ which completely conceals and encases the steel beam in a variety of materials.
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           If you are soundproofing your ceiling, you will need to minimise the level of sound energy being transferred through the structure, from the initial source of the sound energy which is created on the floor above and therefore causing the steel beam (RSJ) to vibrate.
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           Step 1 (optional but will boost results):
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            We would recommend covering the RSJ with
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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           . When bonded or adhered to hard materials the viscos-elastic properties reduce the sound resonance / vibration typical of hard materials, resulting in a higher performance material compared to Mass Loaded Vinyl and Green Glue combined.
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           Step 2:
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            Boxing around the RSJ using timber stud framework (leaving a minimum of a 5mm gap between the wood profiles and RSJ to minimise flanking noise transferring through the hard materials).
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           Step 3:
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            Fill the gaps around the RSJ, and in between the studs with very dense
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           Acoustic Mineral Wool
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           . This Mineral Wool is designed to offer the highest level of sound absorption in the cavity partitions between timber and metal studs, and significantly improving acoustic performance and reducing reverberation.
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           Step 4:
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    &lt;a href="https://www.soundproofingstore.co.uk/store/Acoustic-Plasterboard-2400mm-x-1200mm-x-15mm-p52901180" target="_blank"&gt;&#xD;
      
           fixing 15mm Acoustic Plasterboard 
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            to the outside of the studs to box in the area. You are then able soundproof around this area with either an additional layer of acoustic plasterboard or the
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    &lt;a href="https://www.soundproofingstore.co.uk/timber-joist-ceiling-soundproofing" target="_blank"&gt;&#xD;
      
           ReductoClip Ceiling System
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            as you would the rest of the ceiling, dependant on the extent of the soundproofing performance which you are planning to achieve.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Steel+beam+concealing+final.png" alt="How to soundproof an RSJ"/&gt;&#xD;
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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      <pubDate>Thu, 27 Aug 2020 10:09:01 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-around-an-rsj</guid>
      <g-custom:tags type="string">ReductoClip system for ceilings,acoustic mineral wool,acoustic plasterboard,RSJ,tecsound,Soundproofing,ReductoClip,steel joists</g-custom:tags>
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      <title>The Soundproofing Store's Unique Delivery Service</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-store-delivery</link>
      <description>A guide to The Soundproofing Store's delivery service of soundproofing materials. Answering any questions customers might have.</description>
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           The Soundproofing Store's Unique Delivery Service
          
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           What sets our deliveries apart from other companies
          
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         Soundproofing is all about adding mass, so the most effective soundproofing solutions contain a lot of very heavy and large construction materials. Therefore, the delivery of The Soundproofing Store's materials are carried out on a double pallet, as these materials aren't something that can be just parcelled and posted out. 
         
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          Delivery is carried out by The Soundproofing Store's dedicated delivery service, not a 3rd party pallet haulage service, (as is the case with the majority of other companies). This has huge benefits to our customers:
         
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            Our transport team are an extension of The Soundproofing Store, going the extra mile in terms of customer service and delivery
           
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            Goods are packaged and delivered by members of our team, not by third parties or haulage companies. This means more care and accountability and importantly, minimises the risk of damaged goods
           
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          In our experience of using 3rd party pallet network services in the past, we know from experience that the ratio of late, or failed deliveries and damages is very high.
         
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          The Soundproofing Store's aim is to ensure a seamless experience from the time of discussing your noise problem to receiving the goods and everything in between. Including expert advice and first class communication leading up to the safe delivery of the materials.
         
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           How the Soundproofing Store delivery service works
          
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           The Soundproofing Store Delivery Video
          
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           What doesn't The Soundproofing Store do
          
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            The Soundproofing Store is transparent in all online prices of materials. Unlike other companies, The Soundproofing Store doesn't markup or inflate prices to be able to offer 'free delivery.'
           
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           What our customers think of our unique delivery offering
          
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           Should you have any questions about The Soundproofing Store Delivery service, then please don't hestitate to get in touch using the contact details below.
          
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          
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      <pubDate>Mon, 24 Aug 2020 15:28:43 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-store-delivery</guid>
      <g-custom:tags type="string">delivery,service,mass,truck,team (New Tag),pallet,transport,Soundproofing,moffett,customer</g-custom:tags>
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      <title>How To Soundproof A Wooden Garden Studio / Practice Room</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-music-studio-practice-room-timber-construction</link>
      <description>A seven step guide detailing how to soundproof a timber music studio</description>
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           How To Soundproof A Wooden Garden Studio / Practice Room
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           A Basic Guide To Studio Soundproofing In 7 Simple Steps
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           Here at
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             The Soundproofing Store
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           we are very experienced in the design and supply of soundproofing systems for Recording Studios and Practice Rooms from home studios to professional.
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          Our system is very high performing whilst keeping space loss to a minimum, which is ideal for smaller spaces like home studios, garage conversions etc, where building multiple layers of concrete walls are not an option.
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           IMPORTANT - We need to make it clear first of all, that soundproofing a wooden structure to studio level, is not an easy task. Because sound is predominantly blocked by mass, by starting with a light weight construction (compared to concrete block for example), you are starting at a much weaker point. This means if you use the same system as a solid building studio, your results will not be as good as in the solid building. If you wish to achieve the same kind of results, you need to go much further.
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           If you are choosing a timber structure because you think it will be cheaper, it's worth considering the extra cost of upgrading the soundproofing.
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           This certainly doesn't mean you can't soundproof a timber strucure to a high level, it just means you need to put in more work and investment to reach the same level or have a realistic expectation of your results.
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           The Seven Steps Of Soundproofing A Timber Music Studio
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           In this blog we will talk through the details of the following basic steps
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            Upgrade The Initial Structure (Optional) -
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             If you have a basic timber structure, you will need to improve it before adding your internal soundproofing. If you alread have a well built room that is already insulated and internally boarded, you may skip this step.
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            Build A "Room Within A Room" -
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             An internal room that can contain the airborne sound and vibration.
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            Add Resilience -
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             The ability to absorb sound energy and vibration
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            Add Mass -
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             Its Mass (weight/density) that blocks airborne sound waves
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            Upgrade Windows and Doors
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             How to install them without creating weaknesses in the soundproofing
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            Ventilation -
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             Every studio needs it, but you need to minimize this weak point.
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           ast Studio Client Videos
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         Below are a few videos sent to us by studio clients. These videos show elements of the build / installation and also sound tests to show the effectiveness of the soundproofing.
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          Our Guide To Soundproofing Your Timber Garden Room to Studio / Practice Room Level
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           Here are our 7 basic steps to achieve a high level of soundproofing for high decibel applications. This can be applied to purpose-built or existing timber structures such as garden rooms, summer houses, out houses, barns etc...
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           Important note:
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            Our studio specifications are based around a specific system. This is a system that is tried and tested and is proven to perform to a high level. 
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           There will always be cheap alternatives, but in our experience, this leads to disappointing results. If you are serious about building your garden studio and want to make a serious reduction in volumes, have a good read through the below info. 
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           If you need further advice about your specific situation, contact us to speak to our dedicated studio soundproofing advisors.
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           Step One - Increase The Mass And Insulation Of The Timber Structure (Optional)
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            A lot of timber structures will just have a timber frame and an external cladding. This will be doing very little in the way of soundproofing naturally. If you just install the soundproofing system without improvig this structure, your resutls will be limited.
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           If you already have a well built garden room or office for example, that is insulated and boarded internally, not just a shed type structure, you can skip to Step Two.
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           If you have a very basic shed type structure, then read on.
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           Firstly, you will need to insulate the existing hollow frames. This means the wall frames and between the roof rafters. You can use Thermal Insulation for this stage, however a good acoustic mineral wool will give good thermal insulation and good acoustic insulation.
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            S﻿econdly, cladd the inside of the structure with heavy, dense material to increase the mass. This can be two layers of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/store/#!/~/product/id=52901180"&gt;&#xD;
      
           15mm acoustic grade plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , or if you prefer an
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/store/#!/~/product/id=209321002"&gt;&#xD;
      
           OSB board
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , or even better a cement particle board for even more mass.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/One+Room+Floor+Plan+timber+room+mineral+wool+and+mass-b7e5c3ea.jpg" alt="Timber Structure With Insulation And Added Mass"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Soundproofing+Stage+3+sq.jpg" alt="Soundproofing Store - Timber garden room soundproofing step three, adding mass"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Step Two- Room Within A Room
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         This is the most important piece of advice we can give, and a step that a lot of people mistakenly think they can skip. 
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  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          When a high volume of sound is projected, it creates an
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    &lt;b&gt;&#xD;
      
           Airborne sound wave
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    &lt;/b&gt;&#xD;
    
          but also a
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    &lt;b&gt;&#xD;
      
           strong vibration energy
          &#xD;
    &lt;/b&gt;&#xD;
    
          . The airborne sound will spread out 360 degrees around the studio and therefore needs to be blocked in all directions. More importantly, even if you are more concerned about sound travelling in a particular direction,
          &#xD;
    &lt;b&gt;&#xD;
      
           you need to absorb the energy and vibration
          &#xD;
    &lt;/b&gt;&#xD;
    
          . If the vibration gets into the structure of the building it will spread very easily through the contact of solid material. Therefore, if you soundproof your walls but not your floor for example, the vibration will spread through the floor, under your wall soundproofing and still get into the walls behind. Or can spread from a non-soundproofed wall into a soundproofed wall by bypassing the soundproofing. This is called "flanking".
          &#xD;
    &lt;div&gt;&#xD;
      &lt;br/&gt;&#xD;
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    &lt;div&gt;&#xD;
      
           So regardless of the construction or location of your studio, it is incredibly important to build a de-coupled wall in front of every wall, a suspended ceiling and a floating floor to create your “room within a room”. This is the only effective way to contain the airborne sound and the sound energy within the “inner” room and stop it from getting into the structure of the building.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/One+Room+Floor+Plan+descriptions+TIMBER.jpg" alt="Room Within A Room - Timber Structure"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
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         We achieve the “room within a room” by building independent stud frames (metal or timber) in front of each wall, but not touching. You should have a minimum of 10mm between the frame and wall, but the bigger that gap the better. 
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  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
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          If possible float the stud frame on an isolation strip around the perimeter. This should be dense enough to bare the weight of the walls, while still being able to absorb vibration. Try our
          &#xD;
    &lt;a href="/store/#!/~/product/id=68099024"&gt;&#xD;
      
           ProSound Isolation Strip
          &#xD;
    &lt;/a&gt;&#xD;
    
          .
          &#xD;
    &lt;br/&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Soundproofing+Stage+4+sq.jpg" alt="Soundproofing Store - Timber garden room soundproofing step 4, second frame"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
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         Because this stud frame will create a hollow cavity, you will then need to fill the frame with acoustic insulation to stop sound from resonating and amplifying in this cavity. We recommend a
         &#xD;
  &lt;a href="/store/#!/~/product/id=52901147"&gt;&#xD;
    
          60kg acoustic mineral wool insulation
         &#xD;
  &lt;/a&gt;&#xD;
  
         .
        &#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Soundproofing+Stage+5+sq.jpg" alt="Soundproofing Store - Timber garden room soundproofing step five, acoustic mineral in second frame"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  
         Depending on how much height you have to play with in your chosen space, you can do similair to the floor and ceiling, building a floating frame on the floor and floating frame below the ceiling, or if height is low to start with you can de-couple the floor and the ceiling in a more space saving way.
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;b&gt;&#xD;
    
          Option 1 - Minimal Height Loss
         &#xD;
  &lt;/b&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Floor
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            - If you have a concrete floor, you don't need to add any more mass. So you can get away with a minimal layer of vibration absorbing matting on the floor. This seperates your floor finish (carpet, laminate etc) from the structural floor (concrete) and absorbs the vibration in between. Height loss will only be around 5 - 10mm. You could use a floor layer such as our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-impactomat-5mm-11-15m2/" target="_blank"&gt;&#xD;
      
           ImpactoMat 5mm
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             or for a higher performance, our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-soundmat-2-plus/" target="_blank"&gt;&#xD;
      
           SoundMat 2 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ceiling
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            - Your suspended ceiling can be fixed directly to the bottom of the existing ceiling joists for minimal height loss. As long as the joists are insulated with acoustic mineral wool.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+FULL+ROOM-f7de608d.jpg" alt="Room within a room option 1 space saving"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;b&gt;&#xD;
    
          Option 2 - Secondary Ceiling Joists
         &#xD;
  &lt;/b&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;b&gt;&#xD;
    
          Floor
         &#xD;
  &lt;/b&gt;&#xD;
  
         - The same as above with a thin resilient floor matting
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;b&gt;&#xD;
      
           Ceiling
          &#xD;
    &lt;/b&gt;&#xD;
    
          - Keep the existing ceiling in place, but install secondary ceiling joists. These can be sat on top of the wall frames if thick enough, if not, fixed around the perimeter walls. Fill the secondary joists with acoustic mineral wool insulation, then install the suspended soundproof ceiling to the bottom of the secondary joists.
         &#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+FULL+ROOM+DROP+CEILING-ad74f2fa.jpg" alt="Room within a room with secondary ceiling"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;b&gt;&#xD;
    
          Option 3 - Maximum space loss, maximum performance
         &#xD;
  &lt;/b&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Floor
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            - float timber batons on isolation strips across the floor. Fill between the batons with acoustic mineral wool insulation. Add strips of isolation strip on top of the batons, then add a structural floor layer such as T&amp;amp;G chipboard (18mm / 22mm), then add a soundproofing matting on top to add mass and resilience to the floor. Something like our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-soundmat-3-plus-15mm-floor-soundproofing-1-44m2/" target="_blank"&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            would be perfect. Then your final floor finish on top. 
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            This will build up your height much more and be more expensive, but performance would be greatly improved if you need it.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Ceiling
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            - Secondary Joists as above.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+FULL+ROOM+FLOATING+FLOOR-dd897fb5.jpg" alt="Room within a room floating floor and ceiling"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  
         Step Three - Add Resilience
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Resilience gives a material the ability to flex, move and absorb impact and vibration.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           It’s the same principle as how the suspension springs in a car give you a more comfortable journey, because the car can absorb the impact of potholes much easier. A rigid car with no suspension would be a far more uncomfortable ride. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            By suspending our mass layers on a resilient system, it means that the mass layers (plasterboard and TecSound
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           see Step Four
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ) can flex, move, and absorb the impact of the sound wave and absorb the vibration energy of the sound. 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
        
            We use a high-performance resilient system called the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , which can be fixed to the face of your new stud frames and suspends your mass layers. This is the slimmest resilient system on the market, giving you high performance for minimal space loss.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/ReductoClip+Ceiling+Squ-a05cd918.jpg" alt="ProSound ReductoClip by The Soundproofing Store"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Soundproofing+Stage+7+sq.jpg" alt="Soundproofing Store - Timber garden room soundproofing step six, adding ReductoClip for resilience"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  
         Step Four - Add Mass
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The only thing that blocks the airborne sound wave, is mass
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Mass is basically weight, so the heavier and more dense a material is, the more sound it blocks. Therefore, starting with a structure that is higher in mass is always a better start when possible. A brick or concrete block building will naturally block a higher level of sound than a timber building for example. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           We want to cover our new internal wall frames with multiple layers of heavy, dense materials. At the same time, we want to mix different types of material so that we can block a wider range of sound frequencies. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            We recommend a combination of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic grade plaster board
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           . 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           We aim to add 35kg of mass per m2.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/plasterboard+seams.jpg" alt="garden room soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Soundproofing+Stage+8+sq.jpg" alt="Soundproofing Store - Timber garden room soundproofing step five, adding mass"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/h3&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           C
           &#xD;
      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
      
           eilings
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
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      &lt;br/&gt;&#xD;
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  &lt;/p&gt;&#xD;
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    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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           W
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      &lt;span&gt;&#xD;
        
            ﻿
           &#xD;
      &lt;/span&gt;&#xD;
      
           e use the same ReductoClip resilient system and mass layers for the ceiling to create a soundproof suspended ceiling.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/faqs-for-reducto-clip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip for Ceilings
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Wall+and+Ceiling+1.jpg" alt="ProSound ReductoClip Ceiling and wall by The Soundproofign Store"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Wall+and+Ceiling+2.jpg" alt="ProSound ReductoClip Ceiling and Wall, ceiling mass layers"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Timber+Garden+Room+Wall+and+Ceiling+3.jpg" alt="ProSound ReductoClip wall and ceiling mass layers"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
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           Step Five - Windows and Doors
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         Windows and doors will always be the weak link as they have far less mass than the walls. In a perfect world we would have just one door and no windows. 
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           We recommend using a double door system, using two heavy, solid core fire doors. One installed on the existing wall and one installed on the new stud frames. Door frames should have a good seal to make the door airtight.
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         Windows should utilise acoustic glass, and like doors we would recommend secondary glazing. A window on the existing wall, and a second window installed on the internal stud frame.
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           Step Six - Power and Lighting
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         In a perfect world we would minimize the number of holes being cut into the mass layers as these create weaknesses. 
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          For this reason, try and keep all power sockets and lighting fixtures surface mounted. Install onto the wall layers, not IN the wall layers. 
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          You can even run the cabling for power sockets on the surface of the wall using trunking. This means if you need to change anything later, you do not need to open up your soundproof walls to get access.
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           Again, surface mounted lighting fixtures such as LED strips, pendant lighting or even free-standing lights such as lamps will be perfect. The worst case would be spotlights that need to be sunk into the ceiling.
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           Step Seven - Ventilation
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           A well soundproofed room will be very well insulated and airtight. This will make the room warm and with no natural air flow. Therefore, we need some sort of ventilation system. 
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           This will always be a weakness to a degree as this is basically a hole from the inside to outside but is unfortunately a necessary step. 
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           You can use expensive, digital air conditioning systems and powered ventilation systems if you want, or just a basic in/out . But you will need to insulate any ducting and reduce as much sound from the outlet as you can by using baffles / silencers / attenuators
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         Two Room Studio (Live Room and Control Room or Multiple Practice Rooms)
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         In the example we use the same principle making two new internal rooms with a double stud frame seperating one room from the other with a high level of isolation between the two.
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         Material Cost
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         This will be determined by the size of the room and quality of the construction, but in our experience, a rough guide for a one room studio is around
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          £3,000 - £5,000
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         for soundproofing materials not including secondary windows if needed. This is based on a room of around
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          15 - 20m2 area or 4m x 4m , 4m x 5m.
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           If you are interested in building your own home studio or practice room and would like an idea of material cost for your space, we will need your dimensions, ideally a floor plan of the existing space, photos of the existing space if possible, and as much detail about the construction of the existing building as possible.
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           We can then put together a full specification for your needs with a free, no obligation material estimate.
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         Conclusion
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          Blocking out high decibel levels of sound is not easy, and there is no quick, simple, cheap fix.
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           If you were thinking that studio soundproofing was as simple as egg box type foam on the walls, or thick curtains, then check out our
         &#xD;
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          Soundproofing Myths Blog
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         .
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           If you are not willing to take the steps detailed above, or able to invest this level of budget, then your results will be very limited, and your expectations should be set very low.
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           If you can take the necessary steps and make the necessary investment, you can achieve really great results as all of our past studio clients have.
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           If you are serious about soundproofing your home studio or practice room and have any questions or would like help putting together a costing, please get in touch with our dedicated studio team by calling
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            01423 206208
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           or use our
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            Contact Page
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            below to send us a message.
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          Want even more detail - Check out our in depth studio blog -
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  &lt;a href="https://www.soundproofingstore.co.uk/case-study-basement-music-studio-conversion" target="_blank"&gt;&#xD;
    
          A case study of a basement drum studio
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Patrick+Garden+Studio+1.jpg" length="77957" type="image/jpeg" />
      <pubDate>Thu, 20 Aug 2020 09:20:46 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-music-studio-practice-room-timber-construction</guid>
      <g-custom:tags type="string">soundproofing an out house,shed,practice room,barn,drum room,soundproofing a drum room,garden office,how to soundproof a studio,music studio,summer house,home studio,garden room</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Patrick+Garden+Studio+1.jpg">
        <media:description>thumbnail</media:description>
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      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Patrick+Garden+Studio+1.jpg">
        <media:description>main image</media:description>
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    </item>
    <item>
      <title>Soundproofing A Garage</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-a-garage</link>
      <description>How to soundproof a garage</description>
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           Soundproofing A Garage 
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            Here at the Soundproofing Store we receive many enquiries about soundproofing garages for music rehearsal rooms, recording studios and workshops. Due to the nature of these rooms they tend to create a lot of airborne noise and also a lot of vibration.
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            So...if you are wanting to use your garage for one of these purposes or something similar where you want to reduce the noise, how do you reduce the amount of noise that escapes the garage and disturbs other people?
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            Well, there are a few things to consider, but I will guide you through the important points.
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            First, here are the main
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           fundamental physics
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            we need to consider.
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            1.
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             Airborne Sound (voices, music etc) is only blocked by mass. To block airborne sound, we need to add as much mass as we can to the walls, ceiling and floor. Mass is a complex thing to get into, but at the simplest level, the heavier and more dense a material is, the more mass it will have. i.e concrete has more mass than wood.
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            2.
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             When sound hits a surface it becomes a vibration energy which can transfer through solid materials and surfaces very easily. Bass will also create a lot of vibration energy. For a high standard of soundproofing, we need to absorb or decouple this vibration to stop it from transferring into the structure of the building. To do this we use the
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            "Room Within A Room"
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             technique. There will be more on this later.
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            3.
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             Soundproofing is like waterproofing - To contain the sound within the garage, you will need to soundproof all the walls, ceiling and floor. All weaknesses such as windows, doors and air vents need to be considered, and any air gaps need to be sealed, as sound will always find the weak point and still get through.
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           "Room within a room?"
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            For live music levels of noise we need to build a "
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           room within a room
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            ", with the inner room decoupled or isolated from the outer room. We do this by using a system such as our
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           ReductoClip system
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            . These are fixed to the solid wall and ceiling joists, we can then build new wall and ceiling layers (creating the inner room), by fixing these layers onto the
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           ReductoClip
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            rather than being fixed directly to the wall. The ReductoClip act like shock absorbers, so when sound hits the new wall layers and turns into a vibration energy, the ReductoClip absorb this energy stopping it from transferring into the structure.
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            We then need to add high mass materials such as two layers of
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           15mm acoustic grade plasterboard
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            which has a higher mass than standard plasterboard. You can also improve the performance by adding different materials (different types of mass block different sound frequencies better than others). These include
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           FlexiSound 5
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            and Mass Loaded Vinyl .
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           On Solid Walls
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            - We get the highest performance by building a timber frame 10mm in front of the existing wall, isolating the frame from the surrounding surfaces using isolation strip. We then fill the frame with acoustic mineral wool and then fix the ReductoClips and furring channels to the frame.
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           On Stud Walls
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            - We remove the plasterboard layer of the wall to expose the timber frame inside. We then fill the frame with acoustic mineral wool, and add our ReductoClips to the frame.
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           Garage Doors -
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          ﻿For Garage doors we have two options. Firstly too remove the garage door and build a breeze block wall, then add the ReductoClip system to the wall as the others. Secondly, you can build a breeze block wall further into the garage away from the door. This will mean you will still have your garage door. Once the breeze block wall is built you will  install the ReductoClip system just like the other walls.
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&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+With+Labels-b93ea1ad.jpg" alt="RedctoClip system" title=""/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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           Fully Isolated Clip and Bar System (120mm Thick):
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            1. Independent Stud Frame -
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           10mm air gap isolates the soundproofing from the offending wall for best possible sound reduction performance
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           2. Isolation Strip -
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            isolates from surrounding surfaces to reduce flanking vibration
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            3. ReductoClips -
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           decouple the mass layers from the frame and act like a shock absorbing suspension system to dampen high levels of sound energy and vibration
          &#xD;
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  &lt;/p&gt;&#xD;
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            4. ReductoClip Furring Channels -
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           extra wide to make fixing acoustic plasterboards quicker and easier
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            5. Acoustic Mineral Wool -
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            dampens sound within the frame cavity to stop sound amplifying
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            6. Acoustic Plasterboard -
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           (2 layers) to increase the mass of the wall. More mass and density than standard plasterboard but with the same finishing and decorating techniques
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            7. FlexiSound 5 -
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           Anti-Vibration membrane to add further mass to the wall. A different type of mass to reduce different sound frequencies to the other layers. FlexiSound also helps to dampen sound energy and vibration
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+Stud+Build+Up+SQUARE+flexisound-527df631.jpg" alt="ReductoClip stud wall soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
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           Ceilings
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          We use the same technique on the ceiling to block sound travelling above.
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           On a Timber Joist Ceiling -
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          We remove the current plasterboard layer exposing the timber joists. We fill between the joists with acoustic mineral wool and add the
          &#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClips
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          to the bottom of the joists.
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           On a Concrete Ceiling
          &#xD;
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          - We can fix the
          &#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClips
          &#xD;
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          directly to the ceiling.
         &#xD;
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&lt;div&gt;&#xD;
  &lt;a href="/timber-joist-ceiling-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Timber+Ceiling+with+labels-f4fce63b.jpg" alt="ReductoClip on timber ceiling"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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  &lt;/span&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Direct To Joist Clip And Bar System (Only 60mm Thick):
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            1. ReductoClips -
           &#xD;
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           decouple the mass layers from the frame and acts like a shock absorbing suspension system to dampen high levels of sound energy and vibration
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            2. ReductoClip Furring Channels -
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
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           extra wide to make fixing acoustic plasterboards quicker and easier
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            3. Acoustic Mineral Wool -
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           dampens sound within the cavity to stop sound amplifying
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            4. Acoustic Plasterboard -
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           (2 layers) to increase the mass of the ceiling. More mass and density than standard plasterboard but with the same finishing and decorating techniques
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           5. FlexiSound 5 -
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Anti-Vibration membrane to add further mass to the ceiling. A different type of mass to reduce different sound frequencies to the other layers. FlexiSound also helps to dampen sound energy and vibration
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/concrete-ceiling-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Battened+Concrete+Ceiling+flexisound-6e806bbe.jpg" alt="ReductoClip ceiling soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
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  &lt;/span&gt;&#xD;
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    &lt;/span&gt;&#xD;
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           Doors and Windows
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            These are the biggest weak spots. Ideally, if you can get away with not having any windows, this will give you the best performance. If you need natural light then use triple glazed or specialist acoustic glazing. This needs to be well fitted with no gaps between the frame and the wall.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             Regarding Doors, again you need high mass material, so a heavy, dense fire door, or even a double door system would be best. Or you can add mass to your existing door by adding a layer of mass loaded vinyl to the door. Again making sure there are no air gaps between the door and frame by adding a good seal or draught excluding material. You can also purchase custom made
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-door-45db/" target="_blank"&gt;&#xD;
      
           acoustic doors
          &#xD;
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            which are very high performing, but these can be expensive.
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           Ventilation
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            For ventilation we suggest using a high quality
           &#xD;
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-ventilation-system-45db/" target="_blank"&gt;&#xD;
      
           acoustic vent
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            system .
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://www.soundproofingstore.co.uk/store/Acoustic-Ventilation-system-p66201095" target="_blank"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Vent+Brown+white.jpg" alt="soundproof garage" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Garage Conversion By YouTuber Levi Clay
         &#xD;
  &lt;div&gt;&#xD;
    
          A series of videos following Levi Clay, in converting his garage to a fully soundproofed room for video blogging and for guitar playing lessons.
         &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundproofing+garage+blog+photo.jpg" length="172871" type="image/jpeg" />
      <pubDate>Sun, 16 Aug 2020 12:00:36 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-a-garage</guid>
      <g-custom:tags type="string">soundproofing,garage,reducto,clip,furring,bars,</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundproofing+garage+blog+photo.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soundproofing+garage+blog+photo.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>What Is The Best Way To Soundproof A Wall?</title>
      <link>https://www.soundproofingstore.co.uk/what-is-the-best-way-to-soundproof-a-wall</link>
      <description>The best way to soundproof a wall against airborne and impact noise using the ReductoClip Independent Stud Wall System</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What Is The Best Way To Soundproof A Wall?
          &#xD;
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  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/walls"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/How+to+soundproof+against+noisy+neighbours.jpg" alt="Banging on a wall at noisy neighbours"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Firstly We Need To Understand How Sound Passes Through A Wall
        &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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            Airborne Noises
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           - Talking, television sounds, dog(s) barking.
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           Impact Noises
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          - Footsteps, footfall on stairs adjoining the party wall, banging doors and cupboards.
         &#xD;
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         When sound is created at the source, it becomes a vibration energy, this energy is known as airborne noise and initially travels through from within your neighbours room, through the dividing wall and into your room where the sound is first heard. 
         &#xD;
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  &lt;div&gt;&#xD;
    
          This sound energy enters the structure and the vibrations pass through the wall, through materials such as the bricks, mortar and plasterboards, in most scenarios. 
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  &lt;div&gt;&#xD;
    
          Usually, standard house walls perform poorly in terms of soundproofing due to having either a low level of mass, weaknesses in the structure, or no de-coupling / isolation of the materials to dampen down the vibrations.
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           In some cases where a stud frame is present, there may be a hollow space between the timber profiles, with no insulation, in which case the sound energy will amplify and echo in this empty chamber, this is commonly known as the 'drum effect'.
          &#xD;
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    &lt;/div&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/walls"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/smart-tv-mockup-with-blank-black-screen-hanging-cabinet-decor-3d-rendering_43151-1006.jpg" alt="Party Wall"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How Can We Effectively Reduce This Unwanted Sound?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/walls"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+waves+Matt-249ff106.png" alt="Soundwaves passing through a brick wall"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         - Using a combination of different layers of materials with a high level of mass / density.
         &#xD;
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    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          - Adding products with a high level of resilience to your current existing wall, of which will help to reduce, as well as absorb the sound energy being transferred through from the neighbouring property.
         &#xD;
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    &lt;br/&gt;&#xD;
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  &lt;div&gt;&#xD;
    
          - Finally, adding layers of different densities or types of mass which perform well against different frequency levels i.e. high pitch and medium pitch sounds.
         &#xD;
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&lt;h3&gt;&#xD;
  
         In simple terms, the best way to soundproof a wall is by:
        &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  
         1. Adding a combination of different materials with varying properties, which help to effectively reduce the vibration energy.
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          2. Also adding a high level of mass to the wall, this essentially makes it more difficult for the sound energy to pass through - If you add lots of layers of the same density, the common misconception is that this will continuously reduce the sound energy to the same degree. This is not the case, as adding different types of mass helps to reduce varying frequencies of sound energy, therefore increasing the overall effectiveness of soundproofing the wall. Adding more layers of the same material, won't effectively soundproof a wall.
         &#xD;
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  &lt;div&gt;&#xD;
    
          3. Importantly, to soundproof a wall, we also need to add layers which have high level of resilience, this means having materials which can effectively absorb and minimise the sound energy / vibrations travelling through your wall.
         &#xD;
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-8b7e1aa3.jpg" alt="ReductoClip Independent wall system"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Highest Performing Wall Soundproofing System - ReductoClip™ Independent Wall System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-4a8b6320.jpg" alt="ReductoClip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Our highest performing wall system is known as our
         &#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;b&gt;&#xD;
      
           ReductoClip™ independent wall system
          &#xD;
    &lt;/b&gt;&#xD;
  &lt;/a&gt;&#xD;
  
         , which is typically used in nightclubs and studios, this is the most effective system in terms of sound reduction predominantly for airborne sounds and vibration energy.
         &#xD;
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    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          This system works exceptionally well, even for louder sounds, by being completely isolated from the current structure, the timber frame which makes up part of the system is 10mm away from the existing wall therefore it is de-coupled and not in direct contact with the solid wall, making it harder for the sound energy to transfer through as you have a break in the system.
          &#xD;
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           The system also comprises of an isolation strip around the perimeter, helping to reduce flanking vibration coming through from your walls, floor and ceiling. 
          &#xD;
    &lt;/div&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip Soundproofing Solution - Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How to Soundproof a wall with the ReductoClip™ Independent Wall System
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How do the ReductoClips™ Work?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClips on this system are designed to fix on to the timber frame, reducing the magnitude of vibrations by de-coupling the further plasterboard layers from the frame, acting similar to shock absorbers, which dampen down and absorb the vibrational energy. They are also designed to hold the horizontal furring bars in place.
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The final layers of the system – the
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/tecsound-sy100/" target="_blank"&gt;&#xD;
      
           Tecsound SY100
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            and the two layers of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            both have different types of mass which assist with blocking out different levels of sound frequencies or pitches.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           As a rule of thumb, with this system you would typically expect to have an 80-90% reduction in sound transferral through the offending walls of your neighbouring property, taking into account the performance of this system, this is the slimmest independent wall system on the current UK market, minimising the amount of space loss within your room.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you would like to learn how the ReductoClips outperform other clip systems, please see our 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/reductoclip" target="_blank"&gt;&#xD;
      
           ReductoClip™ System Comparison Blog
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Further wall soundproofing solutions can be found below: 
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            "We don’t expect you to become an expert
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            overnight
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+waves+Matt-249ff106.png" length="36907" type="image/png" />
      <pubDate>Thu, 30 Jul 2020 08:49:34 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/what-is-the-best-way-to-soundproof-a-wall</guid>
      <g-custom:tags type="string">soundproofing,reductoclip,airborne,noise,vibration,energy,sound,walls,reduction,mass,resillience,noise,sound,wall,</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+waves+Matt-249ff106.png">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sound+waves+Matt-249ff106.png">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Case Study: Basement Music Studio Conversion</title>
      <link>https://www.soundproofingstore.co.uk/case-study-basement-music-studio-conversion</link>
      <description>A case study of a conversion project. From unused terrace basement, into professionally soundproofed drum/music studio</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Case Study: Basement Music Studio Conversion
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Converting A Terraced Basement Into A Drum Practice Room
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Basement+Drum+Room+header.jpg" alt="basment drum room" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Background Of The Project
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
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  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We were contacted by a client who is a full-time
professional drummer and drum tutor. The client had recently moved into a new
terraced house. A very old property dating back to the Victorian period.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Being a professional drummer the client needs to practice
regularly every day to keep his skill level maintained, he also privately
tutors pupils at home.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Now, this is a problem for anybody in a terraced house but
made harder as the next door neighbours work night shifts and need to sleep in
the daytime.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The clients plan was to utilize the unused basement in the
property by damp proofing and then soundproofing, converting the basement into
a fully soundproofed basement studio. His main worry being that the
soundproofing needed to be of the highest level, as any noise that could travel
through the thin, single brick party wall, would result in him still not being
able to use the room.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/animal840.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The Basement
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Link"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We carried out an initial site visit as the property isn’t
too far away from The Soundproofing Store HQ.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The basement was rather large, but with very low ceilings as
we would expect. The staircase down to the basement divided the area into two
halves. The client was hoping to turn one half into the studio and the other
half could be used as a lounge area.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The studio half was also then divided by another brick wall, splitting that half into two small rooms.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Basement+Render+Before.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The Plan - Construction / Layout
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The client had brought in a local, well respected building
firm who are specialists in basement conversions.
          &#xD;
    &lt;a href="http://backtobasement.co.uk/"&gt;&#xD;
      
           http://backtobasement.co.uk/
          &#xD;
    &lt;/a&gt;&#xD;
    
          (Leeds)
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Together we discussed the initial plan in terms of
construction to be the following.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;br/&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if !supportLists]--&gt;              1.
&#xD;
    &lt;!--[endif]--&gt;              Knock down the dividing wall in the studio half,
opening it up into one larger room.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if !supportLists]--&gt;              2.
&#xD;
    &lt;!--[endif]--&gt;              Dig down into the concrete floor as far as we
could go to lower the floor and therefore raise the ceiling height.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if !supportLists]--&gt;              3.
&#xD;
    &lt;!--[endif]--&gt;              Block up the dividing wall separating the two
halves of the basement leaving one doorway into the studio.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if !supportLists]--&gt;              4.
&#xD;
    &lt;!--[endif]--&gt;              Tank the room using a damp proof membrane
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/studio-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Basement+Render+1.jpg" alt="Layout of basement soundproofed studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The Plan - Soundproofing
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          My original specification for the soundproofing was as
follows;
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;br/&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We needed to build a “room within a room” which is made up
of high mass materials to block airborne sound from escaping, but those layers
need to be de-coupled from the structure and able to absorb vibration so that
the sound vibration energy can’t transfer through into the structure of the
building.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Walls
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-f00b587f.jpg" alt="ReductoClip Wall System" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            We would create secondary, internal walls by using our full
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip system
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . This involves building a 50mm timber frame (for minimalspace loss) in front of every wall. The timber frames would be isolated aroundthe perimeter using our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/store/Isolation-strip-self-adhesive-p68099024" target="_blank"&gt;&#xD;
      
           Isolation strip
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            , to create a floating frame.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            We fill the frame with a 50mm 60kg acoustic
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/store/#!/~/product/id=52901147"&gt;&#xD;
      
           mineral wool
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             to absorb sound within the cavity we are creating with the timberframe.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           We then attach the ReductoClips and furring channels.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            We then re-build the wall layers using two layers of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/store/Acoustic-Plasterboard-2400mm-x-1200mm-x-15mm-p52901180" target="_blank"&gt;&#xD;
      
           15mm acoustic grade plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             sandwiching a layer of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5.
          &#xD;
    &lt;/a&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The plasterboard and FlexiSound adds a whopping 35.6kg of mass per m2 to the walls.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClips separate the solid wall layers form the timber frame, and absorb huge amounts of vibration energy, converting it in to heat, and stopping the vibration from travelling into the solid wall behind.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Ceiling
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+to+ceiling+flexisound-ec41ed1e.jpg" alt="ReductoClip Ceiling System" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
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  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
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  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
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  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="46"
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  &lt;w:LsdException Locked="false" Priority="51"
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  &lt;w:LsdException Locked="false" Priority="52"
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  &lt;w:LsdException Locked="false" Priority="46"
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  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51"
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  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
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  &lt;w:LsdException Locked="false" Priority="51"
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  &lt;w:LsdException Locked="false" Priority="52"
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  &lt;w:LsdException Locked="false" Priority="46"
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  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We were hoping to lower the basement floor enough to use the ReductoClip system on the ceiling as well. Filling the ceiling void with 60kg acoustic mineral wool, then installing the
          &#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClips
          &#xD;
    &lt;/a&gt;&#xD;
    
          on the bottom of the ceiling joists,
and again using two layers of 15mm acoustic grade plasterboard with Tecsound
SY100.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          My big concern was that above is just bare wooden floorboards
with very little mass, lots of gaps between boards, and no other flooring. Ideally,
we would want to add more mass to the floor above to really get a great result.
However, the priority in this case is sound leaking into the adjoining
properties not travelling above into the rest of the house, and the client preferred
to keep his exposed wooden floors.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Floor
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ImpactoMat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/IMpactoMat+Concrete+SQUARE-32cb95cd.jpg" alt="Regupol 4515" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            We don’t need to add mass to the floor as it’s a concretefoundation with nothing below. However, we do want to absorb vibration. If wedon’t address the floor, then the vibration will get into the concrete floorand spread under the soundproofing and into the structure. In this case 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-impactomat-5mm-11-15m2/" target="_blank"&gt;&#xD;
      
           ProSound ImpactoMat 5mm
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             is all that’s needed.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Doors
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/double+doors.png" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           I advised for a double fire door system. Using two FD60rated, solid core fire doors, back to back, with a seal around the perimeter.Combined, the doors should have enough mass to block a high level of airbornesound.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Alternatively, we can source custom made,
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-door-45db/" target="_blank"&gt;&#xD;
      
           acoustic studiodoors
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . These are extremely good but have a long lead time and are quite costly.We opted instead for the double fire door system in this case.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Important Amendment To The Original Specification
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Just before work was due to get started, the client got intouch in a panic. He was worrying that after all the work and expense of thestudio build, what if the sound is still getting through to next door? Iexplained that the ReductoClip system is very high performing, and will offer a verysignificant reduction, but at the same time, if only installed on a singlebrick party wall, with potentially over 100dB of sound, there is a chance theneighbour may still hear a very low, muffled sound still coming through.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Determined to block as much as possible, we discussed ideasto push the performance even higher than we have ever specified before for astudio project.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            I decided the best plan was to line the brick wall with our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/prosound-soundmat-3-plus-15mm-floor-soundproofing-1-44m2/" target="_blank"&gt;&#xD;
      
           ProSound™ SoundMat 3
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             before building the ReductoClip system in front. This would be pinned tothe walls in overlapping tiles by rawl plugs. The SoundMat 3 is designed as afloor solution but is made up of 2 layers of very heavy, dense, mass loadedvinyl, separated by a vibration dampening foam.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This would add another 12.5kg of mass per m2 to the wall,plus, because we had not used mass loaded vinyl anywhere else in the build-up,it would block different frequencies of sound to the other materials, giving usan even broader range of frequency blocking. This would achieve much more thanadding more layers of plasterboard or Tecsound which we had already used in thebuild-up.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-f3b7e42f.jpg" alt="SoundMat 3" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Link"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Adding this layer would normally be a little extreme, but
for peace of mind, knowing we have done everything possible to block as much
high decibel sound as we can from getting through a thin party wall, this step
was worth it.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The Build
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
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  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Link"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;              So,
work finally got started, and the builders did a great job knocking down the
separating wall, opening the studio room out, and digging down into the
concrete floor. We managed to gain a lot of height, getting the height to the
ceiling joists at roughly 2.4metres. So once the new ReductoClip Ceiling is
installed, this would bring the ceiling height down to roughly 2.34m.
&#xD;
    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/building+1.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="376"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Link"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The builders poured a new cement floor to get things nice
and flat and even, and left channels for the damp proofing. Then lined the
walls with a damp proofing membrane. Not something we see much of in studio
builds, as most tend to be ground level, but this was very important with it
being a basement conversion.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/building+2.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing
Installation Step 1
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         SoundMats pinned to wall.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="376"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
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&lt;style&gt;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;              In
an ideal world we would want to cut each mat perfectly to size, butt them up
against each other, seal and tape all the joins and have a fully sealed layer.
However, this would take up far too much time and man power. Instead the
installers opted to bend the mats around corners and columns and overlap the
mats instead of sealing them. This is much easier to do, takes far less time,
and would still have a great result for what we needed the mats for in this
situation. SoundMats are easy to work with and have enough flexibility to work
around awkward shapes.
&#xD;
    &lt;!--EndFragment--&gt;  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Basement+Render+wall+mats.jpg" alt="Soundproofing a basement" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing
Installation Step 2
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Building the frame work.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="376"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
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  &lt;p&gt;&#xD;
    
          You can use either timber or metal framework, in this case
the installers opted for a combination of metal tracks on the top and bottom
with timber studs. This is a very fast system to put together.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         5 Key points for building a good independent frame
for the ReductoClip system.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         1.      
Build the frames at least 10mm away from the
wall.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
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  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="52"
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  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
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   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51"
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  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="52"
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   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
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   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
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   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
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   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
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   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
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   Name="Smart Link"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
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 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
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	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
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	mso-bidi-theme-font:minor-bidi;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          This is to isolate the frame from the wall behind, greatly
minimizing the amount of sound vibration that can transfer through into the
wall. Instead of fixings going through the frame and into the wall behind, we
fix the frames around the perimeter into the floor, ceiling joists and
adjoining walls and or frames. TIP – the bigger the gap the better the result,
but 10mm is enough while keeping space loss to a minimum.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         2.      
Isolate or ‘float’ the frames.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            To minimize contact between the frame and the structure(floor, ceiling and sides), we isolate the frame around the perimeter using our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/10m-isolation-strip-self-adhesive/" target="_blank"&gt;&#xD;
      
           6mm Isolation strip .
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This is designed to hold the weight of the frames but alsoabsorb the vibration. This means that the only solid contact point between theframe and the structure of the building is the screws going through. The amountof vibration that travels through a screw is so small it is basicallynegligent.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+Wall+Diagram+top+view+square-011626af.jpg" alt="ReductoClip Wall system isolation strip" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         3.      
Use 600mm centres between studs.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
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  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
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  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="376"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
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  &lt;w:LsdException Locked="false" Priority="51"
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  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
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  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
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 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
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 table.MsoNormalTable
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	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
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&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Acoustic Mineral Wool comes in 600mm wide slabs, so
this is the ideal width between studs to minimize cutting. Also, the ReductoClips are installed at
1200mm centres meaning you can fix one clip every two studs. Not every wall will be at lengths that are perfectly split into 600mm centres, so extra studs can be used in the corners if needed.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Build+Up+SQUARE+flexisound-c37a8a03.jpg" alt="Acoustic mineral wool between stud frames" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         4.      
Thickness of studs?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
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   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
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&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
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   Name="index 1"&gt;&lt;/w:LsdException&gt;
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   Name="index 2"&gt;&lt;/w:LsdException&gt;
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   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Link"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The thicker the frame the better the result. This is because
the thicker the frame, the bigger the separation between the solid wall and the
new ReductoClip Wall. Also, it allows us to use a thicker acoustic mineral wool
inside of the frame so we get a better level of sound absorption. However, you
do need to consider your space loss. In this case we opted for a minimal 50mm
thickness. This is enough to hold the weight of the ReductoClip system
securely, give a great result but with minimal space loss.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         5.      
Corners
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="376"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="line number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="page number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="endnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of authorities"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="macro"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="toa heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Closing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="true"
   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
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  &lt;p&gt;&#xD;
    
          Corners in a studio build are the most complicated area as
one frame is meeting another frame on the adjoining wall. There are two ways
you can approach this. Fix one frame to the wall (isolated with isolation strip
as usual), then fix the adjoining frame onto the first frame at a 90 degree
angle. Isolate one frame from the other with isolation strip.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Frame+Corner+1.jpg" alt="Corner build on timber frame" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Corner+Diagram+1-53fef7d2.jpg" alt="Stud frame and isolation strip fixings" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
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   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
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   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="19" QFormat="true"
   Name="Subtle Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="21" QFormat="true"
   Name="Intense Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="31" QFormat="true"
   Name="Subtle Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="32" QFormat="true"
   Name="Intense Reference"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="37" SemiHidden="true"
   UnhideWhenUsed="true" Name="Bibliography"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="41" Name="Plain Table 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="42" Name="Plain Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="43" Name="Plain Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="44" Name="Plain Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="45" Name="Plain Table 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="40" Name="Grid Table Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="Grid Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="Grid Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="Grid Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"&gt;&lt;/w:LsdException&gt;
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  &lt;w:LsdException Locked="false" Priority="51"
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  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="51"
   Name="List Table 6 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="46"
   Name="List Table 1 Light Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"&gt;&lt;/w:LsdException&gt;
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   Name="List Table 6 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="52"
   Name="List Table 7 Colorful Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hashtag"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Unresolved Mention"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Smart Link"&gt;&lt;/w:LsdException&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
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	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:0cm;
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	mso-para-margin-bottom:8.0pt;
	mso-para-margin-left:0cm;
	line-height:107%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri",sans-serif;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-fareast-language:EN-US;}
&lt;/style&gt;
&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Alternatively, fix batons (isolated) into corners of the
room, and then fix your stud frames to the batons (again, isolating as before).
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Frame+Corner+2.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Corner+Diagram+2.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         A quick guide in how to build a basic stud wall (not soundproofed)
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/4.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Basement+Render+mats+and+frames.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing
Installation Step 3
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Fixing ReductoClips to Ceiling.
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG&gt;&lt;/o:AllowPNG&gt;
 &lt;/o:OfficeDocumentSettings&gt;
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  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves&gt;&lt;/w:TrackMoves&gt;
  &lt;w:TrackFormatting&gt;&lt;/w:TrackFormatting&gt;
  &lt;w:PunctuationKerning&gt;&lt;/w:PunctuationKerning&gt;
  &lt;w:ValidateAgainstSchemas&gt;&lt;/w:ValidateAgainstSchemas&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF&gt;&lt;/w:DoNotPromoteQF&gt;
  &lt;w:LidThemeOther&gt;EN-GB&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables&gt;&lt;/w:BreakWrappedTables&gt;
   &lt;w:SnapToGridInCell&gt;&lt;/w:SnapToGridInCell&gt;
   &lt;w:WrapTextWithPunct&gt;&lt;/w:WrapTextWithPunct&gt;
   &lt;w:UseAsianBreakRules&gt;&lt;/w:UseAsianBreakRules&gt;
   &lt;w:DontGrowAutofit&gt;&lt;/w:DontGrowAutofit&gt;
   &lt;w:SplitPgBreakAndParaMark&gt;&lt;/w:SplitPgBreakAndParaMark&gt;
   &lt;w:EnableOpenTypeKerning&gt;&lt;/w:EnableOpenTypeKerning&gt;
   &lt;w:DontFlipMirrorIndents&gt;&lt;/w:DontFlipMirrorIndents&gt;
   &lt;w:OverrideTableStyleHps&gt;&lt;/w:OverrideTableStyleHps&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"&gt;&lt;/m:mathFont&gt;
   &lt;m:brkBin m:val="before"&gt;&lt;/m:brkBin&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"&gt;&lt;/m:brkBinSub&gt;
   &lt;m:smallFrac m:val="off"&gt;&lt;/m:smallFrac&gt;
   &lt;m:dispDef&gt;&lt;/m:dispDef&gt;
   &lt;m:lMargin m:val="0"&gt;&lt;/m:lMargin&gt;
   &lt;m:rMargin m:val="0"&gt;&lt;/m:rMargin&gt;
   &lt;m:defJc m:val="centerGroup"&gt;&lt;/m:defJc&gt;
   &lt;m:wrapIndent m:val="1440"&gt;&lt;/m:wrapIndent&gt;
   &lt;m:intLim m:val="subSup"&gt;&lt;/m:intLim&gt;
   &lt;m:naryLim m:val="undOvr"&gt;&lt;/m:naryLim&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;    &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="false"
  DefSemiHidden="false" DefQFormat="false" DefPriority="99"
  LatentStyleCount="376"&gt;
  &lt;w:LsdException Locked="false" Priority="0" QFormat="true" Name="Normal"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="heading 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 3"&gt;&lt;/w:LsdException&gt;
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   Name="index 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 1"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 3"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 4"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 5"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="toc 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" SemiHidden="true"
   UnhideWhenUsed="true" Name="toc 9"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="footnote text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="header"&gt;&lt;/w:LsdException&gt;
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   Name="footer"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="index heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="35" SemiHidden="true"
   UnhideWhenUsed="true" QFormat="true" Name="caption"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="table of figures"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="envelope return"&gt;&lt;/w:LsdException&gt;
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   Name="footnote reference"&gt;&lt;/w:LsdException&gt;
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   Name="annotation reference"&gt;&lt;/w:LsdException&gt;
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   Name="line number"&gt;&lt;/w:LsdException&gt;
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   Name="toa heading"&gt;&lt;/w:LsdException&gt;
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   Name="List"&gt;&lt;/w:LsdException&gt;
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   Name="List Bullet"&gt;&lt;/w:LsdException&gt;
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   Name="List Number"&gt;&lt;/w:LsdException&gt;
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   Name="List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List 4"&gt;&lt;/w:LsdException&gt;
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   Name="List Bullet 4"&gt;&lt;/w:LsdException&gt;
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   Name="List Bullet 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="List Number 4"&gt;&lt;/w:LsdException&gt;
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   Name="List Number 5"&gt;&lt;/w:LsdException&gt;
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   Name="Closing"&gt;&lt;/w:LsdException&gt;
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   Name="Signature"&gt;&lt;/w:LsdException&gt;
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   UnhideWhenUsed="true" Name="Default Paragraph Font"&gt;&lt;/w:LsdException&gt;
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   Name="List Continue 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Message Header"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Salutation"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Date"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text First Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Note Heading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Body Text Indent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Block Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Hyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="FollowedHyperlink"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Document Map"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Plain Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="E-mail Signature"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Top of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Bottom of Form"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal (Web)"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Acronym"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Address"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Cite"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Code"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Definition"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Keyboard"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Preformatted"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Sample"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Typewriter"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="HTML Variable"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Normal Table"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="annotation subject"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="No List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Outline List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Simple 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Classic 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Colorful 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Columns 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Grid 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 7"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table List 8"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table 3D effects 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Contemporary"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Elegant"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Professional"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Subtle 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Web 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Balloon Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="Table Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
   Name="Table Theme"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" SemiHidden="true" Name="Revision"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="34" QFormat="true"
   Name="List Paragraph"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="30" QFormat="true"
   Name="Intense Quote"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"&gt;&lt;/w:LsdException&gt;
  &lt;w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"&gt;&lt;/w:LsdException&gt;
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&lt;![endif]--&gt;    &lt;!--StartFragment--&gt;  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Now that the stud frames are up, we know the internal
dimensions of the room and we can get started with the
          &#xD;
    &lt;a href="/reductoclip-system-for-ceilings"&gt;&#xD;
      
           ReductoClips
          &#xD;
    &lt;/a&gt;&#xD;
    
           Its
generally easier to start with the ceiling. Once the ceiling layers are installed,
we then know exactly where to install our rows of clips on the wall.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;br/&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We fix the ReductoClips directly onto the bottom of joists
with strong 65mm length minimum screws. Clips are installed at 1200mm spacings
maximum which worked out at every three joists in this basement. The furring
channels are then installed at 400mm centres from each other.  You also need to make sure that there are
plenty of clips around the perimeters to hold the weight of plasterboards
around the edges.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;br/&gt;&#xD;
  &lt;p&gt;&#xD;
    
          In this instance, because the room wasn’t a simple square
room and we have awkward things to work around such as old chimney breast
columns and parts of old walls, it meant that there isn’t always a joist to fix
clips to in areas that need to hold plasterboards. In which case we need to fix
timber noggins between the joists so that we have something to fix to.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;b&gt;&#xD;
      
           TOP TIP:
          &#xD;
    &lt;/b&gt;&#xD;
    
          When fixing clips, just fix one side of the clip at first so that the other side hangs a little loose. This makes it much easier to clip in the furring channels, as the clips can bend and flex. Once the furring channels are clipped in, then screw your other side to make secure.
         &#xD;
  &lt;/p&gt;&#xD;
  &lt;!--EndFragment--&gt;  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/IsoMax+Clips+on+noggins.jpg" alt="ReductoClip attachments on awkward shaped ceiling" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Furring Channels
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Furring channels are very simple. Simply bend the ReductoClip slightly and your furring channel should slot straight into the clip. Once clipped in, screw the other side of the ReductoClips to secure.
           &#xD;
      &lt;br/&gt;&#xD;
      &lt;br/&gt;&#xD;
      
            The furring channels come at 3m lengths. Where you need multiple furring channels across the length, channels will need to overlap to make sure the plasterboard is being secured properly. Channels should overlap by 150mm with two screws either side of the overlap to secure.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Furring+channel+overlap+diagram.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing
Installation Step 4
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Insulating with Acoustic Mineral Wool
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Now we’ve got any noggins in place and our ReductoClips are fixed, we can now address the voids between joists. If sound gets into these hollow voids, it will echo, resonate and amplify, so we always need to insulate any cavities or voids.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            100mm of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           Acoustic Mineral Wool
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is ideal. You don’t want to completely fill from the floorboards to the ceiling boards. But you want at least 50% of the depth to be filled. In this case the joists were quite shallow at around 150mm, so 100m acoustic mineral wool is perfect.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Because of the high density of mineral wool, you shouldn't need to pin or hang the slabs in place. The mineral wool should just friction fit between the joists and hold itself in place for a very quick and easy installation.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Once the ceiling joists are insulated, we can then install acoustic mineral wool between the timber frame studs on the walls. In this case, we are using 50mm thick Rockwool for our 50mm timber frames.
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    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Steve+Hanley+Basement+Ceiling+4+Rockwool+ceiling.jpg" alt="Acoustic Mineral Wool in timber frames" title=""/&gt;&#xD;
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Basement+Render+rockwool.jpg" alt="music studio" title=""/&gt;&#xD;
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/5.jpg" alt="music studio" title=""/&gt;&#xD;
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           Note: footage from a different project for demonstration purposes
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&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 5
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&lt;h3&gt;&#xD;
  
         Fixing ceiling layers
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            For this job we used the maximum ceiling layers that we can use on the ReductoClip system. This is two layers of
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           15mm acoustic grade plasterboard
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            with a layer of 5mm
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    &lt;a href="https://soundproofingstore.uk/product/tecsound-sy100/" target="_blank"&gt;&#xD;
      
           Tecsound SY100
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            sandwiched in between. Thecombination of layers adds a huge 35.6kg of mass per m2 and because of the mix ofdifferent materials it also blocks a large spectrum of sound frequencies.
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           The first layer of plasterboard is screwed onto the furringchannels using self tapping plasterboard screws.
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           The Tecsound is then stuck onto the second layer ofplasterboard using its self adhesive backing. This layer of plasterboard isthen raised on a plasterboard lifter, sandwiching the Tecsound between and thenwe screw through the plasterboard, all the way through the other two layers andinto the furring channels.
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           IMPORTANT NOTE:
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            We don't want the plasterboard layers to butt all the way up to the wall frames. We want the ceiling to be flexible and not hindered in its movement. So leave a small gap of around 5mm around the perimeter.
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    &lt;!--StartFragment--&gt;    &lt;i&gt;&#xD;
      
           Note: footage from a different project for demonstration purposes
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  &lt;a href="/ceilings"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ceiling+render+clips+and+bars.jpg" alt="ReductoClip Ceiling layers" title=""/&gt;&#xD;
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  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/ceiling+render+plasterboards.jpg" alt="music studio" title=""/&gt;&#xD;
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&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 6
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&lt;h3&gt;&#xD;
  
         Fixing ReductoClips to Wall Frames
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Now that the ceiling is finished and we now know the final height of our walls, we can now start fixing the ReductoClips at the correct spacings. The first row of clips needs to be within 150mm of the ceiling, and our bottom row needs to be within 76mm of the floor. This is to make sure that the weight is securely distributed. We will then need rows between the top and bottom fixed at no more than 600mm apart.
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          Along each row, the clips should be no more than 1200mm apart making sure that there are clips around all perimeters.
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&lt;div data-rss-type="text"&gt;&#xD;
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          ReductoClips are very easily screwed into the stud work. Then furring channels are easily clipped into the ReductoClips with no fixings.
          &#xD;
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          As with the ceiling, the easiest way to install the furring channels is to only screw one side of the ReductoClips to the stud work, leaving the clips able to move and flex. This way the furring channels will easily clip in. Once the channels are clipped in then screw your second fixing point to make it secure.
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  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Spacings+Diagram-57687817.jpg" alt="ReductoClip Positioning Diagram" title=""/&gt;&#xD;
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  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Clips+and+bars.JPG" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Basement+Render+clips+bars.jpg" alt="ReductoClip Wall System within basement studio" title=""/&gt;&#xD;
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&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 7
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&lt;h3&gt;&#xD;
  
         Fixing first layer of plasterboard
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&lt;div data-rss-type="text"&gt;&#xD;
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          Starting from one side of the wall, we begin to fix the first layer of plasterboards on to the ReductoClip furring channels.
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          Just like the ceiling layers, we don't want the plasterboards to butt up against other surfaces such as the floor, ceiling or adjoining walls. So we use a shim on the floor to raise the plasterboard 5mm off the floor. We leave the board 5mm away from the adjoining wall, and we cut the board so that there is a 5mm gap from the ceiling plasterboard.
          &#xD;
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          The plasterboard is screwed onto the furring channels with self tapping plasterboard screws. Once screwed on, you can remove the shim from below.
          &#xD;
    &lt;br/&gt;&#xD;
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          Continue around the wall, butting the plasterboards up to each other the best you can leaving minimal gaps (except from the floor, ceiling and adjoining walls as before).
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&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 8
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&lt;div data-rss-type="text"&gt;&#xD;
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           Applying FlexiSound 5 Layer
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            Applying
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
          &#xD;
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            on the walls is much easier than on the ceiling. The easiest way is to lay the FlexiSound on the ground, trim it into manageable pieces and slowly roll the FlexiSound down the wall, slowly peeling away the backing paper. Remember FlexiSound is incredibly heavy at 48kg per roll, so cutting into smaller pieces is a lot easier than trying to roll a whole roll down the wall!
            &#xD;
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            Again the FlexiSound is there to add a lot more mass to the wall, while at the same time separating the plasterboard layers with a different construction material. This helps to force the sound waves to change and filter and dissipate as they try to get through different types of material.
            &#xD;
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            By using the FlexiSound we will block a higher decibel level of sound and also a larger spectrum of sound frequencies than we would by just using two layers of acoustic plasterboard together.
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  &lt;a target="_blank" href="https://soundproofingstore.uk/product/flexisound-self-adhesive/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Flexisound+installation.jpg" alt="Flexisound applied to walls of recording studio" title=""/&gt;&#xD;
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&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 9
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&lt;h3&gt;&#xD;
  
         Fixing Second Layer Of Plasterboard
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&lt;div data-rss-type="text"&gt;&#xD;
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          Now we fix our final layer of plasterboard. Ideally we don't want the seams of the two layers of plasterboard to match, leaving a gap going through. Usually the easiest way to off set the seams is to start plasterboarding from the opposite end when you fix the second layer. Or start with a half width board.
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  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/plasterboard+seams.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          The second layer will need longer screws to go through both layers of board, the TecSound and still get a good purchase into the furring channel. Screw lengths can be found in our ReductoClip
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/downloads" target="_blank"&gt;&#xD;
      
           Installation Guide
          &#xD;
    &lt;/a&gt;&#xD;
    
          .
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&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Corners
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&lt;div data-rss-type="text"&gt;&#xD;
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          We often get asked how the plasterboards should meet in the corners. Again, the plasterboards from one wall should not butt up against the plasterboards of the next wall. This will hinder the ReductoClip system from being able to move freely and absorb the vibration energy of the sound. Instead the first walls plasterboards should go almost up to the wooden frame of the adjoining wall, with a 5mm gap. Then the plasterboards of that wall should go up to the plasterboards of the first wall with a 5mm gap. The 5mm gap should then be sealed with acoustic sealant.
          &#xD;
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          Sounds confusing I know, much easier to understand from the diagrams below.
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/studio-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Plasterboard+corners+1+and+2.jpg" alt="ReductoClip and plasterboard installation diagrams" title=""/&gt;&#xD;
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  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Plasterboard+corners+3+and+4.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/studio-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Basement+Render+plasterboard+layer+2-aba2bf6c.jpg" alt="Basement studio soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 10
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&lt;h3&gt;&#xD;
  
         Sealing Gaps and Joins
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&lt;div data-rss-type="text"&gt;&#xD;
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            We now have to make sure that all surfaces are sealed and air tight so that sound can not leak through any gaps. Its a case of going around each wall perimeter, filling in all those 5mm gaps. We recommend to use a specialist
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    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/" target="_blank"&gt;&#xD;
      
           acoustic sealant
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            . This will not only block the sound but also stays flexible once it has dried, meaning that it can still absorb the sound vibration.
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             If for any reason you have any gaps between boards (due to uneven surfaces etc), then fill these gaps with the sealant as well.
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&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 11
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&lt;h3&gt;&#xD;
  
         Soundproofing The Floor
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&lt;div data-rss-type="text"&gt;&#xD;
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            A very simple solution in this case. We don't need to block sound travelling below as we have a solid concrete foundation. However, we do want to reduce the vibration that can get into the concrete floor and then spread into the structure, bi-passing the soundproofing on the walls.
            &#xD;
        &lt;br/&gt;&#xD;
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             The builders decided to lay an 18mm chip board sub floor on top of the concrete, we then installed a layer of our
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    &lt;a href="https://soundproofingstore.uk/product/prosound-impactomat-5mm-11-15m2/" target="_blank"&gt;&#xD;
      
           5mm ImpactoMat
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             on top. This is easily glued down onto the chipboard floor boards. We would ideally go up to the ReductoClip walls and slightly wrap up the wall and can go behind any new skirting board that will be attached.
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      &lt;/span&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/ImpactoMat"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ImpactoMat+hero+square-ad269d69.jpg" alt="ImpactoMat" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Finishing The Walls and Ceiling
        &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          At this point the ceiling and walls need to be finished properly. Ideally a plaster skim is the ideal finish. We need to cover up the screw heads and joins between plasterboard. Adding a layer of plaster will add some extra mass to the surface but also help seal everything in. If you would prefer not to plaster, you can use a thick lining paper, but plaster is always preferred.
         &#xD;
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&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing Installation Step 12
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&lt;h3&gt;&#xD;
  
         Entrance Door
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&lt;div data-rss-type="text"&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            On this project we decided not to go as far as an expensive, custom built studio door, but instead to use a double fire door system. The mass of two solid core, high density doors should be enough to really block a high level of sound. We install the doors back to back so that you open one door to reveal another door.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             Fire doors are rated by their burn time. Typically the highest performing are FD60. These are ideal for studio doors, but remember its mass that blocks sound so the heavier the better. When comparing different doors, always look at the weight.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             There was no door in this room originally, so the builders needed to build two new door frames. The first is built in the original entrance/opening of the room.
            &#xD;
        &lt;br/&gt;&#xD;
        &lt;br/&gt;&#xD;
        
             We isolate the timber of the frame from the solid wall using
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/10m-isolation-strip-self-adhesive/" target="_blank"&gt;&#xD;
      
           isolation strip.
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    &lt;/a&gt;&#xD;
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&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Door+Frame+1-41690196.jpg" alt="music studio" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/studio-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Door+Frame+Collection+1.jpg" alt="Soundproofing internal door frames" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We then build the internal door frame onto the ReductoClip frame, again there should be isolation strip on the perimeter of the frame to isolate the door frame.
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
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          If the two door frames are very close as they are in this case, you can use isolation strip between the frames. Ideally having a larger gap between the doors is better for results, but if you are trying to take up as little space as possible as in this situation, then you will only have a 10mm gap between the wall and door frame.
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          In this case we built the door frames before adding the plasterboard for ease of access in the basement. You can leave the doors until the end if you wish.
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         Other Important Things To Consider
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         Power Sockets
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          One major problem in some builds is that after adding all of this extra mass onto the internal walls, the builder then cuts lots of big holes in it for cabling, power sockets and light switches. These holes then allow sound to leak through and creates a weak point in the soundproofing.
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           Solution
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          Ideally have your sockets and switches surface mounted on top of the walls instead of inside the walls. This saves having big holes! It may not look as pretty as a nice flush, counter sunk socket, but lets face it, with studios we are looking for maximum performance.
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          In terms of cabling, if your sockets are surface mounted, you only need a small hole in your wall to pull through cables, seal around the cable and fix your socket on top. Or... even better.... have your cables surface mounted as well. Use plastic trunking as in the picture below. This is going to be much easier for cable management as well.
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            If you absolutely must have your sockets sunk in the wall and need to cut holes in the soundproofing, you can at least minimize the problem by covering the back of the socket box or inside of the socket box with our
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           Socket Putty Pads
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            .
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         Lighting
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          Just like with sockets, a lot of people like to use nice flush spotlights inside the ceiling. These look great, but again require lots of holes to be cut out of your ceiling soundproofing.
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          Instead, go for traditional pendulum style lighting, requiring just a small hole for one cable, or surface mounted spotlights, or even free standing lamps which can be moved as needed and actually be very handy.
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         Ventilation
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            Materials that block sound also block heat, so a soundproof room can get very hot! At the same time, a well soundproofed room is relatively air tight, reducing natural airflow. So ventilation is important if you use your studio for long periods.
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             I'm no expert in ventilation so I would suggest talking to a ventilation company to know exactly what you need for your space but you basically have two choices. A simple in and out, passive vent such as our
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           Acoustic Vent
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            or a fancy digital, motorized vent/air conditioner unit. In this case the customer opted for a fancy digital system that controlled the airflow and temperature.
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             Of course, cutting a hole in your wall for a vent will allow sound to leak out. Our acoustic vent has a layer of absorption material inside to absorb some of the sound passing through. You can go a step further by building an acoustic vent baffle. This forces the air to bounce around a maze type box which is lined with absorbing material. As the air passes through the sound bounces off these surfaces and gets absorbed.
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           Acoustic Ventilation Comparisons
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          In this case we didn't need a baffle as the vent opened onto a quiet side of the property and wasn't an issue.
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         Acoustic Treatment
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            All the heavy mass loaded materials we have fixed to the ceiling and walls are very reflective for sound waves. This creates a space with a lot of echo which isn't great for a rehearsal or recording space.
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             We need to acoustically treat the room internally to absorb the echoing, reflecting soundwaves, creating a dryer, cleaner acoustic.
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             We have a selection of Class A treatment panels which can be fixed to the walls or suspended from ceilings to achieve this. As the ceiling height is already very low, directly fixed wall panels are more practical.
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             Click here for more info on our
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           ProSound Absorption Panels
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            .
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         Summary
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          The end result here was fantastic. After the installation was complete, our customer set up his kit and proceeded to play. No knock on the door from the neighbour... so he went round to ask if they could hear and they had no idea he had been playing at all.
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          Top result!
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          Total cost for soundproofing materials was around £5,000 including VAT and delivery.
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          The full job took around 2 weeks but with lots of other building works being completed in between. The soundproofing materials alone would have taken up around 5-6 working days with a two man team.
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            If you have found this blog interesting, why not have a read of some of our other useful blogs.
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             How To Soundproof A Room - 
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           https://www.soundproofingstore.co.uk/how-to-soundproof-a-room
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             Soundproofing A Drum Room - 
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           https://www.soundproofingstore.co.uk/soundproofing-a-drum-room
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             Sound Absorption - 
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           https://www.soundproofingstore.co.uk/sound-absorption1
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         Need Help?
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           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Basement+Render+1.jpg" length="295691" type="image/jpeg" />
      <pubDate>Sun, 26 Jul 2020 12:51:57 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/case-study-basement-music-studio-conversion</guid>
      <g-custom:tags type="string">basement,conversion,drum,room,music,studio,soundproof,soundproofing,reductoclip</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Basement+Render+1.jpg">
        <media:description>thumbnail</media:description>
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        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>How To Soundproof A Home Music Studio / Practice Room (Brick / Block Construction)</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-music-studio-practice-room</link>
      <description>Six basic steps to soundproof a home music studio, practice room, garden studio or drum room. The ReductoClip sound insulation solution reduces high decibel levels of music with minimal space loss</description>
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           How To Soundproof A Home Music Studio / Practice Room (Brick / Block Construction)
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           A Basic Guide To Studio Soundproofing In 6 Simple Steps
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            Here at
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           The Soundproofing Store
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            we are very experienced in the design and supply of soundproofing systems for Recording Studios and Practice Rooms from home studios to professional.
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           Our system is very high performing whilst keeping space loss to a minimum which is ideal for smaller spaces like home studios, garage conversions etc, where building multiple layers of concrete walls are not an option.
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           Important note:
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            Our studio specifications are based around a specific system. This is a system that is tried and tested and is proven to perform to a high level. 
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            There will always be cheap alternatives, but in our experience, this leads to disappointing results. 
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           If you are serious about building your home studio / garden studio / garage studio and want to make a serious reduction in volumes, have a good read through the below info. 
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           If you need further advice about your specific situation, contact us to speak to our dedicated studio soundproofing advisors.
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         Past Studio Client Videos
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           Below are a few videos sent to us by studio clients. These videos show elements of the build / installation and also sound tests to show the effectiveness of the soundproofing.
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          Our Basic Guide To Soundproofing Your Home Studio or Practice Room
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           Here are our 6 basic steps to achieve a high level of soundproofing for high decibel applications. This can be applied to purpose-built studio buildings, garages, out houses, or even rooms within your home.
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         Step One - Room Within A Room
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           This is the most important piece of advice we can give, and a step that a lot of people mistakenly think they can skip. 
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            When a high volume of sound is created it creates an
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           Airborne sound wave
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            but also a
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           strong vibration energy
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            . The airborne sound will spread out 360 degrees around the studio and therefore needs to be blocked in all directions. However, more importantly, even if you are more concerned about sound travelling in a particular direction,
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           you need to absorb the energy and vibration
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           . If the vibration gets into the structure of the building it will spread very easily through the contact of solid material. Therefore, if you soundproof your walls but not your floor for example, the vibration will spread through the floor, under your wall soundproofing and still get into the walls behind. Or can spread from a non-soundproofed wall into a soundproofed wall by bypassing the soundproofing.
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           So regardless of the construction or location of your studio it is incredibly important to build a de-coupled wall in front of every wall, a suspended ceiling and a floating floor to create your “room within a room”. This is the only effective way to contain the airborne sound and the sound energy within the “inner” room and stop it from getting into the structure of the building.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/One+Room+Floor+Plan+structure+solid.jpg" alt="How To Soundproof A Studio | Outer Structure"/&gt;&#xD;
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/One+Room+Floor+Plan+solid+descriptions+new.jpg" alt="Soundproof studio room within a room by Soundproofing Store"/&gt;&#xD;
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           We achieve the “room within a room” by building independent stud frames (metal or timber) in front of each wall, but not touching. You should have a minimum of 10mm between the frame and wall, but the bigger that gap the better. 
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            If possible float the stud frame on an isolation strip around the perimeter. This should be dense enough to bare the weight of the walls, while still being able to absorb vibration. Try our
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    &lt;a href="https://soundproofingstore.uk/product/10m-isolation-strip-self-adhesive/" target="_blank"&gt;&#xD;
      
           ProSound Isolation Strip
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           .
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Reducto+Clip+Wall+Diagram+studs.jpg" alt="Independent isolated stud frames for ReductoClip system"/&gt;&#xD;
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           Because this stud frame will create a hollow cavity, you will then need to fill the frame with acoustic insulation to stop sound from resonating and amplifying in this cavity. We recommend a
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    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           60kg acoustic mineral wool insulation
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           .
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Reducto+Clip+Wall+Diagram+Rockwool.jpg" alt="Independent stud frame filled with acoustic mineral wool for ReductoClip system"/&gt;&#xD;
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           Depending on how much height you have to play with in your chosen space, you can do similar to the floor and ceiling, building a floating frame on the floor and floating frame below the ceiling, or if height is low to start with you can de-couple the floor and the ceiling in a more space saving way.
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          Option 1 - Minimal Height Loss
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           Floor
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            - If you have a concrete floor, you don't need to add any more mass. So you can get away with a minimal layer of vibration absorbing matting on the floor. This separates your floor finish (carpet, laminate etc) from the structural floor (concrete) and absorbs the vibration in between. Height loss will only be around 5 - 10mm. You could use a floor layer such as our
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    &lt;a href="/ImpactoMat"&gt;&#xD;
      
           ImpactoMat 5mm
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           Ceiling
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            - Your suspended ceiling can be fixed directly to the bottom of the existing ceiling joists for minimal height loss. As long as the joists are insulated with acoustic mineral wool.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+FULL+ROOM.jpg" alt="Room within a room option 1 space saving"/&gt;&#xD;
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          Option 2 - Secondary Ceiling Joists
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           Floor
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           - The same as above with a thin resilient floor matting
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           Ceiling
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            - Keep the existing ceiling in place, but install secondary ceiling joists. These can be sat on top of the wall frames if thick enough, if not fixed around the perimeter walls. Fill the secondary joists with acoustic mineral wool insulation, then install the suspended soundproof ceiling to the bottom of the secondary joists.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+FULL+ROOM+DROP+CEILING.jpg" alt="Room within a room with secondary ceiling"/&gt;&#xD;
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          Option 3 - Maximum space loss, maximum performance
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           Floor
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            - float timber batons on isolation strips across the floor. Fill between the batons with acoustic mineral wool insulation. Add strips of isolation strip on top of the batons, then add a structural floor layer such as T&amp;amp;G chipboard (18mm / 22mm), then add a soundproofing matting on top to add mass and resilience to the floor. Something like our
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    &lt;a href="/soundmat-3-plus"&gt;&#xD;
      
           SoundMat 3 Plus
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            would be perfect. Then your final floor finish on top. 
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            This will build up your height much more and be more expensive, but performance would be greatly improved if you need it.
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           Ceiling
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            - Secondary Joists as above.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+FULL+ROOM+FLOATING+FLOOR.jpg" alt="Room within a room floating floor and ceiling"/&gt;&#xD;
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         Step Two - Add Mass
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           The only thing that blocks the airborne sound wave, is mass
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            .
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           Mass is basically weight, so the heavier and more dense a material is, the more sound it blocks. Therefore, starting with a structure that is higher in mass is always a better start. A brick or concrete block building will naturally block a higher level of sound than a timber building for example. 
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           We want to cover our new internal wall frames with multiple layers of heavy, dense materials. At the same time, we want to mix different types of material so that we can block a wider range of sound frequencies. 
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            We recommend a combination of
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    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           Acoustic Plasterboard
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            and
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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           . 
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           We aim to add 35kg of mass per m2.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/plasterboard+seams.jpg" alt="music studio soundproofing"/&gt;&#xD;
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           If your initial structure is low in mass, such as a single brick wall with weaknesses or a timber structure. You can add more mass to the structure before building your new wall frames. Using layers of acoustic grade plasterboard, or cement particle board will increase the mass of the building.
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         Step 3 - Add Resilience
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           Resilience gives a material the ability to flex, move and absorb impact. 
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           It’s the same principle as how the suspension springs in a car give you a more comfortable journey, because the car can absorb the impact of potholes much easier. A rigid car with no suspension would be a far more uncomfortable ride. 
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           By suspending our mass layers on a resilient system, it means that the mass layers (plasterboard and TecSound) can flex, move, and absorb the impact of the sound wave and absorb the vibration energy of the sound. 
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            We use a high-performance resilient system called the
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    &lt;a href="/reducto-clip-system"&gt;&#xD;
      
           ReductoClip System
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            , which can be fixed to the face of your new stud frames and suspends your mass layers. This is the slimmest resilient system on the market, giving you high performance for minimal space loss.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/ReductoClip+Ceiling+Squ-a05cd918.jpg" alt="ProSound ReductoClip by The Soundproofing Store"/&gt;&#xD;
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Reducto+Clip+Wall+Diagram+Clips+and+bars+full+Squ-40d2b6c2.jpg" alt="ReductoClip independent wall system by The Soundproofing Store"/&gt;&#xD;
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           We use the same ReductoClip resilient system and mass layers for the ceiling to create a soundproof suspended ceiling.
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    &lt;a href="/copy-of-faqs-for-isomax-clip-system-for-ceilings"&gt;&#xD;
      
           ReductoClip for Ceilings
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  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Reducto+Clip+Ceiling+Diagram+full+SQUARE.jpg" alt="ProSound ReductoClip Ceiling by The Soundproofign Store"/&gt;&#xD;
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+Ceiling.jpg" alt="ReductoClip Ceilign meets Walls"/&gt;&#xD;
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/One+Room+Side+View+Floor.jpg" alt="ReductoClip room within a room. Walls meet floor"/&gt;&#xD;
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         Step 4 - Windows and Doors
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           Windows and doors will always be the weak link as they have far less mass than the walls. In a perfect world we would have just one door and no windows. 
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           We recommend using a double door system, using two heavy, solid core fire doors. One installed on the existing wall and one installed on the new stud frames. Door frames should have a good seal to make the door airtight.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Soundproof+Booth+31.jpg" alt="Soundproofing Store double door system"/&gt;&#xD;
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           Windows should utilise acoustic glass, and like doors we would recommend secondary glazing. A window on the existing wall, and a second window installed on the stud frame.
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          Step 5 - Power and Lighting
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           In a perfect world we would minimize the number of holes being cut into the mass layers as these create weaknesses. 
          &#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           For this reason, try and keep all power sockets and lighting fixtures surface mounted. Install onto the wall layers, not IN the wall layers. 
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      &lt;br/&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           You can even run the cabling for power sockets on the surface of the wall using trunking. This means if you need to change anything later, you do not need to open up your soundproof walls to get access.
          &#xD;
    &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Again, surface mounted lighting fixtures such as LED strips, pendant lighting or even free-standing lights such as lamps will be perfect. The worst case would be spotlights that need to be sunk into the ceiling.
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/trunking+sockets.jpg" alt="music studio soundproofing"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  &lt;div&gt;&#xD;
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          Step 6 - Ventilation
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&lt;div data-rss-type="text"&gt;&#xD;
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           A well soundproofed room will be very well insulated and airtight. This will make the room warm and with no natural air flow. Therefore, we need some sort of ventilation system. 
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    &lt;/span&gt;&#xD;
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           This will always be a weakness to a degree as this is basically a hole from the inside to outside but is unfortunately a necessary step. 
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  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            You can use expensive, digital air conditioning systems and powered ventilation systems if you want, or just a basic in/out
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-ventilation-system-45db/" target="_blank"&gt;&#xD;
      
           passive acoustic vent
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . But you will need to insulate any ducting and reduce as much sound from the outlet as you can by using baffles / silencers / attenuators.
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a target="_blank" href="https://soundproofingstore.uk/product/acoustic-ventilation-system-45db/"&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Vent+Brown+white.jpg" alt="Soundproofing Store - Acoustic Vent"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/baffle+box+1.jpg" alt="The Soundproofing Store Vent baffle box"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
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         Two Room Studio (Live Room and Control Room or Multiple Practice Rooms)
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           In the example we use the same principle making two new internal rooms with a double stud frame separating one room from the other with a high level of isolation between the two.
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    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Two+Room+Floor+Plan.jpg" alt="Soundproof studio two rooms"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  &lt;div&gt;&#xD;
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         Material Cost
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      &lt;span&gt;&#xD;
        
            This will be determined by the size of the room and quality of the construction, but in our experience, a rough guide for a one room studio is around
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            £3,000 - £5,000
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           for soundproofing materials not including secondary windows if needed. This is based on a room of around
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          15 - 20m2 area or 4m x 4m , 4m x 5m.
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    &lt;/span&gt;&#xD;
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  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you are interested in building your own home studio or practice room and would like an idea of material cost for your space, we will need your dimensions, ideally a floor plan of the existing space, photos of the existing space if possible, and as much detail about the construction of the existing building. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
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  &lt;p&gt;&#xD;
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           We can then put together a full specification for your needs with a free, no obligation material estimate.
           &#xD;
      &lt;br/&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
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&lt;h3&gt;&#xD;
  
         Conclusion
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Blocking out high decibel levels of sound is not easy, and there is no quick, simple, cheap fix.
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
              If you were thinking that studio soundproofing was as simple as egg box type foam on the walls, or thick curtains, then check out our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/top-12-soundproofing-myths" target="_blank"&gt;&#xD;
      
           Soundproofing Myths Blog
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      
           .
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           If you are not willing to take the steps detailed above, or able to invest this level of budget, then your results will be very limited, and your expectations should be set very low.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           If you can take the necessary steps and make the necessary investment, you can achieve really great results as all of our past studio clients have.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If you are serious about soundproofing your home studio or practice room and have any questions or would like help putting together a costing, please get in touch with our dedicated studio team by calling
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           01423 206208
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            or use our
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/contact"&gt;&#xD;
      
           Contact Page
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
             below to send us a message.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;b&gt;&#xD;
    
          Want even more detail - Check out our in depth studio blog -
         &#xD;
  &lt;/b&gt;&#xD;
  &lt;a href="https://www.soundproofingstore.co.uk/case-study-basement-music-studio-conversion" target="_blank"&gt;&#xD;
    
          A case study of a basement drum studio
         &#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Please share this article if you find it useful:
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/20200226_124401.jpg" length="345577" type="image/jpeg" />
      <pubDate>Thu, 02 Jul 2020 16:57:21 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-home-music-studio-practice-room</guid>
      <g-custom:tags type="string">soundproofing an out house,soundproofing a garage,practice room,drum room,soundproofing a drum room,how to soundproof a studio,music studio,ReductoClip,home studio</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/20200226_124401.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/20200226_124401.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>What are the benefits of SoundMat 3 Plus over JCW's ImpactaLay 15mm</title>
      <link>https://www.soundproofingstore.co.uk/what-are-the-benefits-of-soundmat-3-plus-over-jcw-s-impactalay-15mm</link>
      <description>Product comparison of ImpactaLay and Soundmat 3 Plus</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           What are the benefits of SoundMat 3 Plus over JCW's ImpactaLay 15mm
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The benefits of SoundMat 3 Plus floor soundproofing mats over ImpactaLay 15mm
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Image of SoundMat 3 Plus &amp;amp;  ImpactaLay 15mm (Below)
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustilay+15++v+Soundmat+3+plus.jpg" alt="Acoustilay 15 V SoundMat 3 Plus" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          We are often asked about the difference between
          &#xD;
    &lt;b&gt;&#xD;
      
           JCW's ImpactaLay 15mm
          &#xD;
    &lt;/b&gt;&#xD;
    
          and our best selling
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    
          .
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
    
          Both products use the same high mass material on the top and bottom (mass loaded vinyl), so the airborne performance is identical. However, it is the middle foam layer which is where the
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
      
           SoundMat 3 Plus
          &#xD;
    &lt;/a&gt;&#xD;
    
          offers the biggest improvement over
&#xD;
    &lt;!--StartFragment--&gt;              ImpactaLay 15mm
&#xD;
    &lt;!--EndFragment--&gt;              .
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;!--StartFragment--&gt;                 ImpactaLay 15mm
&#xD;
      &lt;!--EndFragment--&gt;                 uses a re-cycled chip foam (a combination of recycled materials), which due to its recycled nature has inconsistencies in its performance  (i.e certain parts are harder than others and certain sections are softer, and is prone to small gapsand inconsistencies, resulting in different impact performances in different areas of the mats)
          &#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      
           The SoundMat 3 Plus uses a manufactured closed cell, high load foam which offers a uniform performance across the whole soundproofing mat.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Because the foam is closed cell this will not absorb water. This can be a big benefit in case of any water damage to the floor in the future.
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Price for
           &#xD;
      &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
        
            SoundMat 3 plus
           &#xD;
      &lt;/a&gt;&#xD;
      
           are up to 10% cheaper per m2
           &#xD;
      &lt;br/&gt;&#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;br/&gt;&#xD;
  &lt;p&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          For more information about soundproofing your floor, have a look at our
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-floor-against-noisy-neighbours" target="_blank"&gt;&#xD;
      
           Soundproofing Floors Blog
          &#xD;
    &lt;/a&gt;&#xD;
    
          .
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp-cdn.multiscreensite.com/e9ca99bc/dms3rep/multi/Ceiling+building+regs+requirments+V1.jpg" alt="ceiling soundproofing" title=""/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         SoundMat 3 Plus Performance - Test Results
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          Standard Test Build Up As Follows;
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
    
          SoundMat 3 Plus 15mm
          &#xD;
    &lt;br/&gt;&#xD;
    
          Standard 18mm Sub Floor T&amp;amp;G Boards
          &#xD;
    &lt;br/&gt;&#xD;
    
          100mm 60kg Rockwool Insulation between joists
          &#xD;
    &lt;br/&gt;&#xD;
    
          Resilient bars
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    &lt;br/&gt;&#xD;
    
          Two layers of 15mm acoustic grade plasterboard
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    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Impact Performance               Airborne Performance
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         49dB                                                 54dB
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    
          For further information on our SoundMat 3 Plus  visit
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/"&gt;&#xD;
      
           www.soundproofingstore.co.uk
          &#xD;
    &lt;/a&gt;&#xD;
    
           
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           SoundMat 3 Plus Product Overview
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Need Help?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustilay+15++v+Soundmat+3+plus.jpg" length="194466" type="image/jpeg" />
      <pubDate>Sat, 27 Jun 2020 10:57:33 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/what-are-the-benefits-of-soundmat-3-plus-over-jcw-s-impactalay-15mm</guid>
      <g-custom:tags type="string">acoustilay,impactalay,soundmat,3,plus,comparison,review</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustilay+15++v+Soundmat+3+plus.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustilay+15++v+Soundmat+3+plus.jpg">
        <media:description>main image</media:description>
      </media:content>
    </item>
    <item>
      <title>Case Study: How to soundproof a wall against noisy neighbours</title>
      <link>https://www.soundproofingstore.co.uk/wall-soundproofing-case-study</link>
      <description>A wall soundproofing case study detailing the soundproofing a wall against noisy neighbours, using the ReductoClip™ Direct to Wall Soundproofing System</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Case Study: How to soundproof a wall against noisy neighbours
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip™ Direct To Wall System Case Study for the effective soundproofing of walls against noisy neighbours
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-4a8b6320.jpg" alt="ReductoClip Wall soundproofing solution"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The Soundproofing Store speaks to many customers a day who are looking at how to soundproof an existing wall with the aim of reducing the noise from noisy neighbours. 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This wall soundproofing case study focuses on just that. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The Noisy Neighbour Issue
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Interview.jpg" alt="Discussing a noisy neighbour issue"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Mr and Mrs Billanie live in a 3-bedroom 1950’s semi-detached house and although they have a great relationship with their neighbours (we know not everyone is this fortunate) they were hearing a lot of airborne noise from next door. Anything and everything from the TV, talking and sometimes raised voices and shouting and occasionally dogs barking. Both Mr and Mrs Billanie and their neighbours also had young children in their homes and there was often the noise from the children, which is obviously expected within any family home. 
          &#xD;
    &lt;/span&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           As well as airborne noise, there was no carpet in their neighbour’s lounge, which meant they often heard the impact noise of footsteps on the floor. Mr and Mrs Ballanie wanted to soundproof the party wall of their lounge, which is where most of the noise from their neighbours was being experienced. Their lounge is directly opposite that of their noisy neighbours lounge. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Before soundproofing an existing wall, the following questions needed to be answered:
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&lt;div data-rss-type="text"&gt;&#xD;
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          &#xD;
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      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The type of wall, is it a stud wall or a solid wall? - in this case it was a solid brick wall
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            What is the type of noise being heard? Airborne (e.g. TV noise, conversation) or Impact noise (footsteps, doors banging) or is it a combination of both? - a combination of both
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How loud is the noise on their side of the wall? - sometimes loud levels, being able to distinctly hear clear words and conversations
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      &lt;/span&gt;&#xD;
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      &lt;span&gt;&#xD;
        
            Is there a chimney on the wall? - yes, with a log burner 
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      &lt;/span&gt;&#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      &lt;span&gt;&#xD;
        
            If so, if you do an ear test to the chimney when hearing the noise, can you hear it coming through the chimney breast? - yes, muffled airborne noise could be heard
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      &lt;/span&gt;&#xD;
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  &lt;/ul&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
            
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    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Does soundproofing a wall work both ways?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Mr and Mrs Billanie also asked if they soundproof their wall, would their neighbours also hear less noise from them? They were conscious that if they could hear their noisy neighbours, then they could also hear them. Not only did they want to soundproof their party wall to reduce unwanted noise from next door, but they were pleased to learn that the wall soundproofing would also give them more privacy within their own home, by reducing the noise next door were hearing from them too. 
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How does soundproofing a wall work?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         There are two parts to address when soundproofing a wall against noisy neighbours:
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  &lt;div&gt;&#xD;
    
           
          &#xD;
    &lt;div&gt;&#xD;
      &lt;ol&gt;&#xD;
        &lt;li&gt;&#xD;
          
             Airborne sound which is the sound wave (when a sound is created it travels through the air as a sound wave). This is blocked by mass, basically weight, so the heavier and denser a material is, the more sound it blocks.
            &#xD;
        &lt;/li&gt;&#xD;
        &lt;li&gt;&#xD;
          
             Sound is an energy and a vibration, and both parts need to be treated to achieve the best result. This is the tricky part, because as soon as sound hits a wall the vibration travels through any solid, dense material. This energy and vibration needs to be absorbed. We will come onto the system used within this case study and why it was used, however it's worth mentioning early on, that this was achieved by installing dense material onto the ReductoClip™ Direct to Wall System. The ReductoClips make the wall flexible, meaning when the soundwave hits it, the wall can ride out that energy vibration. Like the suspension in a car.
            &#xD;
        &lt;/li&gt;&#xD;
      &lt;/ol&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           The combination of the mass and the resilience and ability to absorb vibration is how to achieve the highest performing wall soundproofing solution against noisy neighbours.
          &#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/div&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         What is the best wall soundproofing solution?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         The technical team at The Soundproofing Store always prefer to speak to customers to gather more information about their noise problem before talking through the best wall soundproofing solution for their individual needs.
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
    &lt;div&gt;&#xD;
      
           After speaking to Mrs and Mrs Billanie, there were three wall soundproofing systems which we spoke to them about in more detail:
          &#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           1.
           &#xD;
      &lt;a href="/reducto-clip-system"&gt;&#xD;
        &lt;b&gt;&#xD;
          
             ProSound™ ReductoClip™ Independent Wall System
            &#xD;
        &lt;/b&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           2.
           &#xD;
      &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
        &lt;b&gt;&#xD;
          
             ProSound™ ReductoClip Direct to Wall System
            &#xD;
        &lt;/b&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           3.
           &#xD;
      &lt;a href="/soundboard-4"&gt;&#xD;
        &lt;b&gt;&#xD;
          
             ProSound™ SoundBoard 4
            &#xD;
        &lt;/b&gt;&#xD;
      &lt;/a&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           The below shows an overview of each system:
          &#xD;
    &lt;/div&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Mr and Mrs Billanie didn’t want to lose the 120mm from their alcoves that the ReductoClip Independent Stud Wall System requires. Although, it is worth noting that this ReductoClip Independent System still delivers the lowest amount of space loss at 120mm than any other independent wall soundproofing system on the market. Their decision not to want to lose this space is understandable, as many domestic customers are conscious about only wanting to lose the minimal amount of space within their home. 
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          Because of the level of noise Mr and Mrs Billanie were experiencing from their noisy neighbours, the advice from The Soundproofing Store was to therefore go with the ReductoClip Direct To Wall System. Which provided a greater performing system against loud levels of noise than that of the SoundBoard4™,  whilst having no need to build a stud frame, meaning the space loss from their alcoves would only be 60mm.
         &#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Benefits of the ReductoClip™ Direct to Wall System
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+Build+Up+SQUARE+flexisound-2789807a.jpg" alt="ReductoClip Direct to Wall Soundproofing "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;i&gt;&#xD;
    
          The ReductoClip™ Direct to Wall System is an innovative soundproofing solution, designed to completely isolate walls. Reducing the transference of sound vibration energy, whilst also blocking airborne noise.
         &#xD;
  &lt;/i&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Delivering the highest level of soundproofing with minimal loss of space within the home (13mm - 17mm thinner than all other clip systems)
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Creates a room within a room, de-coupled from the existing structure - offering a high level of soundproofing
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Outstanding performance against noisy neighbours - bringing peace and quiet to the home
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           The perfect solution for soundproofing against medium to loud levels of noise such as clear conversation, TV noise and  music - as was being experienced by Mr and Mrs Billanie
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Suitable for use on a solid or stud wall
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Dual rubber design, meaning the ReductoClip is able to absorb different sound frequencies - achieving a higher wall soundproofing performance than other clips that feature just one layer of rubber
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Wider furring bars for easier plasterboard fixing - wider bars mean a larger surface area on which to attach the acoustic plasterboard, meaning an easier installation process
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Indents within the furring bars have a central and middle groove, which makes finding the midpoint on the furring bars far easier to work with when butting together the acoustic plasterboard
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Outperforms resilient bars by up to 7dB -  a much higher performing system
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Exceeds Part E Building Regulations (not relevant to this particular case study)
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           DIY install - can be installed by a competent DIYer or tradesperon - Mr Billanie did the whole installation himself with the help of a friend
          &#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            ReductoClip™ Wall Soundproofing Product Overview
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         What about soundproofing the chimney breast?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         There was a chimney breast in the lounge of the wall in question, but it was only the alcoves that were going to be soundproofed. This is because:
         &#xD;
  &lt;div&gt;&#xD;
    &lt;ul&gt;&#xD;
      &lt;li&gt;&#xD;
        
            In most cases the chimney breast doesn’t need the same level of soundproofing as the alcoves or wall 
           &#xD;
      &lt;/li&gt;&#xD;
      &lt;li&gt;&#xD;
        
            Soundproofing is all about adding mass and chimney breasts are normally constructed from a double layer of fire bricks
           &#xD;
      &lt;/li&gt;&#xD;
      &lt;li&gt;&#xD;
        
            Fire bricks are far heavier and more dense than the standard bricks (usually) used in the alcoves
           &#xD;
      &lt;/li&gt;&#xD;
      &lt;li&gt;&#xD;
        
            There is often a small air gap behind and the same double layer of fire bricks on the neighbour’s side and this naturally makes the chimney more soundproof than the alcoves
           &#xD;
      &lt;/li&gt;&#xD;
    &lt;/ul&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          However, there are exceptions, e.g. if the neighbour has removed the chimney on their side of the wall. This was the case with this room in question, with a log burner on Mrs and Mrs Billanie’s side and a removed chimney on their neighbours’ side.  In this instance a simple ear to the chimney breast served enough to show that some sound was being heard through the chimney breast. The advice would be to soundproof the external chimney breast with soundboard 4. There is also the option to soundproof behind the log burner and then attach a fire-retardant board behind the fire. In this instance the fire was too close to the backwall to do this. Which meant the ReductoClip direct to wall system was fitted on the alcoves only and the chimney breast remained as it was.
         &#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Installing the ReductoClip™ Direct To Wall Solution     
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Marking out the position of the ReductoClip™ and Furring Bars 
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Marking+out+ReductoClips.jpg" alt="Measuring and attaching ReductoClips™"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         1.	Firstly, Mr Billanie marked out on the wall the position of the ReductoClips and fixed the ReductoClips to the wall:
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          •	Maximum space between clips 1200mm (every two vertical battens on a 600mm centre frame)
         &#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          •	Maximum space between furring bars (vertical clip positions) 600mm
         &#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          •	Top row of clips should be a maximum of 150mm away from the ceiling (centre of furring bar)
         &#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          •	Bottom row of clips should be a maximum of 100mm from the floor (centre of furring bar)
         &#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         ReductoClip™ Direct To Wall Positioning Diagram
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+positioning+diagram.jpg" alt="ReductoClip Positioning diagram "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Attaching the Furring Bars
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/attaching+furring+bars.JPG" alt="Attaching Furring Bars to ReductoClips™"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           2.	Next the furring channels were measured, cut and attached, ensuring they didn’t touch the edge of the wall. They were then easily installed by simply bending and releasing the furring bars within the clips. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
      
           With the furring channels, in certain cases where the wall is longer than the 3m length of the bars, or as in this case when utilising as much of the materials as possible without any unnecessary waste. Rather than using whole lengths on every section, you can overlap the bars by 150mm and secure the overlap with a couple of self tapping screws either side of the overlap. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/prosound-reductoclip-2-4m-furring-bar/?_gl=1*1no7jus*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIyODI4OC4zNy4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/furring+channel+overlap+for+brochure.jpg" alt="Overlapping of furring bars"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Adding the Acoustic Mineral Wool
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/?_gl=1*1no7jus*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIyODI4OC4zNy4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Adding+mineral+wool.jpg" alt="Adding acoustic mineral wool"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         3.	 25mm Acoustic Mineral Wool (which is much denser than loft installation) was then attached between the furring bars and affixed using Contact Spray Adhesive. There was no need to cover the whole wall, there can be gaps (as per the image opposite). The acoustic mineral wool shouldn’t touch the furring bars. (It can touch the clips). The acoustic mineral wool is used to ensure that any cavity space between the wall and the plasterboard is absorbed. Should any sound get into the cavity it is going to bounce and resonate between the two layers and amplify the sound. Although unlikely, adding the acoustic mineral wool between the wall and the plasterboard ensures this doesn’t happen.
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The first layer of Acoustic Plasterboard
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/First+layer+of+plasterboard-2101f063.jpg" alt="First layer of acoustic plasterboard"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         4.	The first layer of acoustic plasterboard is then installed. Tip! Before installing plasterboard layers, it’s useful to mark the locations of the furring channels on the surrounding walls in chalk or pencil. This will help you to locate the position of the furring channels later once the first layer of plasterboard is on and channels are no longer visible.
        &#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Acoustic plasterboard is much heavier and more dense than standard plasterboard. This increased mass blocks airborne sound. The acoustic plasterboard was installed using self drilling dry wall screws, which are designed to screw into the metal of the furring channel. The recommendation would be to start at the bottom in one corner. Raise the plasterboard onto shims to keep the board at least 5mm off the ground. Also make sure to leave a 5mm gap between any boards and the surrounding walls and ceiling. Secure the plasterboard to the furring bars with dry wall screws. At the end, the 5mm gap will get filled with acoustic sealant. This is also when you would need to cut any holes necessary for electrics.
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Installation checklist so far
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;ul&gt;&#xD;
    &lt;li&gt;&#xD;
      
           The seams of the very first layer of acoustic plasterboard should always align at the centre of a furring channel (so two plasterboards meet on one furring channel)
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           The first row of acoustic plasterboard sheets at the bottom of the wall should be installed with the long dimension supported on shims or Isolation Strip to keep the sheets off the floor
          &#xD;
    &lt;/li&gt;&#xD;
    &lt;li&gt;&#xD;
      
           Furring channels are installed horizontally across the wall
          &#xD;
    &lt;/li&gt;&#xD;
  &lt;/ul&gt;&#xD;
  &lt;div&gt;&#xD;
    
          There weren’t any windows or outlets for sound leaks on this wall. However, should there have been, then all gaps around outlets, windows, or door frames; pipe penetrations and the like would need to be sealed with a non-hardening acoustic sealant.
         &#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          Care was taken to not overtighten the clips. The clip should feel secure, without moving and without compressing the foam layer more than 1mm.
         &#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Acoustic Sealant is added to fill in any gaps
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/?_gl=1*1a4cums*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIyODI4OC4zNy4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sealant+in+joins+-41648422.jpg" alt="Acoustic sealant fills in any gaps"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         5.	Because it was an older property and the ceiling and walls weren’t perfectly straight, in achieving the 5mm gap around the perimeter, it meant the odd gap between the joins of the board where they met in the middle. This was easily rectified by using acoustic sealant in-between the gaps. Soundproofing is a lot like waterproofing and it’s important not to have any gaps where sound could leak through.
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&lt;div data-rss-type="text"&gt;&#xD;
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           Adding FlexiSound 5
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&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/?_gl=1*1a4cums*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIyODI4OC4zNy4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Flexisound+installation.jpg" alt="FlexiSound "/&gt;&#xD;
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            6.	Next it was the installation of the
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    &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/" target="_blank"&gt;&#xD;
      
           FlexiSound 5
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           . An extremely heavy, dense visco-elastic rubber, originally designed as a replacement for lead. Because it’s visco-elastic, this means it also dampens vibrations. It’s extremely heavy and does require two people to lift it. Being self-adhesive, it can be stuck directly to the plasterboard, requiring no fixings or secondary adhesive. The FlexiSound has a backing paper which is removed in the top corner, line it up, stick the very top part on and once the top is lined up and stuck down, the rest of the backing paper can be peeled away. The FlexiSound was stuck to the plasterboard covering the entire wall, leaving just the 5mm gap around the perimeter. TIP! It is much easier to cut the FlexiSound into smaller, more manageable pieces. FlexiSound is very sticky and is difficult to remove if stuck down incorrectly.
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    &lt;span&gt;&#xD;
      
           N.B. Mr Billanie ensured the FlexiSound was joined together without any gaps, although if you like, you can also overlap the FlexiSound to avoid gaps.
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         Ready for the second layer of Acoustic Plasterboard
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&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/flexisound-self-adhesive/?_gl=1*1a4cums*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIyODI4OC4zNy4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Second+layer+of+acoustic+plasterboard+2_+with+flexisound.jpg" alt="Second layer of Acoustic Plasterboard"/&gt;&#xD;
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           7.	The second layer of acoustic plasterboard is then installed on top of the FlexiSound 5, sandwiching it between the two layers. The second layer of 15mm acoustic plasterboard is installed as before, but by staggering the joins by starting at the opposite side from where you started, so the seams aren’t matched up.
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&lt;h3&gt;&#xD;
  
         Adding Acoustic Sealant to the perimeter
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&lt;div&gt;&#xD;
  &lt;a href="https://soundproofingstore.uk/product/soundproof-acoustic-sealant-900ml-tube/?_gl=1*hqoye3*_gcl_au*MTM4OTI2NTcwOC4xNzE5MjI4MjUy*_ga*NzA1ZjllMWYtYzcyMS00YjQ3LTk0NDAtZjk0ZjVhZmRmZjdm*_ga_C14W53N9Z3*MTcxOTIyODI2NS4xLjEuMTcxOTIyODI4OC4zNy4wLjA." target="_blank"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Sealing+the+perimeter.jpg" alt="Adding acoustic sealant to the perimeter" title="Sealing the perimeter with acoustic sealant"/&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  
         8.	 Finally remove the shims and fill the gaps around the perimeter with acoustic sealant along with any other small gaps that may be in between plasterboards.
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         Soundproofing plug sockets
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&lt;div data-rss-type="text"&gt;&#xD;
  
         9.	Use acoustic putty pads inside any electrical fittings to minimize the weakness created by any holes. You are now ready for standard plasterboard finishes.
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         The final finish
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&lt;div data-rss-type="text"&gt;&#xD;
  
         10.	The wall is now ready for a plaster skim and painting, the same as any standard plasterboard finish.
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         ReductoClip™ Direct To Wall Summary
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&lt;div&gt;&#xD;
  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+build+up+with+labels.png" alt="ReductoClip Direct to Wall Summary"/&gt;&#xD;
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         How long did it take to install the ReductoClip™ Direct To Wall System?         
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&lt;div data-rss-type="text"&gt;&#xD;
  
         The wall measured 1.7m x 2.44 for alcove 1 and 2.58m x 2.44m for alcove 2. The installation took a day and a half and was installed by Mr Billanie, with the help of a friend. A large proportion of time was spent cutting the plasterboard to size, as the wall didn’t provide any straight edges!
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         Decorating the wall once the system has been installed         
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         A coat of plaster was added on top of the final layer of plasterboard and painted. In Mrs Billanie’s own words; “To look at the wall, you’d never even know the soundproofing had been installed”.                                                                                                                                                                                                  
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&lt;h3&gt;&#xD;
  
         The soundproofed wall has been redecorated
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  &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/The+finished+wall.jpg" alt="Lounge wall after soundproofing "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         ReductoClip™ Direct To Wall Soundproofing Testimonial 
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&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         On the below video, Mrs Billanie talks through the difference the ReductoClip Direct To Wall System has made to their everyday living. Now their wall is soundproofed, they can no longer hear the unwanted noise from next door and their noisy neighbours are a thing of the past.
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&lt;div data-rss-type="text"&gt;&#xD;
  
         We hope you have found this noisy neighbour wall soundproofing case study of interest. 
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  &lt;div&gt;&#xD;
    
          If you need any help or advice on soundproofing your own home, please do get in touch.
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           Please share this article if you find it useful:
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    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
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  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/install+plasterboard+2.JPG" length="200339" type="image/jpeg" />
      <pubDate>Thu, 14 May 2020 15:18:41 GMT</pubDate>
      <author>sales@soundproofingstore.co.uk (Ian Baker)</author>
      <guid>https://www.soundproofingstore.co.uk/wall-soundproofing-case-study</guid>
      <g-custom:tags type="string">study,solid,stud,impact,direct,neighbour,neighbours,noisy,knowledge hub walls,how,music,airborne,walls,installation,noise,Acoustic insulation,to,Soundproofing,wall,ReductoClip,case,partywalls</g-custom:tags>
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    </item>
    <item>
      <title>What are the benefits of SoundMat 3 Plus over Standard Mats</title>
      <link>https://www.soundproofingstore.co.uk/what-are-the-benefits-of-soundmat-3-plus-over-acousterlay-15</link>
      <description>Product comparison of SoundMat 3 Plus to standard mats</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           What are the benefits of SoundMat 3 Plus over Standard Mats
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&lt;div data-rss-type="text"&gt;&#xD;
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          Image of SoundMat 3 Plus &amp;amp;  Acoustilay 15 (Below)
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&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/soundmat-3-plus"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Acoustilay+15++v+Soundmat+3+plus.jpg" alt="Acoustilay"/&gt;&#xD;
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            We are often asked about the difference between our competitors mats and our best selling
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    &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
      
           SoundMat 3 Plus
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            .
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             Both products use the same high mass material on the top and bottom (mass loaded vinyl) so the airborne performance is identical, however it is the middle foam layer which is where the
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    &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
      
           SoundMat 3 Plus
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            offers the biggest improvement over our competitors.
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            Standard mats use a recycled chip foam (a combination of recycled materials), which due to their recycled nature have inconsistencies in performance. e.g. certain parts are harder than others and certain sections are softer, also they are prone to small gaps and inconsistencies, resulting in different impact performances in different areas of the mats.
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      &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
        
            SoundMat 3 Plus
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             uses a manufactured closed cell, high load foam which offers a uniform performance across the whole soundproofing mat.
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            The closed cell foam in the SoundMat 3 Plus will not absorb water. This can be a big benefit in case of any water damage to the floor in the future.
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    &lt;li&gt;&#xD;
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             Price for
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      &lt;a href="https://www.soundproofingstore.co.uk/soundmat-3-plus" target="_blank"&gt;&#xD;
        
            SoundMat 3 Plus
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      &lt;span&gt;&#xD;
        &lt;span&gt;&#xD;
          
             can be up to 10% cheaper per m2
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          For more information about soundproofing your floor, have a look at our
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-a-floor-against-noisy-neighbours" target="_blank"&gt;&#xD;
      
           Soundproofing Floors Blog
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          .
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&lt;div data-rss-type="text"&gt;&#xD;
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            SoundMat™ 3 Plus Product Overview
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    &lt;/span&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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          For further information on our SoundMat 3 Plus  visit
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/"&gt;&#xD;
      
           www.soundproofingstore.co.uk
          &#xD;
    &lt;/a&gt;&#xD;
    
          , call us on 01423 206208 or contact us via the form below. 
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    &lt;br/&gt;&#xD;
    &lt;br/&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Need Help?
        &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-15b17cd7.jpg" length="19062" type="image/jpeg" />
      <pubDate>Sun, 03 May 2020 14:43:18 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/what-are-the-benefits-of-soundmat-3-plus-over-acousterlay-15</guid>
      <g-custom:tags type="string">acoustilay,impactalay,soundmat,3,plus,comparison,soundmat3</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/SM3+hero+square-15b17cd7.jpg">
        <media:description>thumbnail</media:description>
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    <item>
      <title>Soundproofing an Animal Enclosure</title>
      <link>https://www.soundproofingstore.co.uk/soundproofing-an-animal-enclosure</link>
      <description>Is it possible to soundproof an animal enclosure to limit the noise being heard by neighbours?</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           Soundproofing an Animal Enclosure
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  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Barking-dog.jpg" alt="dog barking"/&gt;&#xD;
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            As a country, the idea of owning a pet completes a home for a lot of families. In many cases this is something that people have grown up with within their household from childhood. In fact, the PDSA who work with YouGov to carry out a survey annually have found that 50% of UK adults own a pet in a variety of shapes and sizes! It has also been observed that animals and pets have a positive impact on human mental health and can
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    &lt;a href="https://www.mentalhealth.org.uk/a-to-z/p/pets-and-mental-health" target="_blank"&gt;&#xD;
      
           reduce anxiety and stress
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           . 
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           However, they can also be quite noisy and alerted by their surroundings. We have had an increasing amount of enquiries from pet owners, ranging from soundproofing dog kennels to chicken coops. Unfortunately soundproofing these enclosures is nearly impossible to achieve.
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           The Science behind soundproofing
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&lt;div data-rss-type="text"&gt;&#xD;
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           To soundproof a surface such as a wall, we need to do the following things:
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          Improve the mass of the surface - This is normally achieved by adding different high mass/density products.
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          Improve the ability of the surface to absorb sound energy and vibrations. Without this, the addition of the mass will have very little impact.
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          Use different materials of high mass. Different materials perform better for different sound frequencies so using a combination of high mass materials will always perform better than simply using more of the same material.
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          In addition to this, sound energy travels a lot like water, and we need to think of soundproofing like waterproofing. Any small gaps need to be sealed up with acoustic sealant to prevent sound travelling through.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to Soundproof a Wall with the SoundBoard 4™ System
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Can you Soundproof the Walls of an animal enclosure?
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&lt;div data-rss-type="text"&gt;&#xD;
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           When you put all the above together, you would effectively be creating an airtight chamber. Unfortunately for your pet within their enclosure this would mean that they wouldn’t be able to breathe, and you would have to drill holes in the soundproofing to allow for this, essentially rendering the soundproofing ineffective. (Back to our analogy of soundprrofing being like waterproofing).
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    &lt;div&gt;&#xD;
      
           The only realistic option if you were just going to treat a cage is to cover the cage in a heavy, but breathable blanket like material. This will help absorb some of the sound, but still allow air to pass through, however soundproofing results will be very limited.
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    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           Please remember that if you were to do this, you would need to leave a sizable gap at the bottom of the blanket for ventilation! A top tip leading on from this would be to have the gap facing away from the direction of neighbours houses, to ensure that the majority of sound isn't travelling their way.
          &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
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           What if my pet is getting distressed by noises from outside your house?
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&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;div&gt;&#xD;
      
           We’ve discussed the scenario where pets within an enclosure are the noise culprits. However, there is another situation we are increasingly being asked about- fireworks from outside spooking our pets. As much as we may enjoy a fireworks display, our pets can find loud noises very stressful. 
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    &lt;/div&gt;&#xD;
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      &lt;br/&gt;&#xD;
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    &lt;div&gt;&#xD;
      
           Another common scenario which gets brought to our attention is dogs barking from indoors being heard outside of a property.
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    &lt;div&gt;&#xD;
      
           Our advice for both of the above is as follows:
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      &lt;br/&gt;&#xD;
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    &lt;div&gt;&#xD;
      
           1.	An obvious tip would be to close the windows and any external doors as these are essentially large holes between you and the outside world.
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      &lt;br/&gt;&#xD;
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    &lt;div&gt;&#xD;
      
           2.	 If step one hasn’t helped your pet enough, look into upgrading and replacing your existing windows and external doors along with their frames to help minimise any gaps these may have around them. 
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    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           3.	Soundproofing the wall itself if the first two steps have been followed. We would point you towards addressing the windows and doors firstly as these are the obvious weak points. An external wall tends to be built much thicker with a lot more mass and density than your internal walls. Contacting a window glazing company would be your first port of call for this.
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    &lt;/div&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;a href="https://d8-origin-prod.bluecross.org.uk/pet-advice/dogs-and-fireworks" target="_blank"&gt;&#xD;
    
          Blue Cross For Pets
         &#xD;
  &lt;/a&gt;&#xD;
  
         have some more specialist tips for you to follow and contact details.   
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          We do hope this has been helpful for you, we wish there could be more we could do for your pets and as much as we love them, they do pose some dilemmas noise wise!
         &#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
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      <pubDate>Thu, 16 Apr 2020 15:01:17 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/soundproofing-an-animal-enclosure</guid>
      <g-custom:tags type="string">soundproofing,dogs,pets,noisy,animals,fireworks,barking,enclosure,cage,noise,sound,pet,birds,sound,deadening,blanket,soundboard4,</g-custom:tags>
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    <item>
      <title>Who are The Soundproofing Store?</title>
      <link>https://www.soundproofingstore.co.uk/who-are-the-soundproofing-store</link>
      <description>Learn more about The soundproofing Store and what sets them apart as the number 1 online retailer of soundproofing products</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Who are The Soundproofing Store?
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    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The Soundproofing Store Team
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Growth+-+Soundproofing+-+Raworths.jpg" alt="Ian Baker winning award"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         The	Soundproofing	Store	is	one	of	the largest	online	retailers	of	Soundproofing	materials	in	the	UK.	Set	up	in	2015 by	MD	Ian	Baker,	the	company	has	experienced	exceptional	growth, year	on	year since	launch.
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The soundproofing journey so far
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When	Ian first	set	up	The	Soundproofing Store,	he	saw	a	gap	in	the	market	for	domestic	customers	who	were	needing advice	and	solutions	to	their
           &#xD;
      &lt;a href="https://www.soundproofingstore.co.uk/how-to-soundproof-my-wall-against-noisy-neighbours" target="_blank"&gt;&#xD;
        &lt;b&gt;&#xD;
          
             noisy	neighbour
            &#xD;
        &lt;/b&gt;&#xD;
      &lt;/a&gt;&#xD;
      
           problems. This	remains	a	key	area for	the	business,	although	it	has	also	evolved	into	more	specialist	areas	of soundproofing	such	as	recording	studios	and	band	practice	rooms.	Growth	within this	area	has	resulted	in	the	business	now encompassing a	specialist	studio department.
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  &lt;/div&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  
         Other	areas	of	growth	have also come	from the	building	trade	and	specifiers	market.	It	became	ever	more	apparent	that	it wasn’t	just	domestic	customers	who	required	soundproofing	advice	and	products, but	also	builders	and	architects	who	also	needed	expert	advice	on	new	build	and refurbishment	projects.	Especially	in	relation	to	complying	with	Part	E	Building Regulations	-	relating	to	the	passage	of	sound	(for	properties	with	a change	of	use	or	new	builds). 
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         What makes the Soundproofing Store different?
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Dynamism	has	always	played	and continues	to	play	an	important	part	of	the	business,	especially	when	it	comes to	product	sourcing	and	development.	The	sourcing	of	new	soundproofing technologies	has	been	instrumental	in	the	success	of	the	business	and	the solutions	offered	to	our	customers.	In	January, The Soundproofing Store launched an	exclusive and brand-new	soundproofing	product	(The	ReductoClip™	System).	This	is the	thinnest	soundproofing	independent	clip	system	on	the	market,	which	The Soundproofing	Store	has	brought	to	market	and which has	received	rave	reviews from customers.	The	focus	on	research	and	innovative	product	development	within	the market	means	The	Soundproofing	Store	continues	to	pave	the	way	in	making	and selling	world-leading	soundproofing	products	to you, our	customers.
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Expert soundproofing advice
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         The	Soundproofing	Store prides itself	on	the	expertise	of	the	team	and	exceptional	customer	service	offering. Our	technical	team	advise	hundreds	of	customers	every	week, on soundproofing their walls, floors and ceilings and talking	through their	specific	soundproofing	problems,	with	no	obligation	to	buy	from	us.	Customers recognise	us	as	a	trusted	and	specialist	partner	in	helping	them achieve peace	and	quiet	in	their	homes	and	this	is	highlighted	through	our	5-star customer	reviews	and	rating	of	‘Excellent’	on	TrustedShops.
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         A library of Soundproofing content
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         A	major	area	where	The	Soundproofing Store	stands	out	from other soundproofing companies is	the	curation	of	educational	content. Used	to	help	guide customers in their search and selection of the correct	type	of	soundproofing	for	the level	of	noise	they	are	experiencing	and	explaining	in	simple	terms	how	the material	is	installed,	and	the	loss	of	space	expected.	The	Soundproofing	Store	is	proving	itself	as	the authoritative	voice	within	the	soundproofing	industry.	This	can	be	seen	across	the website	and	the	amount	of	content	readily	available	depending	on	customers individual	soundproofing	issues.	This	is	further	evidenced	through	The	Soundproofing Store	videos,	with	our	‘How	to	soundproof	a	party	wall’	video	having	over 560,000	views	on	YouTube (and growing) and	many	of	the	Soundproofing	Store’s	blogs	showing	as the	first	organic	content	listing on	Google.
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Going above and beyond
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Our customers	are	at	the	heart	of	everything	we	do.	This	translates	through	personal	one-to-one	phone	consultations whereby The Soundproofing Store offers expert advice, talking through customers noise issues and without any obligation to buy.
         &#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;b&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/b&gt;&#xD;
  &lt;/a&gt;&#xD;
  
         website is a constantly	evolving	online	store, aiming to	engage our customers	and	supply all	the	information required in order to make an informed soundproofing decision, within	an	easy	to	navigate	site.
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The future 
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         The Soundproofing Store will continue to invest in the development of new and environmentally friendly, high performing, thin soundproofing solutions, which are ethically sourced from the UK.
         &#xD;
  &lt;div&gt;&#xD;
    
          Remaining the largest online retailer of soundproofing products and continuing to provide a user friendly site for customers to seek information, advice and solutions to all of their soundproofing needs. 
         &#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    
          We'd love for you to be part of our journey, and you can keep track of the latest soundproofing products and developments by following us on social media.
         &#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
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      <pubDate>Tue, 25 Feb 2020 16:00:23 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/who-are-the-soundproofing-store</guid>
      <g-custom:tags type="string">reductoclip,floors,award winning,noise,neighbours,noisy,soundboard4,soundproofing,ceilings</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/team+pic.JPG">
        <media:description>thumbnail</media:description>
      </media:content>
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    <item>
      <title>Music Studio Levi Clay Case Study</title>
      <link>https://www.soundproofingstore.co.uk/how-to-soundproof-a-music-studio</link>
      <description>Case study of how to soundproof a music studio using the ReductoClip System</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Music Studio Levi Clay Case Study
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing a music studio - Levi Clay case study
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/studio-soundproofing"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/levi+clay.jpg" alt="Levi Clay image soundproofing case study "/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The Soundproofing Store was contacted by YouTuber Levi Clay, (a guitarist) who was looking to soundproof his garage and turn it into a music studio. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           This case study features his journey from garage to music studio, all of which he filmed for his YouTube channel. For more of a detailed breakdown of a music studio conversion, then take a look at the below music studio conversion blog.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Damp problems before the soundproofing can start
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&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           When bricking up the garage door space, damp issues were found within the garage. Obviously this needed to be rectified before any type of studio build could commence. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The importance of making music studios airtight 
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            When researching soundproofing for music studios, Levi found
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/studio-soundproofing"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            website and was really impressed with the studio soundproofing content available. The installation guides and videos were so comprehensive, he decided to take on the build himself..
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Update on the studio external wall build
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Building the stud wall and adding isolation strip
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&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Stud walls, acoustic plasterboard and acoustic mineral wool
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&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
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    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            The stud walls have been built and
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/acoustic-mineral-wool-60kg/" target="_blank"&gt;&#xD;
      
           acoustic mineral wool
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    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            has been added within the stud frame.
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      &lt;/span&gt;&#xD;
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Installation of the IsoMax Clip System
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    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Studio build - top tip. Install the full ceiling before finishing the walls. Build the wall frames, then attach the clips, bars and plasterboard layers of the ceiling. Then do your clips, bars and plasterboards of the wall going up to the new ceiling. 
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&lt;div data-rss-type="text"&gt;&#xD;
  
         Since the filming and installation of the IsoMax System used in Levi's studio, The Soundproofing Store have since developed and launched an even thinner system called the
         &#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;b&gt;&#xD;
      
           ReductoClip™ Independent Wall System
          &#xD;
    &lt;/b&gt;&#xD;
  &lt;/a&gt;&#xD;
  
         . 
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         ReductoClip Independent Wall System
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Reducto+Clip+hero+square-4a8b6320.jpg" alt="ReductoClip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip™ - exceptional soundproofing performance
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing a wall with the ReductoClip™ System
        &#xD;
&lt;/h3&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing the ceiling 
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         The installation of the clips for the ceiling system were customised for this build, due to trying to retain as much head height as possible. Take a look below..
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Soundproofing the walls of a music studio
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            Attaching the two layers of
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/15mm-acoustic-plasterboard/" target="_blank"&gt;&#xD;
      
           acoustic grade plasterboard
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            sandwiching a layer of self-adhesive 
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://soundproofingstore.uk/product/tecsound-sy100/" target="_blank"&gt;&#xD;
      
           Tecsound SY100
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            . 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Studio sound test
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Levi films to show the soundproofing qualities of his new studio. One very happy customer! 
        &#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         The music studio is almost finished
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Levi's film of the cross section of the clip system and how the lighting and ventilation will work.
        &#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            "We don’t expect you to become an expert
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           overnight
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/levi+clay.jpg" length="144217" type="image/jpeg" />
      <pubDate>Fri, 07 Feb 2020 09:48:03 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-soundproof-a-music-studio</guid>
      <g-custom:tags type="string">Soundproofing,studio,music,reductoclip,tecsound,room,</g-custom:tags>
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        <media:description>thumbnail</media:description>
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    </item>
    <item>
      <title>How to stop a door from slamming</title>
      <link>https://www.soundproofingstore.co.uk/how-to-stop-a-door-from-slamming</link>
      <description>A simple and effective way of stopping unwanted noise from slamming doors.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           How to stop a door from slamming
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  &lt;/h1&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         Can you hear your neighbours doors slamming ?
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&lt;div&gt;&#xD;
  &lt;a href="/"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/internal+doors2.jpg" alt="Internal door"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Most of us have experienced the aftermath of slamming doors, sending what feels like shockwaves through the entire house. Often rectified within our own home with a pre-emptive shout of "don't slam the door." Too late, bang! 
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
    &lt;div&gt;&#xD;
      
           In a recent survey by
           &#xD;
      &lt;a href="https://www.realhomes.com/news/neighbours-from-hell-the-common-bad-behaviours-that-will-drive-you-crazy"&gt;&#xD;
        &lt;b&gt;&#xD;
          
             Real Homes
            &#xD;
        &lt;/b&gt;&#xD;
      &lt;/a&gt;&#xD;
      
           , slamming doors was in the top 5 of common bad behavious from inconsiderate neighbours.
           &#xD;
      &lt;div&gt;&#xD;
        &lt;br/&gt;&#xD;
        &lt;div&gt;&#xD;
          
             If the door slamming noise is coming from your neighbours property, either from an adjoining property, through your walls or from the property above or below you, we have the answer!
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        &lt;/div&gt;&#xD;
        &lt;div&gt;&#xD;
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          &lt;div&gt;&#xD;
            
              When speaking to customers about their noisy neighbour issues, and before offering soundproofing advice and the most effective soundproofing solution for their needs, the first questions always relate to the types and levels of noise they are experiencing. 
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          &lt;/div&gt;&#xD;
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    &lt;/div&gt;&#xD;
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&lt;h3&gt;&#xD;
  
         Understanding the type of noise door slamming makes
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&lt;div data-rss-type="text"&gt;&#xD;
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          The slamming of a door is both airborne noise (the sound of the actual door hitting the door frame) and impact noise, (the vibrations which can often be felt through the whole structure of the building). 
          &#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/whats-the-difference-between-impact-and-airborne-noise" target="_blank"&gt;&#xD;
      
           Airborne noise
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    &lt;/a&gt;&#xD;
    
           
         &#xD;
  &lt;/span&gt;&#xD;
  
         travels through the air and is picked up as noise, such as people talking, TV noise, music, cars and pets, e.g. dogs barking.
         &#xD;
  &lt;a href="https://www.soundproofingstore.co.uk/whats-the-difference-between-impact-and-airborne-noise" target="_blank"&gt;&#xD;
    &lt;b&gt;&#xD;
      
           Impact noise
          &#xD;
    &lt;/b&gt;&#xD;
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         is the actual physical impact on buildings and solid materials, which generate soundwaves. The likes of footfall, furniture moving and in this instance, doors banging. 
         &#xD;
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          One example of this is when you clap your hands together, you create an airborne noise which you can hear and an impact vibration which travels up your arm.
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  &lt;/div&gt;&#xD;
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&lt;h3&gt;&#xD;
  
         How to stop a slamming door
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&lt;/h3&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/soft+door+closer+2.jpg" alt="Soft door closer"/&gt;&#xD;
  &lt;/a&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;div&gt;&#xD;
    
          The hardest type of noise to soundproof against is impact noise, as this can travel into the whole structure of the building and can be very hard to deal with on your side of the property, without soundproofing the whole adjoining part of the property.
         &#xD;
  &lt;/div&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
  &lt;/div&gt;&#xD;
  
         However, there is a very quick and easy solution to stopping the noise created by a slamming door. This is to simply slow down the closing of the door with soft door close systems, (think back to the hydraulic hinges on doors when you were at school). Not something you'd particularly want on show within your home, althought there are domestic products on the maket whereby the soft close systems are integrated within the door and hidden from view. 
         &#xD;
  &lt;div&gt;&#xD;
    &lt;br/&gt;&#xD;
    &lt;div&gt;&#xD;
      
           Alternatively, a simpler more cost effective solution to prevent the door impacting the door frame is to attach a neoprene foam strip to the perimeter of the door frame. The foam provides enough resistance and cushioning to slow down the door as it closes therefore dampening any impact noise at source
           &#xD;
      &lt;span&gt;&#xD;
        
            . So for less than £15, that's the slamming door problem solved!
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      &lt;/span&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      &lt;span&gt;&#xD;
        &lt;br/&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/div&gt;&#xD;
    &lt;div&gt;&#xD;
      
           The only issue being that you need to have a good relationship with your neighbours, as they need to attach the foam to their doors in order to stop the sound transfering to your property and being heard by you.
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    &lt;/div&gt;&#xD;
  &lt;/div&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;h3&gt;&#xD;
  
         How to soundproof a door
        &#xD;
&lt;/h3&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         Above is a quick and easy way to stop doors from slamming, should noisy neighbour door slamming be causing an issue. If door soundproofing is of interest, then this is a separate subject and more details can be found below.
        &#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            "We don’t expect you to become an expert
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           overnight
          &#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           , that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Internal+Doors.jpg" length="157668" type="image/jpeg" />
      <pubDate>Wed, 15 Jan 2020 15:34:24 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/how-to-stop-a-door-from-slamming</guid>
      <g-custom:tags type="string">soundproofing,doors,door,slamming,banging,noisy,neighbours,noise,airborne,impact,soft,close,flat,home</g-custom:tags>
      <media:content medium="image" url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/Internal+Doors.jpg">
        <media:description>thumbnail</media:description>
      </media:content>
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    </item>
    <item>
      <title>ReductoClip™  System Comparison</title>
      <link>https://www.soundproofingstore.co.uk/reductoclip</link>
      <description>Benefits of the ReductoClip System and how the system compares to and exceeds other soundproofing clip solutions.</description>
      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h1&gt;&#xD;
    &lt;span&gt;&#xD;
      
           ReductoClip™ System Comparison
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h2&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How does the ReductoClip™ compare to other clip systems?
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h2&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/main+Reducto+Clip++on+its+own.jpg" alt="ReductoClip"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;a href="/"&gt;&#xD;
      
           The Soundproofing Store
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            is always looking at new and innovative soundproofing products and solutions. The ReductoClip delivers the slimmest independent soundproofing wall / ceiling system on the market. Whilst still delivering exceptional soundproofing against noisy neighbours and delivering the perfect solution for professional music studios, recording studios, band practice rooms and home cinemas.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The benefits of the ReductoClip over other clip systems
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/clip+comparison+1.jpg" alt="ReductoClip system size"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            One of the main benefits of the ReductoClip is its slim design. As with all independent stud wall systems a loss of space is to be expected. It comes as no surprise that in building a room within a room, more space is lost than with 
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="/reductoclip-direct-to-wall-system"&gt;&#xD;
      
           direct to wall
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;span&gt;&#xD;
      
           soundproofing solutions.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    
          With the ReductoClip independent stud wall system, the loss of space is only 120mm. The ReductoClip is the slimmest soundproofing clip system on the market, delivering an independent soundproofing wall system 13mm - 16.27mm thinner than all other clip systems.
         &#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;div&gt;&#xD;
    &lt;b&gt;&#xD;
      
           Other Clip comparisons
          &#xD;
    &lt;/b&gt;&#xD;
  &lt;/div&gt;&#xD;
  
         MuteClip and bar total depth 40mm
         &#xD;
  &lt;div&gt;&#xD;
    
          GenieClip and bar total depth 41.22mm
          &#xD;
    &lt;br/&gt;&#xD;
    &lt;div&gt;&#xD;
      &lt;br/&gt;&#xD;
    &lt;/div&gt;&#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           Benefits of the ReductoClip System over other clip and bar systems
          &#xD;
    &lt;/span&gt;&#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How the ReductoClip outperforms other clip systems
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Dual+Rubber2-7e2597f1.jpg" alt="ReductoClip dual rubber design"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  
         The ReductoClip's dual rubber design results in a far higher performance than other clips, due to being able to absorb different sound frequencies. Other clips with only one type of rubber are restricted to absorbing fewer sound frequencies.
        &#xD;
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The ReductoClip design saves time on installation 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;a href="/reducto-clip-system"&gt;&#xD;
    &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/clip+comparison+4.jpg" alt="ReductoClip independent wall system"/&gt;&#xD;
  &lt;/a&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The uniquely designed wider ReductoClip furring bar also allows for a wider (50mm) furring bar. This in turn means there is a larger surface area to attach plasterboard to. The indents on the furring bars also have a central, middle groove, which makes finding the midpoint on the furring bars far easier to work with when butting up plasterboard, than when working with the standard thinner furring bars used in other systems.
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&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How the ReductoClip™ Independent Wall System works 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Independent+Solid+Wall+Build+Up+With+Labels.png" alt="ReductoClip"/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            This innovative soundproofing solution is designed to completely isolate walls. Reducing the transference of sound vibration energy, whilst also blocking airborne noise with high mass materials.
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           The highest performing wall sound insulation system for all noise issues, the ReductoClip Independent Wall Solution is used to soundproof against all unwanted noise issues and is the ideal solution for excessive noise and is also used in music studios.
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            By attaching the ReductoClip and furring bars to an independent stud frame, then adding different layers of high mass materials, this will achieve a sound reduction of 65dB for airborne noise. The slimmest independent clip system on the market, with a total build up of only 120mm from the original wall. The ReductoClip Independent wall solution also exceeds
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      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-pass-part-e-building-regulations" target="_blank"&gt;&#xD;
      
           Part E Building Regulations
          &#xD;
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&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How to install the ReductoClip™ Independent System
           &#xD;
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  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            How the ReductoClip™ Direct to Wall System Works
           &#xD;
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    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Direct+build+up+with+labels.png" alt="ReductoClip Direct to Wall build-up"/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            An alternative to the ReductoClip Independent System is the ReductoClip Direct to Wall solution. The system build up is the same as the Independent System, but without the independent stud frame. This reduces the build up of the system to an incredibly slim 60mm build up from the original wall. The direct to wall solution isn't as high performing as the Independent System, but offers an excellent compromise on space loss, whilst still achieving an excellent performance. A hugely popular wall sound insulation solution within homes when soundproofing against the unwanted noise from noisy neighbours and where space loss from the original wall needs to be minimal. The ReductoClip Direct to wall solution achieves a sound reduction of 55dB on a solid party wall, which is also a pass for
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-pass-part-e-building-regulations" target="_blank"&gt;&#xD;
      
           Part E Building Regulations
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
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  &lt;/p&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to install the ReductoClip Direct to Wall Solution
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How the ReductoClip ceiling system works 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div&gt;&#xD;
  &lt;img src="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/ReductoClip+Timber+Ceiling+buiold+up+with+labels-613820d9.png" alt="ReductoClip Timber ceiling soundproofing system build-up"/&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           As with the reductoClip wall systems, the ReductoClip ceiling solution is also designed to completely isolate ceilings. Reducing the transference of sound vibration energy, whilst also blocking airborne noise. 
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            By attaching the ReductoClip and furring bars to the timber joists of the ceiling, then adding different layers of high mass materials, this will achieve a sound reduction of 54dB for airborne noise and 55dB reduction for impact noise, whilst also exceeding
           &#xD;
      &lt;/span&gt;&#xD;
    &lt;/span&gt;&#xD;
    &lt;a href="https://www.soundproofingstore.co.uk/how-to-pass-part-e-building-regulations" target="_blank"&gt;&#xD;
      
           Part E Building Regulations
          &#xD;
    &lt;/a&gt;&#xD;
    &lt;span&gt;&#xD;
      &lt;span&gt;&#xD;
        
            .
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  &lt;h3&gt;&#xD;
    &lt;span&gt;&#xD;
      
           How to soundproof a timber joist ceiling with the ReductoClip System
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/h3&gt;&#xD;
&lt;/div&gt;&#xD;
&lt;div data-rss-type="text"&gt;&#xD;
  &lt;p&gt;&#xD;
    &lt;span&gt;&#xD;
      
           "We don’t expect you to become an overnight expert in soundproofing, that’s what we’re here for."
          &#xD;
    &lt;/span&gt;&#xD;
  &lt;/p&gt;&#xD;
&lt;/div&gt;</content:encoded>
      <enclosure url="https://irp.cdn-website.com/e9ca99bc/dms3rep/multi/main+Reducto+Clip++on+its+own.jpg" length="30566" type="image/jpeg" />
      <pubDate>Thu, 09 Jan 2020 14:48:02 GMT</pubDate>
      <guid>https://www.soundproofingstore.co.uk/reductoclip</guid>
      <g-custom:tags type="string">studio,solid,independent,wall soundproofing,stud,sound,neighbours,noisy,furring,ceilings,knowledge hub walls,reductoclip,bar,music,walls,system,noise,quiet,wall,soundproofing</g-custom:tags>
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